{"id":32383,"date":"2022-03-25T09:37:27","date_gmt":"2022-03-25T08:37:27","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=32383"},"modified":"2023-01-04T09:19:38","modified_gmt":"2023-01-04T08:19:38","slug":"premiery-05-2022","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-05-2022\/","title":{"rendered":"PREMIERY 05.2022"},"content":{"rendered":"\n
1<\/td>Ana Hato and Deane Waretini<\/td>Calm When You Passed By: Aotearoa Songs 1927\u200b-\u200b29<\/td>Canary<\/td><\/td><\/tr>
1<\/td>Ariel Kalma<\/td>Magical 70s<\/td><\/td><\/td><\/tr>
1<\/td>Egil Kalman<\/td>Kingdom of Bells (Egil Kalman Plays the Synthi 100)<\/td>iDeal<\/td><\/td><\/tr>
1<\/td>\u0141ukasz Suchy<\/td>Grass Snake’s Dining Room<\/td>Suche Fakty<\/td><\/td><\/tr>
2<\/td>Botanica <\/td>Azure<\/td>Bandcamp<\/td><\/td><\/tr>
3<\/td>Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders<\/td>Educated Guess, Vol. 2 EP<\/td>577 Records<\/td><\/td><\/tr>
4<\/td>HIV<\/td>Live at Na SiAnno 2021<\/td>Na Siano<\/td><\/td><\/tr>
4<\/td>Jens Lekman<\/td>The Linden Trees Are Still in Blossom<\/td>Secretly Canadian<\/td><\/td><\/tr>
4<\/td>Lalalar<\/td>Bi Cinnete Bakar<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
4<\/td>Orbital<\/td>The Pentoverato OST<\/td>Invada<\/td><\/td><\/tr>
4<\/td>Rafael Toral<\/td>Music for Film<\/td><\/td><\/td><\/tr>
4<\/td>Yokubari<\/td>Sakai<\/td>Chinabot<\/td>EP<\/td><\/tr>
5<\/td>Andrew CS & Glia<\/td>Nimi<\/td>Cachedmedia<\/td><\/td><\/tr>
5<\/td>Artificialice<\/td>Prisoners of Expectations<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
5<\/td>Dan Derks & Zander Raymond<\/td>Qualia<\/td>Cachedmedia<\/td><\/td><\/tr>
5<\/td>Luke Lund<\/td>Kuriton Liha (Unruly Flesh)<\/td>Superpang<\/td><\/td><\/tr>
5<\/td>Natural Flavors<\/td>Homage<\/td>Cachedmedia<\/td><\/td><\/tr>
5<\/td>Swaya<\/td>EXistence<\/td>PTP<\/td><\/td><\/tr>
5<\/td>TIBSLC<\/td>Hypertranslucent<\/td>Sferic<\/td><\/td><\/tr>
6<\/td>!!!<\/td>Let It Be Blue<\/td>Warp<\/td><\/td><\/tr>
6<\/td>Aidan Baker<\/td>Songs of Undoing<\/td>Improved Sequence<\/td><\/td><\/tr>
6<\/td>Alhaji K. Frimpong<\/td>Abrabo<\/td>Hot Casa<\/td><\/td><\/tr>
6<\/td>Anna Calvi<\/td>Toomy EP<\/td><\/td><\/td><\/tr>
6<\/td>Arcade Fire<\/td>We<\/td>Columbia<\/td><\/td><\/tr>
6<\/td>Arovane<\/td>Tides<\/td>Keplar<\/td><\/td><\/tr>
6<\/td>Atsushi Izumi<\/td>Houzan Archives<\/td>Opal Tapes<\/td><\/td><\/tr>
6<\/td>Aundrey Guillaume<\/td>Energy<\/td>Secretly Canadian<\/td><\/td><\/tr>
6<\/td>Ayala (IT)<\/td>Views<\/td>Batov<\/td><\/td><\/tr>
6<\/td>Barrera<\/td>My Rage Knows No Input<\/td>Antenna Non Grata<\/td><\/td><\/tr>
6<\/td>Belle and Sebastian<\/td>A Bit of Previous<\/td>Matador<\/td><\/td><\/tr>
6<\/td>Bergamot Quartet<\/td>In the Blink<\/td>New Focus<\/td><\/td><\/tr>
6<\/td>Borja Flames<\/td>Nuevo Medievo<\/td>Murailles Music<\/td><\/td><\/tr>
6<\/td>Borja Flames<\/td>Nuevo Medievo<\/td>Les Disques du Festival Permanent<\/td><\/td><\/tr>
6<\/td>Brendon Moeller<\/td>Yeoville<\/td>Mysteries Of The Deep<\/td><\/td><\/tr>
6<\/td>C Duncan<\/td>Alluvium<\/td>Bella Union<\/td><\/td><\/tr>
6<\/td>Camp Trash \/ Weatherday \/ Oolong \/ Michael Cera Palin<\/td>Edema Ruh <\/td><\/td>split<\/td><\/tr>
6<\/td>CoConuts<\/td>„2”<\/td>No Quarter<\/td><\/td><\/tr>
6<\/td>Couronne de Merde<\/td>Fuck These Memories<\/td>Opal Tapes<\/td><\/td><\/tr>
