{"id":24226,"date":"2020-01-13T16:37:04","date_gmt":"2020-01-13T15:37:04","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=24226"},"modified":"2022-01-06T19:41:16","modified_gmt":"2022-01-06T18:41:16","slug":"premiery-02-2020","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-02-2020\/","title":{"rendered":"02.2020"},"content":{"rendered":"\n
1<\/td>Anomalia<\/td>Anomalia<\/td>Multikulti Project<\/td><\/td><\/tr>
1<\/td>Duytrg<\/td>Verse<\/td><\/td><\/td><\/tr>
1<\/td>I Love My Mother<\/td>I Love My Mother<\/td>Love & Beauty Music<\/td><\/td><\/tr>
2<\/td>Ak’chamel, The Giver Of Illness<\/td>The Totemist<\/td>Akuphone<\/td><\/td><\/tr>
2<\/td>Half Light<\/td>(Nie)pok\u00f3j wolno\u015bci<\/td>Audio Anatomy<\/td><\/td><\/tr>
2<\/td>Seu Jorge<\/td>Seu Jorge & Rog\u00ea Night Dreamer Direct\u200b-\u200bTo\u200b-\u200bDisc Sessions<\/td>Night Dreamer<\/td><\/td><\/tr>
4<\/td>Anna Gadt, Marcin Olak<\/td>Gombrowicz<\/td>Hevhetia<\/td><\/td><\/tr>
5<\/td>Biting Tongues<\/td>Live It<\/td>Finders Keepers<\/td>arch.<\/td><\/tr>
5<\/td>Clara! y Maoupa<\/td>Luna Nueva<\/td>Editions Gravats<\/td><\/td><\/tr>
5<\/td>Elliot Bergman<\/td>Peace Bells<\/td>Leaving<\/td><\/td><\/tr>
5<\/td>LOO\u03a0\u0394<\/td>[#]<\/td>Blockberry Creative<\/td>EP<\/td><\/tr>
5<\/td>Miquela<\/td>I A De Sers <\/td>Finders Keepers<\/td>arch.<\/td><\/tr>
5<\/td>Tomasz Bednarczyk<\/td>Because Some Things Cannot Happen Enough<\/td><\/td>EP<\/td><\/tr>
6<\/td>Jana Winderen<\/td>Spring Bloom In The Marginal Ice Zone<\/td>Touch<\/td>CD<\/td><\/tr>
6<\/td>Thomas K\u00f6ner<\/td>Motus<\/td><\/td><\/td><\/tr>
7<\/td>Against All Logic<\/td>2017-2019<\/td>Other People<\/td><\/td><\/tr>
7<\/td>Antibalas<\/td>Fu Chronicles<\/td>Daptone<\/td><\/td><\/tr>
7<\/td>\u00c1sgeir<\/td>Bury the Moon<\/td>One Little Indian<\/td><\/td><\/tr>
7<\/td>Asher Tuil<\/td>Extensities<\/td>L-ne<\/td><\/td><\/tr>
7<\/td>Beatrice Dillon<\/td>Workaround<\/td>PAN<\/td><\/td><\/tr>
7<\/td>Bruce Springsteen & The E Street Band<\/td>Nassau Coliseum 05.04.09<\/td><\/td><\/td><\/tr>
7<\/td>C.O.W. \u725b<\/td>Internet<\/td>Compost<\/td><\/td><\/tr>
7<\/td>Cerrone <\/td>DNA<\/td><\/td><\/td><\/tr>
7<\/td>Christian McBride<\/td>The Movement<\/td>Mack Avenue<\/td><\/td><\/tr>
7<\/td>Christopher Paul Selling<\/td>Best of Luck<\/td>Epitaph<\/td><\/td><\/tr>
7<\/td>Daniel Carter, Patrick Holmes, Matthew Putman<\/td>Whoadie<\/td>577 Records<\/td><\/td><\/tr>
7<\/td>Delain<\/td>Apocalypse & Chill<\/td>Napalm<\/td><\/td><\/tr>
7<\/td>Delfayo Marsalis\u2019 Uptown Jazz Orchestra<\/td>Jazz Party<\/td>Troubador Jass<\/td><\/td><\/tr>
7<\/td>Denzel Curry & Kenny Beats<\/td>Unlocked<\/td><\/td><\/td><\/tr>
7<\/td>Electric Sewer Age<\/td>Contemplating Nothingness<\/td>Hallow Ground<\/td><\/td><\/tr>
7<\/td>Envy<\/td>The Fallen Crimson<\/td>Temporary Residence<\/td><\/td><\/tr>
