{"id":34441,"date":"2022-09-02T09:50:10","date_gmt":"2022-09-02T07:50:10","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=34441"},"modified":"2023-01-04T09:18:29","modified_gmt":"2023-01-04T08:18:29","slug":"premiery-10-2022","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-10-2022\/","title":{"rendered":"PREMIERY 10.2022"},"content":{"rendered":"\n
1<\/td>CUT Trio: Tanja Feichtmair \/ Cene Resnik \/ Urban Ku\u0161ar<\/td>Pelletron \/ Dynamitron<\/td>Inexhaustible Editions<\/td><\/td><\/tr>
1<\/td>Humbros<\/td>Druidarium<\/td>Les Albums Claus<\/td><\/td><\/tr>
1<\/td>Ne\u017ea Nagli\u010d \/ Primo\u017e Bon\u010dina<\/td>Inner Weather<\/td>Inexhaustible Editions<\/td><\/td><\/tr>
1<\/td>Zdr\u00f3j<\/td>Zdr\u00f3j<\/td>Fonoradar<\/td><\/td><\/tr>
3<\/td>JARL<\/td>Mind Rotation<\/td>Zoharum<\/td><\/td><\/tr>
4<\/td>Rempis \/ Reid \/ Abrams<\/td>Allium<\/td>Aerophonic<\/td><\/td><\/tr>
5<\/td>At Her Open Door<\/td>FLIR<\/td>Chinabot<\/td><\/td><\/tr>
5<\/td>clipping.<\/td>Remxng 2.3<\/td>Sub Pop<\/td><\/td><\/tr>
5<\/td>Liturgy<\/td>As the Blood of God Bursts the Veins of Time<\/td><\/td>EP<\/td><\/tr>
5<\/td>Toshinori Kondo, Massimo Pupillo & Tony Buck<\/td>Eternal Triangle<\/td>Angelica<\/td><\/td><\/tr>
7<\/td>A. A. Williams<\/td>As the Moon Rests<\/td>Bella Union<\/td><\/td><\/tr>
7<\/td>Adam Palma<\/td>Second Life<\/td><\/td><\/td><\/tr>
7<\/td>AFFKT<\/td>Raskayu<\/td>Pets<\/td>EP<\/td><\/tr>
7<\/td>Al Cisneros, The Bug<\/td>Rosin<\/td>Pressure<\/td><\/td><\/tr>
7<\/td>Alvvays<\/td>Blue Rev<\/td>Polyvinyl\/Transgressive<\/td><\/td><\/tr>
7<\/td>Anthene<\/td>Frayed<\/td>Home Normal<\/td><\/td><\/tr>
7<\/td>Bruno Bavota & Chantal Acda<\/td>A Closer Distance<\/td>Temporary Residence<\/td><\/td><\/tr>
7<\/td>Bush <\/td>The Art of Survival <\/td>BMG<\/td><\/td><\/tr>
7<\/td>Charlie Puth<\/td>Charlie<\/td>Warner<\/td><\/td><\/tr>
7<\/td>Chris Williams & Patrick Shiroishi<\/td>Sans soleil II<\/td>Astral Spirits<\/td><\/td><\/tr>
7<\/td>Courtney Marie Andrews<\/td>Loose Future<\/td>Fat Possum<\/td><\/td><\/tr>
7<\/td>Daphni<\/td>Cherry<\/td>Jiaolong<\/td><\/td><\/tr>
7<\/td>Dead Neanderthals<\/td>Metal<\/td><\/td><\/td><\/tr>
7<\/td>Departure Duo<\/td>Immensity Of<\/td>New Focus<\/td><\/td><\/tr>
7<\/td>Dickie Landry (feat. Richard Peck, Robert Prado, Rusty Gilder, Jon Smith, Alan Braufman, David Lee)<\/td>Solos<\/td>Unseen Worlds<\/td><\/td><\/tr>
7<\/td>Disq<\/td>Desperately Imagining Someplace Quiet<\/td>Saddle Creek<\/td><\/td><\/tr>
7<\/td>Don Malfon, Florian Stoffner and Vasco Trilla<\/td>A Tiny Bell and It’s Restless Friends<\/td>Multikulti\/Spontaneous Music Tribune<\/td><\/td><\/tr>
7<\/td>Doug Tielli<\/td>Reflection Affection<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
7<\/td>Dungen<\/td>En \u00c4r F\u00f6r Mycket och Tusen Aldrig Nog<\/td>Mexican Summer<\/td><\/td><\/tr>
7<\/td>Ensemble d’Oscillateurs<\/td>5 Directions<\/td>L-ne<\/td><\/td><\/tr>
7<\/td>Erik Griswold<\/td>Sunshowers<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Ernesto Dj\u200b\u00e9\u200bdj\u00e9<\/td>Roi Du Ziglibithy (Limited Dance Edition Nr. 15)<\/td>Analog Africa <\/td>EP<\/td><\/tr>
7<\/td>FellowB<\/td>Pulsar<\/td>Alpaka<\/td><\/td><\/tr>
7<\/td>Fucked Up<\/td>Oberon EP<\/td><\/td><\/td><\/tr>
7<\/td>Gilla Band<\/td>Most Normal<\/td>Rough Trade<\/td><\/td><\/tr>
7<\/td>Greg Stuart<\/td>Subtractions<\/td>New Focus<\/td><\/td><\/tr>
7<\/td>Guilherme Rodrigues\u2019 Spontaneous Ensemble and Trio<\/td>Spontaneous Live Series 009: Guilherme Rodrigues\u2019 Spontaneous Ensemble and Trio<\/td>Spontaneous Music Tribune<\/td><\/td><\/tr>
7<\/td>Gyedu-Blay Ambolley<\/td>Gyedu-Blay Ambolley and Hi-Life Jazz<\/td>Agogo<\/td><\/td><\/tr>
7<\/td>HAMSI Boubeker<\/td>Le chant des profondeurs<\/td>Frederiksberg<\/td>arch<\/td><\/tr>
7<\/td>Hawkwind<\/td>We Are Looking In On You<\/td>Cherry Red<\/td><\/td><\/tr>
