{"id":30092,"date":"2021-08-27T16:46:00","date_gmt":"2021-08-27T14:46:00","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=30092"},"modified":"2022-01-06T19:40:32","modified_gmt":"2022-01-06T18:40:32","slug":"premiery-09-2021","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-09-2021\/","title":{"rendered":"09.2021"},"content":{"rendered":"\n
1<\/td>C418<\/td>Cookie Clicker<\/td><\/td><\/td><\/tr>
1<\/td>Frank Hatchett<\/td>Sensational<\/td>Telephone Explosion<\/td><\/td><\/tr>
1<\/td>Julien Baker<\/td>Little Oblivions (Remixes)<\/td>Matador<\/td><\/td><\/tr>
1<\/td>Kyle Shepher<\/td>After the Night, the Day Will Surely Come<\/td>Matsuli<\/td><\/td><\/tr>
1<\/td>Native Soul<\/td>Teenage Dreams<\/td>Awesome Tapes from Africa<\/td><\/td><\/tr>
1<\/td>Spalarnia<\/td>Cia\u0142o \u015bwieci niezgod\u0105 na przemoc<\/td>Dym<\/td><\/td><\/tr>
1<\/td>Splinters <\/td>Inclusivity<\/td>Jazz In Britain<\/td>arch.<\/td><\/tr>
1<\/td>Szymon Kaliski<\/td>Gaze Into the Sun<\/td>Facture<\/td><\/td><\/tr>
1<\/td>Tonga Boys, Martin Kaphukusi, Piotr Dang Cichocki<\/td>Other Voices, Other Votes<\/td>1000Hz \/ Szara Reneta<\/td><\/td><\/tr>
1<\/td>Wood Organization<\/td>Drimpro<\/td>Gotta Let It Out<\/td><\/td><\/tr>
2<\/td>Brudny Opos<\/td>Aemdeha GF<\/td><\/td><\/td><\/tr>
2<\/td>Felisha Ledesma<\/td>Fringe<\/td>Ecstatic<\/td><\/td><\/tr>
2<\/td>Riccardo La Foresta<\/td>Fenomenologia delle percussioni<\/td>Superpang<\/td><\/td><\/tr>
2<\/td>Sune<\/td>Soundtracks<\/td>G\u0142owa Konia Nagrania<\/td>DL (CD pa\u017adziernik)<\/td><\/tr>
2<\/td>VA<\/td>Wounds of Love: Khmer Oldies, Vol. 1<\/td>Death Is Not The End<\/td><\/td><\/tr>
3<\/td>Anne Imhof, Eliza Douglas, Billy Bultheel<\/td>SEX<\/td>PAN<\/td><\/td><\/tr>
3<\/td>Anthony Naples<\/td>Chameleon<\/td>ANS<\/td><\/td><\/tr>
3<\/td>Asher<\/td>Atrothesia<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Baby Queen<\/td>The Yearbook<\/td><\/td>mixtape<\/td><\/tr>
3<\/td>Ben Lukas Boysen<\/td>Siren Songs (Original Score for an Abandoned Video Game)<\/td>Erased Tapes<\/td><\/td><\/tr>
3<\/td>Blue Mysteries<\/td>Dislocated<\/td>Hive Mind<\/td><\/td><\/tr>
3<\/td>Botany<\/td>Portal Orphanage<\/td>Western Vinyl<\/td><\/td><\/tr>
3<\/td>Bread of Kaliwild<\/td>A Breath Of Fresh Air<\/td>FB Distribution<\/td><\/td><\/tr>
3<\/td>Colloboh<\/td>Entity Relation<\/td>Leaving<\/td>EP<\/td><\/tr>
3<\/td>Daniel Bachman<\/td>Live at the Olive Mill<\/td>Three Lobed<\/td><\/td><\/tr>
3<\/td>Dave Harrington (ft. Chris Forsyth \/ Ryan Jewell \/ Spencer Zahn)<\/td>First Flight REDUX (Harrington Dub)<\/td><\/td><\/td><\/tr>
3<\/td>David Ferguson<\/td>Nashville No More<\/td>Fat Possum<\/td><\/td><\/tr>
3<\/td>David Grubbs & Ryley Walker<\/td>A Tap on the Shoulder<\/td>Husky Pants<\/td><\/td><\/tr>
3<\/td>David Shea<\/td>AM\/PM<\/td>Room40<\/td><\/td><\/tr>
3<\/td>David Toop, Akio Suzuki, Lawrence English<\/td>Breathing Spirit Forms<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Dntel<\/td>Away<\/td>Morr Music<\/td><\/td><\/tr>
3<\/td>Drake<\/td>Certified Lover Boy<\/td><\/td><\/td><\/tr>
