{"id":34958,"date":"2022-10-03T15:36:08","date_gmt":"2022-10-03T13:36:08","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=34958"},"modified":"2023-01-04T09:18:03","modified_gmt":"2023-01-04T08:18:03","slug":"premiery-11-2022","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-11-2022\/","title":{"rendered":"PREMIERY 11.2022"},"content":{"rendered":"\n
1<\/td>Current 93<\/td>Her Ghost Sings Spheres<\/td><\/td><\/td><\/tr>
1<\/td>Klein<\/td>Star In The Hood<\/td><\/td><\/td><\/tr>
1<\/td>Sault<\/td>Today & Tomorrow<\/td><\/td><\/td><\/tr>
1<\/td>Sault<\/td>AIIR<\/td><\/td><\/td><\/tr>
1<\/td>Sault<\/td>„11”<\/td><\/td><\/td><\/tr>
1<\/td>Sault<\/td>(Unititled) God<\/td><\/td><\/td><\/tr>
1<\/td>Sault <\/td>Earth<\/td><\/td><\/td><\/tr>
2<\/td>Francesca Naibo<\/td>So Much Time<\/td>Ramble<\/td><\/td><\/tr>
2<\/td>Muriel Grossmann<\/td>Universal Code<\/td><\/td><\/td><\/tr>
2<\/td>Tomek Glazik<\/td>Unsettled Status<\/td><\/td><\/td><\/tr>
3<\/td>Ben Frost<\/td>Broken Spectre<\/td>Vinyl Factory<\/td><\/td><\/tr>
3<\/td>Drone Ambient By Drone Ambient<\/td>Drone Ambient By Drone Ambient<\/td>Sat00rna<\/td><\/td><\/tr>
3<\/td>Joe Morris & Jeremy Brown<\/td>Magnitude<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
3<\/td>LRK Trio<\/td>Prayer<\/td><\/td><\/td><\/tr>
3<\/td>Patrick Shiroishi<\/td>Evergreen<\/td>Touch<\/td><\/td><\/tr>
3<\/td>That’s How I Fight<\/td>Between Movements EP<\/td>Zoharum<\/td><\/td><\/tr>
3<\/td>Ulla<\/td>Foam<\/td>3XL<\/td><\/td><\/tr>
4<\/td>Agile Experiments<\/td>These Are Times For Mind And Spirit<\/td>DDR<\/td><\/td><\/tr>
4<\/td>Alicia Keys<\/td>Santa Baby<\/td><\/td><\/td><\/tr>
4<\/td>Ami Dang<\/td>The Living World’s Demands<\/td>Phantom Limb<\/td><\/td><\/tr>
4<\/td>Andrew Sherwell<\/td>Antiphon<\/td>Shimmering Moods<\/td><\/td><\/tr>
4<\/td>Ang\u00e9lica Salvi<\/td>Habitat<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
4<\/td>Anna Of The North<\/td>Crazy Life<\/td><\/td><\/td><\/tr>
4<\/td>Bartek W\u0105sik<\/td>Daydreamer<\/td>Mystic<\/td><\/td><\/tr>
4<\/td>Belmondawg<\/td>Sztossinger EP<\/td><\/td><\/td><\/tr>
4<\/td>Belmondawg x The Very Polish Cut Outs<\/td>Sztossingery EP<\/td>The Very Polish Cut Outs<\/td><\/td><\/tr>
4<\/td>Bert Jansch<\/td>Bert at the BBC<\/td>Earth<\/td>box<\/td><\/tr>
4<\/td>Big Joanie<\/td>Back Home<\/td>Kill Rock Stars<\/td><\/td><\/tr>
4<\/td>Biliana Voutchkova & Tomeka Reid<\/td>Bricolage III<\/td><\/td><\/td><\/tr>
4<\/td>Billy Pod<\/td>Quintessence<\/td><\/td><\/td><\/tr>
