{"id":29599,"date":"2021-06-19T12:06:57","date_gmt":"2021-06-19T10:06:57","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=29599"},"modified":"2022-01-06T19:40:17","modified_gmt":"2022-01-06T18:40:17","slug":"premiery-07-2021","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-07-2021\/","title":{"rendered":"07.2021"},"content":{"rendered":"\n
1<\/td>Eric Fogerty<\/td>Hard Rock: Piece for Chamber Orchestra<\/td>Tomasz Gwincinski<\/td><\/td><\/tr>
1<\/td>Hawgood | H\u00fcwels | Murray<\/td>Day Falls<\/td>Home Normal<\/td><\/td><\/tr>
1<\/td>Hootie The Sailor<\/td>Subliminal Physiognomy<\/td>Vivarium<\/td><\/td><\/tr>
1<\/td>Lando Maguszka<\/td>Se\u00f1or Bigote Verde<\/td>Plexus Of Infinity<\/td><\/td><\/tr>
1<\/td>Mica Levi<\/td>Zola OST<\/td>Invada<\/td><\/td><\/tr>
1<\/td>Mila Jankowska \/ Tomasz Wiracki <\/td>Zen<\/td>Agora<\/td><\/td><\/tr>
1<\/td>Spectral Corridors<\/td>The House In The Woods<\/td>Ecstatic<\/td><\/td><\/tr>
1<\/td>Sporo Wody<\/td>Orange Is a Snack<\/td>BAS<\/td><\/td><\/tr>
1<\/td>Talachan<\/td>HXTAL<\/td>Audile Snow<\/td><\/td><\/tr>
1<\/td>Vanity Productions<\/td>Eyes Like Angels<\/td>Posh Isolation<\/td><\/td><\/tr>
2<\/td>Archie Shepp<\/td>Live in Paris (1974)<\/td>Transversales<\/td>LP, DL<\/td><\/tr>
2<\/td>At The Gates<\/td>The Nightmare of Being<\/td>Century Media<\/td><\/td><\/tr>
2<\/td>Ausland<\/td>Plateau<\/td>Superpang<\/td><\/td><\/tr>
2<\/td>Bobby Gillespie & Jehnny Beth<\/td>Utopian Ashes<\/td>Third Man<\/td><\/td><\/tr>
2<\/td>Booker Stardrum<\/td>Crater<\/td>NNA Tapes<\/td><\/td><\/tr>
2<\/td>Breakjanek 60 & Dygnitarz 808<\/td>CCCIII EP<\/td>Father And Son Records And Tapes<\/td>DL<\/td><\/tr>
2<\/td>Claire Rousay<\/td>Live<\/td>American Dreams<\/td>MC, DL<\/td><\/tr>
2<\/td>Cosha<\/td>Mt. Pleasant<\/td><\/td><\/td><\/tr>
2<\/td>De Schuurman<\/td>Bubbling Inside<\/td>Nyege Nyege<\/td><\/td><\/tr>
2<\/td>Declaime & Madlib<\/td>In the Beginning Vol. 1<\/td>FB Distribution<\/td><\/td><\/tr>
2<\/td>Deux Filles<\/td>Shadow Farming<\/td>Glass Modern<\/td><\/td><\/tr>
2<\/td>Eiko Ishibashi<\/td>Tokyo 2021 Variantic<\/td>Superpang<\/td><\/td><\/tr>
2<\/td>Emma-Jean Thackray <\/td>Yellow<\/td><\/td><\/td><\/tr>
2<\/td>Jon Hopkins<\/td>Piano Versions<\/td>Domino<\/td>EP<\/td><\/tr>
2<\/td>Kuba Kawalec<\/td>\u015alepota<\/td>Kayax<\/td><\/td><\/tr>
2<\/td>Last Magpie<\/td>Clocks<\/td>Pets<\/td>EP<\/td><\/tr>
2<\/td>Laura Mvula<\/td>Pink Noise<\/td>Atlantic<\/td><\/td><\/tr>
2<\/td>Manzanita y Su Conjunto<\/td>Trujillo – Per\u00fa 1971\u200b-\u200b1974<\/td>Analog Africa<\/td><\/td><\/tr>
2<\/td>Margaret<\/td>Gelato EP<\/td>Sony<\/td><\/td><\/tr>
2<\/td>Molly Lewis<\/td>The Forgotten Edge<\/td>Jagjaguwar<\/td><\/td><\/tr>
2<\/td>Montener The Menace<\/td>Anyone Home?<\/td>Certain Sound Records <\/td><\/td><\/tr>
