
{"id":27836,"date":"2021-01-02T17:36:22","date_gmt":"2021-01-02T16:36:22","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=27836"},"modified":"2022-01-06T19:39:22","modified_gmt":"2022-01-06T18:39:22","slug":"premiery-02-2021","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-02-2021\/","title":{"rendered":"01.2021"},"content":{"rendered":"\n<table class=\"wp-block-table\"><tbody><tr><td>1<\/td><td>Anavit\u00f3ria<\/td><td>COR<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Another Sky<\/td><td>Music For Winter Vol. I<\/td><td>Fiction <\/td><td>EP<\/td><\/tr><tr><td>1<\/td><td>Canine Callgirls<\/td><td>Fading Topography<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Fireman<\/td><td>Overcoming the Cycle of Sun Collapse<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>1<\/td><td>Grimes<\/td><td>Miss Anthropocene (Rave Edition)<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Hedone<\/td><td>&#8222;2020&#8221;<\/td><td>New Sun<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Jane Weaver<\/td><td>Flock<\/td><td>Fire<\/td><td><\/td><\/tr><tr><td>1<\/td><td>J\u0119drzej Siwek<\/td><td>&#8222;2021&#8221;<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>1<\/td><td>KakofoNIKT<\/td><td>The Baby of K\u00e2kon<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>KLF<\/td><td>Solid State Logik &#8211; 7&#8243; Hit Singles 1988-1991<\/td><td>KLF Communications<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Music On Hold<\/td><td>30 Minutes of&#8230;<\/td><td>Born Bad<\/td><td><\/td><\/tr><tr><td>1<\/td><td>R.A.P. Ferreira<\/td><td>bob&#8217;s son: R\u200b.\u200bA\u200b.\u200bP. Ferreira in the garden level cafe of the scallops hotel<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Sun Ra and His Arkestra<\/td><td>On Jupiter<\/td><td><\/td><td>arch.<\/td><\/tr><tr><td>1<\/td><td>That Handsome Devil<\/td><td>Your Parents Are Sellouts<\/td><td>Modern Savage<\/td><td><\/td><\/tr><tr><td>1<\/td><td>The Dirty Nil<\/td><td>Fuck Art<\/td><td>Dine Alone<\/td><td><\/td><\/tr><tr><td>2<\/td><td>Cranc<\/td><td>Copper Fields<\/td><td>Rhodri Davies<\/td><td><\/td><\/tr><tr><td>2<\/td><td>Curated by Nick Vander<\/td><td>Walk My Way &#8211; Volume One<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>2<\/td><td>VA (curated by Nick Vander)<\/td><td>Walk My Way &#8211; Volume One<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Steve Earle &amp; The Dukes<\/td><td>J.T.<\/td><td>New West<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Kito Jempere<\/td><td>Yet Another Kito Jempere Remix EP<\/td><td>Emotional Response<\/td><td><\/td><\/tr><tr><td>5<\/td><td>MKM: Jason Kahn \/ G\u00fcnter M\u00fcller \/ Norbert M\u00f6slang<\/td><td>Bangalore<\/td><td>Mikroton<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Osa7029<\/td><td>Roots\u200b\/\u200bBranches\u200b\/\u200bCones<\/td><td>Eclipse<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Periferya<\/td><td>Boundary Scan<\/td><td>Mikroton<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Schnee: Christof Kurzmann &amp; Burkhard Stangl<\/td><td>\u0421\u043d\u0435\u0433<\/td><td>Mikroton<\/td><td><\/td><\/tr><tr><td>6<\/td><td>Qba Janicki \/ Teoniki Ro\u017cynek<\/td><td>Live at 14th M\u00f3zg Festival<\/td><td>Dym<\/td><td><\/td><\/tr><tr><td>6<\/td><td>\u77f3\u6a4b\u82f1\u5b50 [Eiko Ishibashi]<\/td><td>Contentless Dream<\/td><td><\/td><td><\/td><\/tr><tr><td>7<\/td><td>Charlemagne Palestine<\/td><td>Vvvoooodddoooo Ddddooooodddddooooo<\/td><td>Matiere Memoire<\/td><td><\/td><\/tr><tr><td>7<\/td><td>Phill Niblock, Franck Vigroux &amp; Kasper T. Toeplitz<\/td><td>BestiaIRE<\/td><td>Matiere Memoire<\/td><td><\/td><\/tr><tr><td>7<\/td><td>Stephen O&#8217;Malley<\/td><td>\u00d6st-Vast sommaren<\/td><td>Mati\u00e8re M\u00e9moire<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Aaron Frazer<\/td><td>Introducing&#8230;<\/td><td>Dead Oceans<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Auvinen<\/td><td>Akkosaari<\/td><td>Sub