4<\/td>Black Anvil<\/td>Regenesis<\/td>Season Of Mist<\/td><\/td><\/tr>
4<\/td>Boldy James & Futurewave<\/td>Mr. Ten08<\/td>FXCK RXP<\/td><\/td><\/tr>
4<\/td>BTTRFLY Quintet<\/td>Coast<\/td>Mocean<\/td><\/td><\/tr>
4<\/td>Caleb Landry Jones<\/td>Gadzooks Vol. 2<\/td>Sacred Bones<\/td><\/td><\/tr>
4<\/td>Carla dal Forno<\/td>Come Around<\/td>Kallista<\/td><\/td><\/tr>
4<\/td>Cavetown<\/td>Worm Food<\/td>Sire<\/td><\/td><\/tr>
4<\/td>Cercueil<\/td>Bad Posture<\/td>Citizen<\/td>EP<\/td><\/tr>
4<\/td>Charlemagne Palestine & MV Carbon<\/td>Liquiddd Changesss<\/td><\/td><\/td><\/tr>
4<\/td>Chouk Bwa & The \u00c5ngstr\u00f6mers<\/td>Ayiti Kongo Dub #2<\/td>Bongo Joe<\/td><\/td><\/tr>
4<\/td>COH meets Abul Mogard<\/td>COH meets Abul Mogard<\/td>Houndstooth<\/td><\/td><\/tr>
4<\/td>Daniel Avery<\/td>Ultra Truth<\/td>Phantasy Sound<\/td><\/td><\/tr>
4<\/td>Dayseeker<\/td>Dark Sun<\/td>Spinefarm<\/td><\/td><\/tr>
4<\/td>Decius<\/td>Decius vol. 1<\/td><\/td><\/td><\/tr>
4<\/td>Dermot Kennedy<\/td>Sonder<\/td><\/td><\/td><\/tr>
4<\/td>Devin Townsend<\/td>Lightwork<\/td>InsideOut<\/td><\/td><\/tr>
4<\/td>DjeuhDjoah & Lieutenant Nicholson<\/td>2+<\/td>Hot Casa<\/td><\/td><\/tr>
4<\/td>dreamcastmoe<\/td>Sound Is Like Water<\/td>Ghostly International<\/td><\/td><\/tr>
4<\/td>Eyal Talmudi & Rejoicer<\/td>The Audience<\/td>Raw Tapes<\/td><\/td><\/tr>
4<\/td>Ezra Collective<\/td>Where I’m Meant to Be<\/td>Partisan<\/td><\/td><\/tr>
4<\/td>First Aid Kit<\/td>Palomino<\/td>Columbia<\/td><\/td><\/tr>
4<\/td>Fleshwater<\/td>We’re Not Here to Be Loved<\/td>Closed Casket Activities<\/td><\/td><\/tr>
4<\/td>funcion\u00e1rio<\/td>Cavalcante<\/td>Holuzam<\/td><\/td><\/tr>
4<\/td>Gorycz<\/td>Kamienie<\/td>Pagan<\/td><\/td><\/tr>
4<\/td>Hamish Balfour<\/td>Running Colours<\/td>Shapes of Rhythm<\/td><\/td><\/tr>
4<\/td>Heiskanen Bayatz Baharat<\/td>Samaai Mata<\/td>Eclipse<\/td><\/td><\/tr>
4<\/td>Horse Lords<\/td>Comradely Objects<\/td>RVNG Intl<\/td><\/td><\/tr>
4<\/td>Hubert Heathertoes + Zan Hoffman<\/td>Algumas estrelas nuestro encuentro en Boiro<\/td>Astipalea<\/td>MC, DL<\/td><\/tr>
4<\/td>Ibrahim Maalouf<\/td>Capacity to Love<\/td><\/td><\/td><\/tr>
4<\/td>Ingested<\/td>Ashes Lie Still<\/td>Metal Blade<\/td><\/td><\/tr>
4<\/td>Joji<\/td>Smithereens<\/td>88rising<\/td><\/td><\/tr>
4<\/td>Julie Campiche Quartet<\/td>You Matter<\/td>Enja & Yellowbird<\/td><\/td><\/tr>
4<\/td>Julien Chang<\/td>The Sale<\/td>Transgressive<\/td><\/td><\/tr>
