{"id":31416,"date":"2022-01-06T19:34:12","date_gmt":"2022-01-06T18:34:12","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=31416"},"modified":"2023-01-04T09:20:46","modified_gmt":"2023-01-04T08:20:46","slug":"premiery-01-2022","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-01-2022\/","title":{"rendered":"PREMIERY 01.2022"},"content":{"rendered":"\n
1<\/td>Czarface<\/td>Good Guys Bad Guys EP Including Tracks From Venom: Let There Be Carnage<\/td><\/td>EP<\/td><\/tr>
1<\/td>Dangaus \u010ciabuvis<\/td>Aerodronas<\/td><\/td><\/td><\/tr>
1<\/td>Daniel Bachman<\/td>Lonesome Weary Blues<\/td><\/td>EP<\/td><\/tr>
1<\/td>Daniel Son & Futurewave<\/td>Son Tzu & the Wav.God<\/td><\/td><\/td><\/tr>
1<\/td>El\u00edas Merino & Daniel del R\u00edo<\/td>Structures for Wave Field Synthesis<\/td>Superpang<\/td><\/td><\/tr>
1<\/td>Frederic Rzewski<\/td>Speaking Rzewski \/ Pieces For Speaking Pianist by Stephane Ginsburgh<\/td>Sub Rosa<\/td>arch<\/td><\/tr>
1<\/td>kakofoNIKT<\/td>Dance Epidemic – Greatest Hits A.D. 1518<\/td>Antenna Non Grata<\/td>CD, DL<\/td><\/tr>
1<\/td>King Gizzard & The Lizard Wizard<\/td>Live in London<\/td>Romanus<\/td><\/td><\/tr>
1<\/td>Mydreamfever<\/td>Rough and Beautiful Place<\/td><\/td><\/td><\/tr>
1<\/td>Phish<\/td>LivePhish 12.31.21 – Live from the Ninth Cube<\/td><\/td><\/td><\/tr>
1<\/td>Teenage Halloween<\/td>The Homeless Gospel Choir<\/td>Don Giovanni<\/td><\/td><\/tr>
1<\/td>Trainwreck<\/td>A Night at the Drive-In<\/td><\/td><\/td><\/tr>
4<\/td>Imitation Zone<\/td>Late<\/td><\/td><\/td><\/tr>
4<\/td>\u015apiewaczki z Nowej Rudy<\/td>Zabzili tu wzieprzka, a my o tem wziemy<\/td>In Crudo<\/td><\/td><\/tr>
5<\/td>Alan Hohvaness<\/td>Opening a Window to Cosmic Love: Private Acetate Discs ca. 1946\u200b-\u200b55<\/td>Canary<\/td><\/td><\/tr>
6<\/td>Asa Tone<\/td>Live at New Forms<\/td>Leaving<\/td>MC, DL<\/td><\/tr>
6<\/td>Burial<\/td>Antidawn EP<\/td>Hyperdub<\/td><\/td><\/tr>
6<\/td>Demdike Stare<\/td>Rendez-Vous Contemporains de Saint-Merry<\/td>DDS<\/td>MC<\/td><\/tr>
6<\/td>Infernal Mosquitoes<\/td>Antigua<\/td>Superpang<\/td><\/td><\/tr>
6<\/td>M\u0142ody L3m<\/td>Zatracenie punktu odniesienia<\/td>Plexus of Infinity<\/td><\/td><\/tr>
6<\/td>M\u00f8nic<\/td>Trawler Tapes<\/td>Downwards<\/td>MC<\/td><\/tr>
6<\/td>MonoLogue<\/td>Alice<\/td>Wabi-Sabi Tapes<\/td><\/td><\/tr>
6<\/td>Sentino<\/td>Aporofobia<\/td><\/td><\/td><\/tr>
7<\/td>75 Dollar Bill featuring Sue Garner, Cheryl Kingan & Chris Nelson<\/td>Social Music at Troost vol\u200b.\u200b3: (Other) People’s Music<\/td><\/td><\/td><\/tr>
7<\/td>Alkaline Pink<\/td>Sableye V (Where Are We Now)<\/td>Insomnia Cafe<\/td>EP<\/td><\/tr>