Rosa<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Barry Gibb<\/td><td>Greenfields: The Gibb Brothers Songbook, Vol. 1<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Botanica<\/td><td>Shinrin\u200b-\u200byoku<\/td><td><\/td><td><\/td><\/tr><tr><td>8<\/td><td>Brian Eno<\/td><td>Film Music: Interior<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Byty<\/td><td>3EP<\/td><td><\/td><td><\/td><\/tr><tr><td>8<\/td><td>Dura<\/td><td>Mercury<\/td><td>Atlantic Rhythms<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Good Willsmith<\/td><td>HausLive 2: Good Willsmith at Sleeping Village, 4\u200b\/\u200b25\u200b\/\u200b2019<\/td><td>Hausu Mountain<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Jazmine Sullivan<\/td><td>Heaux Tales<\/td><td>RCA<\/td><td>EP<\/td><\/tr><tr><td>8<\/td><td>Ka Baird<\/td><td>Vivification Exercises I<\/td><td>RVNG Intl<\/td><td><\/td><\/tr><tr><td>8<\/td><td>\u0141ukasz Suchy<\/td><td>Over the Fields We Go<\/td><td>Suche Fakty<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Mike Majkowski<\/td><td>Fields<\/td><td>Audio Visuals Atmosphere<\/td><td>MC, DL<\/td><\/tr><tr><td>8<\/td><td>Pierre Henry<\/td><td>Un Monde Lac\u00e9r\u00e9<\/td><td>Transversales<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Reviriego \/ Peyghambari \/ Trilla <\/td><td>M\u00f6hit<\/td><td>Gusstaff\/Don&#8217;t Sit On My Vinyl<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Russ Lossing<\/td><td>Metamorphism<\/td><td>Sunnyside<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Viagra Boys<\/td><td>Welfare Jazz <\/td><td><\/td><td><\/td><\/tr><tr><td>8<\/td><td>Vincent<\/td><td>Vincent<\/td><td>Seagull Ross<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Voices Of The Cosmos<\/td><td>Interstellar Space<\/td><td>Gusstaff<\/td><td><\/td><\/tr><tr><td>9<\/td><td>Matthew Putman and Michael Sarian<\/td><td>Improvisations vol. 1<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Orla Wren<\/td><td>The Blind Deaf Stone<\/td><td>Time Released Sound &amp; Time Sensitive Materials<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Renata Lewandowska<\/td><td>Polish Disco Sound \/ Super Dotyk Mixes<\/td><td>The Very Polish Cut Outs<\/td><td>EP<\/td><\/tr><tr><td>10<\/td><td>Szumu Szaman<\/td><td>Powolni<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Cheekface<\/td><td>Emphatically No.<\/td><td>New Professor<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Mazut<\/td><td>Sarajevo<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Micha\u0142 Libera<\/td><td>Studium. The Sense of Hearing (Audiobook)<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Micha\u0142 Libera<\/td><td>Lethe (Opera Buffa Acusmatica)<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Micha\u0142 Libera<\/td><td>Bildung (Recitativo Secco)<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Hospital Bracelet<\/td><td>South Loop Summer<\/td><td>Counter Intuitive<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Just Friends<\/td><td>JF Crew Vol 1<\/td><td>Pure Noise<\/td><td><\/td><\/tr><tr><td>13<\/td><td>Chino Amobi <\/td><td>Darling Street<\/td><td><\/td><td><\/td><\/tr><tr><td>13<\/td><td>Dale Jenkins<\/td><td>Odds &amp; Ends<\/td><td>Guerssen<\/td><td><\/td><\/tr><tr><td>14<\/td><td>Beautify Junkyards<\/td><td>Cosmorama<\/td><td>Ghost Box<\/td><td><\/td><\/tr><tr><td>14<\/td><td>Teresa Winter<\/td><td>Love Crime<\/td><td>Documenting Sound<\/td><td>MC, DL<\/td><\/tr><tr><td>14<\/td><td>VA<\/td><td>Spiritual Jazz 13: NOW! Part 2<\/td><td>Jazzman<\/td><td><\/td><\/tr><tr><td>14<\/td><td>VA<\/td><td>Spiritual Jazz 13: NOW! Part 1<\/td><td>Jazzman<\/td><td><\/td><\/tr><tr><td>14<\/td><td>\u017bY\u0143Y <\/td><td>Falling In Blue<\/td><td>U Know Me<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Aki Takase &#8211; Christian Weber &#8211; Michael Griener<\/td><td>Auge<\/td><td>Intakt<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Alexander Hawkins feat. Evan Parker, Matthew Wright + Riot Ensemble <\/td><td>Togetherness