4<\/td>Justin Purtill feat. Leo Genovese and Sean Conly<\/td>Simple Twist<\/td>577 Records<\/td><\/td><\/tr>
4<\/td>Katu Kaiku<\/td>Broken Piece<\/td>Eclipse<\/td><\/td><\/tr>
4<\/td>La Femme<\/td>Teatro Lucido<\/td>Born Bad<\/td><\/td><\/tr>
4<\/td>Martial Solal<\/td>Live in Ottobrunn<\/td>GLM<\/td>2CD<\/td><\/tr>
4<\/td>Marvin Tate’s D-Settlement<\/td>Marvin Tate’s D-Settlement<\/td>American Dreams<\/td><\/td><\/tr>
4<\/td>Matt McBane<\/td>Bathymetry<\/td>Cantaloupe<\/td><\/td><\/tr>
4<\/td>Maymind<\/td>Life Inside a Bell<\/td><\/td><\/td><\/tr>
4<\/td>Mishagas<\/td>1996-1997<\/td>Astral Spirits<\/td><\/td><\/tr>
4<\/td>Moreira Chomgui\u00e7a<\/td>Sounds of Peace<\/td>Morestar Ent.<\/td><\/td><\/tr>
4<\/td>Mount Kimbie<\/td>Mk 3.5: Die Cuts City Planning<\/td>Warp<\/td><\/td><\/tr>
4<\/td>Okay Kaya<\/td>SAP<\/td>Jagjaguwar<\/td><\/td><\/tr>
4<\/td>Old Fire<\/td>Voids<\/td>Western Vinyl<\/td><\/td><\/tr>
4<\/td>Omhu<\/td>Sp\u200b\u0119\u200blls<\/td>Sadki Rec.<\/td><\/td><\/tr>
4<\/td>Paal Nilssen-Love Circus<\/td>Pairs of Three<\/td>PNL<\/td><\/td><\/tr>
4<\/td>Personal Trainer<\/td>Big Love Blanket<\/td><\/td><\/td><\/tr>
4<\/td>Phoenix<\/td>Alpha Zulu<\/td>Glassnote<\/td><\/td><\/tr>
4<\/td>Piotr Zio\u0142a<\/td>Wariat<\/td>Warner<\/td><\/td><\/tr>
4<\/td>R.A.P. Ferreira<\/td>5 to the Eye with Stars<\/td>Afrolab<\/td><\/td><\/tr>
4<\/td>Ride<\/td>4 EPs<\/td>Wichita<\/td>komp<\/td><\/tr>
4<\/td>Robert Takahashi Crouch + Yann Novak<\/td>Giving Water to the Dead<\/td><\/td><\/td><\/tr>
4<\/td>Romance<\/td>In My Hour Of Weakness, I Found A Sweetness<\/td>Ecstatic<\/td><\/td><\/tr>
4<\/td>rRoxymore<\/td>Perpetual Now<\/td>Smalltown Supersound<\/td><\/td><\/tr>
4<\/td>Sababa 5<\/td>Sababa 5<\/td>Batov<\/td><\/td><\/tr>
4<\/td>Sawt Out with Tony Elieh<\/td>Machine Learning<\/td>Bocian<\/td><\/td><\/tr>
4<\/td>Skalpel<\/td>Origins<\/td>NoPaper<\/td><\/td><\/tr>
4<\/td>Sohn<\/td>Trust<\/td>4AD<\/td><\/td><\/tr>
4<\/td>Special Interest<\/td>Endure<\/td>Rough Trade<\/td><\/td><\/tr>
4<\/td>Spoon<\/td>Lucifer on the Moon<\/td>Matador<\/td><\/td><\/tr>
4<\/td>Suki Waterhouse<\/td>Milk Teeth<\/td>Sub Pop<\/td><\/td><\/tr>
4<\/td>Svaneborg Kardyb<\/td>Over Tage<\/td>Gondwana<\/td><\/td><\/tr>
4<\/td>Tashi Dorji & Bill Orcutt<\/td>For Bill Who Will Be 100 in Year 2062<\/td><\/td><\/td><\/tr>
4<\/td>Timu\u00e7in \u015eahin’s Flow State<\/td>Funk Poems for „Bird”<\/td>New Focus<\/td><\/td><\/tr>
4<\/td>Tinariwen<\/td>Kel Tinariwen<\/td>Wedge<\/td><\/td><\/tr>