7<\/td>Heith<\/td>X, Wheel<\/td>PAN<\/td><\/td><\/tr>
7<\/td>Helena Kay\u2019s KIM Trio + Peter Johnstone<\/td>Golden Sands<\/td>Sulis<\/td><\/td><\/tr>
7<\/td>Indigo Sparke<\/td>Hysteria<\/td>Sacred Bones<\/td><\/td><\/tr>
7<\/td>IWANN<\/td>Idleness<\/td>Splot<\/td><\/td><\/tr>
7<\/td>Izzy And The Black Trees<\/td>Revolution Comes in Waves<\/td>Antena Krzyku<\/td><\/td><\/tr>
7<\/td>Jakub Kasperkiewicz<\/td>Astronomical Winter<\/td>Geology<\/td><\/td><\/tr>
7<\/td>Jean Dawson<\/td>Chaos Now*<\/td>Dew Process<\/td><\/td><\/tr>
7<\/td>Jessica Moss<\/td>Galaxy Heart<\/td>Constellation<\/td><\/td><\/tr>
7<\/td>John Zorn<\/td>Incerto<\/td>Tzadik<\/td><\/td><\/tr>
7<\/td>King Gizzard & The Lizard Wizard<\/td>Ice, Death, Planets, Lungs, Mushrooms and Lava<\/td><\/td><\/td><\/tr>
7<\/td>Konjur Collective<\/td>Blood In My Eye (A Soul Insurgent Guide)<\/td>Astral Spirits<\/td><\/td><\/tr>
7<\/td>Lamb Of God<\/td>Omens<\/td>Nuclear Blast<\/td><\/td><\/tr>
7<\/td>Liraz<\/td>Roya<\/td>Glitterbeat<\/td><\/td><\/tr>
7<\/td>Loraine James<\/td>Building Something Beautiful for Me<\/td>Phantom Limb<\/td><\/td><\/tr>
7<\/td>Loupe<\/td>Spring ’19<\/td>Excelsior<\/td><\/td><\/tr>
7<\/td>Marcelo Dos Reis\/ Joao Valinho\/ Alvaro Rosso\/ Albert Cirera\/ Joao Almeida<\/td>The Caldas<\/td>Multikulti\/Spontaneous Music Tribune<\/td><\/td><\/tr>
7<\/td>Matthias M\u00fcller\/ Witold Oleszak\/ Peter Orins\/ Paulina Owczarek<\/td>Spontaneous Live Series 010: Matthias M\u00fcller\/ Witold Oleszak\/ Peter Orins\/ Paulina Owczarek<\/td>Spontaneous Music Tribune<\/td><\/td><\/tr>
7<\/td>Mia Zabelka, Henrik Meierkord & IcosTech<\/td>Aftershock vol. 2<\/td><\/td><\/td><\/tr>
7<\/td>Montparnasse Musique<\/td>Archeology<\/td>Real World<\/td><\/td><\/tr>
7<\/td>NNAMD\u00cf<\/td>Please Have a Seat<\/td>Secretly Canadian<\/td><\/td><\/tr>
7<\/td>Oh No Noh<\/td>Kanzi<\/td>Morr Music<\/td><\/td><\/tr>
7<\/td>Oliver Coates<\/td>Significant Other (Music From The Motion Picture)<\/td>Invada<\/td><\/td><\/tr>
7<\/td>Olivia De Prato<\/td>I, A\u200b.\u200bM. – Artist Mother Project: New works for violin and electronics<\/td>New World<\/td><\/td><\/tr>
7<\/td>Peter Evans<\/td>Murmur<\/td>More Is More<\/td><\/td><\/tr>
7<\/td>Peter Knight<\/td>Shadow Phase<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Quilting<\/td>Quilting<\/td>Telephone Explosion<\/td><\/td><\/tr>
7<\/td>Romeo Poirier<\/td>Living Room<\/td>Faitiche<\/td><\/td><\/tr>
7<\/td>Ron Blake<\/td>Driftwoods<\/td>Tompkins Square<\/td><\/td><\/tr>
7<\/td>RSS B0YS<\/td>BELLS 0F RESISTANCE (C0LLECTY0N)<\/td>Sato00rna\/Mik.Musik<\/td><\/td><\/tr>
7<\/td>Rufus Reid<\/td>Celebration<\/td>Sunnyside<\/td><\/td><\/tr>
7<\/td>Say What<\/td>Say What<\/td>We Jazz<\/td><\/td><\/tr>
7<\/td>Shabason & Krgovich<\/td>At Scaramouche<\/td>Id\u00e9e Fixe<\/td><\/td><\/tr>
7<\/td>Sofie Birch & Antonina Nowacka<\/td>Languoria<\/td>Mondoj\/Unsound<\/td><\/td><\/tr>
7<\/td>Sorry<\/td>Anywhere But Here<\/td>Domino<\/td><\/td><\/tr>
7<\/td>Soundbeam Sound Machine<\/td>Possum<\/td>Remote Control<\/td><\/td><\/tr>
7<\/td>Superimpose with Witold Oleszak and Marcelo Dos Reis<\/td>Spontaneous Live Series 011: Superimpose with Witold Oleszak and Marcelo Dos Reis<\/td>Spontaneous Music Tribune<\/td><\/td><\/tr>
7<\/td>Teufelskeller<\/td>Teufelskeller<\/td>WV Sorcerer Productions<\/td><\/td><\/tr>
7<\/td>The Bobby Lees<\/td>Bellevue<\/td>Ipecac<\/td><\/td><\/tr>
7<\/td>The Cult<\/td>Under The Midnight Sun<\/td>Black Hill<\/td><\/td><\/tr>
7<\/td>The Orielles<\/td>Tableau<\/td>Heavenly<\/td><\/td><\/tr>
7<\/td>Thus Love<\/td>Memorial<\/td>Captured Tracks<\/td><\/td><\/tr>
7<\/td>Vicky Chow<\/td>Philip Glass: Piano Etudes, Book 1<\/td>Cantaloupe<\/td><\/td><\/tr>
9<\/td>Luca Yupanqui<\/td>Conversations<\/td>Sacred Bones<\/td><\/td><\/tr>
9<\/td>Puppies In The Sun<\/td>Light Became Light<\/td>Buh<\/td><\/td><\/tr>
9<\/td>Ruven Nunez<\/td>Unititled No. 51<\/td>Longform Editions<\/td><\/td><\/tr>