2<\/td>Orchestre Tout Puissant Marcel Duchamp<\/td>We’re OK. But We’re Lost Anyway<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
2<\/td>Paula Rebellato<\/td>Tape Loops Vol\u200b.\u200b1<\/td>Domina<\/td><\/td><\/tr>
2<\/td>Pi\u0119tnastka<\/td>Kambium<\/td>Mondoj<\/td>CD, DL<\/td><\/tr>
2<\/td>Radiation 30376<\/td>Arka<\/td>Pinkman<\/td><\/td><\/tr>
2<\/td>RSN<\/td>Motion<\/td>Agogo<\/td><\/td><\/tr>
2<\/td>Snapped Ankles<\/td>Forest of Your Problems<\/td><\/td><\/td><\/tr>
2<\/td>Snapped Ankles<\/td>Forest of Your Problems<\/td><\/td><\/td><\/tr>
2<\/td>Spyros Polychronopoulos<\/td>Duende<\/td>Room40<\/td><\/td><\/tr>
2<\/td>Stephen Vitiello<\/td>A Room Adrift (6×6)<\/td>Room40<\/td><\/td><\/tr>
2<\/td>Stone Giants<\/td>West Coast Love Stories<\/td>Nomark<\/td><\/td><\/tr>
2<\/td>The Go! Team<\/td>Get Up Sequences Part 1<\/td>Memphis Industries<\/td><\/td><\/tr>
2<\/td>The House In The Woods<\/td>Spectral Corridors<\/td>Ecstatic<\/td><\/td><\/tr>
2<\/td>Theatre West<\/td>Bow to the People<\/td>Black Fire\/Strut<\/td>arch.<\/td><\/tr>
2<\/td>Wojciech Golczewski<\/td>Mono:Logs <\/td>Data Airlines<\/td>DL, LP<\/td><\/tr>
2<\/td>Yann Novak<\/td>Lifeblood of Light and Rupture<\/td>Room40<\/td><\/td><\/tr>
2<\/td>Yuji Toriyama & Ken Morimura<\/td>Aerobics<\/td><\/td><\/td><\/tr>
3<\/td>Kamol Kosmoska<\/td>Sny i ta\u0144ce plemienne<\/td>Audile Snow<\/td><\/td><\/tr>
3<\/td>Mesbrutah<\/td>Tranquility<\/td>Trofika<\/td><\/td><\/tr>
4<\/td>Ch\u0142opcy Kontra Basia<\/td>Bojarczuk – Wesele<\/td>Echo Production \/ Miasto Krasnystaw<\/td>CD<\/td><\/tr>
4<\/td>Lana Del Rey<\/td>Blue Banisters<\/td><\/td><\/td><\/tr>
5<\/td>Hugo Moolenaar<\/td>The Mocko Jumbie EP<\/td>Fredriksberg Records<\/td><\/td><\/tr>
6<\/td>Chasing Planets<\/td>A NIght Like This<\/td>Superpang<\/td><\/td><\/tr>
6<\/td>Peter Broderick<\/td>Let It Go<\/td>Erased Tapes<\/td>EP<\/td><\/tr>
6<\/td>Superklang<\/td>Superklang<\/td>Umlaut<\/td><\/td><\/tr>
7<\/td>OSCOB x Haircuts For Men<\/td>Victim<\/td><\/td><\/td><\/tr>
7<\/td>Synergetic Voice Orchestra<\/td>MIOS<\/td>Metron<\/td><\/td><\/tr>
8<\/td>Saba Alizadeh<\/td>I May Never See You Again<\/td>30M<\/td><\/td><\/tr>
8<\/td>The Complainer aka Wojciech Kucharczyk<\/td>Not Sponsored Not Censored (Mad Director\u2019s Cut Series)<\/td>Mik.Musik<\/td>CD, DL<\/td><\/tr>
8<\/td>Wojciech Kucharczyk aka The Complainer<\/td>[sighs], (Mad Director\u2019s Cut Series)<\/td>Mik.Musik<\/td>CD, DL<\/td><\/tr>
8<\/td>Wojciech Kucharczyk aka The Complainer<\/td>Kiedy\u015b demon techno w okularach (Mad Director\u2019s Cut Series)<\/td>Mik.Musik<\/td>CD, DL<\/td><\/tr>
8<\/td>Wojciech Kucharczyk aka The Complainer<\/td>CHEST EP open for extensions (Mad Director\u2019s Cut Series)<\/td>Mik.Musik<\/td>CD, DL<\/td><\/tr>