4<\/td>To Rococo Rot<\/td>John Peel Sessions<\/td>Bureau B<\/td>CD\/LP<\/td><\/tr>
4<\/td>Tom Skinner<\/td>Voices of Bishara<\/td>International Anthem\/Brownswood<\/td><\/td><\/tr>
4<\/td>Tropical Gothclub<\/td>Tropical Gothclub<\/td>Thrid Man<\/td><\/td><\/tr>
4<\/td>Turnover<\/td>Myself in the Way<\/td>Run For Cover<\/td><\/td><\/tr>
4<\/td>Tyshawn Sorey<\/td>The Off\u200b-\u200bOff Broadway Guide to Synergism<\/td>Pi Recordings<\/td><\/td><\/tr>
4<\/td>VA<\/td>Black Panther: Wakanda Forever – Music From and Inspired By<\/td><\/td><\/td><\/tr>
4<\/td>VA<\/td>Erased Tapes \u5341\u4e94<\/td>Erased Tapes<\/td><\/td><\/tr>
4<\/td>Village of the Sun<\/td>First Light<\/td>Gearbox<\/td><\/td><\/tr>
4<\/td>Voivod<\/td>Ultraman<\/td>Century Media<\/td>EP<\/td><\/tr>
4<\/td>Yonatan Gat<\/td>American Quartet<\/td>Joyful Noise<\/td><\/td><\/tr>
4<\/td>\u00b5-Ziq<\/td>Hello<\/td>Planet Mu<\/td><\/td><\/tr>
5<\/td>Disorder at the Border (Kaucic \/ D’Agaro \/ Maier) special guest Tobias Delius<\/td>Kataklisma<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
5<\/td>Joe Morris \/ Agusti Fernandez \/ Brad Barrett \/ DoYeon Kim<\/td>Other Galaxies<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
5<\/td>Piotr „Rubens” Rubik<\/td>Piosenki, kt\u00f3rych nikt nie chcia\u0142<\/td>Sony<\/td><\/td><\/tr>
5<\/td>PJ Harvey<\/td>B-Sides, Demos & Rarities<\/td>Island<\/td>komp<\/td><\/tr>
8<\/td>Boro\/Sull<\/td>The Flat Parts of the Day<\/td><\/td><\/td><\/tr>
8<\/td>Daniel Szlajnda<\/td>Order in Chaos<\/td>U Know Me<\/td><\/td><\/tr>
9<\/td>Dariusz Zi\u00f3\u0142ek<\/td>Forget Not Yet<\/td>SJ records<\/td><\/td><\/tr>
9<\/td>Envy<\/td>Seimei<\/td>Pelagic<\/td><\/td><\/tr>
9<\/td>Floating Points<\/td>Someone Close<\/td>Ninja Tune<\/td>EP<\/td><\/tr>
9<\/td>More Eaze<\/td>Strawberry Season<\/td>Leaving<\/td><\/td><\/tr>
10<\/td>Chapadla<\/td>Ke\u010f si j\u00e1 zaspiev\u200b\u00e1\u200bm<\/td>Poli5<\/td><\/td><\/tr>
10<\/td>Midori Takada<\/td>Tree of Life<\/td>WRWTFWWR<\/td><\/td><\/tr>
10<\/td>NYX & Laura Misch<\/td>Songs of Epping Forest :: Dreamscapes for Voice, Saxophone and Trees<\/td>NYX<\/td><\/td><\/tr>
11<\/td>Aaron Myers-Brooks<\/td>Oblique<\/td>New Focus<\/td><\/td><\/tr>
11<\/td>Actress<\/td>Dummy Corporation<\/td>Ninja Tune<\/td>EP<\/td><\/tr>
11<\/td>Alexis Degrenier<\/td>La mort aura tes yeux<\/td>Murailles<\/td><\/td><\/tr>
11<\/td>Ana Moura<\/td>Casa Huilhermina<\/td>Sony<\/td><\/td><\/tr>