6<\/td>Dynamic Dynamic<\/td>Bloom<\/td>Eclipse<\/td><\/td><\/tr>
6<\/td>El Topo<\/td>Wet<\/td><\/td><\/td><\/tr>
6<\/td>Emelie Sande<\/td>Let’s Say For Instance<\/td>Chrysalis<\/td><\/td><\/tr>
6<\/td>France Jobin<\/td>La contemplaci\u00f3n de los cambios<\/td><\/td><\/td><\/tr>
6<\/td>Guitarricadelafuente<\/td>La Cantera<\/td>De Esta Edicion<\/td><\/td><\/tr>
6<\/td>Gustavo Yashimura<\/td>Living Legend of the Ayacucho Guitar<\/td>Hive Mind<\/td><\/td><\/tr>
6<\/td>Halestorm<\/td>Back from the Dead<\/td>Atlantic<\/td><\/td><\/tr>
6<\/td>Hater<\/td>Sincere<\/td>Fire<\/td><\/td><\/tr>
6<\/td>High Pulp<\/td>Persue of Ends<\/td>Epitaph<\/td><\/td><\/tr>
6<\/td>H\u00dcMA UTKU<\/td>The Psychologist<\/td>Editions Mego<\/td><\/td><\/tr>
6<\/td>Ibeyi<\/td>Spell 31<\/td>XL<\/td><\/td><\/tr>
6<\/td>IDK & Kaytranada<\/td>Simple<\/td>Clue<\/td><\/td><\/tr>
6<\/td>Jack Harlow<\/td>Come Home the Kids Miss You<\/td>Generation Now<\/td><\/td><\/tr>
6<\/td>Jasdeep Singh Degun<\/td>Anomaly<\/td>Real World<\/td><\/td><\/tr>
6<\/td>Jessica Pavone<\/td>…of Late<\/td>Astral Spirits<\/td><\/td><\/tr>
6<\/td>Jon Natchez<\/td>Luzzu OST<\/td>Phantom Limb<\/td><\/td><\/tr>
6<\/td>Joyfultalk<\/td>Familiar Science<\/td>Constellation<\/td><\/td><\/tr>
6<\/td>Kalia Vandever<\/td>Regrowth<\/td>New Amsterdam<\/td><\/td><\/tr>
6<\/td>Karen Dalton<\/td>Shuckin\u2019 Sugar<\/td>Delmore Recording Society<\/td>arch<\/td><\/tr>
6<\/td>Keith Fullerton Whitman<\/td>Mistakes Where Made<\/td><\/td><\/td><\/tr>
6<\/td>Kikagaku Moyo\/\u5e7e\u4f55\u5b66\u6a21\u69d8<\/td>Kumoyo Island<\/td>Guruguru Brain<\/td><\/td><\/tr>
6<\/td>Kisskadee<\/td>Black Hole Era<\/td>Axiety Blanket<\/td><\/td><\/tr>
6<\/td>Laura Cannell<\/td>Unlocking Rituals<\/td>Brawl<\/td><\/td><\/tr>
6<\/td>Maria Chiara Argir\u00f2<\/td>Forest City<\/td>Innovative Leisure<\/td><\/td><\/tr>
6<\/td>Matt Simons<\/td>Identity Crisis<\/td>PIAS<\/td><\/td><\/tr>
6<\/td>Misha Sultan<\/td>Roots<\/td>Hive Mind<\/td><\/td><\/tr>
6<\/td>Misz<\/td>Late Night or Early Morning EP<\/td>Agora<\/td><\/td><\/tr>
6<\/td>Mo Francesco<\/td>Pausylipon<\/td>Shimmering Moods<\/td><\/td><\/tr>
6<\/td>Neil Young<\/td>Citizen Kane jr. Blues<\/td>Reprise<\/td>arch<\/td><\/tr>
6<\/td>Neil Young<\/td>Royce Hall 1971<\/td>Reprise<\/td>arch<\/td><\/tr>
6<\/td>Neil Young<\/td>Dorothy Chandler Pavilion 1971<\/td>Reprise<\/td>arch<\/td><\/tr>
6<\/td>Nicko Georis<\/td>Desert Mirror<\/td>Leaving<\/td><\/td><\/tr>
6<\/td>Otoboke Beaver<\/td>Super Champon<\/td>Damnably<\/td><\/td><\/tr>
6<\/td>Pink Mountaintops<\/td>Peacock Pools<\/td>ATO<\/td><\/td><\/tr>
6<\/td>Reyes|Stokowy Duo<\/td>Northern: Ashroud Is My Country<\/td>American Dreams<\/td><\/td><\/tr>
6<\/td>Rhabdomantic Orchestra<\/td>Almagre<\/td>Agogo<\/td><\/td><\/tr>
6<\/td>Richard Thompson<\/td>Music From Grizzly Man<\/td>No Quarter<\/td><\/td><\/tr>
6<\/td>Rime Trails<\/td>Ama Nesciri<\/td>Shimmering Moods<\/td><\/td><\/tr>
6<\/td>Rita Pax<\/td>Pi\u0119kno. Tribute to Breakout<\/td>Universal<\/td><\/td><\/tr>
6<\/td>Robert Takahashi Crouch<\/td>Ritual Variations<\/td>Room40<\/td><\/td><\/tr>
6<\/td>Rolling Blackouts Coastal Fever<\/td>Endless Rooms<\/td>Sub Pop<\/td><\/td><\/tr>
6<\/td>Sa\u00e2da Bonaire<\/td>„1992”<\/td>Captured Tracks<\/td><\/td><\/tr>
6<\/td>Sabrina Claudio<\/td>Based on a Feeling<\/td>Atlantic<\/td><\/td><\/tr>