7<\/td>Flamingo Pier<\/td>Indigo EP<\/td><\/td><\/td><\/tr>
7<\/td>Gil Scott-Heron<\/td>We\u2019re New Again – a Reimagining by Makaya McCraven<\/td>XL<\/td><\/td><\/tr>
7<\/td>Hamerkop<\/td>Remote<\/td>Drag City<\/td><\/td><\/tr>
7<\/td>Isobel Campbell <\/td>There Is No Other<\/td>Cooking Vinyl<\/td><\/td><\/tr>
7<\/td>Jan Jelinek, Hideki Umezawa, Mads Emil Nielsen<\/td>Framework 2<\/td>Arbitrary<\/td>EP<\/td><\/tr>
7<\/td>John Moreland<\/td>LP5<\/td>Old Omens<\/td><\/td><\/tr>
7<\/td>John Moreland<\/td>LP5<\/td>Thirty Tigers<\/td><\/td><\/tr>
7<\/td>Jon Hassell \/ Farafina<\/td>Flash Of The Spirit<\/td>Tak:til<\/td>reed. 1988<\/td><\/tr>
7<\/td>Jozef Van Wissem<\/td>Ex Mortis<\/td>Consouling Sounds<\/td><\/td><\/tr>
7<\/td>Karl Steven<\/td>Come To Daddy <\/td>Mondo Tees<\/td><\/td><\/tr>
7<\/td>Khruangbin & Leon Bridges<\/td>Texas Sun<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
7<\/td>Kit Sebastian<\/td>Kit Sebastian Remixes<\/td>Mr Bongo<\/td>EP<\/td><\/tr>
7<\/td>La Roux<\/td>Supervision<\/td>Believe<\/td><\/td><\/tr>
7<\/td>Lithics <\/td>Wendy Kraemer<\/td>Moone<\/td>EP<\/td><\/tr>
7<\/td>Little Snake<\/td>YATDC<\/td>Brainfeeder<\/td><\/td><\/tr>
7<\/td>Lonker See<\/td>Hamza<\/td>Antena Krzyku<\/td><\/td><\/tr>
7<\/td>Ludojad<\/td>Polish Island<\/td>Dobrze Wiesz<\/td><\/td><\/tr>
7<\/td>Mark Kozelek With Ben Boye and Jim White<\/td>Mark Kozelek With Ben Boye and Jim White 2<\/td>Caldo Verde<\/td><\/td><\/tr>
7<\/td>Michael Wolff<\/td>Bounce<\/td>Sunnyside<\/td><\/td><\/tr>
7<\/td>Nada Surf<\/td>Never Not Together<\/td>City Slang<\/td><\/td><\/tr>
7<\/td>October<\/td>Eviction EP<\/td>Honey Soundsystems<\/td><\/td><\/tr>
7<\/td>Philip Sulidae<\/td>Perplexor<\/td>L-ne<\/td><\/td><\/tr>
7<\/td>Primitive World<\/td>FMJ<\/td>Ecstatic<\/td><\/td><\/tr>
7<\/td>Sepultura<\/td>Quadra<\/td>Nuclear Blast<\/td><\/td><\/tr>
7<\/td>Seth Lakeman<\/td>A Pilgrim’s Tale<\/td>BMG<\/td><\/td><\/tr>
7<\/td>Shopping<\/td>All Or Nothing<\/td>Fat Cat<\/td><\/td><\/tr>
7<\/td>Stefski & Hutch<\/td>Piosenki z kraju apokalipsy<\/td><\/td><\/td><\/tr>
7<\/td>Steve Spacek<\/td>Houses<\/td>Black Focus<\/td><\/td><\/tr>
7<\/td>Stone Temple Pilots<\/td>Perdida<\/td>Rhino<\/td><\/td><\/tr>
7<\/td>Teri Mantere<\/td>Everything Needs To Breathe<\/td>Eclipse<\/td><\/td><\/tr>
7<\/td>The Homesick <\/td>The Big Exercise<\/td><\/td><\/td><\/tr>
7<\/td>Tindersticks<\/td>See My Girls<\/td>City Slang<\/td>EP<\/td><\/tr>
7<\/td>Tom\u00e1s Tello<\/td>Cimora<\/td>Discrepant<\/td><\/td><\/tr>
7<\/td>Yui Onodera<\/td>Moire<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Zeus<\/td>W poszukiwaniu siebie<\/td>StepHurt<\/td><\/td><\/tr>
8<\/td>Jon Gibson<\/td>Songs & Melodies, 1973-1977<\/td>Superior Viaduct<\/td>LP<\/td><\/tr>
9<\/td>Jacek Doroszenko<\/td>Infinite Values<\/td>TRS<\/td>2×10″ ltd<\/td><\/tr>