7<\/td>Ben Salisbury & Geoff Barrow<\/td>Archive 81 (Soundtrack From The Netflix Series)<\/td>Invada<\/td><\/td><\/tr>
7<\/td>David Bowie<\/td>Toy:Box<\/td>ISO<\/td><\/td><\/tr>
7<\/td>Eiko Ishibashi<\/td>Drive My Car Original Soundtrack (with bonus tracks)<\/td>Newhere Music<\/td><\/td><\/tr>
7<\/td>Ellen Allien<\/td>Rosen<\/td>UFO<\/td>EP<\/td><\/tr>
7<\/td>Grzegorz Bojanek<\/td>Damaged EP<\/td><\/td><\/td><\/tr>
7<\/td>Gunna<\/td>DS4Ever<\/td>Young Stoner Life<\/td><\/td><\/tr>
7<\/td>Lordi<\/td>Lordiversity – Humanimals<\/td>AFM<\/td><\/td><\/tr>
7<\/td>Michael Giacchino<\/td>Spider-Man: No Way Home<\/td>Sony<\/td><\/td><\/tr>
7<\/td>Og Keemo<\/td>Mann beisst Hund<\/td><\/td><\/td><\/tr>
7<\/td>Pelkk\u00e4 Poutanen<\/td>Pyh\u00e4 veri vuotaa<\/td>Eclipse<\/td><\/td><\/tr>
7<\/td>RuPaul<\/td>Mama Ru<\/td><\/td><\/td><\/tr>
7<\/td>Sis<\/td>Gnani<\/td><\/td><\/td><\/tr>
7<\/td>Soichi Terada<\/td>Asakusa Light<\/td>Rush Hour<\/td><\/td><\/tr>
7<\/td>Spector<\/td>Now or Whenever<\/td>Moth Noise<\/td><\/td><\/tr>
7<\/td>Stephanie Lamprea<\/td>Quaking Aspen<\/td>New Focus<\/td><\/td><\/tr>
7<\/td>Taru Alexander<\/td>Echoes of the Masters<\/td>Sunnyside<\/td><\/td><\/tr>
7<\/td>The Weeknd<\/td>Dawn FM<\/td><\/td><\/td><\/tr>
7<\/td>VA<\/td>Ever Since We’ve Known It: More North Carolina Mountain Singing<\/td>Death Is Not The End<\/td><\/td><\/tr>
7<\/td>Wadada Leo Smith, Henry Kaiser, Alex Varty<\/td>Pacifica Coral Relief<\/td>577 Records<\/td><\/td><\/tr>
7<\/td>Warsaw Afrobeat Orchestra<\/td>Chest<\/td>Peace & Rhythm<\/td><\/td><\/tr>
7<\/td>Wh0<\/td>Feels EP<\/td><\/td><\/td><\/tr>
9<\/td>Jun Miyake<\/td>Stolen From Strangers<\/td>Enja & Yellowbird Records<\/td>reed.<\/td><\/tr>
9<\/td>Philip Catherine, Paulo Morello, Sven Faller<\/td>Pourquoi<\/td>Enja & Yellowbird Records<\/td><\/td><\/tr>
10<\/td>Prykson IFS<\/td>Psycho Outs<\/td>U Know Me<\/td><\/td><\/tr>
10<\/td>The Voices<\/td>We Just Want To Be Ourselves<\/td><\/td><\/td><\/tr>
11<\/td>Jaxe<\/td>Gai Saber<\/td>Mixed Feelings<\/td><\/td><\/tr>
11<\/td>Ryley Walker<\/td>So Certain EP<\/td>Husky Pants<\/td><\/td><\/tr>
11<\/td>Sewer Election<\/td>Horse Utopie<\/td>iDeal<\/td><\/td><\/tr>
12<\/td>Futurangelics<\/td>Futurangelics<\/td>Leaving<\/td><\/td><\/tr>
12<\/td>Marcus Reuter<\/td>Truce 2<\/td>MoonJune<\/td><\/td><\/tr>
12<\/td>Markus Reuter<\/td>Truce 2<\/td>MoonJune<\/td><\/td><\/tr>
13<\/td>Actors Artificial<\/td>Untimeliness & Default settings<\/td>Superpang<\/td><\/td><\/tr>
13<\/td>Tomasz Bednarczyk<\/td>Archival Music 2002\u200b-\u200b2005<\/td>Somewhere Nowhere<\/td><\/td><\/tr>
14<\/td>Anna von Hausswolff<\/td>Live at Montreux Jazz Festival<\/td>Southern Lord<\/td>live<\/td><\/tr>
14<\/td>Arno E. Mathieu<\/td>Contemplation II – Colline<\/td>Compost<\/td><\/td><\/tr>
