
{"id":30359,"date":"2021-09-25T11:39:34","date_gmt":"2021-09-25T09:39:34","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=30359"},"modified":"2022-01-06T19:40:48","modified_gmt":"2022-01-06T18:40:48","slug":"premiery-11-2021","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-11-2021\/","title":{"rendered":"11.2021"},"content":{"rendered":"\n<table class=\"wp-block-table\"><tbody><tr><td>1<\/td><td>Chris Laurence<\/td><td>Ken Wheeler: Some Gnu Ones<\/td><td>Jazz In Britain<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Klein<\/td><td>Harmattan<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>M.A.N.<\/td><td>B.A.N.<\/td><td>Dropa<\/td><td><\/td><\/tr><tr><td>1<\/td><td>VA<\/td><td>Wounds of Love: Khmer Oldies, Vol. 2<\/td><td>Death Is Not The End<\/td><td><\/td><\/tr><tr><td>2<\/td><td>Muriel Grossmann<\/td><td>Union<\/td><td><\/td><td><\/td><\/tr><tr><td>3<\/td><td>Deep Throat Choir<\/td><td>In Order To Know You<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>3<\/td><td>Guenter Schlienz<\/td><td>Unstet<\/td><td><\/td><td><\/td><\/tr><tr><td>3<\/td><td>Kenji Kawai<\/td><td>Patlabor 2 &#8211; The Movie OST<\/td><td>WRWTFWW<\/td><td><\/td><\/tr><tr><td>3<\/td><td>Ostrowski<\/td><td>WoKa. Vol.1<\/td><td>Brutality Garden<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Nick Malkin<\/td><td>Nothing Blues<\/td><td>Mondoj<\/td><td><\/td><\/tr><tr><td>5<\/td><td>75 Dollar Bill featuring David Watson<\/td><td>Social Music at Troost vol\u200b.\u200b2<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>A Certain Ratio<\/td><td>Loco Remezclada<\/td><td>Mute<\/td><td><\/td><\/tr><tr><td>5<\/td><td>A Space For Sound<\/td><td>Sometimes underwater (feels like home)<\/td><td>RVNG Intl<\/td><td><\/td><\/tr><tr><td>5<\/td><td>ABBA<\/td><td>Voyage<\/td><td>Polar<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bareto<\/td><td>El Amor No Es Para Los D\u00e9biles<\/td><td>Agogo<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bass Dreams Minus B<\/td><td>Bass Dreams Minus B<\/td><td>FPE<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Ben Chasny<\/td><td>The Intimate Landscape<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bizarre Penguin<\/td><td>Acido Domingo <\/td><td>Eastrings<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Chra<\/td><td>Live In Berlin 2021<\/td><td>Trost<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Chrisman<\/td><td>Ku mwezi<\/td><td>Hakuna Kulala<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Connan Mockasin<\/td><td>Jazzbusters Two<\/td><td>Mexican Summer<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Daniel Casimir<\/td><td>Boxed In<\/td><td>Jazz Re:Freshed<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Darius Jones<\/td><td>Raw Demoon Alchemy (A Lone Operation)<\/td><td>Northern Spy<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Diana Ross<\/td><td>Thank You<\/td><td>Decca<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Emma Ruth Rundle <\/td><td>Engine of Hell<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Ensemble Dal Niente<\/td><td>Confined. Speak.<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Felbm<\/td><td>Elements of Nature<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>fiyahdred<\/td><td>Anyway EP<\/td><td>Hyperdub<\/td><td><\/td><\/tr><tr><td>5<\/td><td>France Jobin<\/td><td>| \u03a8\u3009= 3\u200b\/\u200b5 i |\u2191\u3009+ 4\u200b\/\u200b5\u200b|\u200b\u2193\u3009<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Francis Jacob<\/td><td>I&#8217;ll Just Trust Your Eyes<\/td><td>Sunnyside<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Francisco Lopez<\/td><td>Hidden Island Music<\/td><td>Discrepant<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Gary Numan<\/td><td>45X15: The Singles Collection 1978-1983<\/td><td>Beggars Banquet<\/td><td>arch.