10<\/td>Ad Cue<\/td>Temporary Titles in Fixed Media<\/td>Gin & Platonic<\/td><\/td><\/tr>
10<\/td>Dla Kontrastu<\/td>Daleko<\/td>DLA KONTRASTU. Fundacja na rzecz kultury niezale\u017cnej<\/td><\/td><\/tr>
10<\/td>Louis King ft. Brain Rays<\/td>Why Pree? \/ Let’s Get It<\/td>Seagrave<\/td><\/td><\/tr>
10<\/td>Nuda <\/td>Nuda<\/td>Private edition<\/td>CD<\/td><\/tr>
10<\/td>Przemys\u0142aw Str\u0105czek Quartet<\/td>Fig Tree<\/td>ES Art<\/td>CD<\/td><\/tr>
10<\/td>Tim Daisy<\/td>Sereno<\/td>Relay<\/td><\/td><\/tr>
10<\/td>Wendy Gondeln, Mats Gustafsson, Wolfgang Voigt & Martin Siewert<\/td>The Shithole Country & Boogie Band<\/td>Corbett vs. Dempsey<\/td><\/td><\/tr>
11<\/td>Brodinski x Low Jack<\/td>BZH009<\/td>Editions Gravats<\/td>EP<\/td><\/tr>
11<\/td>Califone<\/td>Echo Mine<\/td><\/td><\/td><\/tr>
12<\/td>Botany<\/td>Fourteen 45 Tails<\/td>Longform<\/td><\/td><\/tr>
12<\/td>Davaajargal Tsaschikher<\/td>Re Exist<\/td>Chinabot<\/td><\/td><\/tr>
13<\/td>Blessing<\/td>Kollington Ayinla and His Fuji ’78 Organisation<\/td>Soul Jazz<\/td>arch. LP<\/td><\/tr>
13<\/td>Oumou Diabate et Kara Show Koumba Frifri<\/td>Music From Saharan WhatsApp 02<\/td>Sahel Sounds<\/td>EP<\/td><\/tr>
13<\/td>Siksa + Konstanty Usenko<\/td>Kaspar Hauser<\/td>Teatr Wsp\u00f3\u0142czesny w Szczecinie\/Antena Krzyku<\/td><\/td><\/tr>
13<\/td>VA<\/td>Bubble Chamber<\/td>Gentrified Underground<\/td>komp.<\/td><\/tr>
14<\/td>Aaron Diehl<\/td>The Vagabond<\/td>Mack Avenue<\/td><\/td><\/tr>
14<\/td>An\u00e1huac<\/td>An\u00e1huac<\/td>Astral Spirits<\/td><\/td><\/tr>
14<\/td>An\u00e1huac<\/td>Ascua<\/td>Astral Spirits<\/td><\/td><\/tr>
14<\/td>Axebreaker<\/td>Brutality in Stone<\/td>Deathbomb Arc<\/td><\/td><\/tr>
14<\/td>Bambara<\/td>Stray<\/td>Wharf Cat<\/td><\/td><\/tr>
14<\/td>Bruce Springsteen <\/td>The Live Series: Songs Under Cover<\/td><\/td><\/td><\/tr>
14<\/td>Budy\u0144\/Pikula<\/td>\u015apiewy zastolne<\/td>Mystic<\/td><\/td><\/tr>
14<\/td>Carla Bley \/ Steve Swallow \/ Andy Sheppard<\/td>Life Goes On<\/td>ECM<\/td><\/td><\/tr>
14<\/td>Cindy Lee<\/td>What’s Tonight to Eternity<\/td>W.25TH<\/td><\/td><\/tr>
14<\/td>Dan Loomis<\/td>Job’s Trials<\/td>wyd. w\u0142asne<\/td><\/td><\/tr>
14<\/td>Delphine Dora<\/td>L’inattingible<\/td>Three:four<\/td><\/td><\/tr>
14<\/td>Enrico Pieranunzi<\/td>Frame<\/td>CAM Jazz<\/td><\/td><\/tr>
14<\/td>Felix Kubin \/ Hubert Zemler<\/td>Cel<\/td>Bureau B<\/td>CD, LP<\/td><\/tr>
14<\/td>Fronda<\/td>Leki<\/td>Enjoy Life<\/td><\/td><\/tr>
14<\/td>Haleek Maul<\/td>Errol<\/td>Lex<\/td><\/td><\/tr>
14<\/td>Henryk Ku\u017aniak \/ Juliusz Loranc<\/td>Dzi\u0119cio\u0142 OST<\/td>GAD<\/td>CD, LP<\/td><\/tr>
14<\/td>Huey Lewis & The News<\/td>Weather<\/td>BMG<\/td><\/td><\/tr>
14<\/td>Jazzpospolita<\/td>Przyp\u0142yw<\/td>Audio Cave<\/td>CD, LP, DL<\/td><\/tr>