8<\/td>Wojciech Kucharczyk aka The Complainer<\/td>Not Sponsored Not Censored (Mad Director\u2019s Cut Series)<\/td>Mik.Musik<\/td>CD, DL<\/td><\/tr>
9<\/td>3XOJ<\/td>Stork<\/td>Hakuna Kulala<\/td>EP<\/td><\/tr>
9<\/td>Adam Walaci\u0144ski<\/td>Dwaj panowie N.<\/td>GAD<\/td>CD, arch.<\/td><\/tr>
9<\/td>Album<\/td>Album<\/td>Telephone Explosion<\/td><\/td><\/tr>
9<\/td>Arushi Jain<\/td>Under the Lilac Sky<\/td>Leaving<\/td><\/td><\/tr>
9<\/td>Bruno Bavota<\/td>Apartment Loops Vol. 2<\/td>Temporary Residence<\/td><\/td><\/tr>
9<\/td>Charlotte Day Wilson<\/td>Alpha<\/td>The Orchard<\/td><\/td><\/tr>
9<\/td>Cloud Of I<\/td>Gazing<\/td>Batov<\/td>EP<\/td><\/tr>
9<\/td>Dolphin Midwives<\/td>Body of Water<\/td>Beacon Sound<\/td><\/td><\/tr>
9<\/td>Drug Stre Romeos<\/td>The World Within Our Bedrooms<\/td>Fiction<\/td><\/td><\/tr>
9<\/td>Evan Caminiti<\/td>The Cracked Mask<\/td>Superpang<\/td><\/td><\/tr>
9<\/td>Foodman<\/td>Yasuragi Land<\/td>Hyperdub<\/td><\/td><\/tr>
9<\/td>Jazz Q<\/td>Symbiosis<\/td>GAD<\/td>2CD<\/td><\/tr>
9<\/td>Karkhana<\/td>Al Azraqayn<\/td>Karlrecords<\/td><\/td><\/tr>
9<\/td>Keiji Haino, Jim O’Rourke & Oren Ambarchi<\/td>Each Side Has a Depth of 5 Seconds \/ A Polka Dot Pattern in Horizontal Array \/ A Flickering That Moves Vertically<\/td>Black Truffle<\/td><\/td><\/tr>
9<\/td>Koreless<\/td>Agor<\/td>Young<\/td><\/td><\/tr>
9<\/td>Les Filles de Illighadad<\/td>At Pioneer Works<\/td>Sahel Sounds<\/td><\/td><\/tr>
9<\/td>Mahagon<\/td>Mahagon<\/td>GAD<\/td>CD <\/td><\/tr>
9<\/td>Mamaki Boys<\/td>Patriote<\/td>Sahel Sounds<\/td><\/td><\/tr>
9<\/td>Matthias M\u00fcller, Ricardo Tejero, Vasco Trilla<\/td>Implositions<\/td>577 Records<\/td><\/td><\/tr>
9<\/td>Miguel Angel Tolosa<\/td>Nostalgia (circa 1987)<\/td>L-ne<\/td><\/td><\/tr>
9<\/td>Old Moon<\/td>Altars<\/td><\/td><\/td><\/tr>
9<\/td>Patrice Rushen<\/td>Straight from the Heart (Remastered)<\/td>Strut<\/td>reed.<\/td><\/tr>
9<\/td>Rejjie Snow<\/td>Baw Baw Black Sheep <\/td>300 Entertainment<\/td><\/td><\/tr>
9<\/td>Robert Gerard Pietrusko<\/td>Elegiya<\/td>Room40<\/td><\/td><\/tr>
9<\/td>The Goon Sax<\/td>Mirror II<\/td>Matador<\/td><\/td><\/tr>
9<\/td>The Wallflowers<\/td>Exit Wounds<\/td>New West<\/td><\/td><\/tr>
9<\/td>Tkay Maidza<\/td>Last Year Was Weird vol. 3<\/td>4AD<\/td>EP<\/td><\/tr>
9<\/td>Vince Staples<\/td>Vince Staples<\/td>Blacksmith<\/td><\/td><\/tr>
9<\/td>W\u0142adys\u0142aw Komendarek<\/td>W\u0142adys\u0142aw Komendarek<\/td>GAD<\/td>CD, reed.<\/td><\/tr>
10<\/td>Weston Olencki<\/td>Verd Mont<\/td>Superpang<\/td><\/td><\/tr>
12<\/td>Adam Kempa <\/td>Musique non-concrete<\/td>Jvdasz Iskariota<\/td>CD, MC, DL<\/td><\/tr>
12<\/td>Dawno Temu<\/td>Automatic Reply<\/td>Jvdasz Iskariota<\/td>CD, MC, DL<\/td><\/tr>
12<\/td>Philippe Sarde<\/td>Cesar et Rosalie<\/td>Transversales<\/td>arch.<\/td><\/tr>