11<\/td>Anne Eftern\u00f8ler & Lige B\u00f8rn<\/td>Anne Eftern\u00f8ler & Lige B\u00f8rn<\/td>Hobby Horse<\/td><\/td><\/tr>
11<\/td>Anthony Strong<\/td>Easy Sailing<\/td><\/td><\/td><\/tr>
11<\/td>Ben LaMar Gay<\/td>Certain Reveries<\/td>International Anthem<\/td><\/td><\/tr>
11<\/td>Bill Nace<\/td>Through a Room<\/td>Drag City<\/td><\/td><\/tr>
11<\/td>Black Eyed Peas<\/td>Elevation<\/td>Epic<\/td><\/td><\/tr>
11<\/td>Brace<\/td>Quaternity<\/td>Holuzam<\/td><\/td><\/tr>
11<\/td>Bright Eyes<\/td>I’m Wide Awake, It’s Morning: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
11<\/td>Bright Eyes<\/td>Digital Ash in a Digital Urn: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
11<\/td>Bright Eyes<\/td>Lifted or The Story Is in the Soil, Keep Your Ear to the Ground: A Companion<\/td>Dead Oceans<\/td>EP<\/td><\/tr>
11<\/td>Bruce Springsteen<\/td>Only The Strong Survive – Covers<\/td>Columbia<\/td><\/td><\/tr>
11<\/td>Chad Fowler, Ivo Perelman, Zoh Amba, Matthew Shipp, William Parker, Steve Hirsh<\/td>Alien Skin<\/td>Mahakala<\/td><\/td><\/tr>
11<\/td>Chantal Acda and Eric Thielemans<\/td>Koyaanisqatsi, a New Score<\/td>Sub Rosa<\/td><\/td><\/tr>
11<\/td>Charbel Haber<\/td>A Common Misunderstanding of the Speed of Light<\/td>Other People<\/td><\/td><\/tr>
11<\/td>Chelsea Grin<\/td>Suffer In Hell<\/td>oneRPM<\/td><\/td><\/tr>
11<\/td>Christine and the Queens<\/td>Redcar les adorables \u00e9toiles<\/td>Because<\/td><\/td><\/tr>
11<\/td>Colin Stetson<\/td>Chim\u200b\u00e6\u200bra I<\/td>Room40<\/td><\/td><\/tr>
11<\/td>Constellatia<\/td>Megisterial Romance<\/td><\/td><\/td><\/tr>
11<\/td>Dan Deacon<\/td>Wedding Season OST<\/td>Hollywood<\/td><\/td><\/tr>
11<\/td>Depeche Mode<\/td>Playing the Angel: The 12″ Singles<\/td>Mute<\/td>box arch<\/td><\/tr>
11<\/td>Dickie Landry & Lawrence Weiner<\/td>Having Been Built on Sand<\/td>Unseen Worlds<\/td><\/td><\/tr>
11<\/td>DJ Muggs & Jay Worthy<\/td>What They Hittin 4<\/td>Soul Assassins<\/td><\/td><\/tr>
11<\/td>Dream Unending<\/td>Song of Salvation<\/td>20 Buck Spin<\/td><\/td><\/tr>
11<\/td>Duval Timothy<\/td>Meeting with a Judas Tree<\/td>Carrying Colour<\/td><\/td><\/tr>
11<\/td>Echoes of Yul<\/td>The Blessing Bell<\/td><\/td><\/td><\/tr>
11<\/td>Elena Mindru With the Moldovan National Youth Orchestra<\/td>Hybrid<\/td><\/td><\/td><\/tr>
11<\/td>Epica<\/td>The Alchemy Project<\/td>Atomic Fire<\/td><\/td><\/tr>
11<\/td>Etceteral<\/td>Rhizome<\/td>tak:til<\/td><\/td><\/tr>
11<\/td>FaltyDL<\/td>A Nurse to My Patience<\/td>Blueberry<\/td><\/td><\/tr>