14<\/td>Bill Fay<\/td>Still Some Light: Part 1<\/td>Dead Oceans<\/td><\/td><\/tr>
14<\/td>Blood Red Shoes<\/td>Ghosts on Tape<\/td><\/td><\/td><\/tr>
14<\/td>Bonobo<\/td>Fragments<\/td>Ninja Tune<\/td><\/td><\/tr>
14<\/td>Brak<\/td>Prawo<\/td>GAD<\/td><\/td><\/tr>
14<\/td>Broken Social Scene<\/td>All Dead Young<\/td><\/td>komp<\/td><\/tr>
14<\/td>Cat Power<\/td>Covers<\/td>Domino<\/td><\/td><\/tr>
14<\/td>Cordae<\/td>From a Bird’s Eye View<\/td>Atlantic<\/td><\/td><\/tr>
14<\/td>Earl Sweatshirt <\/td>Sick!<\/td>Tan Cressida<\/td><\/td><\/tr>
14<\/td>Elvis Costello & The Imposters<\/td>The Boy Named If<\/td>EMI<\/td><\/td><\/tr>
14<\/td>Fazer<\/td>Plex<\/td>City Slang<\/td><\/td><\/tr>
14<\/td>Fickle Friends<\/td>Are We Gonna Be Alright?<\/td>Cooking Vinyl<\/td><\/td><\/tr>
14<\/td>Fit For An Autopsy<\/td>Oh What the Future Holds<\/td>Nuclear Blast<\/td><\/td><\/tr>
14<\/td>FKA Twigs<\/td>Capri Times<\/td><\/td>mixtape<\/td><\/tr>
14<\/td>Garcia Peoples<\/td>Dodging Dues<\/td>No Quarter<\/td><\/td><\/tr>
14<\/td>Helvetic Sylph<\/td>Asleep Country<\/td>New Motion<\/td><\/td><\/tr>
14<\/td>John H\u00e9bert<\/td>Sounds of Love<\/td>Sunnyside<\/td><\/td><\/tr>
14<\/td>Jonathan Deasy<\/td>Praxis<\/td>Tone Burst<\/td><\/td><\/tr>
14<\/td>Klara Lewis<\/td>Live In Montreal 2018<\/td>Editions Mego<\/td><\/td><\/tr>
14<\/td>Konieczno\u015b\u0107<\/td>Przygodno\u015b\u0107<\/td><\/td><\/td><\/tr>
14<\/td>Lady Blacktronika<\/td>Edge Of Forever<\/td>Pets<\/td>EP<\/td><\/tr>
14<\/td>Marcel Bali\u0144ski Trio<\/td>Opalenizna i wiatr<\/td><\/td><\/td><\/tr>
14<\/td>Martha Skye Murphy & Maxwell Sterling<\/td>Distance on Ground<\/td>American Dreams<\/td><\/td><\/tr>
14<\/td>Mekons<\/td>Exquisite<\/td>Glitterbeat<\/td><\/td><\/tr>
14<\/td>Mike Cooper<\/td>Oceans of Milk and trickle<\/td>Room40<\/td><\/td><\/tr>
14<\/td>Orlando Weeks <\/td>Hop Up<\/td>PIAS<\/td><\/td><\/tr>
14<\/td>Patryk Cannon<\/td>Machines Control Everything<\/td><\/td><\/td><\/tr>
14<\/td>Pawe\u0142 Palcowski Quintet<\/td>Influences<\/td>SJRecords<\/td><\/td><\/tr>
14<\/td>Pridelands<\/td>Light Bends<\/td>Sharp Tone<\/td><\/td><\/tr>
14<\/td>Shinichi Atobe<\/td>Love of Plastic<\/td>DDS<\/td><\/td><\/tr>
14<\/td>Steve Roden<\/td>Oionos<\/td>Room40<\/td><\/td><\/tr>
14<\/td>The Lumineers<\/td>Brightside<\/td>Dualtone<\/td><\/td><\/tr>
14<\/td>The Wombats<\/td>Fix Yourself, Not the World<\/td>14th Floor<\/td><\/td><\/tr>
14<\/td>Tony Gallardo<\/td>Selected Works<\/td>Hakuna Kulala<\/td><\/td><\/tr>
14<\/td>VA<\/td>Dobrostan<\/td>Kanu Kanu<\/td><\/td><\/tr>
14<\/td>VA<\/td>Infinite Limits: A Generative Music Compilation<\/td>Mubert<\/td><\/td><\/tr>