6<\/td>Serpente<\/td>Dias de Aranha<\/td>Discrepant<\/td><\/td><\/tr>
6<\/td>Sharon Van Etten<\/td>We’ve Been Going About This All Wrong<\/td>Jagjaguwar<\/td><\/td><\/tr>
6<\/td>Sigrid<\/td>How To Let Go<\/td>Island<\/td><\/td><\/tr>
6<\/td>Simple Plan<\/td>Harder Than It Looks<\/td><\/td><\/td><\/tr>
6<\/td>Soft Cell<\/td>Happiness Not Included<\/td>BMG<\/td><\/td><\/tr>
6<\/td>Sunflower Bean<\/td>Headful of Sugar<\/td>Mom+Pop<\/td><\/td><\/tr>
6<\/td>Tenniscoats<\/td>Papa’s Ear<\/td>Morr Music<\/td><\/td><\/tr>
6<\/td>Terry Allen and the Panhandle Mystery Band<\/td>Smokin the Dummy<\/td>Paradise of Bachelors<\/td>reed<\/td><\/tr>
6<\/td>Terry Allen and the Panhandle Mystery Band<\/td>Bloodlines<\/td>Paradise of Bachelors<\/td>reed<\/td><\/tr>
6<\/td>The Black Dog<\/td>Fighting Modernism EP<\/td><\/td><\/td><\/tr>
6<\/td>The Pale Faced Family on the Hill & Oliver Coates<\/td>The Pale Faced Family on the Hill<\/td><\/td><\/td><\/tr>
6<\/td>The Rumjacks \/ Flatfoot 56<\/td>Split EP<\/td>The Orchard<\/td><\/td><\/tr>
6<\/td>Three Days Grace<\/td>Explosions<\/td>Music For Nations<\/td><\/td><\/tr>
6<\/td>VA<\/td>Luke Una Presents \u00c9 Soul Cultura<\/td>Mr Bongo<\/td><\/td><\/tr>
6<\/td>VA<\/td>Bis dat<\/td>Spire\/Touch<\/td><\/td><\/tr>
6<\/td>Vega Trails<\/td>Tremors in the Static<\/td>Gondwana<\/td><\/td><\/tr>
6<\/td>Vero<\/td>Unsoothing Interior<\/td>PNKSLM<\/td><\/td><\/tr>
6<\/td>Warpaint<\/td>Radiate Like This<\/td>Virgin<\/td><\/td><\/tr>
6<\/td>Whit Dickey Quartet<\/td>Astral Long Form: Staircase in Space<\/td>AUM Fidelity<\/td><\/td><\/tr>
6<\/td>Wilma Vritra<\/td>Grotto<\/td><\/td><\/td><\/tr>
6<\/td>Zimoun<\/td>Guitar Studies I-III<\/td>Room40<\/td><\/td><\/tr>
9<\/td>Ahir Bhairav<\/td>Mohi Bahauddin Dagar<\/td>Black Sweat Records<\/td><\/td><\/tr>
9<\/td>Compass Rises<\/td>Compass Rises<\/td>Fredriksberg<\/td><\/td><\/tr>
9<\/td>Milt Ward & Virgo Spectrum<\/td>Milt Ward & Virgo Spectrum<\/td>Fredriksberg<\/td><\/td><\/tr>
10<\/td>Carl Michael von Hausswolff<\/td>Conductor \/ Life and Death of Pboc<\/td>Sub Rosa<\/td><\/td><\/tr>
10<\/td>Charlemagne Palestine, Oren Ambarchi & Eric Thielemans<\/td>\u0a1a\u0a48\u0a28\u0a32KAANAL\u091a\u0948\u0928\u0932R\u00c1\u00d0\u05e2\u05b8\u05e8\u05d5\u05bc\u05e5<\/td>Matiere Memoir<\/td><\/td><\/tr>
10<\/td>VA<\/td>In The Deep Drift You Will Find The Most Serene Of Lullabies<\/td>American Dreams<\/td><\/td><\/tr>
11<\/td>Loscil<\/td>The Sails p\u200b.\u200b2<\/td><\/td><\/td><\/tr>
12<\/td>Francesca Heart<\/td>Eurybia<\/td>Leaving<\/td><\/td><\/tr>
12<\/td>Victor Moragues<\/td>Interval<\/td>Superpang<\/td><\/td><\/tr>
12<\/td>\uc0c8\ub208\ubc14\ud0d5 Bird’s Eye Batang<\/td>\uc190\uc744 \ubaa8\uc544 Flood Format<\/td><\/td><\/td><\/tr>
13<\/td>49 Winchester<\/td>Fortune Favors the Bold<\/td>New West<\/td><\/td><\/tr>
13<\/td>Adrian Younge and Ali Shaheed Muhammad<\/td>Jazz Is Dead 011<\/td>Jazz Is Dead<\/td><\/td><\/tr>
13<\/td>Aiyyer<\/td>Final Skin<\/td>Cantaloupe<\/td><\/td><\/tr>
13<\/td>An Moku | Stefan Schmidt<\/td>Zwischenraum<\/td>Karlrecords<\/td><\/td><\/tr>
13<\/td>Baumschule<\/td>()<\/td>Three:four<\/td><\/td><\/tr>
13<\/td>Bear’s Den<\/td>Blue Hours<\/td>Communion<\/td><\/td><\/tr>
13<\/td>Cameron Knowler & Eli Winter<\/td>VXVW<\/td>American Dreams<\/td><\/td><\/tr>