10<\/td>Kutiman<\/td>Open<\/td>Siyal Music<\/td><\/td><\/tr>
10<\/td>Suavas Lewy<\/td>Starodrzew (piosenki ze spektaklu)<\/td>Nasze Nagrania<\/td><\/td><\/tr>
10<\/td>Tatsuhisa Yamamoto<\/td>Scoria<\/td>Longform Editions<\/td><\/td><\/tr>
11<\/td>Chuck Johnson & JWPATON<\/td>Tangled mirror yarn<\/td>Longform Editions<\/td><\/td><\/tr>
11<\/td>Darko the Super & Yuri Beats<\/td>One Day It May Matter<\/td>SomeOthaShip<\/td><\/td><\/tr>
11<\/td>Fire-Toolz<\/td>I will not use the body’s eyes today.<\/td><\/td><\/td><\/tr>
11<\/td>King Gizzard & The Lizard Wizard<\/td>Laminated Denim<\/td><\/td><\/td><\/tr>
11<\/td>VA<\/td>Kooky Nuts Pop Vol\u200b.\u200b5<\/td>Istotne Nagr. <\/td><\/td><\/tr>
11<\/td>VA<\/td>Antechamber Music 2<\/td>Accidental<\/td><\/td><\/tr>
12<\/td>Claire Rousay<\/td>Distance Therapy<\/td>Longform Editions<\/td><\/td><\/tr>
12<\/td>clipping.<\/td>Remxng 2.4<\/td>Sub Pop<\/td><\/td><\/tr>
12<\/td>Nils Quak<\/td>Die Karrierebibel<\/td>Green Fairy<\/td><\/td><\/tr>
13<\/td>Pumpkin Witch<\/td>The Return of the Pumpkin Witch<\/td>Deathbomb Arc<\/td><\/td><\/tr>
14<\/td>Ahmad Jamal<\/td>Live in Paris<\/td>Transversales<\/td>arch<\/td><\/tr>
14<\/td>Alela Diane<\/td>Looking Glass<\/td><\/td><\/td><\/tr>
14<\/td>Alen<\/td>Tma<\/td>Poli5<\/td><\/td><\/tr>
14<\/td>Andres R\u00f8ysum \/ Christian Meaas Svendsen \/ Kresten Osgood<\/td>Music Improvised on September 23rd, 2021<\/td>Astral Spirits<\/td><\/td><\/tr>
14<\/td>Ashe<\/td>RAE<\/td>Mom+Pop<\/td><\/td><\/tr>
14<\/td>Ava Max<\/td>Diamonds and Dancefloors<\/td>Warner<\/td><\/td><\/tr>
14<\/td>Bill Callahan<\/td>YTI\u2143A\u018e\u042f<\/td>Drag City<\/td><\/td><\/tr>
14<\/td>Black Lips<\/td>Apocalypse Love<\/td>Fire<\/td><\/td><\/tr>
14<\/td>Brian Eno<\/td>ForeverAndEverNoMore<\/td>Verve<\/td><\/td><\/tr>
14<\/td>Can<\/td>Live in Cuxhaven 1976<\/td>Spoon<\/td>arch<\/td><\/tr>
14<\/td>Cudowne Lata<\/td>Zabra\u0142a\u015b dziewczyn\u0119 ch\u0142opakom<\/td><\/td><\/td><\/tr>
14<\/td>Dania<\/td>Downtime Salon<\/td>Superpang<\/td><\/td><\/tr>
14<\/td>Dead Cross<\/td>II<\/td>Ipecac<\/td><\/td><\/tr>
14<\/td>Dierk Peters<\/td>Spring<\/td>Sunnyside<\/td><\/td><\/tr>
14<\/td>Enumclaw<\/td>Save the Baby<\/td>Luminelle<\/td><\/td><\/tr>
14<\/td>Eren G\u00fcmr\u00fck\u00e7\u00fco\u011flu<\/td>Pareidolia<\/td>New Focus<\/td><\/td><\/tr>
14<\/td>Frederik Valentin & Loke Rahbek<\/td>Together<\/td>Posh Isolation<\/td><\/td><\/tr>
14<\/td>Giulio Aldinucci<\/td>Real<\/td>Karlrecords<\/td><\/td><\/tr>
14<\/td>in\u00eas malheiro<\/td>Deusa N\u200b\u00e1\u200busea<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
14<\/td>Jacek Sienkiewicz<\/td>Pristine<\/td>Recognition<\/td>LP 21.10<\/td><\/tr>
14<\/td>Jens D\u00fcppe<\/td>ego_D<\/td>Enja & Yellowbird<\/td><\/td><\/tr>
14<\/td>John Carpenter<\/td>Halloween Ends OST<\/td>Sacred Bones<\/td><\/td><\/tr>
14<\/td>Julia Sabra & Fadi Tabbal<\/td>Snakeskin<\/td>Beacon Sound<\/td><\/td><\/tr>
14<\/td>Kalabrese<\/td>Let Love Rumpel Part 2<\/td>Compost<\/td><\/td><\/tr>
14<\/td>Korn\u00e9l Kov\u00e1cs<\/td>Hotel Koko<\/td>Studio Barnhus<\/td><\/td><\/tr>
14<\/td>Kosmos Trio<\/td>Brev Til En Ven<\/td>April<\/td><\/td><\/tr>
14<\/td>Lester Robertson<\/td>Akirfa \/ Unititled Ballad<\/td>Mr Bongo<\/td><\/td><\/tr>
14<\/td>Logan Farmer<\/td>A Mold for the Bell<\/td>Western Vinyl<\/td><\/td><\/tr>
14<\/td>Louis Cole<\/td>Quality over Opinion<\/td>Brainfeeder<\/td><\/td><\/tr>
14<\/td>Lucrecia Dalt<\/td>\u00a1Ay!<\/td>RVNG Intl<\/td><\/td><\/tr>
14<\/td>M.I.A.<\/td>Mata<\/td><\/td><\/td><\/tr>
14<\/td>Mabe Fratti<\/td>Se Ve Desde Aqu\u00ed<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
14<\/td>Matthew J. Rolin<\/td>Passing<\/td>American Dreams<\/td><\/td><\/tr>
14<\/td>MAVI<\/td>Laughing So Hard It Hurts<\/td><\/td><\/td><\/tr>
14<\/td>Mick Harris \/ Martyn Bates<\/td>Murder Ballads<\/td>Sub Rosa<\/td><\/td><\/tr>