14<\/td>Vilhelm Bromander<\/td>Aurora<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
14<\/td>Wiegedood<\/td>There’s Always Blood at the End of the Road<\/td>Century Media<\/td><\/td><\/tr>
14<\/td>Wojtek Oli\u0144ski<\/td>Am I Going the Right<\/td>Case Studio<\/td><\/td><\/tr>
14<\/td>\u017babson & Young Igi<\/td>Amfisbena<\/td>Def Jam PL<\/td><\/td><\/tr>
14<\/td>Ziemowit Kosmowski<\/td>Wewn\u0105trz i na zewn\u0105trz<\/td>GAD<\/td>book<\/td><\/tr>
17<\/td>Kevin Drumm<\/td>Summertime<\/td><\/td>EP<\/td><\/tr>
18<\/td>Bzdet<\/td>Nie ma nic<\/td><\/td><\/td><\/tr>
18<\/td>Claptrap<\/td>Adulting<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
19<\/td>Beach House<\/td>Once Twice Melody: Chapter Three<\/td>Sub Pop<\/td>EP<\/td><\/tr>
20<\/td>Arkadiusz Salwowski<\/td>Yaxilamhs<\/td>Lo\u017ca Oficyna<\/td><\/td><\/tr>
20<\/td>Hieroglyphic Being <\/td>The Shittest Sounds U Don’t Ever Want 2 Hear…Vol 1<\/td>Hieroglyphic Being<\/td><\/td><\/tr>
20<\/td>Joana Gama & Lu\u00eds Fernandes<\/td>There’s No Knowing<\/td>Holuzam<\/td><\/td><\/tr>
20<\/td>Mirt \u2022 Ter<\/td>Rain Over the Forest Pond<\/td>Saamleng<\/td><\/td><\/tr>
21<\/td>Akira Sakata \/ Takeo Moriyama<\/td>Mitochondria<\/td>Trost<\/td>reed.<\/td><\/tr>
21<\/td>Alexander Hawkins Mirror Canon<\/td>Break A Vase <\/td>Intakt<\/td><\/td><\/tr>
21<\/td>Aurora<\/td>The Gods We Can Touch<\/td>Decca<\/td><\/td><\/tr>
21<\/td>Bad Boy Chiller Crew<\/td>Disrespectful<\/td>Relentless<\/td><\/td><\/tr>
21<\/td>Billy Talent<\/td>Crisis of Faith<\/td>Warner<\/td><\/td><\/tr>
21<\/td>Biosphere<\/td>Shortwave Memories<\/td>Biophon<\/td><\/td><\/tr>
21<\/td>Boris<\/td>W<\/td>Sacred Bones<\/td><\/td><\/tr>
21<\/td>Boy Harsher<\/td>The Runner OST<\/td>Nude Club<\/td><\/td><\/tr>
21<\/td>Christina Aguilera<\/td>La Fuerza<\/td><\/td>EP<\/td><\/tr>
21<\/td>DJ Python<\/td>Club Sentimientos vol. 2<\/td><\/td><\/td><\/tr>
21<\/td>Dwa S\u0142awy<\/td>Z archiwum X2<\/td>Universal<\/td><\/td><\/tr>
21<\/td>Eiko Ishibashi<\/td>For McCoy<\/td>Black Truffle<\/td>LP (DL ju\u017c jest)<\/td><\/tr>
21<\/td>Eric Nathan<\/td>Missing Words<\/td>New Focus<\/td><\/td><\/tr>
21<\/td>Feno<\/td>Transgresja<\/td>Antihype<\/td><\/td><\/tr>
21<\/td>Gui Duvignau<\/td>Baden<\/td>Sunnyside<\/td><\/td><\/tr>
21<\/td>Hania Rani<\/td>Live from Studio S2 (Complete Session)<\/td>Gondawana<\/td><\/td><\/tr>
21<\/td>HTRK<\/td>hTRKRTIO Live at Loop<\/td>N&J Blueberries<\/td><\/td><\/tr>
21<\/td>Il Santo Bevitore<\/td>Water and Tears<\/td>Opal Tapes<\/td><\/td><\/tr>
21<\/td>Jake Xerxes Fussell<\/td>Good and Green Again<\/td>Paradise of Bachelors<\/td><\/td><\/tr>
21<\/td>Jana Horn<\/td>Optimism<\/td>No Quarter<\/td><\/td><\/tr>