13<\/td>Carlotta Valdes<\/td>Praha<\/td>Eclipse<\/td><\/td><\/tr>
13<\/td>Child Of Illusion<\/td>Khimaira<\/td>Relative Pitch<\/td><\/td><\/tr>
13<\/td>Craig David<\/td>„22”<\/td><\/td><\/td><\/tr>
13<\/td>Diatom Deli<\/td>Time\u200b~\u200bLapse Nature<\/td>RVNG Intl<\/td><\/td><\/tr>
13<\/td>Dorsal Fins<\/td>Star of the Show<\/td>Remote Control<\/td><\/td><\/tr>
13<\/td>Elza Soares<\/td>Elza ao vivo no Municipal<\/td>Deck<\/td><\/td><\/tr>
13<\/td>Equations Collective<\/td>Equations Collective x Lena Platonos x Rabih Beaini<\/td>99Chants<\/td><\/td><\/tr>
13<\/td>Everything Everything<\/td>Raw Data Feel<\/td><\/td><\/td><\/tr>
13<\/td>Faust<\/td>Punkt<\/td>Bureau B<\/td><\/td><\/tr>
13<\/td>Florence + The Machine<\/td>Dance Fever<\/td>Republic<\/td><\/td><\/tr>
13<\/td>Groth<\/td>Groth<\/td>Zoharum<\/td><\/td><\/tr>
13<\/td>Heather Woods Broderick<\/td>Domes<\/td>Dauw<\/td><\/td><\/tr>
13<\/td>Helen Ganya<\/td>Heart To Heart Mirage<\/td>Bella Union<\/td>EP<\/td><\/tr>
13<\/td>Holland Baroque & Bastarda Trio<\/td>Minne <\/td><\/td><\/td><\/tr>
13<\/td>Idrissa Soumaoro, L\u2019Eclipse De L\u2019I.J.A.<\/td>Le Tioko-Tioko<\/td>Mr Bongo<\/td><\/td><\/tr>
13<\/td>Jerzy Mazzoll<\/td>By\u0107 <\/td>Wytw\u00f3rnia Krajowa<\/td><\/td><\/tr>
13<\/td>John Carpenter, Cody Carpenter & Daniel Davies <\/td>Firestarter OST<\/td>Back Lot<\/td><\/td><\/tr>
13<\/td>Kendrick Lamar<\/td>Mr. Morale and the Big Steppers<\/td>Top Dawg<\/td><\/td><\/tr>
13<\/td>Kevin Morby<\/td>This Is a Photograph<\/td>Dead Oceans<\/td><\/td><\/tr>
13<\/td>Kinny Zimmer<\/td>Letnisko<\/td>SBM<\/td><\/td><\/tr>
13<\/td>Koki Nakano<\/td>Oceanic Feeling<\/td>No Format<\/td><\/td><\/tr>
13<\/td>Laurie Tompkins<\/td>Fatty<\/td>33-33<\/td><\/td><\/tr>
13<\/td>Leikeli47<\/td>Shape Up<\/td>RCA<\/td><\/td><\/tr>
13<\/td>Lucian Ban<\/td>Ways of Disappearing<\/td>Sunnyside<\/td><\/td><\/tr>
13<\/td>Mary Halvorson<\/td>Belladonna<\/td>Nonesuch<\/td><\/td><\/tr>
13<\/td>Mary Halvorson<\/td>Amaryllis<\/td>Nonesuch<\/td><\/td><\/tr>
13<\/td>Misery Index<\/td>Complete Control<\/td>Century Media<\/td><\/td><\/tr>
13<\/td>Moderat<\/td>MORE D4TA<\/td>Monkeytwon\/NoPaper<\/td><\/td><\/tr>
13<\/td>Morgue Supplier<\/td>Inevitability<\/td>Transcending Obscurity<\/td><\/td><\/tr>
13<\/td>Morze<\/td>Orka<\/td><\/td><\/td><\/tr>
13<\/td>Obongjayar<\/td>Some Nights I Dream of Doors<\/td>The Orchard<\/td><\/td><\/tr>
13<\/td>Oneness Of Juju<\/td>Bush Brothers and Space Rangers<\/td>Strut<\/td>arch<\/td><\/tr>
13<\/td>Phelimuncasi<\/td>Ama Gogela<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
13<\/td>Popsysze<\/td>Emisja<\/td>Zoharum<\/td><\/td><\/tr>
13<\/td>Reformed Faction<\/td>Vota<\/td>Zoharum<\/td><\/td><\/tr>
13<\/td>Sam Gendel & Antonia Cytrynowicz<\/td>Live a Little<\/td>Psychic Hotline<\/td><\/td><\/tr>
13<\/td>Tank And The Bangas<\/td>Red Balloon<\/td>Verve<\/td><\/td><\/tr>
13<\/td>The Black Keys<\/td>Dropout Boogie<\/td><\/td><\/td><\/tr>
13<\/td>The Chainsmokers<\/td>So Far So Good<\/td>Columbia<\/td><\/td><\/tr>
13<\/td>The Master Musicians of Jajouka led by Bachir Attar<\/td>Dancing Under the Moon<\/td>Glitterbeat<\/td><\/td><\/tr>
13<\/td>The Smile<\/td>A Light for Attracting Attention<\/td>XL<\/td><\/td><\/tr>
13<\/td>They Hate Change<\/td>Finally, New<\/td>Jagjaguwar<\/td><\/td><\/tr>