14<\/td>Mykki Blanco<\/td>Stay Close to Music<\/td>Transgressive<\/td><\/td><\/tr>
14<\/td>Nok Cultural Ensemble<\/td>Njhiy<\/td>SA Recordings<\/td><\/td><\/tr>
14<\/td>Odpoczno<\/td>Dryf<\/td>Audio Cave<\/td>CD, DL<\/td><\/tr>
14<\/td>Palm<\/td>Nicks and Grazes<\/td>Saddle Creek<\/td><\/td><\/tr>
14<\/td>Paperclip Minimiser<\/td>Paperclip Minimiser<\/td>Peak Oil<\/td><\/td><\/tr>
14<\/td>Photay with Carlos Ni\u00f1o<\/td>An Offering<\/td>International Anthem<\/td><\/td><\/tr>
14<\/td>Poppy<\/td>Stagger<\/td>Republic<\/td>EP<\/td><\/tr>
14<\/td>PVA<\/td>Blush<\/td>Ninja Tune<\/td><\/td><\/tr>
14<\/td>Rachel Grimes, Ang\u00e9lica Negr\u00f3n, Shara Nova, Caroline Shaw, Sarah Kirkland Snider, A Far Cry<\/td>The Blue Hour<\/td>New Amsterdam<\/td><\/td><\/tr>
14<\/td>Red Hot Chili Peppers<\/td>Return of the Dream Canteen<\/td>Warner<\/td><\/td><\/tr>
14<\/td>Rival Consoles<\/td>Now Is<\/td>Erased Tapes<\/td><\/td><\/tr>
14<\/td>Robert Glasper<\/td>Black Radio III Supreme Edition<\/td>Loma Vista<\/td><\/td><\/tr>
14<\/td>Sam Gendel<\/td>Blueblue<\/td>Leaving<\/td><\/td><\/tr>
14<\/td>She\/Her\/Hers<\/td>She\/Her\/Hers<\/td>Don Giovanni<\/td><\/td><\/tr>
14<\/td>Shotnez<\/td>Dose a Nova<\/td>Batov<\/td><\/td><\/tr>
14<\/td>Sirintip<\/td>Carbon<\/td>Ropadope<\/td><\/td><\/tr>
14<\/td>Skullcrusher<\/td>Quiet the Room<\/td>Secretly Canadian<\/td><\/td><\/tr>
14<\/td>Stephen Becker<\/td>A Calm That Shifts<\/td>NNA Tapes<\/td><\/td><\/tr>
14<\/td>Susana Santos Silva & Alexandra Nilsson<\/td>Radio Two<\/td>Superpang<\/td><\/td><\/tr>
14<\/td>Sylvain Chauveau \/ Pierre-Yves Mac\u00e9<\/td>L’Effet Rebond (Version Silicium \/ Version Iridium)<\/td>Sub Rosa<\/td><\/td><\/tr>
14<\/td>The 1975<\/td>Being Funny in a Foreign Language<\/td>Dirty Hit<\/td><\/td><\/tr>
14<\/td>The Natural Lines<\/td>First Five<\/td>Bella Union<\/td>EP<\/td><\/tr>
14<\/td>Todd Rundgren<\/td>Space Force<\/td>Cleopatra<\/td><\/td><\/tr>
14<\/td>Tove Lo<\/td>Dirt Femme<\/td>Pretty Swede<\/td><\/td><\/tr>
14<\/td>VA<\/td>Here It Is: A Tribute to Leonard Cohen<\/td>Blue Note<\/td><\/td><\/tr>
14<\/td>VA<\/td>John Sinclair Presents Detroit Artists Workshop<\/td>Strut<\/td>arch<\/td><\/tr>
14<\/td>VA<\/td>Fictions (Made to Measure Vol\u200b.\u200b47)<\/td>Crammed Discs<\/td><\/td><\/tr>
14<\/td>VA<\/td>Adrian Sherwood Presents: Dub No Frontiers<\/td>Real World<\/td><\/td><\/tr>
14<\/td>VA<\/td>Here It Is: A Tribute to Leonard Cohen<\/td>Blue Note<\/td><\/td><\/tr>
14<\/td>Varsovia<\/td>Dise\u200b\u00f1\u200bar y destruir<\/td>Buh<\/td><\/td><\/tr>
14<\/td>We Came As Romans<\/td>Darkbloom<\/td>SharpTone <\/td><\/td><\/tr>
17<\/td>b.michaael<\/td>Bilt2Crawl<\/td>Orange Milk<\/td><\/td><\/tr>
17<\/td>Tom Ward<\/td>Transient Signalling At A Distance<\/td>Raw Tonk<\/td><\/td><\/tr>
18<\/td>Maral <\/td>Ground Groove<\/td>Leaving<\/td><\/td><\/tr>
19<\/td>Pedro Neves Trio <\/td>Hindrances<\/td><\/td><\/td><\/tr>
19<\/td>Raut <\/td>Raut<\/td>Syf Records<\/td><\/td><\/tr>
19<\/td>Warmth<\/td>Linger<\/td>Archives<\/td><\/td><\/tr>
20<\/td>Larmo<\/td>Noise Tape #1<\/td>Zoharum<\/td><\/td><\/tr>
20<\/td>Marco Zenker<\/td>Channel Balance<\/td>Ilian Tapes<\/td><\/td><\/tr>
20<\/td>OLS<\/td>Pustkowia<\/td>Pagan<\/td><\/td><\/tr>
20<\/td>Sly5thAve & JSWISS<\/td>Somebody’s Gotta Do It<\/td>Tru Thoughts<\/td><\/td><\/tr>
21<\/td>A-ha<\/td>True North<\/td>RCA<\/td><\/td><\/tr>
21<\/td>ACA<\/td>Grillito<\/td>Discrepant<\/td><\/td><\/tr>
21<\/td>Alice Boman<\/td>The Space Between<\/td>PIAS<\/td><\/td><\/tr>
21<\/td>Anders Rhedin<\/td>Meditation Music #2<\/td>Captured Tracks<\/td><\/td><\/tr>
21<\/td>Anthene<\/td>Hope Remain<\/td>Home Normal<\/td><\/td><\/tr>
21<\/td>Architects<\/td>The Classic Symptoms Of A Broken Spirit<\/td>Epitaph<\/td><\/td><\/tr>
21<\/td>Arctic Monkeys<\/td>The Car<\/td>Domino<\/td><\/td><\/tr>
21<\/td>Ariel Bart<\/td>Documentaries<\/td>Ropeadope<\/td><\/td><\/tr>