14<\/td>John Dikeman & Hamid Drake<\/td>Live in Chicago<\/td><\/td><\/td><\/tr>
14<\/td>Justin Bieber<\/td>Changes<\/td>Def Jam<\/td><\/td><\/tr>
14<\/td>Kara\u015b \/ Rogucki<\/td>Ostatni bastion romantyzmu<\/td>Kayax<\/td><\/td><\/tr>
14<\/td>Katie Gately<\/td>Loom<\/td>Houndstooth<\/td><\/td><\/tr>
14<\/td>Komety<\/td>Alfa Centauri<\/td>Thin Man<\/td>CD, LP<\/td><\/tr>
14<\/td>Kvelertak <\/td>Splid<\/td>Rise<\/td><\/td><\/tr>
14<\/td>\u0141ukasz Wody\u0144ski \/ Bogus\u0142aw Raatz i Rafa\u0142 Iwa\u0144ski<\/td>Postatropopoezja<\/td>RG<\/td>CD<\/td><\/tr>
14<\/td>Moses Boyd<\/td>Dark Matter<\/td>Exodus<\/td><\/td><\/tr>
14<\/td>Oiseaux-Tempete<\/td>Tlamess (Sortil\u00e8ge) O\u200b.\u200bS\u200b.\u200bT<\/td>Sub Rosa<\/td><\/td><\/tr>
14<\/td>Piotr Hertel<\/td>W s\u0142o\u0144cu i w deszczu<\/td>GAD<\/td>CD <\/td><\/tr>
14<\/td>Rejoicer<\/td>Spiritual Sleaze<\/td>Rejoicer<\/td><\/td><\/tr>
14<\/td>Remute<\/td>Floppy Tools Vol. 1<\/td>Pionierska<\/td>DL, FDD 3,5″<\/td><\/tr>
14<\/td>Sign Libra<\/td>Sea To Sea<\/td>RVNG Intl<\/td><\/td><\/tr>
14<\/td>Tame Impala<\/td>The Slow Rush<\/td>Universal<\/td><\/td><\/tr>
14<\/td>Tennis<\/td>Swimmer<\/td>Mutuallly Detrimental<\/td><\/td><\/tr>
14<\/td>The Heliocentrics<\/td>Infinity of Now<\/td>Madlib Invazion<\/td><\/td><\/tr>
14<\/td>The Men<\/td>Mercy<\/td>Sacred Bones<\/td><\/td><\/tr>
14<\/td>These New Puritans<\/td>The Cut [2016-2019] <\/td>Infectious<\/td>komp. <\/td><\/tr>
14<\/td>Tim Berne’s Snakeoil<\/td>The Fantastic Mrs. 10<\/td>Intakt<\/td><\/td><\/tr>
14<\/td>Tzur Oded , Hershkovits Nitai , Klampanis Petros<\/td>Here Be Dragons<\/td>ECM<\/td><\/td><\/tr>
14<\/td>VA<\/td>Cadence Revolution: Disques Debs International Vol. 2<\/td>Strut<\/td><\/td><\/tr>
14<\/td>Wasowski \/ Gro\u0144ski \/ Marianowicz \/ Lewandowski<\/td>Machiavelli<\/td>Mystic<\/td><\/td><\/tr>
15<\/td>Haptar<\/td>Brave Enough<\/td>Opus Elefantum<\/td><\/td><\/tr>
15<\/td>Ljos<\/td>A Foreword<\/td>Opus Elefantum<\/td><\/td><\/tr>
15<\/td>Steve Piccolo<\/td>Domestic Exile<\/td>Guerssen<\/td><\/td><\/tr>
16<\/td>Wiktor Stribog<\/td>Lutym<\/td>Wiktor Stribog<\/td><\/td><\/tr>
17<\/td>Aaeiivnvoey<\/td>Commedia dell\u2019arte<\/td>Nagrania Somnambuliczne<\/td><\/td><\/tr>
17<\/td>Amon Tobin<\/td>Neutrino Mass<\/td>Nomark<\/td>EP<\/td><\/tr>
17<\/td>Blinkar fr\u00e5n Norr<\/td>Metaphors For Things<\/td>ASIP<\/td><\/td><\/tr>
17<\/td>Priscilla Ermel<\/td>Origens da luz<\/td>Music From Memory<\/td><\/td><\/tr>
17<\/td>Sandoz<\/td>Sandoz<\/td>Music From Memory<\/td><\/td><\/tr>
17<\/td>Tomasz Swoboda & Artur Krychowiak<\/td>Minus_jeden vol. 2<\/td><\/td><\/td><\/tr>
18<\/td>McPhee – Rempis – Reid – Lopez – Nilssen-Love<\/td>Of Things Beyond Thule Vol. 1<\/td>Aerophonics<\/td><\/td><\/tr>
18<\/td>Mike Cooper<\/td>RAST<\/td><\/td><\/td><\/tr>