<\/td><\/tr><tr><td>5<\/td><td>Gh\u00e9dalia Tazart\u00e8s + Rhys Chatham<\/td><td>Two Men In a Boat<\/td><td>Sub Rosa<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Gnod<\/td><td>La mort du sens<\/td><td>Rocket<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Gong<\/td><td>Live at the Gong Family Unconventional Gathering<\/td><td>GAS<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Hard Feelings<\/td><td>Hard Feelings<\/td><td>Domino<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Ilai Ashdot<\/td><td>Maximal Life<\/td><td>Orange Milk<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Jeff T Byrd<\/td><td>Night Night<\/td><td>Fort Evil Fruit<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Jerry &amp; The Pelican System<\/td><td>Sariani<\/td><td>Yeyeh Ninih<\/td><td><\/td><\/tr><tr><td>5<\/td><td>JJJJJerome Ellis<\/td><td>The Clearing<\/td><td>NNA Tapes<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Joan As Police Woman x Tony Allen x Dave Okumu<\/td><td>The Solution Is Restless<\/td><td>PIAS<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Joyce Muniz<\/td><td>Flashes On The Floor<\/td><td>Pets<\/td><td>EP<\/td><\/tr><tr><td>5<\/td><td>K.Frimpong And His Cubanos Fiesta<\/td><td>Me Da A Onnda<\/td><td>Hot Casa<\/td><td><\/td><\/tr><tr><td>5<\/td><td>King Crimson<\/td><td>Happy With What You Have to be Happy With \/ Level Five \/ EleKtriK<\/td><td>DGM<\/td><td>3CD<\/td><\/tr><tr><td>5<\/td><td>Kristof Hahn<\/td><td>Six Pieces<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Lingua Ignota<\/td><td>Epistolary Grieving for Jimmy Swaggart<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>5<\/td><td>Magda Mayas &amp; Tina Douglas<\/td><td>Objects of Interest<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Marta Del Grandi<\/td><td>Until We Fossilize<\/td><td>Fire<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Matthew Shipp<\/td><td>Codebreaker<\/td><td>Tao Forms<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Maymind<\/td><td>June<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Mich\u00e8le Bokanowski<\/td><td>Rhapsodia \/ Battements solaires<\/td><td>Recollection GRM<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Mira Calix<\/td><td>Absent Origin<\/td><td>Warp<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Mystras<\/td><td>Empires Vanquished and Dismantled<\/td><td>I, Voidhanger<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Natalia Szroeder<\/td><td>Pog\u0142os<\/td><td>Warner<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Nathaniel Rateliff &amp; The Night Sweats<\/td><td>The Future<\/td><td>Stax<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Organek<\/td><td>Na razie stoj\u0119, na razie patrz\u0119<\/td><td>Mystic Production<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Penelope Isles<\/td><td>Which Way to Happy<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Piers Faccini<\/td><td>Dunya Remixes EP<\/td><td>No Format!<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Piotr Figiel<\/td><td>Missing EP<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Psychic Ills<\/td><td>Song For Tres<\/td><td>Sacred Bones<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Radiohead<\/td><td>Kid A Mnesia<\/td><td>XL<\/td><td>3LP\/3CD, arch.<\/td><\/tr><tr><td>5<\/td><td>Ricardo Donoso<\/td><td>Progress Trap<\/td><td>Denovali<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Sarah Davachi &amp; Sean McCann<\/td><td>Mother of Pearl<\/td><td>Recital<\/td><td><\/td><\/tr><tr><td>5<\/td><td>serpentwithfeet<\/td><td>Deacon&#8217;s Grove<\/td><td>Secretly Canadian<\/td><td>EP<\/td><\/tr><tr><td>5<\/td><td>Siema Ziemia<\/td><td>Reworks<\/td><td>Byrd Out<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Silke Eberhard &amp; Takatsuki Trio Quartett<\/td><td>At K\u00fchlspot<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Snail Mail<\/td><td>Valentine<\/td><td>Matador<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Springtime<\/td><td>Springtime<\/td><td>Joyful Noise<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Sweetearthflying<\/td><td>Zanjabil<\/td><td>Tone Burst<\/td><td><\/td><\/tr><tr><td>5<\/td><td>The Brkn Record<\/td><td>The Architecture Of Oppression Part 1<\/td><td>Mr Bongo<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Wczasy<\/td><td>To wszystko kiedy\u015b minie<\/td><td>Wczasy\/Asfalt Distro<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Wendy Eisenberg<\/td><td>Bent Ring<\/td><td>Dear Life<\/td><td><\/td><\/tr><tr><td>6<\/td><td>Kapela Piotra Gacy<\/td><td>To ja bym tak powiedzia\u0142, \u017ceby te r\u0119k\u0119 w g\u00f3rze trzyma\u0107 trzy godziny, tylko trzyma\u0107, wcale nie gra\u0107<\/td><td>In Crudo<\/td><td><\/td><\/tr><tr><td>7<\/td><td>C.H.District<\/td><td>Live