Music<\/td><td>Intakt<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Apifera<\/td><td>Overstand<\/td><td>Stones Throw<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Arszyn<\/td><td>Bop<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Ashnikko<\/td><td>Demidevil<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Augragraph<\/td><td>Opacity Field<\/td><td>Hiraeth<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Beach Bunny<\/td><td>Blame Game<\/td><td>Mom+Pop<\/td><td>EP<\/td><\/tr><tr><td>15<\/td><td>Bedoes<\/td><td>Rewolucja romantyczna<\/td><td>SBM<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Caos Sonoro<\/td><td>The Chaos In The Old World (Antenna Non Grata: make noise great again, vol. 1\u200b)\u200b<\/td><td>Antenna Non Grata<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Cerys Matthews, Hidden Orchestra &amp; 10 Poets<\/td><td>We Come from the Sun<\/td><td>Decca<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Czarny Latawiec<\/td><td>Pandemic Dreams<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Dale Criver<\/td><td>Rat-A-Tat-Tat!<\/td><td>Joyful Noise<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Daniel Knox<\/td><td>Won&#8217;t You Take Me With You<\/td><td>H.P. Johnson Presents<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Emma Ruth Rundle &amp; Thou<\/td><td>The Helm of Sorrow<\/td><td>Sacred Bones<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Gatecreeper<\/td><td>An Unexpected Reality<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Insides <\/td><td>Soft Bonds<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Karoline Wallace<\/td><td>Stiklinger<\/td><td>\u00d8ra Fonogram<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Kikagaku Moyo<\/td><td>Live at Levitation<\/td><td>The Reverbation Appreciation Society<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Lon Moshe &amp; Southern Freedom Arkestra<\/td><td>Love Is Where the Spirit Lies<\/td><td>Black Fire\/Strut<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Mala Herba<\/td><td>Demonologia<\/td><td>Aufnahme + Wiedergabe<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Midnight Sister<\/td><td>Painting the Roses<\/td><td><\/td><td><\/td><\/tr><tr><td>15<\/td><td>Nowheretobefound <\/td><td>Arrival<\/td><td>Pets<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Pearl Charles<\/td><td>Magic Mirror<\/td><td>Kanine<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Pom Poko<\/td><td>Cheater<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Przemys\u0142aw Str\u0105czek Quartet<\/td><td>Fig Tree<\/td><td>Voice Music<\/td><td>LP<\/td><\/tr><tr><td>15<\/td><td>Ryszard Lubieniecki<\/td><td>Kompozycje izorytmiczne<\/td><td>Nasze Nagrania<\/td><td>CD<\/td><\/tr><tr><td>15<\/td><td>Shame<\/td><td>Drunk Tank Pink<\/td><td>Dead Oceans<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Sleaford Mods<\/td><td>Spare Ribs<\/td><td>Rough Trade<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Subsonic Eye<\/td><td>Nature of Things<\/td><td>Middle Class Cigars<\/td><td><\/td><\/tr><tr><td>15<\/td><td>VA<\/td><td>Virtual Dreams: Ambient Explorations In The House &amp; Techno Age, 1993\u200b-\u200b1997<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>15<\/td><td>VA<\/td><td>Virtual Dreams: Ambient Explorations In The House &amp; Techno Age, 1993\u200b-\u200b1997 (digital version)<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Wesley Fuller<\/td><td>Seven by Seven<\/td><td>Neuma<\/td><td><\/td><\/tr><tr><td>15<\/td><td>You Me At Six<\/td><td>Suckapunch<\/td><td>Underdog<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Zayn<\/td><td>Nobody Is Listening<\/td><td>RCA<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Will Guthrie<\/td><td>Live Ateliers Claus<\/td><td>Les Albums Claus<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Bitchin Bajas<\/td><td>Bitchin Bajas &#8211; live ateliers claus<\/td><td>Les Albums Claus<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Drissi