19<\/td>Arca<\/td>@@@@@<\/td>XL <\/td>EP<\/td><\/tr>
19<\/td>VA<\/td>Tiny Portraits<\/td>Flaming Pines<\/td><\/td><\/tr>
20<\/td>Davey Harms<\/td>World War<\/td>Hausu Mountain<\/td><\/td><\/tr>
20<\/td>DJ Dlaki<\/td>Balani Fou<\/td>Nyege Nyege<\/td><\/td><\/tr>
20<\/td>Francis Tuan<\/td>Let’s Pretend<\/td><\/td><\/td><\/tr>
20<\/td>Guided By Voices<\/td>Surrender Your Poppy Field<\/td>GBV<\/td><\/td><\/tr>
20<\/td>Joe McPhee & Ingebrigt H\u00e5ker Flaten<\/td>Blue Chicago Blues<\/td>Catalytic Sound<\/td><\/td><\/tr>
20<\/td>Paulina Przybysz <\/td>Odwil\u017c<\/td>Kayax<\/td><\/td><\/tr>
20<\/td>Wound<\/td>Mix 2019<\/td><\/td><\/td><\/tr>
21<\/td>Agnes Obel<\/td>Myopia<\/td>Universal<\/td><\/td><\/tr>
21<\/td>Ahmed Ben Ali<\/td>Habibi Funk 012: Subhana<\/td>Habibi Funk<\/td><\/td><\/tr>
21<\/td>Akio Suzuki<\/td>Analapos<\/td>Room40<\/td><\/td><\/tr>
21<\/td>Aksak Maboul<\/td>Tout a une fin\u200b\/\u200bBlaue Bleistift<\/td>Crammed Discs<\/td>SP<\/td><\/tr>
21<\/td>Allie X<\/td>Cape God<\/td><\/td><\/td><\/tr>
21<\/td>Amanda Palmer & Friends<\/td>Forty\u200b-\u200bFive Degrees – A Bushfire Charity Flash Record<\/td><\/td><\/td><\/tr>
21<\/td>Ay\u1ecd<\/td>Royal<\/td>Wagram<\/td><\/td><\/tr>
21<\/td>Banoffee<\/td>Look at Us Now Dad<\/td>Cascine<\/td><\/td><\/tr>
21<\/td>Benjamin Wallfisch<\/td>The Invisible Man<\/td>Back Lot<\/td><\/td><\/tr>
21<\/td>Best Coast<\/td>Always Tomorrow<\/td>Concord<\/td><\/td><\/tr>
21<\/td>BTS<\/td>Map of the Soul: 7<\/td>Big Hit<\/td><\/td><\/tr>
21<\/td>Cl\u00e9ment Edouard<\/td>Dix Ailes<\/td>Three:four<\/td><\/td><\/tr>
21<\/td>Crys Cole<\/td>Beside Myself<\/td>Students Of Decay<\/td><\/td><\/tr>
21<\/td>Daniel Mandrychenko<\/td>Anti<\/td>Tompkins Square<\/td><\/td><\/tr>
21<\/td>Douglas Dare<\/td>Milkteeth<\/td>Erased Tapes<\/td><\/td><\/tr>
21<\/td>Eden<\/td>Miasto szcz\u0119\u015bliwych ludzi <\/td>GAD<\/td>CD<\/td><\/tr>
21<\/td>Greg Dulli<\/td>Random Desire<\/td><\/td><\/td><\/tr>
21<\/td>Grimes<\/td>Miss Anthropocene<\/td>4AD<\/td><\/td><\/tr>
21<\/td>Humanist<\/td>Humanist<\/td>Ignition<\/td><\/td><\/tr>
21<\/td>Jan St. Werner<\/td>Molocular Meditation<\/td>Editions Mego<\/td><\/td><\/tr>
21<\/td>Jerome Hill<\/td>The Pop Routine<\/td>Accidental<\/td><\/td><\/tr>
21<\/td>Jonas Munk<\/td>Minimum Resistance<\/td><\/td><\/td><\/tr>
21<\/td>Julian Cope<\/td>Self Civil War<\/td>Head Heritage<\/td><\/td><\/tr>
21<\/td>King Krule<\/td>Man Alive!<\/td>XL<\/td><\/td><\/tr>
21<\/td>Konx-om-Pax<\/td>Return To Cascada<\/td>Planet Mu<\/td><\/td><\/tr>
21<\/td>Ku_tzu<\/td>Architekci wspomnie\u0144<\/td>Opus Elefantum<\/td><\/td><\/tr>
21<\/td>Lanterns On The Lake<\/td>Spook the Herd<\/td>Bella Union<\/td><\/td><\/tr>
21<\/td>Lee Ranaldo & Ra\u00fcl Refree<\/td>Names of North End Women<\/td>Mute<\/td><\/td><\/tr>