3<\/td>Fuck Dead<\/td>Fuck Dead<\/td>Le Disques du Festival Permanent<\/td><\/td><\/tr>
3<\/td>Gerycz\/Powers\/Rolin<\/td>Lamplighter<\/td>American Dreams<\/td><\/td><\/tr>
3<\/td>Happysad<\/td>Odrzutowce i kowery<\/td>Mystic<\/td><\/td><\/tr>
3<\/td>Imagine Dragons<\/td>Mercury – Act 1<\/td>Universal<\/td><\/td><\/tr>
3<\/td>Iron Maiden<\/td>Senjutsu<\/td>Parlophone<\/td><\/td><\/tr>
3<\/td>Juliette<\/td>Juliette<\/td>Virgin <\/td>EP<\/td><\/tr>
3<\/td>Lawrence English<\/td>A Mirror Holds The Sky<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Lingua Ignota<\/td>The Heart of Man<\/td><\/td>EP<\/td><\/tr>
3<\/td>Little Simz<\/td>Sometimes I Might Be Introvert<\/td>Age 101<\/td><\/td><\/tr>
3<\/td>M Field<\/td>M Field<\/td>Leafy Outlook<\/td><\/td><\/tr>
3<\/td>Madteo<\/td>Str8 Crooked<\/td>Honest Jon’s<\/td>EP<\/td><\/tr>
3<\/td>MazzBoxx (Jerzy Mazzoll + Igor Boxx)<\/td>MaxxBozz<\/td>Audio Cave<\/td><\/td><\/tr>
3<\/td>Mirt <\/td>Low Tide Recordings<\/td>Saamleng<\/td><\/td><\/tr>
3<\/td>Moo Latte<\/td>Snax<\/td>U Know Me<\/td><\/td><\/tr>
3<\/td>Nala Sinephro<\/td>Space 1.8<\/td>Warp<\/td><\/td><\/tr>
3<\/td>Nikki Sheth<\/td>Sound of Mmabolela<\/td>Flaming Pines<\/td><\/td><\/tr>
3<\/td>Ning Yu & David Bird<\/td>Iron Orchid<\/td>New Focus<\/td><\/td><\/tr>
3<\/td>Petr Kotik<\/td>The Plains at Gordium<\/td>Unseen Worlds<\/td><\/td><\/tr>
3<\/td>Robin Fox<\/td>Waking Fever Dream<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Scratcha DVA<\/td>Afrotek EP<\/td>Hyperdub<\/td><\/td><\/tr>
3<\/td>Susan Howe & David Grubbs<\/td>Concordance<\/td>Drag City<\/td><\/td><\/tr>
3<\/td>Suuns <\/td>The Witness<\/td>Joyful Noise<\/td><\/td><\/tr>
3<\/td>SZSZRZ<\/td>No Trees Were Harmed During the Process of Making These Recordings<\/td><\/td><\/td><\/tr>
3<\/td>T. Jervell<\/td>(K) En sommerdag i Kroken (Ruter)<\/td>Tone Burst<\/td><\/td><\/tr>
3<\/td>VA<\/td>Two Tribes Volume Two<\/td>Agogo<\/td><\/td><\/tr>
3<\/td>VA<\/td>Cameroon Garage Funk<\/td>Analog Africa<\/td><\/td><\/tr>
3<\/td>Wilhelm Bras<\/td>S\u00e9ance<\/td>Attitudes<\/td><\/td><\/tr>
3<\/td>Yuk <\/td>Relics mixtape<\/td>Leaving<\/td><\/td><\/tr>
7<\/td>Emel<\/td>Everywhere We Looked Was Burning (live)<\/td>Partisan<\/td><\/td><\/tr>
7<\/td>Johann Johannsson<\/td>Gold Dust<\/td><\/td>arch.<\/td><\/tr>
8<\/td>Kolory <\/td>Chcieli\u015bmy tylko co\u015b poczu\u0107<\/td>Kayax<\/td><\/td><\/tr>
8<\/td>Rohan Drape \/ Anthony Pateras<\/td>The traces of a mistake, the most simple one possible the reactions of even younger children<\/td>Suparpang<\/td><\/td><\/tr>
8<\/td>Xochimoki<\/td>Temple Of The New Sun<\/td>Phantom Limb<\/td><\/td><\/tr>
9<\/td>22Marbles<\/td>Serpens<\/td>Kohlenstoff<\/td><\/td><\/tr>
9<\/td>Lorde<\/td>Te Ao M\u0101rama <\/td>Universal<\/td>EP<\/td><\/tr>
10<\/td>—__–___<\/td>The Heart Pumps Kool-Aid<\/td>Mondoj<\/td><\/td><\/tr>
10<\/td>Amir ElSaffar<\/td>Rivers of Sound: The Other Shore<\/td>Pi Recordings<\/td><\/td><\/tr>
10<\/td>Amyl And The Sniffers<\/td>Comfort To Me<\/td>Rough Trade<\/td><\/td><\/tr>
10<\/td>Andrew W.K.<\/td>God Is Partying<\/td>Napalm<\/td><\/td><\/tr>