at XIX Wroc\u0142aw Industrial Festival<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>7<\/td><td>JARL<\/td><td>Phonophobia<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Embryo<\/td><td>Auf Auf<\/td><td>Madlib Invazion<\/td><td><\/td><\/tr><tr><td>9<\/td><td>Jaxe<\/td><td>Gai Saber<\/td><td>Mixed Feelings<\/td><td><\/td><\/tr><tr><td>9<\/td><td>Vanessa Amara<\/td><td>That Kind Of Faint Hope \/ Excerpts, Outtakes &amp; Radio Edits<\/td><td>Posh Isolation<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Andrew McIntosh<\/td><td>A moonbeam is just a filtered sunbeam<\/td><td>Another Timbre<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Apifera<\/td><td>6 Visits<\/td><td>Stones Throw<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Early Fern<\/td><td>Place of Rest<\/td><td>Metron<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Georgia Rodgers<\/td><td>September<\/td><td>Another Timbre<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Martin Iddon<\/td><td>Sapindales<\/td><td>Another Timbre<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Mentor<\/td><td>Wolves, Wraiths and Witches<\/td><td>Pagan Records<\/td><td><\/td><\/tr><tr><td>10<\/td><td>MLO<\/td><td>Oumuamua<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Phil Julian<\/td><td>20211109&#8242;<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Ryoko Akama<\/td><td>Songs for a Shed<\/td><td>Another Timbre<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Mabe Fratti &amp; Concepci\u00f3n Huerta<\/td><td>Est\u00e1tica<\/td><td>SA<\/td><td>EP<\/td><\/tr><tr><td>12<\/td><td>Adi Nowak<\/td><td>Ognisko niedomowe<\/td><td>SBM <\/td><td><\/td><\/tr><tr><td>12<\/td><td>Aesop Rock &amp; Blockhead<\/td><td>Garbology<\/td><td>Rhymesayers<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Alva Noto<\/td><td>HYbr:ID<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Aries<\/td><td>Believe In Me Who Believes In You<\/td><td>Wunderworld<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Beverly Glenn-Copeland<\/td><td>Keyboard Fantasies Reimagined<\/td><td>Terrible<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Cannibale<\/td><td>Life Is Dead<\/td><td>Born Bad<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Cedric Noel<\/td><td>Hang Time<\/td><td>Joyful Noise<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Cieniawa<\/td><td>Okolice<\/td><td>Opus Elefantum<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Constant Smiles<\/td><td>Paragons<\/td><td>Sacred Bones<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Courtney Barnett<\/td><td>Things Take Time, Take Time<\/td><td>Marathon Artists<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Damon Albarn<\/td><td>The Nearer The Fountain, More Pure The Stream Flows<\/td><td>Transgressive<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Daniel Wyche<\/td><td>Earthwork<\/td><td>American Dreams<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Dave De Rose &amp; Dan Nicholls<\/td><td>Plants Heal<\/td><td>DDR<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Dave Gahan &amp; Soulsavers<\/td><td>Imposter<\/td><td>Columbia<\/td><td><\/td><\/tr><tr><td>12<\/td><td>dltzk<\/td><td>Frailty<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Endless Boogie<\/td><td>Admonitions<\/td><td>No Quarter<\/td><td><\/td><\/tr><tr><td>12<\/td><td>FUJI\u200b|\u200b|\u200b|\u200b|\u200b|\u200b|\u200b|\u200b|\u200b|\u200b|\u200bTA<\/td><td>Noiseem<\/td><td>33-33<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Gabriele Poso<\/td><td>Batik remixed<\/td><td>Soundway<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Helm<\/td><td>Axis<\/td><td>Dais<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Hoavi<\/td><td>Music for Six Rooms<\/td><td>Balmat<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Holly Humberstone<\/td><td>The Walls Are Way Too Thin<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>12<\/td><td>Idles<\/td><td>Crawler<\/td><td>Partisan<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Ill Considered<\/td><td>Liminal Space<\/td><td>New Soil<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Irreversible Entanglements<\/td><td>Open The Gates<\/td><td>International Anthem<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Jelly Cleaver<\/td><td>Forever