11<\/td>Fenella<\/td>The Metallic Index<\/td>Fire<\/td><\/td><\/tr>
11<\/td>Frederik Lundin & Odense Jazz Orchestra<\/td>It Takes All Kinds To Make A World<\/td>April<\/td><\/td><\/tr>
11<\/td>Glassine & Sam Haberman<\/td>Radial<\/td>Cachedmedia<\/td><\/td><\/tr>
11<\/td>Guns N’Roses<\/td>Use Your Illusion I & II (Super Deluxe)<\/td>Geffen<\/td><\/td><\/tr>
11<\/td>Hand Habits<\/td>Fun House: Blueprints<\/td>Saddle Creek<\/td><\/td><\/tr>
11<\/td>Hyd<\/td>Clearing<\/td>PC Music<\/td><\/td><\/tr>
11<\/td>J.WLSN<\/td>„1993”<\/td>Room40<\/td><\/td><\/tr>
11<\/td>J.WLSN<\/td>„1993”<\/td>Room40<\/td><\/td><\/tr>
11<\/td>Jambinai<\/td>Apparition<\/td>Bella Union<\/td><\/td><\/tr>
11<\/td>John Williams<\/td>The Fabelmans OST<\/td>Sony<\/td><\/td><\/tr>
11<\/td>Kode9<\/td>Astro-Darien<\/td>Hyperdub<\/td><\/td><\/tr>
11<\/td>L.S. Dunes<\/td>Past Lives<\/td>Fantasy<\/td><\/td><\/tr>
11<\/td>Little Snake<\/td>Driving On Acid<\/td>Brainfeeder<\/td><\/td><\/tr>
11<\/td>Loney Dear<\/td>Atlantis<\/td>Real World<\/td><\/td><\/tr>
11<\/td>Louis Tomlison<\/td>Faith in the Future<\/td><\/td><\/td><\/tr>
11<\/td>MGMT<\/td>„11-11-11”<\/td><\/td><\/td><\/tr>
11<\/td>Nas<\/td>King’s Disease III<\/td><\/td><\/td><\/tr>
11<\/td>Ned Milligan & John Atkinson<\/td>Loom<\/td>Cachedmedia<\/td><\/td><\/tr>
11<\/td>Ninajirachi<\/td>Second Nature<\/td><\/td><\/td><\/tr>
11<\/td>Olli Hirvonen<\/td>Kielo<\/td>Ropadope<\/td><\/td><\/tr>
11<\/td>Plaid<\/td>Feorm Falorx<\/td>Warp<\/td><\/td><\/tr>
11<\/td>Rauw Alejandro<\/td>Saturno<\/td>Sony<\/td><\/td><\/tr>
11<\/td>Run The Jewels<\/td>RTJ CU4TRO<\/td>Mass Appeal<\/td><\/td><\/tr>
11<\/td>Sarah Elizabeth Charles<\/td>Blank Canvas<\/td>Ropeadope<\/td><\/td><\/tr>
11<\/td>Sarathy Korwar<\/td>Kalak<\/td>The Leaf Label<\/td><\/td><\/tr>
11<\/td>SoFaygo<\/td>Pink Heartz<\/td>Cactus Jack<\/td><\/td><\/tr>
11<\/td>Solar Corona<\/td>Pace<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
11<\/td>Soul Blind<\/td>Feel It All Around<\/td><\/td><\/td><\/tr>
11<\/td>Steve Pacheco<\/td>Fades<\/td>Facture<\/td><\/td><\/tr>
11<\/td>STR4TA<\/td>STR4TASFEAR<\/td>Brownswood<\/td><\/td><\/tr>
11<\/td>Takehisa Kosugi + Akio Suzuki<\/td>New Sense of Hearing<\/td>Blank Forms<\/td><\/td><\/tr>
11<\/td>temp.<\/td>Taking Notes<\/td>American Dreams<\/td><\/td><\/tr>
11<\/td>Tiago Sousa<\/td>Ripples on the Surface<\/td>Holuzam<\/td><\/td><\/tr>
11<\/td>Tilth<\/td>Renewal<\/td>Cachedmedia<\/td><\/td><\/tr>