10<\/td>Annea Lockwood<\/td>Becoming Air \/ Into The Vanishing Point<\/td>Black Truffle<\/td><\/td><\/tr>
10<\/td>Baby Keem<\/td>The Melodic Blue<\/td>Columbia<\/td><\/td><\/tr>
10<\/td>Ballake Sissoko<\/td>A Touma<\/td>No Format!<\/td><\/td><\/tr>
10<\/td>Bogus\u0142aw Rudzi\u0144ski<\/td>Unitron<\/td>GAD<\/td>arch.<\/td><\/tr>
10<\/td>Cahill Costello<\/td>Offworld<\/td>Gearbox<\/td><\/td><\/tr>
10<\/td>Carlos Casas<\/td>Kamana<\/td>Discrepant<\/td><\/td><\/tr>
10<\/td>Colleen Green<\/td>Cool<\/td>Hardly Art<\/td><\/td><\/tr>
10<\/td>Common<\/td>A Beautiful Revolution Pt 2<\/td>Loma Vista<\/td><\/td><\/tr>
10<\/td>Current Joys<\/td>The Phantom of the Highland Park Ebell<\/td>Secretly Canadian<\/td><\/td><\/tr>
10<\/td>Cytrus<\/td>Trzecia \u0142za od s\u0142o\u0144ca<\/td>GAD<\/td>arch.<\/td><\/tr>
10<\/td>Domingae<\/td>Ae<\/td>Sacred Bones<\/td><\/td><\/tr>
10<\/td>Edrix Puzzle<\/td>Rise to Eris<\/td>On The Corner<\/td>EP<\/td><\/tr>
10<\/td>Filipe Felizard<\/td>Red Cross<\/td>Holuzam<\/td><\/td><\/tr>
10<\/td>Flight<\/td>Kimani<\/td><\/td>EP<\/td><\/tr>
10<\/td>Glenn Fallows & Mark Treffel<\/td>The Globeflower Masters Vol\u200b.\u200b1<\/td>Mr Bongo <\/td><\/td><\/tr>
10<\/td>Hildur Gu\u00f0nad\u00f3ttir & Sam Slater<\/td>Battlefield 2042 (OST)<\/td><\/td><\/td><\/tr>
10<\/td>Igor Levit<\/td>On DSCH<\/td>Sony<\/td><\/td><\/tr>
10<\/td>Jessica Ackerley and Daniel Carter<\/td>Friendship: Lucid Shared Dreams and Time Travel<\/td>577 Records<\/td><\/td><\/tr>
10<\/td>Julia Bardo<\/td>Bauhaus. L’Appartamento<\/td>Wichita<\/td><\/td><\/tr>
10<\/td>Kacey Musgraves<\/td>Star-crossed<\/td>Interscope<\/td><\/td><\/tr>
10<\/td>Kero Kero Bonito<\/td>Civilisation<\/td>Polyvinyl<\/td>EP<\/td><\/tr>
10<\/td>King Krule<\/td>You Heat Me Up, You Cool Me Down<\/td>XL<\/td>live<\/td><\/tr>
10<\/td>Knur<\/td>Knur<\/td>Plusz Tapes<\/td>MC, DL<\/td><\/tr>
10<\/td>Lawrence English<\/td>Observation of Breath<\/td>Hallow Ground<\/td><\/td><\/tr>
10<\/td>Lee Gamble<\/td>Flush Real Pharynx 2019\u200b-\u200b2021<\/td>Hyperdub<\/td><\/td><\/tr>
10<\/td>Lee Gamble<\/td>A Million Pieces of You<\/td>Hyperdub<\/td><\/td><\/tr>
10<\/td>Lizard<\/td>Tales From The Artichoke Wood<\/td>Audio Cave<\/td>reed., CD, MC, LP wkr\u00f3tce<\/td><\/tr>
10<\/td>Loadbang<\/td>Plays Well With Others<\/td>New Focus<\/td><\/td><\/tr>
10<\/td>Low<\/td>Hey What<\/td>Sub Pop<\/td><\/td><\/tr>
10<\/td>LSD<\/td>Niebezpieczna wyspa<\/td>GAD<\/td>arch.<\/td><\/tr>
10<\/td>Machinefabriek<\/td>Re\u200b:\u200bMoving (Music for Choreographies by Yin Yue)<\/td>Phantom Limb<\/td><\/td><\/tr>
10<\/td>Manic Street Preachers<\/td>The Ultra Vivid Lament<\/td>Sony<\/td><\/td><\/tr>
10<\/td>Marcin Wasilewski Trio<\/td>En attendant<\/td>ECM<\/td><\/td><\/tr>
10<\/td>Maria Peszek<\/td>Ave Maria<\/td>Mystic<\/td><\/td><\/tr>
10<\/td>Martina Topley-Bird<\/td>Forever I Wait<\/td><\/td><\/td><\/tr>
10<\/td>Matthew E. White<\/td>K Bay<\/td>Domino<\/td><\/td><\/tr>
10<\/td>Megan Alice Clune<\/td>If You Do<\/td>Room40<\/td><\/td><\/tr>
10<\/td>Metallica<\/td>The Metallica Blacklist<\/td>Blackened<\/td><\/td><\/tr>