13<\/td>Torben Snekkestad \/ S\u00f8ren Kj\u00e6rgaard<\/td>Another Way of the Heart<\/td>Trost<\/td><\/td><\/tr>
13<\/td>TSVI & Loraine James<\/td>O53<\/td>AD93<\/td><\/td><\/tr>
13<\/td>Van Morrison<\/td>What’s It Gonna Take?<\/td>Exile<\/td><\/td><\/tr>
13<\/td>Whitney K<\/td>Hard To Be Good<\/td><\/td><\/td><\/tr>
13<\/td>Yutani<\/td>Not Much of a Talker<\/td>Zoharum<\/td><\/td><\/tr>
13<\/td>Zekarias Thompson<\/td>Goodnight Shiva<\/td>Atlantic Rhythms<\/td><\/td><\/tr>
15<\/td>Maciek Polak<\/td>„1972”<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
15<\/td>Mats Gustafsson<\/td>Pianomate & Flute<\/td>Bocian<\/td>winyl 5″, ltd 50<\/td><\/tr>
16<\/td>AIT!<\/td>Romanticismo Oltranzista<\/td>Devoted Art Propaganda<\/td><\/td><\/tr>
16<\/td>Sopa de Pedra<\/td>Do Claro Ao Breu<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
17<\/td>N Kramer<\/td>Altered Scenes and Slight Variations<\/td>Leaving<\/td><\/td><\/tr>
18<\/td>Dirtmusic<\/td>Hum Hum EP<\/td>Glitterbeat<\/td><\/td><\/tr>
18<\/td>Kiloff & Debtors<\/td>Mokry Sen<\/td>Syf Records<\/td><\/td><\/tr>
18<\/td>M.O.O.N.<\/td>Come! See!!<\/td><\/td><\/td><\/tr>
18<\/td>Momenta Quartet<\/td>Alvin Singleton: Four String Quartets<\/td>New World<\/td><\/td><\/tr>
19<\/td>David Toop<\/td>Pink Spirit, Noir World<\/td>Foam On A Wave<\/td>arch<\/td><\/tr>
19<\/td>Evius<\/td>Extravagant Voyage Guide<\/td>Dom Trojga<\/td>EP<\/td><\/tr>
19<\/td>Julius Smack<\/td>Serenity EP<\/td>Leaving<\/td><\/td><\/tr>
19<\/td>Paralell Manifesto<\/td>ITX024 – 2044<\/td>Ilian Tape<\/td><\/td><\/tr>
19<\/td>Zoh Amba featuring William Parker and Francisco Mela<\/td>Oh Life, Oh Light vol. 1<\/td>577 Records<\/td><\/td><\/tr>
20<\/td>1 9 8 8 <\/td>Ruleta<\/td>Def Jam<\/td><\/td><\/tr>
20<\/td>Aidan Baker<\/td>Gauge Amber Tones<\/td>Slow Tone<\/td><\/td><\/tr>
20<\/td>Alex Izenberg<\/td>I’m Not Here<\/td>Domino<\/td><\/td><\/tr>
20<\/td>Alison Cotton<\/td>The Portrait You Painted of Me<\/td>Rocket<\/td><\/td><\/tr>
20<\/td>Andrew Bernstein<\/td>A Presentation<\/td>Hausu Mountain<\/td><\/td><\/tr>
20<\/td>Automatisme & Stefan Paulus<\/td>Gap\/Void<\/td>Constellation<\/td><\/td><\/tr>
20<\/td>Basic Rhythm<\/td>Cool Down the Dance<\/td>Planet Mu<\/td><\/td><\/tr>
20<\/td>Benny Sings<\/td>Santa Barbara<\/td><\/td>EP<\/td><\/tr>
20<\/td>Bess Of Bedlam<\/td>Dance Until the Crimes End<\/td>Dur et Doux<\/td><\/td><\/tr>
20<\/td>Boldy James & Real Bad Man<\/td>Killing Nothing Man<\/td>Real Bad Man<\/td><\/td><\/tr>
20<\/td>Brandon Coleman<\/td>Interstellar Black Space<\/td>Brainfeeder<\/td><\/td><\/tr>
20<\/td>Brandon Seabrook<\/td>In the Swarm<\/td>Astral Spirits<\/td><\/td><\/tr>
20<\/td>Broken Spear<\/td>Pantomime<\/td>Noumenal Loom<\/td><\/td><\/tr>
20<\/td>Br\u00f6tzmann \/ van Hove \/ Bennink<\/td>Jazz in der Kammer 1974<\/td>Trost<\/td><\/td><\/tr>
20<\/td>Byty<\/td>Rejs<\/td>Tutka<\/td><\/td><\/tr>
20<\/td>Carl Stone<\/td>Wat Dong Moon Lek<\/td>Unseen Worlds<\/td><\/td><\/tr>
20<\/td>Cave In<\/td>Heavy Pendulum<\/td>Relapse<\/td><\/td><\/tr>
20<\/td>Charlie Hickey<\/td>Nervous at Night<\/td>Saddest Factory<\/td><\/td><\/tr>
20<\/td>Chip Wickham<\/td>Astral Traveling EP<\/td>Gondwana<\/td><\/td><\/tr>
20<\/td>Cola<\/td>Deep In View<\/td>Firetalk<\/td><\/td><\/tr>
20<\/td>Cool Maritime<\/td>Big Earth Energy<\/td>Western Vinyl<\/td><\/td><\/tr>