Presence<\/td><td>Gearbox<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Joel Vandroogenbroeck<\/td><td>Far View<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Jon Hopkins<\/td><td>Music for Psychedelic Therapy<\/td><td>Domino<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Jonny Greenwood<\/td><td>Spencer OST<\/td><td>Mercury<\/td><td><\/td><\/tr><tr><td>12<\/td><td>L&#8217;Eclair<\/td><td>Confusions<\/td><td>Les Disques Bongo Joe<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Land Of Talk<\/td><td>Calming Night Partner<\/td><td>Saddle Creek<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Maktvhaverskan<\/td><td>F\u00f6r Allting<\/td><td>Run For Cover<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Manu Gavassi<\/td><td>Gracinha<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Martin Bresnick<\/td><td>More Essential Martin Bresnick: The Planet on the Table<\/td><td>Cantaloupe<\/td><td><\/td><\/tr><tr><td>12<\/td><td>M\u0142yn<\/td><td>Folwark<\/td><td>Gusstaff \/ Don&#8217;t Sit On My Vinyl<\/td><td>CD \/ LP<\/td><\/tr><tr><td>12<\/td><td>NOW Ensemble, Sean Frier<\/td><td>Before and After<\/td><td>New Amsterdam<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Paul Sch\u00fctze<\/td><td>The Second Law<\/td><td>Phantom Limb<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Pili Co\u00eft<\/td><td>Love Everywhere<\/td><td>Dur et Doux<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Piotr Markowicz<\/td><td>Deep Adaptation<\/td><td>Opus Elefantum<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Pip Blom<\/td><td>Welcome Break<\/td><td>Heavenly<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Popol Vuh<\/td><td>Vol. 2 \u2013 Acoustic &amp; Ambient Spheres<\/td><td>BMG<\/td><td>arch.<\/td><\/tr><tr><td>12<\/td><td>Portico Quartet<\/td><td>Monument<\/td><td>Gondwana<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Rejoicer<\/td><td>Voodoo at Home<\/td><td>Raw Tapes<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Roman Vendy<\/td><td>nrkhee<\/td><td>Krugliy Doom<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Rosie Lowe &amp; Duval Timothy<\/td><td>Son<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>S3RI4L NVMB3RS KKZ<\/td><td>SE01<\/td><td>Jvdasz Iskariota Rec.<\/td><td>CD, DL<\/td><\/tr><tr><td>12<\/td><td>Sally Anne Morgan<\/td><td>Cups<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Savage Republic<\/td><td>Meteora<\/td><td>Gusstaff \/ Don&#8217;t Sit On My Vinyl<\/td><td>CD \/ LP<\/td><\/tr><tr><td>12<\/td><td>Sega Bodega<\/td><td>Romeo<\/td><td>Nuxxe<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Sentino<\/td><td>ZL Epilog<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Sewerslvt<\/td><td>we had good times together, don&#8217;t forget that<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Silk Sonic<\/td><td>An Evening with Silk Sonic<\/td><td>Aftermath<\/td><td><\/td><\/tr><tr><td>12<\/td><td>STR4TA<\/td><td>Invicta Remixes<\/td><td>Brownswood<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Taylor Swift<\/td><td>Red (Taylor&#8217;s Version)<\/td><td>Republic<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Ted Byrnes<\/td><td>Sean<\/td><td>Superpang<\/td><td>EP<\/td><\/tr><tr><td>12<\/td><td>They Might Be Giants<\/td><td>Book<\/td><td>Idlewild<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Tim Green &amp; Massimo Magee<\/td><td>Abeyance<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>12<\/td><td>VA<\/td><td>Driftless Dreamers: In Cuca Country<\/td><td>Numero Group<\/td><td><\/td><\/tr><tr><td>12<\/td><td>VA<\/td><td>Driftless Dreamers: In Cuca Country<\/td><td>Numero Group<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Bjarni Gunnarsson<\/td><td>Fracas<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>15<\/td><td>Temple Solaire \/ France<\/td><td>Voyage Spectral<\/td><td>Standard in-Fi<\/td><td><\/td><\/tr><tr><td>15<\/td><td>The Sand Band<\/td><td>All Through the Night<\/td><td>Heavenly<\/td><td>reed.