10<\/td>Monsieur Doumani<\/td>Pissourin<\/td>Glitterbeat<\/td><\/td><\/tr>
10<\/td>Norman W. Long<\/td>Black Brown Gray Green<\/td>Hausu Mountain<\/td><\/td><\/tr>
10<\/td>Paradiso Infernal<\/td>Paradiso Infernal<\/td>Trost<\/td><\/td><\/tr>
10<\/td>Pat Metheny<\/td>Side-Eye NYC (V1.IV)<\/td><\/td><\/td><\/tr>
10<\/td>Pauline Oliveros<\/td>Silence<\/td><\/td>EP<\/td><\/tr>
10<\/td>Pere Ubu<\/td>St Arkansas<\/td>Fire<\/td>reed.<\/td><\/tr>
10<\/td>Psychic Graveyard<\/td>Veins Feel Strange<\/td>Deathbomb Arc<\/td><\/td><\/tr>
10<\/td>Saint Etienne<\/td>I’ve Been Trying To Tell You<\/td>Heavenly<\/td><\/td><\/tr>
10<\/td>Sarah Davachi<\/td>Antiphonal<\/td>Late Music<\/td><\/td><\/tr>
10<\/td>Shackleton<\/td>Departing Like Rivers<\/td>Woe To The Septic Heart!<\/td><\/td><\/tr>
10<\/td>Sleigh Bells<\/td>Texis<\/td>Mom+Pop<\/td><\/td><\/tr>
10<\/td>Sneaker Pimps<\/td>Squaring the Circle<\/td><\/td><\/td><\/tr>
10<\/td>Static<\/td>Toothpaste and Pills: Demos and Live 1978\u200b-\u200b1981<\/td>Third Man<\/td><\/td><\/tr>
10<\/td>Steve Hackett<\/td>Surrender of Silence<\/td>InsideOut<\/td><\/td><\/tr>
10<\/td>Tim Hecker<\/td>The North Water (OST)<\/td>Invada<\/td><\/td><\/tr>
10<\/td>Tommy Genesis<\/td>Goldilocks X<\/td>Downtown<\/td><\/td><\/tr>
10<\/td>Tomoko Hojo & Rahel Kraft<\/td>Grass Eater Diary<\/td>L-ne<\/td><\/td><\/tr>
10<\/td>VA<\/td>Interwizje<\/td>GAD<\/td>arch.<\/td><\/tr>
10<\/td>Yebba<\/td>Dawn<\/td><\/td><\/td><\/tr>
10<\/td>Yes4Jazz<\/td>Trzaskowski Rework<\/td><\/td><\/td><\/tr>
10<\/td>\ubc15 \ud61c\uc9c4 [Park Hye Jin]<\/td>Before I Die<\/td>Ninja Tune<\/td><\/td><\/tr>
11<\/td>Bernard Parmegiani<\/td>M\u00e9moire Magn\u00e9tique, vol. 2 (1966\u200b-\u200b1993)<\/td>Transversales<\/td><\/td><\/tr>
11<\/td>Happy Pills<\/td>Smile <\/td>Don’t Sit On My Vinyl<\/td>LP ltd<\/td><\/tr>
12<\/td>Anette Olzon<\/td>Strong<\/td><\/td><\/td><\/tr>
12<\/td>Ursula Sereghy<\/td>OK Box<\/td>Gin & Platonic<\/td><\/td><\/tr>
13<\/td>Constellation Botsu<\/td>Hammer&Dance&\u5265\u88fd<\/td>IA<\/td><\/td><\/tr>
14<\/td>BlackFace Family<\/td>Nthena<\/td>1000Hz<\/td>DL, CD<\/td><\/tr>
14<\/td>John Cage<\/td>Number Pieces<\/td>Another Timbre<\/td><\/td><\/tr>
15<\/td>Aporia<\/td>Strefy graniczne<\/td>D.I.Y. Ko\u0142o Records<\/td><\/td><\/tr>
15<\/td>Benjamin Lew<\/td>Made To Measure : Vol. 15 – Douzi\u00e8me Journ\u00e9e : Le verbe, la parure, l’amour<\/td>Crammed Discs<\/td><\/td><\/tr>
15<\/td>Injury Reserve<\/td>By the Time I Got to Phoenix<\/td><\/td><\/td><\/tr>
15<\/td>Jesse Ray Lucas<\/td>AHM\/OHB<\/td>Never Anything<\/td><\/td><\/tr>
15<\/td>Kaitlyn Aurelia Smith & Emile Mosseri<\/td>I Could Be Your Dog (Prequel)<\/td>Ghostly<\/td><\/td><\/tr>
15<\/td>Lamiee<\/td>Oltra Lament<\/td>Never Anything<\/td><\/td><\/tr>
15<\/td>Metronomy<\/td>Posse Effect Vol. 1<\/td>Because<\/td><\/td><\/tr>
15<\/td>More Eaze<\/td>Two Futures<\/td>Full Spectrum<\/td>EP<\/td><\/tr>
15<\/td>William’s Things<\/td>The Robots Are Coming<\/td><\/td><\/td><\/tr>
15<\/td>Wind Tide<\/td>Saturation Dust<\/td>Never Anything<\/td><\/td><\/tr>