21<\/td>John Mellencamp<\/td>Strictly A One-Eyed Jack<\/td>Republic<\/td><\/td><\/tr>
21<\/td>John Zorn, Bill Laswell<\/td>The Cleansing<\/td>Tzadik<\/td><\/td><\/tr>
21<\/td>Jordina Mill\u00e0 & Barry Guy<\/td>String Fables<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
21<\/td>Kenny G<\/td>New Standards<\/td>Concord<\/td><\/td><\/tr>
21<\/td>King Gizzard & The Lizard Wizard<\/td>Butterly 3001<\/td><\/td><\/td><\/tr>
21<\/td>Knifedoutofexistence<\/td>Dissapointment in Realisation<\/td>Opal Tapes<\/td><\/td><\/tr>
21<\/td>Ludovico Einaudi<\/td>Underwater<\/td><\/td><\/td><\/tr>
21<\/td>Maria Moles<\/td>For Leolanda<\/td>Room40<\/td><\/td><\/tr>
21<\/td>Michael Rother & Vittoria Maccabruni<\/td>As Long as the Night<\/td>Groenland<\/td><\/td><\/tr>
21<\/td>Nastroje<\/td>Przestrzenie<\/td><\/td><\/td><\/tr>
21<\/td>Not In Da Club<\/td>Not In Da Club<\/td>Opal Tapes<\/td><\/td><\/tr>
21<\/td>Palace<\/td>Shoals<\/td>Fiction<\/td><\/td><\/tr>
21<\/td>Pan Daijing<\/td>Tissues<\/td>PAN<\/td><\/td><\/tr>
21<\/td>PLF<\/td>Epdemo<\/td>Opal Tapes<\/td><\/td><\/tr>
21<\/td>Reptaliens<\/td>Multiverse<\/td>Captured Tracks<\/td><\/td><\/tr>
21<\/td>Sana Shenai<\/td>Warm Former<\/td>Les Albums Claus<\/td><\/td><\/tr>
21<\/td>Satoko Fujii & Joe Fonda<\/td>Thread of Life<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
21<\/td>Silvana Estrada<\/td>Marchita<\/td>AWAL<\/td><\/td><\/tr>
21<\/td>Silverbacks<\/td>Archive Material<\/td>Full Time Hobby<\/td><\/td><\/tr>
21<\/td>Som<\/td>The Shape of Everything<\/td>Pelagic<\/td><\/td><\/tr>
21<\/td>Talpah & Ciro Vitiello<\/td>Lost in the Colloid<\/td>Opal Tapes<\/td><\/td><\/tr>
21<\/td>Tanya Tagaq<\/td>Tongues<\/td>Six Shooter<\/td><\/td><\/tr>
21<\/td>The Hated<\/td>No More We Cry<\/td>Numero <\/td>reed. EP<\/td><\/tr>
21<\/td>The Soundcarriers<\/td>Wild<\/td><\/td><\/td><\/tr>
21<\/td>Tiago Sousa<\/td>Organic Music Tapes Vol\u200b.\u200b1<\/td>Discrepant<\/td><\/td><\/tr>
21<\/td>Tim Berne, Gregg Belisle-Chi<\/td>Mars<\/td>Intakt<\/td><\/td><\/tr>
21<\/td>Yard Act<\/td>The Overload<\/td>Island<\/td><\/td><\/tr>
21<\/td>Years & Years<\/td>Nightcall<\/td>Polydor<\/td><\/td><\/tr>
22<\/td>LDQ Ysimaro \/ MENTE\u200b-\u200bATADA<\/td>Disembodied<\/td>Antenna Non Grata<\/td><\/td><\/tr>
22<\/td>Luke Stewart’s Silt Trio<\/td>The Bottom<\/td>Cuneiform<\/td><\/td><\/tr>
22<\/td>VTSS<\/td>Projections<\/td>NInja Tune\/Technicolour<\/td><\/td><\/tr>
23<\/td>Rokia Kon\u00e9 & Jacknife Lee<\/td>Bamanan<\/td>Real World<\/td><\/td><\/tr>
24<\/td>Colin Webster \/ Andrew Lisle \/ Otto Willberg<\/td>Scaffolding<\/td>Raw Tonk<\/td><\/td><\/tr>
24<\/td>Felinto<\/td>N\u00e3o Tem Volta<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