<\/td><\/tr><tr><td>15<\/td><td>Tia Maria Produ\u00e7\u00f5es<\/td><td>Ang\u00fastia Nos Cora\u00e7\u00f5es Da Tia<\/td><td>Principe<\/td><td><\/td><\/tr><tr><td>16<\/td><td>Dj Kainga<\/td><td>Digital Indigenous 02: OO MP3<\/td><td>1000Hz<\/td><td><\/td><\/tr><tr><td>16<\/td><td>Gaijin Blues<\/td><td>Gaijin Blues III<\/td><td>Coastline Northern Cuts<\/td><td>LP, CD, DL<\/td><\/tr><tr><td>16<\/td><td>The Antlers<\/td><td>Losing Light<\/td><td>Transgressive<\/td><td><\/td><\/tr><tr><td>17<\/td><td>Ben Pritchard<\/td><td>Up In The Air<\/td><td>Okraina<\/td><td><\/td><\/tr><tr><td>17<\/td><td>Clams Casino<\/td><td>Winter Flower<\/td><td><\/td><td><\/td><\/tr><tr><td>17<\/td><td>Eli Keszler<\/td><td>Icons+<\/td><td>Luckyme<\/td><td><\/td><\/tr><tr><td>17<\/td><td>Joanna Duda Trio<\/td><td>Fumitsuke<\/td><td><\/td><td><\/td><\/tr><tr><td>17<\/td><td>Savvas Metaxas<\/td><td>Two Mistakes<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>17<\/td><td>Thy Worshiper<\/td><td>Bajki o staruchu<\/td><td>Pagan Records<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Boris<\/td><td>Reincarnation Rose<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>18<\/td><td>Klein<\/td><td>Harmattan<\/td><td>Pentatone<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Accordo dei Contrari<\/td><td>UR<\/td><td>Cuneiform<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Adam Roberts<\/td><td>Bell Threads<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Adele<\/td><td>&#8222;30&#8221;<\/td><td>Columbia<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Al Doum and the Faryds<\/td><td>Freaky People<\/td><td>Black Sweat Records<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Alai K<\/td><td>Kila Mara<\/td><td>On the Corner<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Anthony Sahyoun<\/td><td>Proof by Infinite Descent<\/td><td>Beacon Sound<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Asa Tone <\/td><td>Live at New Forms<\/td><td>Leaving<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Attitude!<\/td><td>Pause &amp; Effect<\/td><td>ESP-Disk<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Baldo<\/td><td>Working Overtime<\/td><td>Pets<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Beach Fossils<\/td><td>The Other Side of Life: Piano Ballads<\/td><td>Bayonet<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ben LaMar Gay<\/td><td>Open Arms to Open Us<\/td><td>International Anthem<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Black Midi<\/td><td>Live-Cade<\/td><td>Rough Trade<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Body\u200b\/\u200bDilloway\u200b\/\u200bHead<\/td><td>Body\u200b\/\u200bDilloway\u200b\/\u200bHead<\/td><td>Three Lobed<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Brian Wilson<\/td><td>At My Piano<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>Bruce Liu<\/td><td>Winner Of The 18th International Fryderyk Chopin Piano Competition Warsaw 2021 <\/td><td>Deutsche Grammophon<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Bruce Springsteen<\/td><td>The Legendary 1979 No Nukes Concerts<\/td><td>Legacy<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Cassandra Jenkins<\/td><td>(An Overview on) An Overview on Phenomenal Nature<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>Charles Rumback<\/td><td>Seven Bridges<\/td><td>Astral Spirits<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Coldcut &amp; Mixmaster Morris<\/td><td>@0<\/td><td>Ahead Of Our Time<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Converge &amp; Chelsea Wolfe<\/td><td>Bloodmoon: I<\/td><td>Epitaph<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Douane Pitre<\/td><td>Omniscient Voices<\/td><td>Important<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Elbow<\/td><td>Flying Dream 1<\/td><td>Polydor<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Fire-Toolz<\/td><td>Eternal Home (Instrumentals)<\/td><td>Hausu Mountain<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Frank Hatchett<\/td><td>Sensational<\/td><td>Telephone Explosion<\/td><td>arch.