16<\/td>Kosmosy<\/td>W\u0119dr\u00f3wki \u015bwiat\u00f3w<\/td>Plexus Of Infinity<\/td><\/td><\/tr>
16<\/td>Madeleine Cocolas<\/td>Nebulous<\/td>Superpang<\/td><\/td><\/tr>
17<\/td>Adia Victoria<\/td>A Southern Gothic<\/td>Atlantic<\/td><\/td><\/tr>
17<\/td>Arash Akbari<\/td>Fragments of Yearning<\/td>Karlrecords<\/td><\/td><\/tr>
17<\/td>Avtomat<\/td>Doolska EP<\/td>51-53 Records<\/td>12″, DL<\/td><\/tr>
17<\/td>Billy Idol<\/td>The Roadside EP<\/td>BFI<\/td><\/td><\/tr>
17<\/td>Blue Lick<\/td>Hold On, Hold Fast<\/td>American Dreams<\/td><\/td><\/tr>
17<\/td>Bob Dylan<\/td>The Bootleg Series Vol. 16: Springtime in New York (1980-1985)<\/td>Columbia<\/td>arch.<\/td><\/tr>
17<\/td>BORDERLANDS TRIO with Stephan Crump, Kris Davis, Eric McPherson<\/td>Wandersphere <\/td>Intakt<\/td><\/td><\/tr>
17<\/td>Byron Westbrook<\/td>Mirror Views<\/td>Touch<\/td><\/td><\/tr>
17<\/td>Candlesnuffer<\/td>Apsomeophone<\/td>Room40<\/td><\/td><\/tr>
17<\/td>Carcass<\/td>Torn Arteries<\/td>Nuclear Blast<\/td><\/td><\/tr>
17<\/td>Corder & Yantis<\/td>Oblique<\/td><\/td><\/td><\/tr>
17<\/td>Dan Berkson<\/td>Dialogues<\/td>Freestyle<\/td><\/td><\/tr>
17<\/td>Employed To Serve<\/td>Conquering<\/td>Spinefarm<\/td><\/td><\/tr>
17<\/td>Francesco Mela<\/td>Music Frees Our Souls, Vol. 1<\/td>577 Records<\/td><\/td><\/tr>
17<\/td>Francisco Mela feat. Matthew Shipp and William Parker<\/td><\/td>577 Records<\/td><\/td><\/tr>
17<\/td>Frank Frank Frank<\/td>Frida<\/td>Eclipse<\/td><\/td><\/tr>
17<\/td>Helen Sung<\/td>Quartet+<\/td>Sunnyside<\/td><\/td><\/tr>
17<\/td>HTRK<\/td>Rhinestones<\/td>N&J Blueberries<\/td><\/td><\/tr>
17<\/td>James Vincent McMorrow<\/td>Grapefruit Season<\/td>Columbia<\/td><\/td><\/tr>
17<\/td>Jan Jelinek<\/td>The Raw & The Cooked<\/td>Faitiche<\/td><\/td><\/tr>
17<\/td>Jordan Rakei<\/td>What We Call Life<\/td>Ninja Tune<\/td><\/td><\/tr>
17<\/td>Jos Smolders & Jim O’Rourke<\/td>Additive Inverse<\/td>Moving Furniture<\/td><\/td><\/tr>
17<\/td>Jos\u00e9 Gonz\u00e1lez<\/td>Local Valley<\/td>City Slang<\/td><\/td><\/tr>
17<\/td>Lil Nas X<\/td>Montero<\/td><\/td><\/td><\/tr>
17<\/td>Lindsey Buckingham<\/td>Lindsey Buckingham<\/td>East West<\/td><\/td><\/tr>
17<\/td>Liz Lawrence<\/td>The Avalanche<\/td>Second Breakfast<\/td><\/td><\/tr>
17<\/td>Mako Sica<\/td>Garland of Heads feat. Tatsu Aoki, Thymme Jones & Jacob Fawcett<\/td>Astral Spirits<\/td><\/td><\/tr>
17<\/td>Meridian Brothers \/ Conjunto Media Luna<\/td>Paz En La Tierra<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
17<\/td>Michel Redolfi<\/td>Sonic Waters, Underwater Music 1979\u200b-\u200b1987<\/td>Sub Rosa<\/td>arch.<\/td><\/tr>
17<\/td>Mild High Club<\/td>Going Going Gone<\/td>Stones Throw<\/td><\/td><\/tr>
17<\/td>Mono<\/td>Pilgrimage of the Soul<\/td><\/td><\/td><\/tr>
17<\/td>Moor Mother<\/td>Black Encyclopedia of the Air<\/td>Anti-<\/td><\/td><\/tr>
17<\/td>Onipa<\/td>Tales From Utopia<\/td>Boomerang<\/td><\/td><\/tr>
17<\/td>Pejza\u017c<\/td>Wyspa LP<\/td>The Very Polish Cut-Outs<\/td><\/td><\/tr>
17<\/td>Pie Eye Collective<\/td>Salvation<\/td>Albert’s Favourites<\/td><\/td><\/tr>