24<\/td>Hidden Forces Trio<\/td>The Set Up<\/td>Raw Tonk<\/td><\/td><\/tr>
24<\/td>Ilia Belorukov<\/td>A Fluteophone In The Forest<\/td>Raw Tonk<\/td><\/td><\/tr>
24<\/td>Michael Chapman<\/td>Another Fish<\/td>Tompkins Square<\/td><\/td><\/tr>
25<\/td>Flore Laurentienne<\/td>Volume 1<\/td>RVNG Intl<\/td><\/td><\/tr>
25<\/td>Re:ni<\/td>Revenge Body<\/td>Ilian Tape<\/td>EP<\/td><\/tr>
25<\/td>Xavier Garcia & Lionel Marchetti<\/td>SYMPHONIE \/ 2022 ~ improvised electronic music (live studio)<\/td><\/td><\/td><\/tr>
26<\/td>Emma-Jean Thackray<\/td>Yellower vol. 1<\/td>Movementt<\/td>EP<\/td><\/tr>
26<\/td>Kevin Drumm<\/td>Future When It Comes<\/td><\/td><\/td><\/tr>
26<\/td>Steve Gunn<\/td>Nakama EP<\/td>Matador<\/td><\/td><\/tr>
27<\/td>Acid Mother Reynolds<\/td>Vol. 2<\/td>Hive Mind<\/td><\/td><\/tr>
27<\/td>Salom\u00e9 Voegelin \/ VA<\/td>Paint your lips while singing your favourite pop song<\/td>Flaming Pines<\/td><\/td><\/tr>
27<\/td>Titanic Sea Moon<\/td>Titanic Sea Moon<\/td>Fonoradar<\/td><\/td><\/tr>
28<\/td>Alexander Flood<\/td>The Space Between<\/td>Ropeadope<\/td><\/td><\/tr>
28<\/td>Alice Glass<\/td>Prey\/\/IV<\/td>Eating Glass<\/td><\/td><\/tr>
28<\/td>Alicia Lee<\/td>Conversations with Myself<\/td>New Focus<\/td><\/td><\/tr>
28<\/td>Alina Skrzek, J\u00f3zef Skrzek<\/td>Marzenia<\/td>GAD<\/td><\/td><\/tr>
28<\/td>Amber Mark<\/td>Three Dimensions Deep<\/td>PMR<\/td><\/td><\/tr>
28<\/td>Amber Mark <\/td>Three Dimensions Deep<\/td>PMR<\/td><\/td><\/tr>
28<\/td>Ana\u00efs Mitchell<\/td>Ana\u00efs Mitchell<\/td>BMG<\/td><\/td><\/tr>
28<\/td>Babau<\/td>Stock Fantasy Zone<\/td>Discrepant<\/td><\/td><\/tr>
28<\/td>Beirut<\/td>Artfacts<\/td>Pompeii<\/td>komp<\/td><\/tr>
28<\/td>Beirut<\/td>Artifacts<\/td>Pompeii<\/td>komp.<\/td><\/tr>
28<\/td>Ben McElroy<\/td>How I Learnt To Disengage From The Pack<\/td><\/td><\/td><\/tr>
28<\/td>Bernard Butler<\/td>People Move On<\/td>Demon<\/td><\/td><\/tr>
28<\/td>Black Flower<\/td>Magma<\/td>Sbdan Ultra<\/td><\/td><\/tr>
28<\/td>Bogus\u0142aw Rudzi\u0144ski Quintet<\/td>Zimna k\u0105piel<\/td>GAD<\/td><\/td><\/tr>
28<\/td>Christiana Giannone<\/td>Zone 7<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Claude Cooper<\/td>Myriad Sounds<\/td><\/td><\/td><\/tr>
28<\/td>Cloakroom<\/td>Dissolution Wave<\/td>Relapse<\/td><\/td><\/tr>
28<\/td>Coran Club<\/td>Turn To<\/td>Not Not Fun<\/td><\/td><\/tr>
28<\/td>Darius Syrossian<\/td>To the Groove<\/td>Pets<\/td>EP<\/td><\/tr>
28<\/td>Deathcrash<\/td>Return<\/td><\/td><\/td><\/tr>
28<\/td>Eels<\/td>Extreme Witchcraft<\/td>E Works<\/td><\/td><\/tr>
28<\/td>Ghostly Kisses<\/td>Heaven, Wait<\/td><\/td><\/td><\/tr>
28<\/td>Greg Spero<\/td>The Chicago Experiment<\/td>Ropeadope<\/td><\/td><\/tr>