<\/td><\/tr><tr><td>19<\/td><td>Fusione<\/td><td>Fusione<\/td><td>Black Sweat Records<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Holy Other<\/td><td>Lieve<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>Jacob Greenberg<\/td><td>Bright Codes<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Jana Rush<\/td><td>Groove 6<\/td><td>Outlines<\/td><td>MC, DL<\/td><\/tr><tr><td>19<\/td><td>Jessica Moss<\/td><td>Phosphenes<\/td><td>Constellation<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Jessy Lanza<\/td><td>DJ-Kicks<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>John Edwards, N.O. Moore, Eddie Pr\u00e9vost, Alan Wilkinson<\/td><td>EMPoWered<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Karate<\/td><td>&#8222;595&#8221;<\/td><td>Numero Group<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Kasai Allstars<\/td><td>Black Ants Remixes<\/td><td>Crammed Discs<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Kaytranada <\/td><td>Intimidated<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>19<\/td><td>King Crimson<\/td><td>Music Is Our Friend: Live in Washington and Albany, 2021<\/td><td>DGM<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Kuba Wi\u0119cek Trio &amp; Paulina Przybysz<\/td><td>Kwiateczki &#8211; Polish Jazz vol. 87<\/td><td>Polskie Nagrania<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ladyhawke<\/td><td>Time Flies<\/td><td>BMG<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Lancey Foux<\/td><td>Live.Evil<\/td><td>Human Resources<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Makaya McCraven<\/td><td>Deciphering the Message<\/td><td>Blue Note<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Mandy, Indiana<\/td><td>&#8230;EP<\/td><td>Fire Talk<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Maria da Rocha<\/td><td>Nolastingname<\/td><td>Holuzam<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Max Frimout<\/td><td>Instructions for Heartbreak<\/td><td>Suparpang<\/td><td>EP<\/td><\/tr><tr><td>19<\/td><td>Maybeshewill<\/td><td>No Feeling Is Final<\/td><td>The Robot Needs Home Collective<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Me And That Man<\/td><td>New Man New Songs Same Shit Vol. 2<\/td><td>Mystic Production \/ Napalm Records<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Merdh Laleh<\/td><td>Adrent Flux<\/td><td>Opal Tapes<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Mi\u0142osz P\u0119kala<\/td><td>8 Pieces in Different Tempos<\/td><td>Gusstaff \/ Don&#8217;t Sit On My Vinyl<\/td><td>CD \/ LP (ale 3.12)<\/td><\/tr><tr><td>19<\/td><td>Mi\u0142osz P\u0119kala<\/td><td>Monopercussion 2<\/td><td>B\u00f3\u0142t<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ochman<\/td><td>Ochman<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Olivia Block<\/td><td>Innocent Passage int the Territorial Sea<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Olivier Mellano, R\u00e9gis Boulard, NO&amp;RD<\/td><td>One<\/td><td>Dark Companion<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ovlov<\/td><td>Buds<\/td><td>Ovlov<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Pal Hwang Dan<\/td><td>2013\u200b-\u200b2021 Seoul<\/td><td>Chinabot<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Parris<\/td><td>Soaked in Indigo Moonlight<\/td><td>Can You See The Sky<\/td><td><\/td><\/tr><tr><td>19<\/td><td>P\u00c9<\/td><td>Inherited Heteronomous Perception<\/td><td>L-ne<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Phong Tramp<\/td><td>The Computer Room<\/td><td>New Amsterdam<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Pigeon<\/td><td>Yagana EP<\/td><td>Soundway<\/td><td><\/td><\/tr><tr><td>19<\/td><td>PJ Harvey<\/td><td>Let England Shake &#8211; Demos<\/td><td>Island<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Primal Scream <\/td><td>Live at Levitation<\/td><td>Fuzz Club<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Resina<\/td><td>Speechless<\/td><td>130701 Records<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Robert Fripp<\/td><td>Music for Quiet Moments<\/td><td>DGM<\/td><td>komp<\/td><\/tr><tr><td>19<\/td><td>Robert Plant &amp; Alison Krauss<\/td><td>Raise the Roof<\/td><td>Rounder<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Sok\u00f3\u0142<\/td><td>Nic<\/td><td>Prosto<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Sting<\/td><td>The Bridge<\/td><td>A&amp;M<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Teeth Agency<\/td><td>Cherry Blossom Child<\/td><td>Stones Throw<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ten Typ Mes<\/td><td>Hello Baby<\/td><td>Alkopoligamia<\/td><td><\/td><\/tr><tr><td>19<\/td><td>T\u0119skno<\/td><td>T\u0119skno gra poezj\u0119<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>VA<\/td><td>Buganda Royal Music Revival<\/td><td>Nyege Nyege