17<\/td>Puuluup<\/td>Viimane suusataja<\/td>\u00d5unaviks<\/td><\/td><\/tr>
17<\/td>Ray BLK<\/td>Access Denied<\/td><\/td><\/td><\/tr>
17<\/td>RP Boo<\/td>Established!<\/td>Planet Mu<\/td><\/td><\/tr>
17<\/td>S\u00e3o Paulo Underground & Tupperwear<\/td>Saturno M\u00e1gico<\/td>Discrepant<\/td><\/td><\/tr>
17<\/td>Simon Shaw<\/td>Passage to Nowhere<\/td>Pets<\/td>EP<\/td><\/tr>
17<\/td>Sofa<\/td>Source Crossfire<\/td>Constellation<\/td><\/td><\/tr>
17<\/td>Spiritbox<\/td>Eternal Blue<\/td>Rise<\/td><\/td><\/tr>
17<\/td>St Vincent<\/td>The Nowhere Inn (OST)<\/td>Loma Vista<\/td><\/td><\/tr>
17<\/td>Szymonm\u00f3wi<\/td>Co\u015b si\u0119 zepsu\u0142o<\/td>Mystic<\/td><\/td><\/tr>
17<\/td>The Diabolical Liberties<\/td>Birds of Paradise<\/td>On The Corner<\/td><\/td><\/tr>
17<\/td>The Miami Dolphins<\/td>New and Improv’d<\/td>FPE<\/td><\/td><\/tr>
17<\/td>Tholos Gateway (feat. Jarboe)<\/td>Tholos Gateway<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td>CD, LP+CD (ltd), LP + DL<\/td><\/tr>
17<\/td>VA<\/td>Double Drop vol. 2<\/td>On The Corner<\/td><\/td><\/tr>
17<\/td>VA<\/td>Sounds of Pamoja<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
17<\/td>VERA KAPPELER \u2013 PETER CONRADIN ZUMTHOR<\/td>Herd<\/td>Intakt<\/td><\/td><\/tr>
17<\/td>Will Guthrie<\/td>People Pleaser Pt.II<\/td>Kythibong<\/td><\/td><\/tr>
17<\/td>Yvette<\/td>How the Garden Grows<\/td>Western Vinyl<\/td><\/td><\/tr>
18<\/td>Ceg\u0142a<\/td>Produkcja ceg\u0142a<\/td>Enjoy Life<\/td><\/td><\/tr>
19<\/td>D I D<\/td>End of Xibalba<\/td>Zoharum<\/td><\/td><\/tr>
20<\/td>Alex Haas & Bill Laswell<\/td>Incidents<\/td><\/td><\/td><\/tr>
20<\/td>Jacaszek \/ Podpora \/ Kohyt<\/td>Jacaszek \/ Podpora \/ Kohyt<\/td>Bocian<\/td>LP<\/td><\/tr>
20<\/td>Kristian Tangvik<\/td>The Cod and the Cat<\/td>Gotta Let It Out<\/td>MC, DL<\/td><\/tr>
20<\/td>Minim feat. Sainkho<\/td>Manifesto- Live at SPATiF<\/td><\/td><\/td><\/tr>
20<\/td>Zawartko\/Piasecki<\/td>Wagabunda<\/td>DTM<\/td>CD<\/td><\/tr>
21<\/td>Gina Damalfi<\/td>Transformacja<\/td>Gina Records<\/td><\/td><\/tr>
22<\/td>Cheekface<\/td>Emphatically Mo\u2019 (b\u200b-\u200bsides)<\/td><\/td>EP<\/td><\/tr>
22<\/td>Pendant<\/td>To All Sides They Will Stretch Out Their Hands<\/td>West Mineral<\/td><\/td><\/tr>
22<\/td>Prolaps<\/td>Ultra Cycle Pt. 3: Autumnal Age<\/td>Hausu Mountain<\/td><\/td><\/tr>
22<\/td>RGG<\/td>Mysterious Monuments On The Moon<\/td>RGG\/Voicemusic<\/td><\/td><\/tr>
23<\/td>Ariel Kalma<\/td>Elan Vital<\/td><\/td><\/td><\/tr>
23<\/td>Japanese Breakfast<\/td>Sable OST<\/td><\/td><\/td><\/tr>
24<\/td>Ada Lea<\/td>One Hand on the Steering Wheel…<\/td>Saddle Creek<\/td><\/td><\/tr>
24<\/td>Alessia Cara<\/td>In the Meantime<\/td>Def Jam<\/td><\/td><\/tr>
24<\/td>Amon Tobin<\/td>How Do You Live<\/td>Nomark<\/td><\/td><\/tr>
24<\/td>Ars Latrans Orchestra<\/td>Sztuka mi\u0142o\u015bci<\/td>Agora<\/td>CD<\/td><\/tr>
24<\/td>Ashtray Navigations<\/td>x\u200b-\u200bray six: Before You Play This LP<\/td><\/td><\/td><\/tr>
24<\/td>Bria<\/td>Country Covers vol. 1<\/td>Sub Pop<\/td><\/td><\/tr>