El-Abbassi<\/td><td>Rai Sidi Bel Abbes<\/td><td>Nashazphone<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Wojtek Kurek<\/td><td>Buoyancy<\/td><td>Pawlacz Perski<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Andrea Centazzo &amp; The Invasion Orchestra <\/td><td>The Battle<\/td><td>Ictus<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Bobby Krlic<\/td><td>The Alienist: Angel of Darkness (Original Series Soundtrack)<\/td><td>Invada<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Cecil Taylor Quintet<\/td><td>Lifting the Bandstand<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Sosky<\/td><td>Rytmy frasowane<\/td><td>En2ak<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Dennis Rea<\/td><td>Diant Steppes<\/td><td>MoonJune<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Hideki Kato, Andrea Centazzo, Marco Cappelli<\/td><td>Los Angeles Tapes<\/td><td>Ictus<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Manongo Mujica, Terje Evensen<\/td><td>Paracas Ritual<\/td><td>Buh<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Suavas Lewy<\/td><td>The Killer of Excellence Is Good<\/td><td>Pionierska<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Ulla<\/td><td>inside means inside me <\/td><td>Boomkat Editions<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Unglee Izi<\/td><td>Tracteur Directrice De L&#8217;A\u200b.\u200bS\u200b.\u200bM\u200b.\u200bA.<\/td><td>Nashazphone<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Abul Mogard<\/td><td>In Immobile Air<\/td><td>Ecstatic<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Arca<\/td><td>Madre<\/td><td>XL<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Azmari<\/td><td>Sam\u0101\u2019\u012b<\/td><td>Sdban Ultra<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Batida<\/td><td>Pele<\/td><td>Crammed Discs<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Bicep<\/td><td>Isles<\/td><td>Ninja Tune<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Biosphere<\/td><td>Angel&#8217;s Flight<\/td><td>AD93<\/td><td><\/td><\/tr><tr><td>22<\/td><td>B\u0142a\u017cej Malinowski<\/td><td>Katharsis<\/td><td>Inner Tension<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Carmen Villain<\/td><td>Sketch for Winter IX: Perlita<\/td><td>Geographic North<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Christer Both\u00e9n Trio<\/td><td>Omen<\/td><td>Bocian<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Clouds<\/td><td>The Parallel<\/td><td>Losseless Digital<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Daniel Avery<\/td><td>More Light<\/td><td>Phantasy<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Deuce Avenue<\/td><td>Perennial Fire and Life<\/td><td>Unifactor<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Elori Saxl<\/td><td>The Blue of Distance<\/td><td>Western Vinyl<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Farmer Dave &amp; The Wizards Of The West<\/td><td>Farmer Dave &amp; The Wizards Of The West<\/td><td>Curation<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Francesco Covarino<\/td><td>Luce \/ Mantello<\/td><td>Wabi-Sabi<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Fran\u00e7ois de Roubaix<\/td><td>Les secrets de la Mer Rouge<\/td><td>Transversales<\/td><td>reed.<\/td><\/tr><tr><td>22<\/td><td>Gui Duvignau<\/td><td>&#8222;3, 5, 8&#8221;<\/td><td>Sunnyside<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Ivo Perelman Trio<\/td><td>Garden of Jewels<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>22<\/td><td>James Yorkston and the Second Hand Orchestra<\/td><td>The Wide, Wide River<\/td><td>Domino<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Kirszenbaum<\/td><td>Si\u0119<\/td><td>Karrot Kommando <\/td><td><\/td><\/tr><tr><td>22<\/td><td>Kondraccy<\/td><td>\u017bycie roju<\/td><td>Agora<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Lina Tullgren<\/td><td>Visiting<\/td><td>Ba Da Bing<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Machine