28<\/td>Iannis Xenakis<\/td>Electroacoustic Works<\/td>Karlrecords<\/td>box <\/td><\/tr>
28<\/td>Iannis Xenakis<\/td>Taurhiphanie \/ Voyage Absolu Des Unari Vers Androm\u00e8de \/ Gendy 3 \/ S\u200b.\u200b709<\/td>Karlrecords<\/td><\/td><\/tr>
28<\/td>Iannis Xenakis<\/td>Diamorphoses \/ Concret PH \/ Orient Occident \/ Bohor<\/td>Karlrecords<\/td><\/td><\/tr>
28<\/td>Iannis Xenakis<\/td>Hibiki Hana\u200b-\u200bMa \/ Mycenae Alpha \/ Polytope de Cluny<\/td>Karlrecords<\/td><\/td><\/tr>
28<\/td>Imarhan<\/td>Aboogi<\/td>City Slang<\/td><\/td><\/tr>
28<\/td>Jarkka Rissanen & Timo Ylinen<\/td>Long Time Coming<\/td>Eclipse<\/td><\/td><\/tr>
28<\/td>Jessica Pavone<\/td>When No One Around You is There but Nowhere to be Found<\/td>Relative Pitch<\/td><\/td><\/tr>
28<\/td>Jethro Tull<\/td>The Zealot Gene<\/td>Sony<\/td><\/td><\/tr>
28<\/td>J\u00f3hann J\u00f3hannsson & Jonas Colstrup<\/td>Blind Massage OST<\/td><\/td><\/td><\/tr>
28<\/td>J\u00f3hann J\u00f3hannsson & Jonas Colstrup<\/td>The Shadow Play OST<\/td><\/td><\/td><\/tr>
28<\/td>John Patton<\/td>Soul Connection<\/td>Jazz Room<\/td><\/td><\/tr>
28<\/td>Jola Tubielewicz<\/td>Jola<\/td>Soliton<\/td><\/td><\/tr>
28<\/td>Jonathan Fitoussi \/ Clemens Hourri\u00e8re<\/td>M\u00f6bius<\/td>Transversales<\/td><\/td><\/tr>
28<\/td>Josephine Foster<\/td>Godmother<\/td>Fire<\/td><\/td><\/tr>
28<\/td>Kreidler<\/td>Spells and Daubs<\/td>Bureau B<\/td><\/td><\/tr>
28<\/td>Kyle<\/td>It’s Not So Bad<\/td>Independent<\/td><\/td><\/tr>
28<\/td>Lance Ferguson<\/td>Rare Groove Spectrum, Vol. 2<\/td>Freestyle<\/td><\/td><\/tr>
28<\/td>Lawrence English<\/td>Oseni<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Maverick Sabre<\/td>Don’t Forget To Look Up<\/td><\/td><\/td><\/tr>
28<\/td>M\u00d8<\/td>Motordrome<\/td>Sony<\/td><\/td><\/tr>
28<\/td>Modern Nature<\/td>Island of Noise<\/td>Bella Union<\/td><\/td><\/tr>
28<\/td>Movietone<\/td>Peel Sessions 1994-97<\/td>Textile<\/td><\/td><\/tr>
28<\/td>North Mississippi Allstars<\/td>Set Sail<\/td>New West<\/td><\/td><\/tr>
28<\/td>Opening Performance Orchestra \/ Reinhold Friedl \/ Miroslav Beinhauer<\/td>Chess Show (Other Memories of John Cage)<\/td>Neos<\/td><\/td><\/tr>
28<\/td>Paul Draper<\/td>Cult Leader Tactics<\/td>KScope<\/td><\/td><\/tr>
28<\/td>Pinegrove<\/td>11:11′<\/td>Rough Trade<\/td><\/td><\/tr>
28<\/td>Pixies<\/td>Live in Brixton<\/td>Demon<\/td>box<\/td><\/tr>
28<\/td>PJ Harvey<\/td>Let England Shake – demos<\/td>Island<\/td><\/td><\/tr>
28<\/td>Pjusk<\/td>Salt og Vind<\/td>12k<\/td><\/td><\/tr>
28<\/td>Pom Poko<\/td>This Is Our House<\/td>Bella Union<\/td><\/td><\/tr>
28<\/td>Roedelius & Story<\/td>4 Hands<\/td>Erased Tapes<\/td><\/td><\/tr>