21<\/td>Batida<\/td>Neon Colonialismo<\/td>Crammed<\/td><\/td><\/tr>
21<\/td>bbno$<\/td>Bag or Die<\/td>AWAL<\/td><\/td><\/tr>
21<\/td>Bibio<\/td>BIB10<\/td>Warp<\/td><\/td><\/tr>
21<\/td>Bluszcz <\/td>Nowy pop<\/td>Seszele<\/td><\/td><\/tr>
21<\/td>Brutus<\/td>Unison Life<\/td>Sargent House<\/td><\/td><\/tr>
21<\/td>Burial<\/td>Streetlands<\/td>Hyperdub<\/td>EP<\/td><\/tr>
21<\/td>Carl Stone<\/td>We Jazz Reworks vol. 2<\/td>We Jazz<\/td><\/td><\/tr>
21<\/td>Carly Rae Jepsen<\/td>The Loneliest Time<\/td>Interscope<\/td><\/td><\/tr>
21<\/td>Chloe Kim \uae40\uc608\uc9c0<\/td>PSALM009: I Love and Embrace<\/td>Chinabot<\/td><\/td><\/tr>
21<\/td>Citron Citron<\/td>Chagrin Bleu<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
21<\/td>Clarice Jensen<\/td>Esthesis<\/td>Fatcat<\/td><\/td><\/tr>
21<\/td>Dawid Podsiad\u0142o<\/td>Lata dwudzieste<\/td>Sony<\/td><\/td><\/tr>
21<\/td>Doda<\/td>Aquaria<\/td>Universal<\/td><\/td><\/tr>
21<\/td>Douglas Andrew McCombs<\/td>VMAK<KOMBZ<<<DUGLAS<<6NDR7<<<<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Dry Cleaning<\/td>Stumpwork<\/td>4AD<\/td><\/td><\/tr>
21<\/td>Duduka Da Fonseca & Quarteto Universal<\/td>Yes!!!<\/td>Sunnyside<\/td><\/td><\/tr>
21<\/td>Exhumed<\/td>To The Dead<\/td>Relapse<\/td><\/td><\/tr>
21<\/td>Fernanda Arrau & Balam<\/td>Sabor a Disco<\/td>Pets<\/td>EP<\/td><\/tr>
21<\/td>Fiona Brice<\/td>And You Know I Care<\/td>Bella Union<\/td><\/td><\/tr>
21<\/td>Flore Laurentienne<\/td>Volume II<\/td>RVNG Intl<\/td><\/td><\/tr>
21<\/td>Flying Lotus<\/td>Flying Lotus Presents: Music from the Hit Game Show Ozzy’s Dungeon – Taken From V\/H\/S\/99<\/td>Warp<\/td><\/td><\/tr>
21<\/td>Francesco Corvi<\/td>Time Debris<\/td>Superpang<\/td><\/td><\/tr>
21<\/td>Frankie Cosmos<\/td>Inner World Peace<\/td>Sub Pop<\/td><\/td><\/tr>
21<\/td>Gilles Grethen Quartet<\/td>State of Mind<\/td>Double Moon<\/td><\/td><\/tr>
21<\/td>Glenn Fallows & Mark Treffel<\/td>The Globeflower Masters Vol\u200b.\u200b 2<\/td>Mr Bongo<\/td><\/td><\/tr>
21<\/td>Goat<\/td>Oh Death<\/td>Rocket<\/td><\/td><\/tr>
21<\/td>Hexabit<\/td>Unrulers<\/td><\/td><\/td><\/tr>
21<\/td>Hildur Gu\u00f0nad\u00f3ttir<\/td>T\u00c1R<\/td>Deutsche Grammophon<\/td><\/td><\/tr>
21<\/td>Ibises<\/td>In the Swim<\/td>American Dreams<\/td><\/td><\/tr>
21<\/td>Jean-Michel Jarre<\/td>Oxymore – Homage to Pierre Henry<\/td><\/td><\/td><\/tr>
21<\/td>Kaja Draksler, Susana Santos Silva<\/td>Grow<\/td>Intakt<\/td><\/td><\/tr>
21<\/td>Kyle Dixon & Michael Stein<\/td>The Retaliators<\/td>Better Noise<\/td><\/td><\/tr>
21<\/td>Lady Aicha & Pisko Crane’s Original Fulu Miziki of Kinshasa<\/td>N’Djila Wa Mudujimu<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
21<\/td>Loyle Carner<\/td>Hugo<\/td>EMI<\/td><\/td><\/tr>
21<\/td>Mat Maneri \/ Tanya Kamanovitch \/ Tomo Jacobson \/ Kresten Osgood <\/td>Variations On No Particular Theme – Part 2<\/td>Gotta Let It Out<\/td><\/td><\/tr>
21<\/td>Meghan Trainor<\/td>Takin\u2019 It Back<\/td><\/td><\/td><\/tr>
21<\/td>Michael O’Mahony<\/td>Talkbox<\/td>33-33<\/td><\/td><\/tr>
21<\/td>Montparnasse Musique<\/td>Archeology<\/td>Real World<\/td><\/td><\/tr>
21<\/td>Movses Pogossian<\/td>Hommage \u00e0 Kurt\u200b\u00e1\u200bg<\/td>New Focus<\/td><\/td><\/tr>
21<\/td>Nick Hakim<\/td>Cometa<\/td>ATO<\/td><\/td><\/tr>
21<\/td>O.R.k.<\/td>Screamnasium<\/td>KScope<\/td><\/td><\/tr>
21<\/td>Oliver Coates<\/td>The Stranger OST<\/td>Lakeshore<\/td><\/td><\/tr>
21<\/td>OXBOW & Peter Br\u00f6tzmann<\/td>An Eternal Reminder of Not Today \/ Live at Moers<\/td>Trost<\/td><\/td><\/tr>
21<\/td>Paul Weller<\/td>Will of the People<\/td><\/td>komp<\/td><\/tr>
21<\/td>Persher<\/td>Man with the Magic Soap<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Playfield: Carter, Muhr, Ishito, Plaks, Namenwirth, Takahashi, Swanson, Panikkar<\/td>Stepping Out<\/td>577 Records<\/td><\/td><\/tr>