Listener<\/td><td>Headfooter<\/td><td>Unifactor<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Maggie Lindemann<\/td><td>Paranoia<\/td><td>Swixxzaudio<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Mason Lindahl<\/td><td>Kissing Rosy in the Rain<\/td><td>Tompkins Square<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Mikado Koko<\/td><td>Maza Gusu<\/td><td>Akuphone<\/td><td><\/td><\/tr><tr><td>22<\/td><td>My Jazz Child<\/td><td>Inn\u00e9isme<\/td><td>Akuphone<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Rhye<\/td><td>Home<\/td><td>Loma Vista<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Ruff Stuff<\/td><td>Origins and Movements<\/td><td>Pets<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Shohei Amimori<\/td><td>Ex.LIFE<\/td><td>Noble<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Spednar<\/td><td>Coniunctio<\/td><td>Unifactor<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Spyros Polychronopoulos \/ Thanos Polymeneas-Liontiris \/ Iakovos Pavlopoulos<\/td><td>Widdershins<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Steve Hackett<\/td><td>Under a Mediterranean Sky<\/td><td><\/td><td><\/td><\/tr><tr><td>22<\/td><td>Still Corners<\/td><td>The Last Exit<\/td><td>Wrecking Light<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Susie Ibarra<\/td><td>Talking Gong<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>22<\/td><td>T.P. Orchestre Poly-Rythmo De Cotonou<\/td><td>Vol. 4 \u2013 Yehouessi Leopold Batteur<\/td><td>Acid Jazz<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Therion<\/td><td>Leviathan<\/td><td><\/td><td><\/td><\/tr><tr><td>22<\/td><td>Tiziano Popoli<\/td><td>Burn the Night \/ Bruciare la Notte: Original Recordings, 1983\u20131989<\/td><td>RVNG Intl<\/td><td><\/td><\/tr><tr><td>22<\/td><td>VA<\/td><td>Somewhere Between: Mutant Pop, Electronic Minimalism &amp; Shadow Sounds of Japan 1980\u20131988<\/td><td>Light In The Attic<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Wardruna<\/td><td>Kvitrafn<\/td><td><\/td><td><\/td><\/tr><tr><td>22<\/td><td>Widowspeak<\/td><td>Honeychurch<\/td><td>Captured Tracks<\/td><td>22<\/td><\/tr><tr><td>22<\/td><td>Yu Su <\/td><td>Yellow River Blue<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Ariel Kalma<\/td><td>French Archives Vol. II<\/td><td>Black Sweat Records<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Illuvia<\/td><td>Iridescence Of Clouds<\/td><td>A Strangely Isolated Place<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Pimpono Ensemble x _______<\/td><td>It&#8217;s Not About Fun REMIXED<\/td><td>Love &amp; Beauty Music<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Angela Mu\u00f1oz<\/td><td>Adrian Younge Presents: Angela Mu\u00f1oz Introspection Instrumentals<\/td><td>Linear Labs<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Bisb\u00e2y\u00e9<\/td><td>Le Sens De Le Fin \/ The Sense Of An Ending<\/td><td>Cuneiform<\/td><td><\/td><\/tr><tr><td>26<\/td><td>The Erin&#8217;s<\/td><td>Collected Songs<\/td><td><\/td><td><\/td><\/tr><tr><td>27<\/td><td>Clipping<\/td><td>Clipping. Live for No Audience During a Global Pandemic<\/td><td><\/td><td><\/td><\/tr><tr><td>27<\/td><td>Gordi<\/td><td>Our Two Skins (remixed)<\/td><td>Jagjaguwar<\/td><td><\/td><\/tr><tr><td>27<\/td><td>Jim O&#8217;Rourke<\/td><td>Steamroom 53<\/td><td>Steamroom<\/td><td><\/td><\/tr><tr><td>27<\/td><td>Mica Levi<\/td><td>Blue Alibi<\/td><td><\/td><td><\/td><\/tr><tr><td>27<\/td><td>Przemys\u0142aw Rud\u017a &amp; Robert Szaj<\/td><td>Copernicus<\/td><td><\/td><td><\/td><\/tr><tr><td>28<\/td><td>Anth\u00e9ne<\/td><td>Away From Your Shadow<\/td><td>Home Normal<\/td><td><\/td><\/tr><tr><td>28<\/td><td>Mu Tate<\/td><td>Let Me Put Myself Together<\/td><td>Experiences Ltd.