12<\/td>William Tyler & Luke Schneider<\/td>Understand<\/td>Leaving<\/td><\/td><\/tr>
13<\/td>Lucy & Aaron<\/td>Aaron Dilloway & Lucrecia Dalt<\/td>Hanson<\/td><\/td><\/tr>
14<\/td>Ade & Connan Mockasin<\/td>It’s Just Wind<\/td>Mexican Summer<\/td><\/td><\/tr>
14<\/td>Mikroelementy Orkiestra<\/td>Connecting People<\/td>Fundacja Badania Mo\u017cliwo\u015bci<\/td><\/td><\/tr>
15<\/td>Asaf Sirkis<\/td>Solar Flash<\/td>MoonJune<\/td><\/td><\/tr>
15<\/td>Janusz Jurga<\/td>IST<\/td>Opus Elefantum<\/td><\/td><\/tr>
15<\/td>Rodrigo Amado Motion trio with Alexander von Schlippenbach<\/td>The Field<\/td>NoBusiness<\/td><\/td><\/tr>
15<\/td>Yonaka<\/td>Seize the Power<\/td><\/td>mixtape<\/td><\/tr>
15<\/td>Yves Tumor <\/td>The Asymptotical World EP<\/td>Warp<\/td><\/td><\/tr>
16<\/td>\u00c0lex Reviriego<\/td>Raben<\/td>Tripticks Tapes<\/td><\/td><\/tr>
16<\/td>Alice Coltrane<\/td>Kirtan: Turiya Sings<\/td>Impulse!<\/td><\/td><\/tr>
16<\/td>Cameron Knowler<\/td>Places of Consequence<\/td>American Dreams<\/td><\/td><\/tr>
16<\/td>Cameron Knowler<\/td>Places of Consequence<\/td>American Dreams<\/td><\/td><\/tr>
16<\/td>Chet Faker<\/td>Hotel Surrender<\/td><\/td><\/td><\/tr>
16<\/td>Claire Rousay & More Eaze<\/td>An Afternoon Whine<\/td>Ecstatic<\/td><\/td><\/tr>
16<\/td>Claire Rousay & More Eaze<\/td>An Afternoon Whine<\/td>Ecstatic<\/td><\/td><\/tr>
16<\/td>Clairo<\/td>Sling<\/td>Fader<\/td><\/td><\/tr>
16<\/td>COS<\/td>COSMIX<\/td>Finders Keepers<\/td><\/td><\/tr>
16<\/td>Damiana<\/td>Vines<\/td>Hausu Mountain<\/td><\/td><\/tr>
16<\/td>Deantoni Parks, Technoself<\/td>A Self<\/td>Leaving<\/td><\/td><\/tr>
16<\/td>Elia Rediger, Basel Sinfonietta<\/td>Oh Albert <\/td>New Amsterdam<\/td><\/td><\/tr>
16<\/td>Evan Zierk<\/td>Endless Gesture<\/td>Atlantic Rhythms<\/td>EP<\/td><\/tr>
16<\/td>Hector Plimmer<\/td>Next to Nothhing Remixed<\/td>Albert’s Favourites<\/td><\/td><\/tr>
16<\/td>Hollie Kenniff<\/td>The Quiet Drift<\/td><\/td><\/td><\/tr>
16<\/td>Jarecki<\/td>Totem<\/td>Universal<\/td><\/td><\/tr>
16<\/td>Jodi<\/td>Blue Heron<\/td>Sooper<\/td><\/td><\/tr>
16<\/td>Joe O\u2019Connor, Theo Carbo & Tim Green<\/td>Eclogue<\/td>577 Records<\/td><\/td><\/tr>
16<\/td>John Mayer<\/td>Sob Rock<\/td>Columbia<\/td><\/td><\/tr>
16<\/td>Ken Vandermark and Nate Wooley Duo<\/td>The Chicago Manual of Style<\/td>Superpang<\/td><\/td><\/tr>
16<\/td>Kenneth Whalum<\/td>Broken Land 2<\/td>Secretly Canadian<\/td><\/td><\/tr>
16<\/td>Koeosaeme<\/td>Annulus<\/td>Orange Milk<\/td><\/td><\/tr>
16<\/td>Koeosaeme<\/td>Annulus<\/td>Orange Milk<\/td><\/td><\/tr>
16<\/td>Madam Data<\/td>The Gospel of the Devourer<\/td>PTP<\/td><\/td><\/tr>
16<\/td>Midwife<\/td>Luminol<\/td>The Flenser<\/td><\/td><\/tr>
16<\/td>Paula Garcia Stone<\/td>A Long Wait<\/td>Flaming Pine<\/td><\/td><\/tr>