20<\/td>Craig Finn<\/td>Legacy of Rentals<\/td>Thirty Tigers<\/td><\/td><\/tr>
20<\/td>Daniel Villarreal<\/td>Panama 77<\/td>International Anthem<\/td><\/td><\/tr>
20<\/td>Daphne X<\/td>Transactions in Time<\/td>Czaszka (rec.)<\/td>MC, DL<\/td><\/tr>
20<\/td>David Grubbs & Jan St. Werner<\/td>Translation from Unspecified<\/td>Drag City<\/td><\/td><\/tr>
20<\/td>DAVID MURRAY BRAVE NEW WORLD TRIO with Brad Jones and Hamid Drake<\/td>Seriana Promethea<\/td>Intakt<\/td><\/td><\/tr>
20<\/td>David Tudor<\/td>Composers Into Electronics: David Tudor’s Rainforest IV<\/td>Neuma<\/td><\/td><\/tr>
20<\/td>Dekker<\/td>I Won’t Be Your Foe<\/td>Useful Fictions<\/td><\/td><\/tr>
20<\/td>Delta Spirit <\/td>One Is One<\/td>New West<\/td><\/td><\/tr>
20<\/td>Earth Trax<\/td>The Sensual World<\/td>Shall Not Fade<\/td><\/td><\/tr>
20<\/td>Einoa<\/td>Rauha<\/td>Eclipse<\/td><\/td><\/tr>
20<\/td>En Creux<\/td>Phantasm <\/td>Czaszka (rec.)<\/td>MC, DL<\/td><\/tr>
20<\/td>Faizal Mostrixx<\/td>Transitions<\/td>Glitterbeat<\/td><\/td><\/tr>
20<\/td>Flock<\/td>Flock<\/td>Strut<\/td><\/td><\/tr>
20<\/td>Florent Ghys<\/td>Ritournelles<\/td>Cantaloupe<\/td><\/td><\/tr>
20<\/td>Flume<\/td>Palaces<\/td>Transgressive<\/td><\/td><\/tr>
20<\/td>For Breakfast<\/td>Trapped in the Big Room<\/td>Glasshouse<\/td>EP<\/td><\/tr>
20<\/td>Hanson<\/td>Red Blue Green<\/td><\/td><\/td><\/tr>
20<\/td>Harry Styles<\/td>Harry’s House<\/td>Columbia<\/td><\/td><\/tr>
20<\/td>Hermann Nitsch<\/td>Weinviertel Symfonie<\/td>Trost<\/td><\/td><\/tr>
20<\/td>Ingrid Laubrock & Andy Milne<\/td>Fragile<\/td>Intakt<\/td><\/td><\/tr>
20<\/td>Jimi Tenor<\/td>Multiversum<\/td>Bureau B<\/td><\/td><\/tr>
20<\/td>John Doe<\/td>Fables in the Foreign Land<\/td>Fat Possum<\/td><\/td><\/tr>
20<\/td>Jordana<\/td>Face the Wall<\/td>Grand Jury<\/td><\/td><\/tr>
20<\/td>Kieran Hebden<\/td>Looking at Your Pager<\/td>Ministry of Sound<\/td><\/td><\/tr>
20<\/td>Koray Kantarc\u0131o\u011flu<\/td>Loopworks 2<\/td>Discrepant<\/td><\/td><\/tr>
20<\/td>L\u00e9a Sen<\/td>You of One Pt. 1<\/td>Partisan<\/td><\/td><\/tr>
20<\/td>Lucy Liyou<\/td>Welfare \/ Practice<\/td>American Dreams<\/td><\/td><\/tr>
20<\/td>LXV<\/td>Things That Cannot Be Connected<\/td>Warm Winters Ltd<\/td><\/td><\/tr>
20<\/td>Lykke Li<\/td>Eyeye<\/td>Crush\/PIAS<\/td><\/td><\/tr>
20<\/td>Mai Mai Mai <\/td>Rimorso<\/td>Maple Death<\/td><\/td><\/tr>
20<\/td>Marina Herlop<\/td>Pripyat<\/td>PAN<\/td><\/td><\/tr>
20<\/td>Mary Lattimore & Paul Sukeena<\/td>West Kensington<\/td>Three Lobed<\/td><\/td><\/tr>
20<\/td>Matmos<\/td>Regards\u200b\/\u200bUk\u0142ony dla Bogus\u0142aw Schaeffer<\/td>Thrill Jockey<\/td><\/td><\/tr>
20<\/td>Mavis Staples & Levon Helm<\/td>Carry Me Home<\/td>Epitaph<\/td><\/td><\/tr>
20<\/td>Melody Gardot & Philippe Powell<\/td>Entre Eux Deux<\/td>Decca<\/td><\/td><\/tr>
20<\/td>Moby <\/td>Reprise – Remixes<\/td>Deutsche Grammophon<\/td><\/td><\/tr>
20<\/td>Nico Gomez<\/td>Ritual<\/td><\/td><\/td><\/tr>
20<\/td>Park Jiha & Roy Claire Potter<\/td>To Call Out Into the Night<\/td>TakuRoku<\/td><\/td><\/tr>
20<\/td>Plankton Wat<\/td>Hidden Path<\/td>Thrill Jockey<\/td><\/td><\/tr>
20<\/td>Porridge Radio<\/td>Waterslide, Diving Board, Ladder to the Sky<\/td>Secretly Canadian<\/td><\/td><\/tr>
20<\/td>Project Gemini<\/td>Children of Scorpio<\/td>Mr Bongo<\/td><\/td><\/tr>