<\/td><td><\/td><\/tr><tr><td>28<\/td><td>Taylor Swift<\/td><td>The &#8222;Forever is the Sweetest Con&#8221; Chapter<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>28<\/td><td>Xela and Jake Muir<\/td><td>Safe<\/td><td>Boomkat Editions<\/td><td><\/td><\/tr><tr><td>29<\/td><td>2000 km\/h<\/td><td>Bastione<\/td><td><\/td><td><\/td><\/tr><tr><td>29<\/td><td>Aaron Cupples<\/td><td>Island of The Hungry Ghosts (OST)<\/td><td>PAN<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Ai Yamamoto<\/td><td>Pan De Sonic &#8211; Iso<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Alostmen<\/td><td>Kologo<\/td><td>Strut<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Ani DiFranco<\/td><td>Revolutionary Love<\/td><td>Righteous Babe<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Anna B Savage<\/td><td>A Common Turn<\/td><td>City Slang<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Ariel Pink<\/td><td>Sit n\u2019 Spin<\/td><td>Mexican Summer<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Ariel Pink<\/td><td>Odditties Sodomies Vol. 3<\/td><td>Mexican Summer<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Arlo Parks<\/td><td>Collapsed in Sunbeams<\/td><td>Beatnik<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Arovane<\/td><td>Wirkung<\/td><td>Puremagnetik<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Bernard Maseli<\/td><td>Drifter<\/td><td>Warner<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Blacklight Chameleon<\/td><td>Tearing at the Edges of all Restraint<\/td><td>Nutriot<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Celeste<\/td><td>Not Your Muse<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Clarice Jensen<\/td><td>Ainu Mosir<\/td><td>Fatcat<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Dezerter<\/td><td>K\u0142amstwo to nowa prawda<\/td><td>Mystic<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Disclosure<\/td><td>Disclosure VIPs<\/td><td>Universal<\/td><td>EP<\/td><\/tr><tr><td>29<\/td><td>Disquiet<\/td><td>Disquiet<\/td><td>Trost<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Divide And Dissolve<\/td><td>Gas Lit<\/td><td>Invada<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Ethan Iverson<\/td><td>Bud Powell In The 21st Century<\/td><td>Sunnyside<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Francesco Toninelli<\/td><td>Plan S\u00e9quence<\/td><td>Howard<\/td><td>MC, DL<\/td><\/tr><tr><td>29<\/td><td>Goat Girls<\/td><td>On All Fours<\/td><td>Rough Trade<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Helado Negro<\/td><td>Dorm\u00eddo En La S\u00edlla<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>29<\/td><td>James Ferraro<\/td><td>Terminus<\/td><td><\/td><td><\/td><\/tr><tr><td>29<\/td><td>Joe Lovano, Marilyn Crispell &amp; Carmen Castaldi<\/td><td>Garden of Expression<\/td><td>ECM<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Laura Cannell &amp; Kate Ellis<\/td><td>January Sounds<\/td><td>Brawl<\/td><td>EP<\/td><\/tr><tr><td>29<\/td><td>Loren Connors &amp; Oren Ambarchi<\/td><td>Leone<\/td><td>Family Vineyard<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Lucero<\/td><td>When You Found Me<\/td><td>Liberty &amp; Lament<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Madlib<\/td><td>Sound Ancestors<\/td><td>Madlib Invazion<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Marcos Resende &amp; Index<\/td><td>Marcos Resende &amp; Index<\/td><td>Far Out<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Marek Malinowski Trio<\/td><td>Scratching Fork<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Martin Gore<\/td><td>The Third Chimpanzee<\/td><td>Mute<\/td><td>EP<\/td><\/tr><tr><td>29<\/td><td>Martina Bertoni<\/td><td>Music For Empty Flats<\/td><td>Karlrecords<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Nahawa Doumbia<\/td><td>Kanawa<\/td><td>Awesome Tapes From Africa<\/td><td><\/td><\/tr><tr><td>29<\/td><td>NNHMN<\/td><td>Deception Island<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>29<\/td><td>PJ Harvey<\/td><td>Is This Desire? &#8211; Demos<\/td><td>Island<\/td><td>arch.<\/td><\/tr><tr><td>29<\/td><td>Portrayal of Guilt<\/td><td>We Are Always Alone<\/td><td>Closet Casket Activities<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Rats On Rafts<\/td><td>Excerpts From Chapter 3: The Mind Runs A Net Of Rabbit Paths<\/td><td>Fire<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Rome<\/td><td>Parlez-vous hate?