16<\/td>Rey Sapienz & The Congo Techno Ensemble<\/td>Na Zala Zala<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
16<\/td>Rodrigo Amarante<\/td>Drama<\/td>Polyvinyl<\/td><\/td><\/tr>
16<\/td>Stimulator Jones<\/td>Low Budget Environments Striving For Perfection<\/td>Stones Throw<\/td><\/td><\/tr>
16<\/td>The Brother Moves On<\/td>You Think You Know Me<\/td>Matsuli<\/td><\/td><\/tr>
16<\/td>The Pitch<\/td>KM28<\/td>Tripticks Tapes<\/td><\/td><\/tr>
16<\/td>UIi Kempendorf<\/td>Someone Talked<\/td>Enja & Yellowbird Records<\/td><\/td><\/tr>
16<\/td>VA<\/td>Tafaa – Random activity of the work of art, escalates an extension of accepted (unproductive) concepts of art, nature and society<\/td>Chinabot<\/td><\/td><\/tr>
16<\/td>Wavves<\/td>Hideaway<\/td>Fat Possum<\/td><\/td><\/tr>
16<\/td>Willow<\/td>Lately I Feel Everything<\/td>Roc.Nation<\/td><\/td><\/tr>
17<\/td>Bethan Kellough<\/td>Gravity + Sand<\/td>Superpang<\/td><\/td><\/tr>
17<\/td>Brutah<\/td>Hubol<\/td>Lubi\u0119 Ci\u0119<\/td>EP<\/td><\/tr>
17<\/td>Pawe\u0142 Ma\u0144ka Semiotic Quintet<\/td>Kubizm<\/td>SJRecords<\/td><\/td><\/tr>
17<\/td>Squid<\/td>Near the Westway<\/td>Warp<\/td>EP<\/td><\/tr>
18<\/td>Cameron Knowler<\/td>Places of Consequences<\/td>American Dreams<\/td><\/td><\/tr>
19<\/td>Contortionist<\/td>Modern Faith<\/td>Amek<\/td><\/td><\/tr>
19<\/td>Fr\u00e9d\u00e9ric D. Oberland <\/td>M\u00eame Soleil<\/td>IIKKI<\/td><\/td><\/tr>
19<\/td>Maxine Funke<\/td>Seance<\/td>A Colourful Storm<\/td><\/td><\/tr>
20<\/td>Discordless<\/td>Fear On Every Side<\/td>Amek<\/td><\/td><\/tr>
20<\/td>Natan Wojty\u0142a & \u7ae5\u5fc3<\/td>Blue River<\/td><\/td>EP<\/td><\/tr>
20<\/td>Percy Jones, Alex Skolnick, Kenny Grohowski, Tim Motzer<\/td>PAKT<\/td>MoonJune<\/td><\/td><\/tr>
20<\/td>Uffe<\/td>Words and Endings<\/td>On The Corner<\/td><\/td><\/tr>
21<\/td>Sam Gendel & Sam Wilkes<\/td>Music for Saxofone and Bass Guitar More Songs<\/td>Leaving<\/td><\/td><\/tr>
22<\/td>Ben Bondy<\/td>Glans Intercum<\/td>West Mineral Ltd.<\/td><\/td><\/tr>
22<\/td>Brone Pone<\/td>Brone Pone II: The Last Party<\/td>Vivarium<\/td><\/td><\/tr>
22<\/td>Kippie Moketsi & Hal Singer<\/td>Blue Stompin\u2019<\/td>We Are Busy Bodies<\/td>arch.<\/td><\/tr>
22<\/td>Kroki<\/td>Szkoda EP<\/td><\/td><\/td><\/tr>
22<\/td>VA <\/td>Tetra Hysteria Manifesto<\/td>Chinabot<\/td><\/td><\/tr>
23<\/td>Alasdair Roberts and V\u00f6lvur<\/td>The Old Fabled River<\/td><\/td><\/td><\/tr>
23<\/td>Alexis Marshall<\/td>House of Lull. House of When<\/td>Sargent House<\/td><\/td><\/tr>
23<\/td>Anika<\/td>Change<\/td>Invada<\/td><\/td><\/tr>
23<\/td>Anne-Marie<\/td>Therapy<\/td>Asylum<\/td><\/td><\/tr>
23<\/td>Anthony Moore (Henry Cow, Slapp Happy), Dirk Specht, Tobias Grewenig<\/td>The April Sessions<\/td>Sub Rosa<\/td><\/td><\/tr>
23<\/td>Beatriz Ferreyra<\/td>Canto+<\/td>Room40<\/td><\/td><\/tr>