21<\/td>Rycerzyki<\/td>Zniknij na zawsze – Remiksy<\/td>Thin Man<\/td><\/td><\/tr>
21<\/td>\u015alina Trzaska<\/td>\u015alina Trzaska<\/td>Gusstaff<\/td>CD (LP w styczniu)<\/td><\/tr>
21<\/td>SNKLS<\/td>Glu River<\/td>Outlines<\/td><\/td><\/tr>
21<\/td>Spineless Actress<\/td>Before Shape<\/td>Neuropasza<\/td>EP<\/td><\/tr>
21<\/td>Tadeusz Sudnik \/ Krzysztof Majchrzak \/ India Czajkowska<\/td>Triangle<\/td>Audio Cave<\/td>CD, DL<\/td><\/tr>
21<\/td>Tau & the Drones of Praise<\/td>Misneach<\/td>Glitterbeat<\/td><\/td><\/tr>
21<\/td>Taylor Swift<\/td>Midnights<\/td><\/td><\/td><\/tr>
21<\/td>Tegan and Sara<\/td>Crybaby<\/td>Mom+Pop<\/td><\/td><\/tr>
21<\/td>The Soft Pink Truth<\/td>Is It Going To Get Any Deeper Than This?<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Tim Berne, Matt Mitchell<\/td>One More, Please<\/td>Intakt<\/td><\/td><\/tr>
21<\/td>VA<\/td>S\u00edntesis Moderna: An Alternative Vision Of Argentinean Music (1980\u200b-\u200b1990)<\/td>Soundway<\/td><\/td><\/tr>
21<\/td>VA<\/td>S\u200b\u00ed\u200bntesis Moderna: An Alternative Vision Of Argentinean Music (1980\u200b-\u200b1990)<\/td>Soundway<\/td><\/td><\/tr>
21<\/td>What Are People For?<\/td>What Are People For?<\/td>Morr Music<\/td><\/td><\/tr>
21<\/td>Whit Dickey Quartet<\/td>Root Perspectives<\/td>TAO Forms<\/td><\/td><\/tr>
21<\/td>Wij<\/td>Przekl\u0119te wody<\/td>Piranha<\/td>EP<\/td><\/tr>
23<\/td>Adriaan de Roover & Lotte Dodion<\/td>To Become Liquid Again<\/td>Midlife<\/td><\/td><\/tr>
24<\/td>Karl Jenkins<\/td>Penumbra II<\/td>Jazz In Britain<\/td>arch<\/td><\/tr>
24<\/td>Maciej Czajkowski Trio<\/td>Mists of the Past<\/td>Multikulti<\/td><\/td><\/tr>
24<\/td>Robert \u015awistelnicki<\/td>Piosenki<\/td>Multikulti<\/td><\/td><\/tr>
24<\/td>Ryterski<\/td>Gaymers\u2019 Cheatsheet<\/td>Pointless Geometry<\/td><\/td><\/tr>
25<\/td>Feeble Little Horse<\/td>Hayday<\/td>Saddle Creek<\/td><\/td><\/tr>
25<\/td>Grzegorz Bojanek<\/td>Uncertain<\/td><\/td>DL, CD<\/td><\/tr>
25<\/td>Mdou Moctar<\/td>Niger EP Vol. 2<\/td>Matador<\/td><\/td><\/tr>
25<\/td>Z\u00c8NE\u2019T PANON<\/td>Maloya Malbar<\/td>Juju Sounds<\/td><\/td><\/tr>
26<\/td>Piotr Damasiewicz \/ Kuba W\u00f3jcik<\/td>Diavolezza<\/td>L.A.S.<\/td><\/td><\/tr>
26<\/td>VA<\/td>La Materia Verbal – Antolog\u200b\u00ed\u200ba de la Poes\u200b\u00ed\u200ba Sonora Peruana<\/td>Buh<\/td>arch<\/td><\/tr>
27<\/td>Fatboi Sharif x noface<\/td>Preaching in Havana<\/td>PTP<\/td><\/td><\/tr>
27<\/td>Grandamme<\/td>Holy Mountain<\/td>Def Press\u00e9<\/td><\/td><\/tr>
27<\/td>Lukasz Polowczyk<\/td>Noise in the Key of Life<\/td><\/td><\/td><\/tr>
27<\/td>The Zenmenn & John Moods<\/td>Hidden Gem<\/td>Music From Memory<\/td><\/td><\/tr>
27<\/td>Tom Braun<\/td>Butterflies on Acid<\/td>Poli5<\/td><\/td><\/tr>
27<\/td>Yair Elazar Glotman<\/td>Speculative Memories<\/td>SA Recordings<\/td><\/td><\/tr>
28<\/td>Agnieszka Chyli\u0144ska<\/td>Never Ending Sorry<\/td><\/td><\/td><\/tr>
28<\/td>Aleksandra S\u0142y\u017c<\/td>Everything Tends Towards Chaos and Order<\/td>Superpang<\/td>EP<\/td><\/tr>
28<\/td>Anja Lauvdal<\/td>From a Story Now Lost<\/td>Smalltown Supersound<\/td><\/td><\/tr>
28<\/td>Aoife Nessa Frances<\/td>Protector<\/td>Partisan<\/td><\/td><\/tr>
28<\/td>Babehoven<\/td>Late Moving Time<\/td>Double Double Whammy<\/td><\/td><\/tr>
28<\/td>Bella<\/td>Tinku<\/td>Buh<\/td><\/td><\/tr>
28<\/td>Benjamin Clementine<\/td>And I Have Been<\/td><\/td><\/td><\/tr>
28<\/td>Brodka<\/td>Sadza<\/td>Kayax<\/td><\/td><\/tr>
28<\/td>Cakes da Killa<\/td>Svengali<\/td>Young Art<\/td><\/td><\/tr>
28<\/td>Carlos Fanzetti<\/td>Grafitti<\/td>Jazz Room<\/td><\/td><\/tr>
28<\/td>Celtic Frost<\/td>Danse Macabre<\/td>Noise<\/td>superdeluxe box<\/td><\/tr>
28<\/td>Chad Taylor Trio<\/td>The Reel<\/td>Astral Spirits<\/td><\/td><\/tr>
28<\/td>Dave Soldier & William Hooker<\/td>The LeWitt Etudes<\/td>Mahakala<\/td><\/td><\/tr>
28<\/td>Dead Cross<\/td>II<\/td>Ipecac<\/td><\/td><\/tr>