20<\/td>Quinquis<\/td>Seim<\/td>Mute<\/td><\/td><\/tr>
20<\/td>Rachel Chinouriri<\/td>Better Off Without<\/td>Parlophone<\/td><\/td><\/tr>
20<\/td>Ravyn Lenae<\/td>Hypnos<\/td>Atlantic<\/td><\/td><\/tr>
20<\/td>RSS B0Y 1<\/td>BOW<\/td>Don’t Sit On My Vinyl<\/td>10″ limited<\/td><\/tr>
20<\/td>Rubber Oh<\/td>Strange Craft<\/td>Rocket<\/td><\/td><\/tr>
20<\/td>Shabaka<\/td>Afrikan Culture EP<\/td>Impulse!<\/td><\/td><\/tr>
20<\/td>Soak<\/td>If I Never Know You Like This Again<\/td>Rough Trade<\/td><\/td><\/tr>
20<\/td>Sundial Trio<\/td>IV<\/td>Alpaka<\/td><\/td><\/tr>
20<\/td>The Concept Horse<\/td>Synagogue Hum<\/td>Czaszka (rec.)<\/td>MC, DL<\/td><\/tr>
20<\/td>Tourist<\/td>Inside Out<\/td><\/td><\/td><\/tr>
20<\/td>Trzaska, Vrba, Tokar, Pandi <\/td>Mal\u00e1 Pardubick\u00e1 Vol. 4<\/td>Gusstaff<\/td>CD<\/td><\/tr>
20<\/td>Uffie<\/td>Sunshine Factory<\/td>Company<\/td><\/td><\/tr>
20<\/td>VA<\/td>Would It Sound Just As Bad If You Played It Backwards? A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959\u200b-\u200b2001) Vol. I<\/td>Other People<\/td><\/td><\/tr>
20<\/td>VA<\/td>Egonlab Dynasty<\/td>Pinkman<\/td><\/td><\/tr>
20<\/td>VA<\/td>Would It Sound Just As Bad If You Played It Backwards? A Collection of Sounds from the Studio Eksperymentalne Polskiego Radia (1959\u200b\u200b-\u200b\u200b2001) Vol. II<\/td>Other People<\/td><\/td><\/tr>
20<\/td>Weird Nightmare<\/td>Weird Nightmare<\/td>Sub Pop<\/td><\/td><\/tr>
20<\/td>Will Joseph Cook<\/td>Every Single Thing<\/td><\/td><\/td><\/tr>
21<\/td>Kapela Franciszka Gr\u0119bskiego<\/td>Zagramy to, sk\u0105d pochodzimy. Z Powi\u015bla <\/td>In Crudo<\/td><\/td><\/tr>
21<\/td>Zeitgeist and John Cage<\/td>Music for (4)<\/td>Neuma<\/td><\/td><\/tr>
24<\/td>M100<\/td>War EP<\/td>Gangstafree<\/td><\/td><\/tr>
25<\/td>Cat.Finch & Pstyk<\/td>Insert Coin<\/td>Superkasety<\/td><\/td><\/tr>
26<\/td>Maja Laura<\/td>Bardo<\/td><\/td><\/td><\/tr>
26<\/td>Pepe.<\/td>Escapism LP<\/td>U Know Me<\/td><\/td><\/tr>
27<\/td>700 Bliss<\/td>Nothing to declare<\/td>Hyperdub<\/td><\/td><\/tr>
27<\/td>Afrorack<\/td>The Afrorack<\/td>Hakuna Kulala<\/td><\/td><\/tr>
27<\/td>\u00c1kos R\u00f3zmann<\/td>MASS \/ M\u00c4SSA<\/td>Ideologic Organ<\/td><\/td><\/tr>
27<\/td>Alfie Templeman<\/td>Yellow Moon<\/td><\/td><\/td><\/tr>
27<\/td>Anatolian Weapons<\/td>Selected Acid Tracks<\/td>Byrd Out<\/td><\/td><\/tr>
27<\/td>Bright Eyes<\/td>Fevers and Mirrors: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
27<\/td>Bright Eyes<\/td>Letting Off the Happiness: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
27<\/td>Bright Eyes<\/td>A Collection of Songs Written and Recorded 1995-1997: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
27<\/td>CTM<\/td>Babygirl<\/td>Posh Isolation<\/td><\/td><\/tr>
27<\/td>Curlew<\/td>Phantasmagoria 1998 + WFMU 1997<\/td>Cuneiform<\/td><\/td><\/tr>
27<\/td>Dave Kerman \/ 5uu’s<\/td>The Quiet in Your Bones<\/td>Cuneiform<\/td><\/td><\/tr>
27<\/td>David Cordero & Kenji Kihara<\/td>Komorebi \u6728\u6f0f\u308c\u65e5<\/td>Home Normal<\/td><\/td><\/tr>
27<\/td>David Virelles<\/td>Nuna<\/td>Pi Recordings<\/td><\/td><\/tr>
27<\/td>Decapitated<\/td>Cancer Culture<\/td><\/td><\/td><\/tr>
27<\/td>DEHD<\/td>Blue Skies<\/td>Fat Possum<\/td><\/td><\/tr>
27<\/td>Dende & Band<\/td>Ag\u00f4<\/td>Ropadope<\/td><\/td><\/tr>