23<\/td>Bitchin Bajas<\/td>Cuts IV<\/td><\/td><\/td><\/tr>
23<\/td>Blectum For Blechdom<\/td>DeepBone<\/td>Deathbomb Arc<\/td><\/td><\/tr>
23<\/td>Cakedog<\/td>War Room 1<\/td>Leaving<\/td><\/td><\/tr>
23<\/td>Celia Hollander<\/td>Timekeeper<\/td>Leaving<\/td><\/td><\/tr>
23<\/td>Chrissy<\/td>So Electrifying<\/td>Pets<\/td>EP<\/td><\/tr>
23<\/td>Darkside<\/td>Spiral<\/td>Matador<\/td><\/td><\/tr>
23<\/td>Dave<\/td>We Are All Alone In This Together<\/td>Neighbourhood<\/td><\/td><\/tr>
23<\/td>Dave<\/td>We’re All Alone In This Together<\/td>Neighbourhood<\/td><\/td><\/tr>
23<\/td>David Crosby <\/td>For Free<\/td>BMG<\/td><\/td><\/tr>
23<\/td>DJ Manny<\/td>Signals In My Head<\/td>Planet Mu<\/td><\/td><\/tr>
23<\/td>Elisabeth Harnik<\/td>Superstructure – Holding Up a Bridge<\/td>Trost<\/td><\/td><\/tr>
23<\/td>Emma-Jean Thackray<\/td>Yellow<\/td>Movementt<\/td><\/td><\/tr>
23<\/td>Hank Roberts Sextet<\/td>Science Of Love<\/td>Sunnyside<\/td><\/td><\/tr>
23<\/td>Jack Cooper & Jeff Tobias<\/td>Tributaries<\/td>Astral Spirits<\/td><\/td><\/tr>
23<\/td>Jazzparty <\/td>Nobody Gets Away<\/td>Remote Control<\/td><\/td><\/tr>
23<\/td>Judith Hamann<\/td>A Coffin Spray<\/td>Superpang<\/td><\/td><\/tr>
23<\/td>King Crimson<\/td>The Elements of King Crimson – 2021 Tour Box<\/td>DGM<\/td><\/td><\/tr>
23<\/td>Leon Bridges<\/td>Gold-Diggers Sun<\/td>Columbia<\/td><\/td><\/tr>
23<\/td>Martin Scherziger<\/td>Scherziger Etudes<\/td>New Focus<\/td><\/td><\/tr>
23<\/td>Mega Bog<\/td>Life, and Another<\/td>Paradise of Bachelors<\/td><\/td><\/tr>
23<\/td>Michael Marcus, Joe McPhee, Jay Rosen, Warren Smith<\/td>Blue Reality Quartet!<\/td>Mahakala<\/td><\/td><\/tr>
23<\/td>Molly Burch<\/td>Romantic Images<\/td>Captured Tracks<\/td><\/td><\/tr>
23<\/td>No Safety<\/td>Spill<\/td>Cuneiform<\/td>arch<\/td><\/tr>
23<\/td>No Safety<\/td>Live at the Knitting Factory<\/td>Cuneiform<\/td>arch<\/td><\/tr>
23<\/td>No Safety<\/td>Live in Italy 1994<\/td>Cuneiform<\/td>arch<\/td><\/tr>
23<\/td>Nothing But Thieves<\/td>Moral Panic II<\/td><\/td>EP<\/td><\/tr>
23<\/td>Ora Clementi<\/td>Sylva Sylvarum<\/td>Black Truffle<\/td><\/td><\/tr>
23<\/td>Peyton<\/td>PSA<\/td>Stones Throw<\/td><\/td><\/tr>
23<\/td>Piroshka<\/td>Love Drips & Gathers<\/td>Bella Union<\/td><\/td><\/tr>
23<\/td>Samia<\/td>Scout<\/td>Grand Jury<\/td>EP<\/td><\/tr>
23<\/td>Sleep Walker<\/td>Alias<\/td>UNFD<\/td><\/td><\/tr>
23<\/td>Taphari<\/td>Blind Obedience<\/td>Bayonet<\/td><\/td><\/tr>
23<\/td>Upper Wilds<\/td>Venus<\/td>Thrill Jockey<\/td><\/td><\/tr>
23<\/td>William Parker<\/td>Painters Winter<\/td>AUM Fidelity<\/td><\/td><\/tr>
23<\/td>William Parker<\/td>Mayan Space Station<\/td>AUM Fidelity<\/td><\/td><\/tr>
24<\/td>Eric Griswold<\/td>Wolf Moon<\/td>Room40<\/td><\/td><\/tr>