28<\/td>Derek Bailey & Charlie Morrow<\/td>New York 1982<\/td>Recital<\/td>arch<\/td><\/tr>
28<\/td>Dickie Laundry<\/td>4 Cuts Placed In „A First Quarter”<\/td>Unseen Worlds<\/td><\/td><\/tr>
28<\/td>Dorian Concept<\/td>What We Do For Others<\/td>Brainfeeder<\/td><\/td><\/tr>
28<\/td>Drugdealer<\/td>Hiding in Plain Sight<\/td>Mexican Summer<\/td><\/td><\/tr>
28<\/td>Edrix Puzzle<\/td>Coming of the Moon Dogs<\/td>On The Corner<\/td><\/td><\/tr>
28<\/td>Ekkehard Ehlers<\/td>Plays<\/td>Keplar<\/td>reed<\/td><\/tr>
28<\/td>Elskavon<\/td>Copper Hills<\/td>Western Vinyl<\/td>EP<\/td><\/tr>
28<\/td>Felicity Mangan<\/td>Wet On Wet<\/td>Warm Winters Ltd<\/td><\/td><\/tr>
28<\/td>Govreen\/Sever Quartet<\/td>Maya<\/td>JMI<\/td><\/td><\/tr>
28<\/td>Guided By Voices<\/td>Scalping the Guru<\/td>GBV Inc<\/td>komp<\/td><\/tr>
28<\/td>Heinali<\/td>Live from a Bomb Shelter in Ukraine<\/td>Injazero<\/td><\/td><\/tr>
28<\/td>Honey Harper<\/td>Honey Harper & The Infinite Sky<\/td>ATO<\/td><\/td><\/tr>
28<\/td>HUW, The Asimov Soul Orchestra<\/td>The Asimov Soul Orchestra<\/td>Ropeadope<\/td><\/td><\/tr>
28<\/td>Ivo Perelman\/Matthew Shipp<\/td>Fruition<\/td>ESP-Disk<\/td><\/td><\/tr>
28<\/td>Jeff Parker ETA IVtet<\/td>Mondays at The Enfield Tennis Academy<\/td>Eremite<\/td><\/td><\/tr>
28<\/td>Jordan Hull<\/td>Ducks<\/td>Ropeadope<\/td><\/td><\/tr>
28<\/td>Jordan Reyes<\/td>Everything is Always<\/td>American Dreams<\/td><\/td><\/tr>
28<\/td>Josephine Foster<\/td>There Are Eyes Above<\/td><\/td><\/td><\/tr>
28<\/td>June McDoom<\/td>June McDoom<\/td>Temporary Residence Ltd<\/td><\/td><\/tr>
28<\/td>Junior Boys<\/td>Waiting Game<\/td>City Slang<\/td><\/td><\/tr>
28<\/td>Keiji Haino \/ Jim O’Rourke \/ Oren Ambarchi<\/td>„Caught in the dilemma of being made to choose” This makes the modesty which should never been closed off itself Continue to ask itself: „Ready or not\u200b?\u200b”<\/td>Black Truffle<\/td><\/td><\/tr>
28<\/td>King Gizzard & The Lizard Wizard<\/td>Changes<\/td>KGLW<\/td><\/td><\/tr>
28<\/td>Lala &ce, Low Jack<\/td>Baiser Mortel<\/td>PAN<\/td><\/td><\/tr>
28<\/td>Late Night Poems<\/td>Ostatni dzie\u0144 lata<\/td>U Know Me<\/td><\/td><\/tr>
28<\/td>Lawrence English<\/td>Themes and Atmospheres for Adam Curtis’s Russia 1985\u200b-\u200b1999 TraumaZone<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Lee Paradise<\/td>&co<\/td>Telephone Explosion<\/td><\/td><\/tr>
28<\/td>Mauskovic Dance Band<\/td>Bukaroo Bank<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
28<\/td>Mi\u0142o\u015b\u0107 & Lester Bowie<\/td>Live in Gdynia – Gdynia Summer Jazz Days Vol 2<\/td><\/td><\/td><\/tr>
28<\/td>Miriodor<\/td>Elements<\/td>Cuneiform<\/td><\/td><\/tr>
28<\/td>Moin<\/td>Paste<\/td>AD93<\/td><\/td><\/tr>
28<\/td>Molly Joyce<\/td>Perspective<\/td>New Amsterdam<\/td><\/td><\/tr>
28<\/td>Naphta<\/td>\u017ba\u0142o\u015b\u0107<\/td>Ta\u0144ce<\/td><\/td><\/tr>
28<\/td>Natalia Lafourcade<\/td>De Todas Las Flores<\/td>Sony<\/td><\/td><\/tr>
28<\/td>New Balance<\/td>More Love Hours Than Can Ever Be Repaid<\/td>Anxiety Blanket<\/td><\/td><\/tr>
28<\/td>Nina Berman & Steve Beck<\/td>Milton Babbitt: Works for Treble Voice and Piano<\/td>New Focus<\/td><\/td><\/tr>
28<\/td>North Americans<\/td>Lost Tracks<\/td>Third Man<\/td><\/td><\/tr>
28<\/td>Nosaj Thing<\/td>Continua<\/td>LuckyMe<\/td><\/td><\/tr>
28<\/td>Oiseaux-Tempete<\/td>What On Earth (Que Diable)<\/td>Nahal<\/td><\/td><\/tr>
28<\/td>\u00d3lafur Arnalds<\/td>Some Kind of Peace – Piano Reworks<\/td><\/td><\/td><\/tr>
28<\/td>Omodaka<\/td>ZENTSUU: Collected Works 2001\u200b-\u200b2019<\/td>WRWTFWW<\/td><\/td><\/tr>
28<\/td>Pierre Pierre<\/td>Mon disque d’or<\/td>Dur et Doux<\/td><\/td><\/tr>
28<\/td>Pogranicza<\/td>Umieraj i stawaj si\u0119<\/td>Plexus of Infinity<\/td><\/td><\/tr>
28<\/td>Polyphia<\/td>Remember That You Will Die<\/td>Rise<\/td><\/td><\/tr>