27<\/td>Dot Allison<\/td>The Entangled Remix EP<\/td>SA <\/td><\/td><\/tr>
27<\/td>EABS<\/td>„2061”<\/td>Astigmatic<\/td><\/td><\/tr>
27<\/td>John Lemke<\/td>Thawlines<\/td>Denovali<\/td><\/td><\/tr>
27<\/td>Julia Reidy<\/td>World in World<\/td>Black Truffle<\/td><\/td><\/tr>
27<\/td>Just Mustard<\/td>Heart Under<\/td>Partisan<\/td><\/td><\/tr>
27<\/td>Kaitlyn Aurelia Smith & Emile Mosseri<\/td>I Could Be Your Dog \/ I Could Be Your Moon<\/td>Ghostly<\/td><\/td><\/tr>
27<\/td>Liam Gallagher<\/td>C’mon You Know<\/td>Warner<\/td><\/td><\/tr>
27<\/td>Lucho Bermudez y su Orquesta<\/td>The Coastal Invasion<\/td>Radio Martiko<\/td><\/td><\/tr>
27<\/td>Maga Bo<\/td>Amor (\u00c9 Revolu\u00e7\u00e3o)<\/td>Kaxambu<\/td><\/td><\/tr>
27<\/td>Markus Acher<\/td>Like a Plane<\/td>Morr Music<\/td><\/td><\/tr>
27<\/td>Matthew Bourne<\/td>Irrealis<\/td><\/td><\/td><\/tr>
27<\/td>Megumi Yonezawa<\/td>Resonance<\/td>Sunnyside<\/td><\/td><\/tr>
27<\/td>Melissa Weikart<\/td>Here, There<\/td>Northern Spy<\/td><\/td><\/tr>
27<\/td>MONO<\/td>My Story, The Buraku Story OST<\/td>Temporary Residence<\/td><\/td><\/tr>
27<\/td>Moundabout<\/td>Flowers Rot, Bring me Stones<\/td>Rocket<\/td><\/td><\/tr>
27<\/td>Nat Birchall<\/td>Afro Train<\/td><\/td><\/td><\/tr>
27<\/td>Nick Macri & Mono No Aware<\/td>Amache<\/td>Cuneiform<\/td><\/td><\/tr>
27<\/td>OCH<\/td>P\u00f6 om p\u00f6<\/td>Rocket<\/td><\/td><\/tr>
27<\/td>Orson Hentschel<\/td>Heavy Light<\/td>Denovali<\/td><\/td><\/tr>
27<\/td>PINKCOURTESYPHONE<\/td>All Intensive Purposes<\/td>Room40<\/td><\/td><\/tr>
27<\/td>Plastelina<\/td>Ziarno<\/td>Opus Elefantum<\/td><\/td><\/tr>
27<\/td>Staszek Fungus<\/td>Frequencies on the Fifth Floor<\/td>Opus Elefantum<\/td><\/td><\/tr>
27<\/td>Steve Earle<\/td>Jerry Jeff<\/td>New West<\/td><\/td><\/tr>
27<\/td>TAR \/ MM \/ UOH<\/td>Fault Lines<\/td><\/td><\/td><\/tr>
27<\/td>Tony Lavorgna & The St. Thomas Quartet<\/td>Chameleon<\/td>Jazz Room<\/td>arch<\/td><\/tr>
27<\/td>Wilco<\/td>Cruel Country<\/td>dBpm<\/td><\/td><\/tr>
28<\/td>Penelope Trappes<\/td>Penelope Three<\/td>Houndstooth<\/td><\/td><\/tr>
29<\/td>Adrian Younge and Ali Shaheed Muhammad<\/td>Jazz Is Dead 12 – Jean Carne<\/td>Jazz Is Dead<\/td><\/td><\/tr>
30<\/td>Alan Wilkinson \/ Andrew Cheetham \/ Dominic Lash \/ Matthew Grigg<\/td>Fringe<\/td>Raw Tonk<\/td><\/td><\/tr>
30<\/td>Spalarnia<\/td>Usta<\/td><\/td><\/td><\/tr>
31<\/td>7FO<\/td>Music for Himitsu<\/td>Metron<\/td><\/td><\/tr>
31<\/td>Ural Thomas & The Pain<\/td>Dancing Dimensions<\/td>Bella Union<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Ana Hato and Deane Waretini Calm When You Passed By: Aotearoa Songs 1927\u200b-\u200b29 Canary 1 Ariel Kalma Magical 70s 1 Egil Kalman Kingdom of Bells (Egil Kalman Plays the Synthi 100) iDeal 1 \u0141ukasz Suchy Grass Snake’s Dining Room Suche Fakty 2 Botanica Azure Bandcamp 3 Dave Tucker, Pat Thomas, Thurston Moore, Mark Sanders […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/32383"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=32383"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/32383\/revisions"}],"predecessor-version":[{"id":33210,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/32383\/revisions\/33210"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=32383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}