24<\/td>Micha\u0142 B\u0105k Quartetto<\/td>Fortress<\/td>Alpaka<\/td><\/td><\/tr>
24<\/td>The Joe Harriott Quintet<\/td>Formation: Live ’61<\/td>Jazz In Britain<\/td><\/td><\/tr>
25<\/td>Dominique Andre<\/td>Evasion<\/td>Born Bad<\/td><\/td><\/tr>
25<\/td>Njomza<\/td>Limbo<\/td><\/td>EP<\/td><\/tr>
25<\/td>Pacific 231 & Rapoon<\/td>Palestine (ext. edit.)<\/td>Zoharum<\/td><\/td><\/tr>
25<\/td>Tomek Cho\u0142oniewski<\/td>Music To Make Your Body Suffer<\/td>Bocian<\/td><\/td><\/tr>
26<\/td>INAWHIRL (Graewe \/ Kowal \/ Dieb13)<\/td>Streugebilde<\/td>Trost<\/td><\/td><\/tr>
27<\/td>Lil Ugly Mane<\/td>Headboard<\/td><\/td><\/td><\/tr>
28<\/td>Andrzej Baphomet<\/td>Potr\u00f3jna korona<\/td>thisisnotarecord<\/td><\/td><\/tr>
28<\/td>Cofaxx<\/td>Any Number of Filters<\/td><\/td><\/td><\/tr>
28<\/td>Kevin Drumm<\/td>Grey Screen<\/td><\/td><\/td><\/tr>
28<\/td>Lorenzo Balloni<\/td>Expectations<\/td>Superpang<\/td><\/td><\/tr>
28<\/td>Luis Ake<\/td>Liebe<\/td>Mansions & Millions<\/td><\/td><\/tr>
29<\/td>Llyr<\/td>Biome<\/td><\/td><\/td><\/tr>
29<\/td>Paul Kendall<\/td>Boundary Macro<\/td>Downward<\/td><\/td><\/tr>
30<\/td>Alex Rex<\/td>Paradise<\/td><\/td><\/td><\/tr>
30<\/td>Balimaya Project<\/td>Wolo So<\/td>Jazz Re:Freshed<\/td><\/td><\/tr>
30<\/td>Billie EIlish<\/td>Happier Than Ever<\/td>Interscope<\/td><\/td><\/tr>
30<\/td>Bleachers<\/td>Take The Sadness Out of Saturday Night<\/td>RCA<\/td><\/td><\/tr>
30<\/td>Brin & Josiah Steinbrick<\/td>Bliss Place<\/td><\/td><\/td><\/tr>
30<\/td>Dave East & Harry Fraud<\/td>HOFFA<\/td><\/td><\/td><\/tr>
30<\/td>DMX Krew<\/td>Peripheral Visions<\/td>Byrd Out<\/td><\/td><\/tr>
30<\/td>Dot Allison<\/td>Heart-Shaped Scars<\/td><\/td><\/td><\/tr>
30<\/td>Durand Jones & The Indications<\/td>Private Space<\/td>Dead Oceans<\/td><\/td><\/tr>
30<\/td>GFOTY<\/td>Femmedorm<\/td>Girlfriend<\/td><\/td><\/tr>
30<\/td>Honnda<\/td>Ultimate Rivals: The Court (Original Game Soundtrack)<\/td>Orange Milk<\/td><\/td><\/tr>
30<\/td>Horsey<\/td>Debonair<\/td><\/td><\/td><\/tr>
30<\/td>Horsey<\/td>Debonair<\/td>Untitled<\/td><\/td><\/tr>
30<\/td>Isiah Rashad<\/td>The House Is Burning<\/td>Top Dawg Entertainment<\/td><\/td><\/tr>
30<\/td>John Glacier<\/td>SHILOH: Lost for Words<\/td>PLZ Make It Ruins<\/td><\/td><\/tr>
30<\/td>Kaukolampi<\/td>We Jazz Reworks vol. 1<\/td>We Jazz<\/td><\/td><\/tr>
30<\/td>King Woman<\/td>Celestial Blues<\/td>Relapse<\/td><\/td><\/tr>
30<\/td>King Woman<\/td>Celestial Blues<\/td>Relapse<\/td><\/td><\/tr>
30<\/td>Komet \/ Byetone<\/td>Untitled<\/td>Blundar<\/td><\/td><\/tr>
30<\/td>Laurin Huber<\/td>Dog Mountain<\/td>Hallow Ground<\/td><\/td><\/tr>
30<\/td>Liz Helman<\/td>The Yearning<\/td><\/td><\/td><\/tr>
30<\/td>Logic<\/td>Bobby Tarantino III<\/td>Def Jam<\/td>mixtape<\/td><\/tr>
30<\/td>Low Roar<\/td>Maybe Tomorrow<\/td>Tonequake<\/td><\/td><\/tr>