21<\/td>Lightning Bolt<\/td>Ride the Skies<\/td>Thrill Jockey<\/td>reed.<\/td><\/tr>
21<\/td>Micha\u0142 Olczak<\/td>Zgubi\u0142em si\u0119<\/td>Glamour<\/td><\/td><\/tr>
21<\/td>Miles Davis<\/td>Music From and Inspired by „Miles Davis: Birth of the Cool”<\/td>Columbia<\/td><\/td><\/tr>
21<\/td>Moses Sumney<\/td>Grae Part 1<\/td>Jagjaguwar<\/td><\/td><\/tr>
21<\/td>Muhal Richard Abrams<\/td>Celestial Birds<\/td>Karlrecords<\/td><\/td><\/tr>
21<\/td>Normal Bias <\/td>LP2<\/td>U Know Me<\/td><\/td><\/tr>
21<\/td>Pat Metheny<\/td>From This Place<\/td>Nonesuch<\/td><\/td><\/tr>
21<\/td>Peter Zinovieff & Lucy Railton<\/td>RFG Inventions for Cello and Computer<\/td>PAN<\/td><\/td><\/tr>
21<\/td>Pictish Trail<\/td>Thumb World<\/td>Fire<\/td><\/td><\/tr>
21<\/td>Racine<\/td>Quelque Chose Tombe<\/td>Danse Noire<\/td><\/td><\/tr>
21<\/td>Rebecca Foon<\/td>Waxing Moon<\/td>Constellation<\/td><\/td><\/tr>
21<\/td>Six Organs Of Admittance<\/td>Companion Rises<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Slightless Pit<\/td>Grave of a Dog<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Spinning Coin<\/td>Hyacinth<\/td>Domino<\/td><\/td><\/tr>
21<\/td>Steve Harley<\/td>Uncovered<\/td>Comeuppance<\/td><\/td><\/tr>
21<\/td>The Pictish Trail<\/td>Thumb World<\/td>Fire!<\/td><\/td><\/tr>
21<\/td>Wrekmeister Harmonies<\/td>We Love To Look At The Carnage<\/td>Thrill Jockey<\/td><\/td><\/tr>
22<\/td>Lasy <\/td>Shroom<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
22<\/td>Noon<\/td>Nobody Nothing Nowhere<\/td>Nowe Nagrania<\/td><\/td><\/tr>
22<\/td>Vox Low<\/td>Relectures (Remix)<\/td>Vox Low<\/td>EP<\/td><\/tr>
24<\/td>Daniel Toledo Quartet (Daniel Toledo, Piotr Orzechowski, Kuba Wi\u0119cek, Micha\u0142 Mi\u015bkiewicz)<\/td>Fletch<\/td>Audio Cave<\/td>CD, DL<\/td><\/tr>
24<\/td>FOQL & Fischerle<\/td>Personal Wastelands<\/td>Paralaxe Editions<\/td><\/td><\/tr>
24<\/td>Kaitlyn Aurelia Smith<\/td>Caribou Curates<\/td>Crack<\/td>dj mix<\/td><\/tr>
24<\/td>Kemper Norton<\/td>Oxland Cylinder<\/td>Kemper Norton<\/td><\/td><\/tr>
24<\/td>Oiseaux Tempete & The Bunny Tylers<\/td>The True History Of The Tortoise & The Hare According To Lord Dunsany<\/td>Ruptured<\/td><\/td><\/tr>
26<\/td>Gang Of Four<\/td>This Heaven Gives Me Migraines<\/td><\/td>EP<\/td><\/tr>
26<\/td>Joe Westerlund<\/td>Reveries in the Rift<\/td>Northern Spy<\/td><\/td><\/tr>
27<\/td>Algiers<\/td>Live at Zoom Frankfurt, Germany 17 Feb, 2020<\/td><\/td><\/td><\/tr>
27<\/td>Christine And The Queens<\/td>La vita nuova<\/td>Because<\/td>EP<\/td><\/tr>
27<\/td>Gorillaz<\/td>Song Machine Ep. 2<\/td>Parlophone<\/td>EP<\/td><\/tr>
27<\/td>Joanna Szumacher<\/td>I Will Find<\/td>Pionierska<\/td><\/td><\/tr>
27<\/td>O.S.T.R.<\/td>Gniew<\/td>Asfalt<\/td><\/td><\/tr>
27<\/td>Somaticae<\/td>Amesys<\/td>In Paradisum<\/td><\/td><\/tr>