<\/td><td>Trisol<\/td><td><\/td><\/tr><tr><td>29<\/td><td>St Germain<\/td><td>Tourist: Travel Variations<\/td><td>Parlophone<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Star Lovers<\/td><td>Boafo Ne Nyame<\/td><td>Hot Casa<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Steven Wilson<\/td><td>The Future Bites<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Susanna Aleksandra<\/td><td>The Siren<\/td><td>Eclipse<\/td><td><\/td><\/tr><tr><td>29<\/td><td>SYNTA [XE] RROR<\/td><td>[ . ] DOT<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Tasos Halkias<\/td><td>Devine Reed<\/td><td>Radio Martiko<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Tassos Chalkias &#8211; \u03a4\u03ac\u03c3\u03bf\u03c2 \u03a7\u03b1\u03bb\u03ba\u03b9\u03ac\u03c2<\/td><td>Divine Reeds<\/td><td>Radio Martiko<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Terry Gross<\/td><td>Soft Opening<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>29<\/td><td>The Besnard Lakes<\/td><td>The Besnard Lakes Are the Last Great Thunderstorm Warnings<\/td><td>Full Time Hobby<\/td><td><\/td><\/tr><tr><td>29<\/td><td>The Body<\/td><td>I&#8217;ve Seen All I Need To See<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>29<\/td><td>The Notwist<\/td><td>Vertigo Days<\/td><td>Morr Music<\/td><td><\/td><\/tr><tr><td>29<\/td><td>The Underflow<\/td><td>Instant Opaque Evening<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Theo Bleckmann &amp; The Westerlies<\/td><td>This Land<\/td><td>The Westerlies Music Inc<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Timo K\u00e4m\u00e4r\u00e4inen<\/td><td>Blink And You Miss It<\/td><td>Eclipse<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Tomasz Bednarczyk<\/td><td>Nothing Much Happens<\/td><td>Somewhere Nowhere<\/td><td>MC, DL<\/td><\/tr><tr><td>29<\/td><td>Tribulation<\/td><td>Where The Gloom Becomes Sound<\/td><td>Metal Blade<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Troum<\/td><td>DA\u200b-\u200bPU\u200b-\u200bRI\u200b-\u200bTO\u200b-\u200bJO (The Singles 2004\u200b-\u200b2016)<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>29<\/td><td>University Challenged<\/td><td>Oh Temple!<\/td><td>Hive Mind<\/td><td><\/td><\/tr><tr><td>29<\/td><td>VA<\/td><td>Ena Tefariki<\/td><td>Radio Martiko<\/td><td><\/td><\/tr><tr><td>29<\/td><td>VA<\/td><td>Indaba Is<\/td><td>Brownswood<\/td><td><\/td><\/tr><tr><td>29<\/td><td>VA<\/td><td>London Pirate Radio Adverts 1984-1993, Vol. 1<\/td><td>Death Is Not The End<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Vhyce<\/td><td>One Day We&#8217;ll Float <\/td><td>Pets<\/td><td>EP<\/td><\/tr><tr><td>29<\/td><td>Weezer<\/td><td>OK Human<\/td><td>Atlantic<\/td><td><\/td><\/tr><tr><td>29<\/td><td>William Parker<\/td><td>Migration of Silence Into and Out of The Tone World \u2013 [Volumes 1\u201310]<\/td><td>AUM Fidelity<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Yasmin Williams<\/td><td>Urban Driftwood<\/td><td>Spinster<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Yasnaia<\/td><td>Oniro (extended edition)<\/td><td>Zoharum<\/td><td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"<p>1 Anavit\u00f3ria COR 1 Another Sky Music For Winter Vol. I Fiction EP 1 Canine Callgirls Fading Topography 1 Fireman Overcoming the Cycle of Sun Collapse EP 1 Grimes Miss Anthropocene (Rave Edition) 1 Hedone &#8222;2020&#8221; New Sun 1 Jane Weaver Flock Fire 1 J\u0119drzej Siwek &#8222;2021&#8221; EP 1 KakofoNIKT The Baby of K\u00e2kon 1 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/27836"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27836"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/27836\/revisions"}],"predecessor-version":[{"id":31420,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/27836\/revisions\/31420"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}