24<\/td>Brigid Mae Power<\/td>Burning Your Light<\/td>Fire<\/td><\/td><\/tr>
24<\/td>Bummer<\/td>Dead Horse<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>Cakedog<\/td>War Room 2<\/td>Leaving<\/td><\/td><\/tr>
24<\/td>Caleb Landry Jones<\/td>Gadzooks vol. 1 <\/td>Sacred Bones<\/td><\/td><\/tr>
24<\/td>Cieplarnia<\/td>P\u0119tla<\/td>2.47 Production<\/td><\/td><\/tr>
24<\/td>Cold War Kids<\/td>New Age Norms 3<\/td><\/td><\/td><\/tr>
24<\/td>Crazy Doberman<\/td>„everyone is rolling down a hill” or…<\/td>Astral Spirits<\/td><\/td><\/tr>
24<\/td>Dave Okumu<\/td>Knopperz<\/td>Transgressive<\/td><\/td><\/tr>
24<\/td>Donald Fagen<\/td>The Nightfly Live<\/td>UMe<\/td><\/td><\/tr>
24<\/td>DROTT<\/td>Orcus<\/td>By Norse Music<\/td><\/td><\/tr>
24<\/td>Druida<\/td>Esculturas de Ossos<\/td>Vivarium<\/td><\/td><\/tr>
24<\/td>Dylan Henner<\/td>Psalm005: Amtracks<\/td>Phantom Limb<\/td><\/td><\/tr>
24<\/td>Eats Everything<\/td>I’m Back EP<\/td>Pets<\/td><\/td><\/tr>
24<\/td>Esperanza Spalding<\/td>Songwrights Apothecary Lab<\/td>Concord<\/td><\/td><\/tr>
24<\/td>Eunhye Jeong<\/td>Nolda<\/td>ESP-Disk<\/td><\/td><\/tr>
24<\/td>Flying Lotus <\/td>Yasuke<\/td>Warp<\/td>CD, LP<\/td><\/tr>
24<\/td>Group Ses<\/td>Beats From the Vaults pt1 (2008 – 2020)<\/td>Discrepant<\/td><\/td><\/tr>
24<\/td>Hayden Pedigo<\/td>Letting Go<\/td>Mexican Summer<\/td><\/td><\/tr>
24<\/td>Henry Threadgill<\/td>Poof<\/td>Pi Recordings<\/td><\/td><\/tr>
24<\/td>Henryk Debich<\/td>Zbli\u017cenie<\/td>Astigmatic<\/td>arch.<\/td><\/tr>
24<\/td>Hiero<\/td>Soil<\/td>Somothaship<\/td><\/td><\/tr>
24<\/td>Ivo Perelman<\/td>Brass & Ivory Tales<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
24<\/td>Jagjaguwar<\/td>Join the Ritual<\/td><\/td><\/td><\/tr>
24<\/td>Johnny Cash<\/td>Bear’s Sonic Journals: Live at the Carousel Ballroom, April 24 1968<\/td>Sony<\/td>arch.<\/td><\/tr>
24<\/td>Kuba Badach<\/td>Obecny. Tribute to Andrzej Zaucha (edycja specjalna)<\/td>Agora<\/td>reed.<\/td><\/tr>
24<\/td>Laura Cannell & Kate Ellis<\/td>September Sounds<\/td>Brawl<\/td><\/td><\/tr>
24<\/td>Luis Vicente & Vasco Trilla<\/td>Made Of Myst<\/td>577 Records<\/td><\/td><\/tr>
24<\/td>Lyra Pramuk<\/td>Delta<\/td>Bedroom Community<\/td><\/td><\/tr>
24<\/td>Magic Roundabout<\/td>Up<\/td>Third Man<\/td><\/td><\/tr>
24<\/td>Mas Aya<\/td>Mascaras<\/td>Telephone Explosion<\/td><\/td><\/tr>
24<\/td>Maurice Louca<\/td>Saet El Hazz (The Luck Hour)<\/td>Northern Spy<\/td><\/td><\/tr>
24<\/td>Miuosh & Zesp\u00f3\u0142 \u015al\u0105sk<\/td>Pie\u015bni wsp\u00f3\u0142czesne<\/td>Agora<\/td><\/td><\/tr>
24<\/td>Mujician<\/td>„10 10 10”<\/td>Cuneiform<\/td><\/td><\/tr>
24<\/td>Nao<\/td>And Then Life Was Beautiful<\/td>Little Tokyo<\/td><\/td><\/tr>
24<\/td>Nasturtium<\/td>Please Us<\/td>Room40<\/td><\/td><\/tr>
24<\/td>Natalie Imbruglia<\/td>Firebird<\/td>BMG<\/td><\/td><\/tr>
24<\/td>Native Soul<\/td>Teenage Dreams<\/td>Awesome Tapes From Africa<\/td><\/td><\/tr>
24<\/td>Not Waving<\/td>What Is Normal Today?<\/td>Ecstatic<\/td><\/td><\/tr>