Tapes<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Weakened Friends<\/td><td>Quitter<\/td><td>Don Giovanni<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Willie Nelson<\/td><td>The Willie Nelson Family<\/td><td>Legacy<\/td><td><\/td><\/tr><tr><td>19<\/td><td>\u00b5-Ziq &amp; Mrs Jynx<\/td><td>Secret Garden<\/td><td>Planet Mu<\/td><td><\/td><\/tr><tr><td>20<\/td><td>France  <\/td><td>Do Den Haag Church<\/td><td>Standard in-Fi<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Michael Pisaro-Liu<\/td><td>Revolution Shuffle<\/td><td>Erstwhile<\/td><td><\/td><\/tr><tr><td>21<\/td><td>Vanessa Rossetto \/ Lionel Marchetti<\/td><td>The Tower (The City)<\/td><td>Erstwhile<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Alex Ho<\/td><td>Move Through It<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>22<\/td><td>en2ak<\/td><td>Past Perfect<\/td><td>U Know Me<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Ghost Rhythms<\/td><td>Spectral Music<\/td><td>Cuneiform<\/td><td><\/td><\/tr><tr><td>22<\/td><td>Luminous \u201aDiamond Ben\u2019 Kudler<\/td><td>0n The Existence of No Break Space<\/td><td>Superpang<\/td><td>EP<\/td><\/tr><tr><td>22<\/td><td>Montes<\/td><td>Vozes Antenas Fragas<\/td><td>Lovers &amp; Lollypops<\/td><td><\/td><\/tr><tr><td>23<\/td><td>Paulina Owczarek \/ Aleksander Wnuk<\/td><td>Komentarz eufemistyczny<\/td><td>Antenna Non Grata<\/td><td>CD, DL<\/td><\/tr><tr><td>23<\/td><td>Stealing Sheep &amp; The BBC Radiophonic Workshop<\/td><td>La Plan\u00e8te Sauvage<\/td><td><\/td><td><\/td><\/tr><tr><td>23<\/td><td>Tony Lugo <\/td><td>White Tape<\/td><td>Superpang<\/td><td>EP<\/td><\/tr><tr><td>24<\/td><td>Hampus Lindwall<\/td><td>WFH<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>24<\/td><td>Kid Kozmoe <\/td><td>Talking To Ghosts<\/td><td>Istotne Nagr.<\/td><td>DL<\/td><\/tr><tr><td>25<\/td><td>a0n0<\/td><td>Moire<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>25<\/td><td>E-Saggila<\/td><td>Exploited Body<\/td><td>PAN<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Kacperczyk<\/td><td>Kryzys wieku wczesnego<\/td><td>SBM <\/td><td><\/td><\/tr><tr><td>25<\/td><td>Princess Diana of Wales<\/td><td>Princess Diana of Wales<\/td><td>A Colourful Storm<\/td><td>MC<\/td><\/tr><tr><td>25<\/td><td>Sp\u00f3\u0142dzielnia Muzyczna<\/td><td>Contemporary Ensemble<\/td><td>Dux<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Abdullah Ibrahim<\/td><td>Solotude<\/td><td>Gearbox<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Agusti Fernandez &amp; Sarah Claman Duo<\/td><td>Agusti Fernandez &amp; Sarah Claman Duo<\/td><td>Multikulti Project\/ Spontaneous Music Tribune Series<\/td><td>CD<\/td><\/tr><tr><td>26<\/td><td>Ava Mendoza<\/td><td>New Spells<\/td><td>Astral Spirits<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Betamax vs Clive Bell<\/td><td>Betamax vs Clive Bell<\/td><td>Byrd Out<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Bogdan Raczynski<\/td><td>Muzyka dla imigrant\u00f3w<\/td><td>Mondoj<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Carillon Electric Orchestra<\/td><td>Matter Of Reverberations<\/td><td>Alpaka<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Czes\u0142aw Mozil<\/td><td>#IdeologiaMozila<\/td><td>Mystic<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Daedelus &amp; Joshua Idehen<\/td><td>Holy Water Over Sons<\/td><td>Albert&#8217;s Favourites<\/td><td><\/td><\/tr><tr><td>26<\/td><td>David Bowie<\/td><td>Toy<\/td><td>Parlophone<\/td><td><\/td><\/tr><tr><td>26<\/td><td>David Bowie<\/td><td>Brilliant Adventure (1992-2001)<\/td><td>ISO<\/td><td>box arch.<\/td><\/tr><tr><td>26<\/td><td>Death Angel<\/td><td>The Bastard Tracks<\/td><td>Nuclear Blast<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Dog Star (Almeida, Gibson, Melo Alves, Trilla, Vicente)<\/td><td>Dog Star <\/td><td>Multikulti Project\/ Spontaneous Music Tribune Series<\/td><td>CD<\/td><\/tr><tr><td>26<\/td><td>Donnacha Costello<\/td><td>Together Is the New Alone<\/td><td>Keplar<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Julie Doiron<\/td><td>I Thought of You<\/td><td>You&#8217;ve Changed Records<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Ka$hell<\/td><td>Ka$hell<\/td><td>Mystic<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Kapela od \u0141owicza<\/td><td>Z kapelusza, nie z pisma<\/td><td>In