28<\/td>Alabaster DePlume<\/td>To Cy & Lee: Instrumentals Vol. 1<\/td>International Anthem<\/td><\/td><\/tr>
28<\/td>Ant Clemons<\/td>Happy 2 Be Here<\/td><\/td><\/td><\/tr>
28<\/td>Bartek Kr\u00f3lik<\/td>Pan od muzyki<\/td>Agora<\/td><\/td><\/tr>
28<\/td>Big Blood<\/td>Do You Wanna Have a Skeleton Dream\u200b?<\/td>Feeding Tube<\/td><\/td><\/tr>
28<\/td>Bullion<\/td>We Had a Good Time<\/td>Deek<\/td>EP<\/td><\/tr>
28<\/td>Caribou<\/td>Suddenly<\/td>City Slang<\/td><\/td><\/tr>
28<\/td>Christian Wallumr\u00f8d Ensemble<\/td>Many<\/td>Hubro<\/td><\/td><\/tr>
28<\/td>Dadamah<\/td>This Is Not A Dream<\/td>Ba Da Bing<\/td><\/td><\/tr>
28<\/td>Daniel Davies<\/td>Signals<\/td>Sacred Bones<\/td><\/td><\/tr>
28<\/td>Doctor Fluorescent<\/td>Doctor Fluorescent<\/td>Crammed Discs<\/td><\/td><\/tr>
28<\/td>eleh<\/td>_FNKHSR_<\/td><\/td><\/td><\/tr>
28<\/td>Ellen Fullman<\/td>In the Sea<\/td>Superior Viaduct<\/td><\/td><\/tr>
28<\/td>Fire! Orchestra \/ Krzysztof Penderecki<\/td>Actions<\/td>Rune Grammofon<\/td><\/td><\/tr>
28<\/td>Frederik Valentin & Loke Rahbek<\/td>Elephant<\/td>Posh Isolation<\/td><\/td><\/tr>
28<\/td>His Name Is Alive<\/td>Return To Never (Home Recordings 1979-1986 Vol 2)<\/td>Disciples<\/td>DL, LP arch.<\/td><\/tr>
28<\/td>James Taylor<\/td>American Standard<\/td>Fantasy<\/td><\/td><\/tr>
28<\/td>Jeremy Cunningham<\/td>The Weather Up There<\/td>Northern Spy<\/td><\/td><\/tr>
28<\/td>Kassa Overall<\/td>I Think I’m Good<\/td>Brownswood<\/td><\/td><\/tr>
28<\/td>Kevin Krauter<\/td>Full Hand<\/td><\/td><\/td><\/tr>
28<\/td>Laurin Huber<\/td>Junckture<\/td>Hallow Ground<\/td><\/td><\/tr>
28<\/td>Leo Takami<\/td>Felis Catus and Silence<\/td>Unseen Worlds<\/td><\/td><\/tr>
28<\/td>Lil Baby<\/td>My Turn<\/td>Quality Control<\/td><\/td><\/tr>
28<\/td>Merzbow<\/td>StereoAkuma<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Mortas<\/td>Tu<\/td>SP Records<\/td><\/td><\/tr>
28<\/td>Nakata<\/td>El Sue\u00f1o de Lilith<\/td>Atlantic Rhythms<\/td><\/td><\/tr>
28<\/td>Nick Finzer<\/td>Cast of Characters<\/td>Outside In Music<\/td><\/td><\/tr>
28<\/td>Pharoah Sanders<\/td>Live in Paris (1975)<\/td>Transversales<\/td>arch.<\/td><\/tr>
28<\/td>Pulled By Magnets<\/td>Rose Golden Doorways<\/td>Tak:til <\/td><\/td><\/tr>
28<\/td>Rat Kru<\/td>Rok szczura<\/td>Kayax<\/td><\/td><\/tr>
28<\/td>Real Estate<\/td>The Main Thing<\/td>Domino<\/td><\/td><\/tr>
28<\/td>Robert Cray<\/td>That’s What I Heard<\/td>Thirty Tigers<\/td><\/td><\/tr>
28<\/td>Saint Abdullah<\/td>Where Do We Go Now?<\/td>PTP<\/td><\/td><\/tr>
28<\/td>Sink Ya Teeth<\/td>Two<\/td>Hey Buffalo<\/td><\/td><\/tr>
28<\/td>Soccer Mommy<\/td>Color Theory<\/td>Loma Vista<\/td><\/td><\/tr>
28<\/td>Sosnowski<\/td>Tylko si\u0119 nie denerwuj<\/td>Mystic<\/td><\/td><\/tr>
28<\/td>Szpaku<\/td>Dzieci duchy<\/td><\/td><\/td><\/tr>