24<\/td>Peter Broderick<\/td>The Wind That Shakes The Bramble<\/td>Erased Tapes<\/td><\/td><\/tr>
24<\/td>Peter Hammill & Isildurs Bane<\/td>In Desequilibrium<\/td><\/td><\/td><\/tr>
24<\/td>Poppy<\/td>Flux<\/td>Sumerian<\/td><\/td><\/tr>
24<\/td>Proc Fiskal<\/td>Siren Spine Sysex<\/td>Hyperdub<\/td><\/td><\/tr>
24<\/td>Razen<\/td>Blue Rot<\/td>Hands In The Dark<\/td><\/td><\/tr>
24<\/td>Richard Youngs<\/td>CXXI<\/td>Black Truffle<\/td><\/td><\/tr>
24<\/td>SaffronKeira \/ Siavash Amini<\/td>The Faded Orbit<\/td>Denovali<\/td><\/td><\/tr>
24<\/td>Significant Other<\/td>Continuum<\/td>Youth<\/td><\/td><\/tr>
24<\/td>Steely Dan<\/td>Northeast Corridor: Steely Dan Live!<\/td>UMe<\/td>arch.<\/td><\/tr>
24<\/td>Stein Urheim & J\u00f8rgen Tr\u00e6en<\/td>Krympende klode<\/td>Hubro<\/td><\/td><\/tr>
24<\/td>Sufjan Stevens & Angelo De Augustine<\/td>A Beginner’s Mind<\/td>Asthmatic Kitty<\/td><\/td><\/tr>
24<\/td>The Body and BIG|BRAVE<\/td>Leaving None But Small Birds<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>The Cookers<\/td>Look Out!<\/td>Gearbox<\/td><\/td><\/tr>
24<\/td>The Intuition Orchestra<\/td>Summa Intuitiva<\/td>Audio Cave<\/td><\/td><\/tr>
24<\/td>The Kondi Band<\/td>We Famous<\/td>Strut<\/td><\/td><\/tr>
24<\/td>The Ophelias<\/td>Crocus<\/td>Joyful Noise<\/td><\/td><\/tr>
24<\/td>Westside Gun<\/td>Hitler Wears Hermes 8: Sincerely Adolf Side B<\/td>Griselda<\/td><\/td><\/tr>
24<\/td>Young Leosia<\/td>Hulanki EP<\/td>Internaziomal<\/td><\/td><\/tr>
24<\/td>Zbigniew Lewandowski & Bartosz Pernal Big Band<\/td>Tribute to Buddy Rich<\/td><\/td><\/td><\/tr>
24<\/td>Zomby<\/td>Chaos Reigns<\/td><\/td>EP<\/td><\/tr>
29<\/td>Ryo Fukui<\/td>My Favourite Tune<\/td>WRWTFWW<\/td>reed.<\/td><\/tr>
29<\/td>Salamanda<\/td>Sphere<\/td>Metron<\/td><\/td><\/tr>
30<\/td>Chore Ia<\/td>Reanimacja<\/td>Antenna Non Grata<\/td>CD, DL<\/td><\/tr>
30<\/td>Maco Sica<\/td>Ourania<\/td>Feeding Tube\/Instant Classic<\/td>(winyl 10.09)<\/td><\/tr>
30<\/td>Maneri\/Kalmanovitch\/Jacobson\/Osgood<\/td>Variations on No Particular Theme part 1<\/td>Gotta Let It Out<\/td><\/td><\/tr>
30<\/td>Tonga Boys ft. Doctor Kanuska Group<\/td>Umoyo wa Muthempire (Live in the Temple)<\/td>1000Hz<\/td>MC, DL, CD<\/td><\/tr>
30<\/td>Whalesongs<\/td>Radiant Suns Deformed<\/td><\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 C418 Cookie Clicker 1 Frank Hatchett Sensational Telephone Explosion 1 Julien Baker Little Oblivions (Remixes) Matador 1 Kyle Shepher After the Night, the Day Will Surely Come Matsuli 1 Native Soul Teenage Dreams Awesome Tapes from Africa 1 Spalarnia Cia\u0142o \u015bwieci niezgod\u0105 na przemoc Dym 1 Splinters Inclusivity Jazz In Britain arch. 1 Szymon […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30092"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=30092"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30092\/revisions"}],"predecessor-version":[{"id":31428,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30092\/revisions\/31428"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=30092"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}