30<\/td>LUMP<\/td>Animal<\/td>Partisan\/Chrysalis<\/td><\/td><\/tr>
30<\/td>Marcey Yates, XOBOI<\/td>Culxr House\u200b:\u200bFreedom Summer<\/td>Saddle Creek<\/td><\/td><\/tr>
30<\/td>Matt Mitchell & Kate Gentile<\/td>Snark Horse <\/td>Pi Recordings<\/td>box set<\/td><\/tr>
30<\/td>Mocky<\/td>Overtones for the Omniverse<\/td>Morr Music<\/td><\/td><\/tr>
30<\/td>Mosam Howieson<\/td>Aphelion<\/td>Mysteries Of The Deep<\/td><\/td><\/tr>
30<\/td>\u00d8rganek<\/td>Ocali nas mi\u0142o\u015b\u0107<\/td>Mystic<\/td><\/td><\/tr>
30<\/td>Paradise Now<\/td>We Never Die<\/td>Tooth & Nail<\/td><\/td><\/tr>
30<\/td>Piotr D\u0105browski<\/td>Fantomatyka<\/td>Fundacja Nobiscum<\/td><\/td><\/tr>
30<\/td>Prince<\/td>Welcome 2 America<\/td>Legacy<\/td><\/td><\/tr>
30<\/td>Qasim Naqvi<\/td>Chronology<\/td>Erased Tapes<\/td><\/td><\/tr>
30<\/td>Rafael Toral<\/td>Harmonic Series 3<\/td><\/td><\/td><\/tr>
30<\/td>Ryuichi Sakamoto<\/td>Minamata<\/td>Milan<\/td><\/td><\/tr>
30<\/td>Sam Mehran<\/td>Cold Blue<\/td>Domino<\/td><\/td><\/tr>
30<\/td>Silver Rocket<\/td>Electronics For Dogs<\/td>Don’t Sit On My Vinyl<\/td>LP 180 ltd<\/td><\/tr>
30<\/td>Skepta<\/td>All In<\/td><\/td>EP<\/td><\/tr>
30<\/td>Tangents<\/td>Timeslips & Chimeras<\/td>Temporary Residence<\/td><\/td><\/tr>
30<\/td>Terra Utopia<\/td>Terra Utopia<\/td>Emotional Rescue<\/td><\/td><\/tr>
30<\/td>The Band Of Endless Noise<\/td>Riders On The Bikes<\/td>Don’t Sit On My Vinyl<\/td>LP + 8″ ltd<\/td><\/tr>
30<\/td>Torres<\/td>Thirstier<\/td>Merge<\/td><\/td><\/tr>
30<\/td>VA<\/td>Antechamber Music<\/td>Accidental<\/td><\/td><\/tr>
30<\/td>Vasconcelos Sentimento<\/td>Furto<\/td>Far Out<\/td><\/td><\/tr>
30<\/td>We Are Only Human Once<\/td>Skinless<\/td><\/td><\/td><\/tr>
30<\/td>Yola<\/td>Stand for Myself<\/td>Easy Eye Sound<\/td><\/td><\/tr>
30<\/td>ZRL<\/td>Our Savings<\/td>American Dreams<\/td><\/td><\/tr>
31<\/td>Matias Riquelme<\/td>„7”<\/td>577 Records<\/td><\/td><\/tr>
tbc<\/td>Mlody Kotek<\/td>LP2<\/td>Enjoy Life<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Eric Fogerty Hard Rock: Piece for Chamber Orchestra Tomasz Gwincinski 1 Hawgood | H\u00fcwels | Murray Day Falls Home Normal 1 Hootie The Sailor Subliminal Physiognomy Vivarium 1 Lando Maguszka Se\u00f1or Bigote Verde Plexus Of Infinity 1 Mica Levi Zola OST Invada 1 Mila Jankowska \/ Tomasz Wiracki Zen Agora 1 Spectral Corridors The […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/29599"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=29599"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/29599\/revisions"}],"predecessor-version":[{"id":31426,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/29599\/revisions\/31426"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=29599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}