28<\/td>Przemys\u0142aw Str\u0105czek<\/td>Cultural Concept<\/td>Music Corner\/Voicemusic<\/td><\/td><\/tr>
28<\/td>Rodrigo Amado<\/td>Refraction Solo<\/td>Trost<\/td><\/td><\/tr>
28<\/td>Sana Nagano<\/td>Anime Mundi<\/td>577 Records<\/td><\/td><\/tr>
28<\/td>SBB<\/td>Live Cuts: Ostrava 2002<\/td>GAD<\/td>arch<\/td><\/tr>
28<\/td>SBB<\/td>Live Cuts: ENger 1977<\/td>GAD<\/td>arch<\/td><\/tr>
28<\/td>Scout Gillett<\/td>No Roof No Floor<\/td>Captured Tracks<\/td><\/td><\/tr>
28<\/td>Sentino<\/td>ZL4EVER<\/td><\/td><\/td><\/tr>
28<\/td>Sheer Cerebral Power<\/td>Sucker Punch’d<\/td>Enja & Yellowbird<\/td><\/td><\/tr>
28<\/td>Shit and Shine<\/td>New Confusion<\/td>Rocket<\/td><\/td><\/tr>
28<\/td>Show Me The Body<\/td>Trouble the Water<\/td>Loma Vista<\/td><\/td><\/tr>
28<\/td>Sleep Party People<\/td>Heap of Ashes<\/td>Joyful Noise<\/td><\/td><\/tr>
28<\/td>Sobs<\/td>Air Guitar<\/td>Topshelf<\/td><\/td><\/tr>
28<\/td>Steve Long<\/td>Code Talker II<\/td>Astral Spirits<\/td><\/td><\/tr>
28<\/td>Szczyl & Magiera<\/td>8171 EP<\/td><\/td><\/td><\/tr>
28<\/td>T Geruis<\/td>Vast<\/td>L-ne<\/td><\/td><\/tr>
28<\/td>Tawanda<\/td>Smile<\/td>Resonance<\/td><\/td><\/tr>
28<\/td>The Backseat Lovers<\/td>Waiting to Spill<\/td>Capitol<\/td><\/td><\/tr>
28<\/td>Tom Odell<\/td>Best Day of My Life<\/td>mTheory<\/td><\/td><\/tr>
28<\/td>Torbj\u00f6rn Zetterberg<\/td>Opinions<\/td>Corbett & Dempsey<\/td><\/td><\/tr>
28<\/td>tRicMast aka R. Villalobos & Tripmastaz<\/td>PRussians EP<\/td><\/td><\/td><\/tr>
28<\/td>Trondheim Voices & Christian Wallumr\u00f8d<\/td>Gjest Song<\/td>Hubro<\/td><\/td><\/tr>
28<\/td>TVAM<\/td>High Art Lite<\/td>Invada<\/td><\/td><\/tr>
28<\/td>Tyshawn Sorey<\/td>The Off\u200b-\u200bOff Broadway Guide to Synergism<\/td>Pi Recordings<\/td><\/td><\/tr>
28<\/td>VA<\/td>The Eleventh Hour: Songs for Climate Justice<\/td>Sub Pop<\/td><\/td><\/tr>
28<\/td>Vaya Con Dios<\/td>Parce que<\/td><\/td><\/td><\/tr>
28<\/td>Voo Voo<\/td>Premiera<\/td>Agora<\/td><\/td><\/tr>
28<\/td>Wand<\/td>Spiders in the Rain<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Westside Gun<\/td>„10”<\/td>Griselda<\/td><\/td><\/tr>
28<\/td>Working Men’s Club<\/td>Steel City EP<\/td>Heavenly<\/td><\/td><\/tr>
28<\/td>Worm <\/td>Bluenothing<\/td>20 Buck Spin<\/td><\/td><\/tr>
28<\/td>\u0421\u041e\u042e\u0417 \/ SOYUZ<\/td>Force of the Wind (\u0421\u0438\u043b\u0430 \u0432\u0435\u0442\u0440\u0430)<\/td>Mr Bongo<\/td><\/td><\/tr>
29<\/td>Lady Lykez<\/td>Woza<\/td>Hyperdub<\/td><\/td><\/tr>
29<\/td>Nene Heroine<\/td>Mova<\/td><\/td><\/td><\/tr>
29<\/td>Pagan Idol<\/td>Silent Mountain EP<\/td>Plusz<\/td><\/td><\/tr>
29<\/td>Senyawa + Lawrence English\/Aviva Endean\/Peter Knight\/Helen Svoboda\/Joe Talia<\/td>The Prey and the Ruler<\/td>Room40<\/td><\/td><\/tr>
29<\/td>Talachan<\/td>In the State of Emergency<\/td>BAS<\/td><\/td><\/tr>
30<\/td>Pytko<\/td>The Way We Blush<\/td>Phantasy Sound<\/td><\/td><\/tr>
31<\/td>J\u0119drzej Siwek<\/td>In Memory of Alvin Lucier<\/td><\/td><\/td><\/tr>
31<\/td>Lugola<\/td>DEFORM (Live at XX Wroclaw Industrial Festival)<\/td>Zoharum<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 CUT Trio: Tanja Feichtmair \/ Cene Resnik \/ Urban Ku\u0161ar Pelletron \/ Dynamitron Inexhaustible Editions 1 Humbros Druidarium Les Albums Claus 1 Ne\u017ea Nagli\u010d \/ Primo\u017e Bon\u010dina Inner Weather Inexhaustible Editions 1 Zdr\u00f3j Zdr\u00f3j Fonoradar 3 JARL Mind Rotation Zoharum 4 Rempis \/ Reid \/ Abrams Allium Aerophonic 5 At Her Open Door FLIR […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34441"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=34441"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34441\/revisions"}],"predecessor-version":[{"id":35315,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34441\/revisions\/35315"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=34441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}