Crudo<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Ka\u015bka Sochacka<\/td><td>Ministory<\/td><td>Jazzboy<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Kill Bill<\/td><td>Snowglobe Theory<\/td><td>EXO<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Lordi<\/td><td>Lordiversity<\/td><td><\/td><td>box<\/td><\/tr><tr><td>26<\/td><td>Misia Furtak<\/td><td>Wybory<\/td><td>Towarzystwo<\/td><td><\/td><\/tr><tr><td>26<\/td><td>N.O.More<\/td><td>Lunar Sync<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Nell and the Flaming Lips<\/td><td>Where the Viaduct Looms<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Novika<\/td><td>Novika 2.0<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Oneohtrix Point Never<\/td><td>Renditions 1<\/td><td>Warp<\/td><td>EP<\/td><\/tr><tr><td>26<\/td><td>Opla Stasiuk Trzaska<\/td><td>Opla Stasiuk Trzaska<\/td><td>Mystic Production  <\/td><td><\/td><\/tr><tr><td>26<\/td><td>Pye Corner Audio<\/td><td>Entangled Routes<\/td><td>Ghost Box<\/td><td><\/td><\/tr><tr><td>26<\/td><td>R.A.P. Ferreira<\/td><td>The Light Emitting Diamond Cutter Scriptures<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Richard Dawson &amp; Circle<\/td><td>Henki<\/td><td>Weird World<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Rites Of Fall<\/td><td>Floodwaters<\/td><td>Leidforshung<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Rufus Wainwright &amp; Amsterdam Sinfonietta<\/td><td>Live<\/td><td>BMG<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Spectacular Diagnostics<\/td><td>Ancient Methods<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Sunn O)))<\/td><td>Metta, Benevolence BBC 6Music: Live on the invitation of Mary Anne Hobbs<\/td><td>Southern Lord<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Tangerine Dream<\/td><td>Probe 6-8<\/td><td>KScope<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Teddy Lasry<\/td><td>Funku Ghost 1975-1987<\/td><td>Hot Mule<\/td><td><\/td><\/tr><tr><td>26<\/td><td>The KVB<\/td><td>Unity<\/td><td>Invada<\/td><td><\/td><\/tr><tr><td>26<\/td><td>VA<\/td><td>Ritmo Fantas\u00eda: Balearic Spanish Synth\u200b-\u200bPop, Boogie and House (1982\u200b-\u200b1992)<\/td><td>Soundway<\/td><td><\/td><\/tr><tr><td>26<\/td><td>VA<\/td><td>Christmas Dreamers: Yuletide Country (1960\u200b-\u200b1972)<\/td><td>Numero Group<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Vanglikt Folk<\/td><td>Black Friday Hele Uka<\/td><td>iDeal<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Variete<\/td><td>Dziki ksi\u0105\u017c\u0119<\/td><td>Mystic<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Wet Tuna<\/td><td>Eau&#8217;d To a Fake Bookie Vol. 1 &amp; 2 (Remastered)<\/td><td>Hive Mind<\/td><td><\/td><\/tr><tr><td>26<\/td><td>William Doyle<\/td><td>Alternate Lands<\/td><td>Tough Love<\/td><td>EP<\/td><\/tr><tr><td>27<\/td><td>Alex Malheiros<\/td><td>Tempos Futuros<\/td><td>Far Out <\/td><td><\/td><\/tr><tr><td>29<\/td><td>Rapoon<\/td><td>:Cinema Telephonique:<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Saint Etienne<\/td><td>Her Winter Coat<\/td><td><\/td><td>EP<\/td><\/tr><tr><td>30<\/td><td>Cecil Taylor (feat. Sta\u0144ko, Rava, Bauer, Lyons, Wright Jr., Tchicai, Hampel, Parker, Martinez)<\/td><td>Music From Two Continents<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>30<\/td><td>FISHWOOL (Susana Santos Silva \/ Yedo Gibons \/ Vasco Trilla)<\/td><td>Live in Cernko<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>30<\/td><td>Satomimagae<\/td><td>Colloid<\/td><td>RVNG Intl<\/td><td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"<p>1 Chris Laurence Ken Wheeler: Some Gnu Ones Jazz In Britain 1 Klein Harmattan 1 M.A.N. B.A.N. Dropa 1 VA Wounds of Love: Khmer Oldies, Vol. 2 Death Is Not The End 2 Muriel Grossmann Union 3 Deep Throat Choir In Order To Know You Bella Union 3 Guenter Schlienz Unstet 3 Kenji Kawai Patlabor [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30359"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=30359"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30359\/revisions"}],"predecessor-version":[{"id":31430,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/30359\/revisions\/31430"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=30359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}