28<\/td>The Cure<\/td>Disintegration<\/td>Polydor<\/td>reed.<\/td><\/tr>
28<\/td>The Orielles<\/td>Disco Volador<\/td>Heavenly<\/td><\/td><\/tr>
28<\/td>The Secret Sisters<\/td>Saturn Return<\/td>New West<\/td><\/td><\/tr>
28<\/td>The Undertones<\/td>West Bank Songs 1978-1983<\/td>BMG<\/td>arch.<\/td><\/tr>
28<\/td>Treesearch<\/td>Know More Knowledge<\/td>577 Records<\/td><\/td><\/tr>
28<\/td>Tycho<\/td>Simulcast<\/td>Mom+Pop<\/td><\/td><\/tr>
28<\/td>VA<\/td>Noise of Kolberg<\/td>Pla\u017ca Zachodnia<\/td><\/td><\/tr>
28<\/td>Vladislav Delay<\/td>Rakka<\/td>Cosmo Rhythmatic<\/td><\/td><\/tr>
28<\/td>Wajatta<\/td>Don’t Let Get You Down<\/td>Brainfeeder<\/td><\/td><\/tr>
28<\/td>Wasted Shirt<\/td>Fungus II<\/td>Famous Class<\/td><\/td><\/tr>
28<\/td>Web Web<\/td>Worshippers<\/td>Compost<\/td><\/td><\/tr>
28<\/td>Werner Dafeldecker<\/td>Parallel Darks<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Wrangler<\/td>A Situation<\/td>Bella Union<\/td><\/td><\/tr>
29<\/td>Barbazza Annie<\/td>Vive<\/td>Dark Companion<\/td><\/td><\/tr>
29<\/td>Bastarda<\/td>Nigunim<\/td>Multikulti<\/td><\/td><\/tr>
29<\/td>Ci\u015bnienie<\/td>Brass Album<\/td><\/td><\/td><\/tr>
29<\/td>Jerzy Prze\u017adziecki & Andrzej Kara\u0142ow<\/td>Pedestal\u2019s Complement<\/td>Bocian<\/td>LP, DL<\/td><\/tr>
29<\/td>Jungle Brown<\/td>Full Circle<\/td>Mr Bongo<\/td><\/td><\/tr>
29<\/td>Liquidarlo Celuloide<\/td>Adamnesis<\/td>Buh<\/td><\/td><\/tr>
29<\/td>NATT<\/td>A Better Place<\/td>Zoharum<\/td><\/td><\/tr>
29<\/td>NNHMN<\/td>Shadow In the Dark<\/td>Zoharum<\/td><\/td><\/tr>
29<\/td>Rados\u0142aw Kurzeja<\/td>Ogr\u00f3d Botaniczny w Palermo<\/td>Nasze Nagrania<\/td>MC<\/td><\/tr>
29<\/td>Rapoon<\/td>Ghosts From a Machine<\/td>Zoharum<\/td><\/td><\/tr>
29<\/td>Sea Urchin and Aki Goto’s Shirotento Orchestra<\/td>Natal Uranus, il corpo sotto la sabbia \/ Birthdays<\/td>RVNG Intl<\/td><\/td><\/tr>
29<\/td>\u516b\u6708 jadwiga™<\/td>Domine<\/td><\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Anomalia Anomalia Multikulti Project 1 Duytrg Verse 1 I Love My Mother I Love My Mother Love & Beauty Music 2 Ak’chamel, The Giver Of Illness The Totemist Akuphone 2 Half Light (Nie)pok\u00f3j wolno\u015bci Audio Anatomy 2 Seu Jorge Seu Jorge & Rog\u00ea Night Dreamer Direct\u200b-\u200bTo\u200b-\u200bDisc Sessions Night Dreamer 4 Anna Gadt, Marcin Olak […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"full-width-page.php","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/24226"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=24226"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/24226\/revisions"}],"predecessor-version":[{"id":31433,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/24226\/revisions\/31433"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=24226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}