28<\/td>Severed+Said<\/td>Tragic Seeker<\/td>Not Not Fun<\/td><\/td><\/tr>
28<\/td>Soda Lite<\/td>Aqua Solar Cura<\/td>Not Not Fun<\/td><\/td><\/tr>
28<\/td>St. Paul & The Broken Bones<\/td>The Alien Coast<\/td>ATO<\/td><\/td><\/tr>
28<\/td>Steve Vai<\/td>Inviolate<\/td>Mascot<\/td><\/td><\/tr>
28<\/td>The Residents<\/td>Wormwood Box<\/td>Cherry Red<\/td>komp<\/td><\/tr>
28<\/td>Tomasz Bednarczyk<\/td>Windy Weather Always Makes Me Think Of You<\/td>12k<\/td><\/td><\/tr>
28<\/td>Tyler Mitchell featuring Marshall Allen<\/td>Dancing Shadows<\/td>Mahakala<\/td><\/td><\/tr>
28<\/td>Urge Overkill<\/td>We <\/td>Omnivore<\/td><\/td><\/tr>
28<\/td>VA<\/td>Future Sounds of Jazz vol. 15<\/td>Compost<\/td><\/td><\/tr>
28<\/td>VA<\/td>L’Esprit Ka: New Directions in Gwoka Music from Guadeloupe 1981-2010<\/td>Time Capsule<\/td><\/td><\/tr>
28<\/td>Villager<\/td>Frontier<\/td><\/td><\/td><\/tr>
28<\/td>Woda<\/td>Ziemia<\/td>thisisnotarecord<\/td><\/td><\/tr>
29<\/td>Dominowe<\/td>UMTHAKATHI<\/td>Gqom Oh!<\/td><\/td><\/tr>
30<\/td>Jacek Sienkiewicz<\/td>Instykt<\/td>Bocian<\/td><\/td><\/tr>
30<\/td>ORD<\/td>Withered Bones<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Roy Of The Ravers<\/td>Emotinium ’22<\/td>Emotional Response<\/td>EP<\/td><\/tr>
30<\/td>Tatvamasi<\/td>Etad Vai Tad<\/td>Requiem<\/td><\/td><\/tr>
30<\/td>VA<\/td>WC ei8ght: ZONA ELECTRONICA<\/td>CKiS Wie\u017ca Ci\u015bnie\u0144\/Zoharum<\/td><\/td><\/tr>
30<\/td>VA<\/td>Zona Electronica<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>\u0398 (Theta)<\/td>Vision of One<\/td>Zoharum<\/td><\/td><\/tr>
31<\/td>Ba\u017cant<\/td>Serce<\/td>Wynik Wsp\u00f3\u0142pracy<\/td><\/td><\/tr>
31<\/td>Rob Magill<\/td>The Beast of Our Nation \/ Tired Times<\/td>Atlantic Rhythms<\/td><\/td><\/tr>
31<\/td>Stri\u00eb & Scanner<\/td>Struktura Revisited<\/td>A Strangely Isolated Place<\/td><\/td><\/tr>
31<\/td>Uivo Zebra & Horns<\/td>Sombras<\/td>Bocian<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Czarface Good Guys Bad Guys EP Including Tracks From Venom: Let There Be Carnage EP 1 Dangaus \u010ciabuvis Aerodronas 1 Daniel Bachman Lonesome Weary Blues EP 1 Daniel Son & Futurewave Son Tzu & the Wav.God 1 El\u00edas Merino & Daniel del R\u00edo Structures for Wave Field Synthesis Superpang 1 Frederic Rzewski Speaking Rzewski […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31416"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=31416"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31416\/revisions"}],"predecessor-version":[{"id":31670,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31416\/revisions\/31670"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=31416"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}