11<\/td>Trytony<\/td>Ta\u0144ce Bydgoskie<\/td>Muzyka z M\u00f3zgu\/Bocian <\/td>LP+CD, reed<\/td><\/tr>
11<\/td>Tyondai Braxton<\/td>Telekinesis<\/td>New Amsterdam<\/td><\/td><\/tr>
11<\/td>Uri Katzenstein<\/td>Audio Works<\/td>Black Truffle<\/td><\/td><\/tr>
11<\/td>VA<\/td>Live Forever: A Tribute to Billy Joe Shaver<\/td>New West<\/td><\/td><\/tr>
11<\/td>Vasco Mendon\u00e7a & Drumming GP<\/td>Play Off<\/td>Holuzam<\/td><\/td><\/tr>
11<\/td>Venus Ex Machina<\/td>Doxa<\/td>AD93<\/td><\/td><\/tr>
11<\/td>Warhaus<\/td>Ha Ha Heartbreak<\/td>PIAS<\/td><\/td><\/tr>
11<\/td>Wau Wau Collectif<\/td>Mariage<\/td>Sahel Sounds<\/td><\/td><\/tr>
11<\/td>Wind Tide<\/td>Sings<\/td>Cachedmedia<\/td><\/td><\/tr>
11<\/td>Wizkid<\/td>More Love, Less Ego<\/td>Sony<\/td><\/td><\/tr>
12<\/td>Heather Trost<\/td>Desert Flowers<\/td>Ba Da Bing!<\/td><\/td><\/tr>
14<\/td>Inkosi Lestar<\/td>Vina<\/td>Sat00rna<\/td><\/td><\/tr>
14<\/td>Martin Iddon and Apartment House<\/td>Naiad<\/td>Another Timbre<\/td><\/td><\/tr>
15<\/td>Black Country, New Road<\/td>Never Again Part 2 <\/td>NInja Tune<\/td>EP<\/td><\/tr>
15<\/td>Grzegorz Nawrocki<\/td>Moja mama ma depresj\u0119 i siedem innych piosenek o mi\u0142o\u015bci<\/td><\/td><\/td><\/tr>
15<\/td>Philip Jeck<\/td>Resistenza<\/td>Touch<\/td><\/td><\/tr>
15<\/td>The Muffins<\/td>Baker’s Dozen 6 [1977\u200b-\u200b1978]<\/td>Cuneiform<\/td><\/td><\/tr>
16<\/td>Cool Sorcery<\/td>Intergalactic Void Boys<\/td>Syf Records<\/td><\/td><\/tr>
16<\/td>Joshua Bonnetta<\/td>Innse Gall<\/td>Shelter Press<\/td><\/td><\/tr>
16<\/td>MIT<\/td>Przybli\u017cenia<\/td>Nasze Nagrania<\/td>MC, DL<\/td><\/tr>
16<\/td>Nathan Roche<\/td>Break Away<\/td>Born Bad<\/td><\/td><\/tr>
16<\/td>Philippe Mat\u00e9 \/ Jef Gilson<\/td>Workshop<\/td>Souffle Continu<\/td>arch<\/td><\/tr>
17<\/td>DIIV<\/td>Live at The Murmrr Theatre<\/td>Captured Tracks<\/td><\/td><\/tr>
17<\/td>Julek Ploski<\/td>Julek! Julek! Julek!<\/td>Glamour Label<\/td><\/td><\/tr>
17<\/td>Rutger Zuydervelt<\/td>Tuimelval<\/td><\/td><\/td><\/tr>
17<\/td>Sambor<\/td>Czarne motyle<\/td><\/td><\/td><\/tr>
17<\/td>Tomasz Gwinci\u0144ski<\/td>Waits Variations<\/td><\/td><\/td><\/tr>
18<\/td>$ilkmoney<\/td>I Don\u2019t Give a Fuck About This Rap Shit, Imma Just Drop Until I Don\u2019t Feel Like It Anymore<\/td>DB$B<\/td><\/td><\/tr>
18<\/td>Architects<\/td>The Classic Symptoms Of A Broken Spirit<\/td>Epitaph<\/td><\/td><\/tr>
18<\/td>Avram Fefer Quartet<\/td>Juba Lee<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>Badge \u00c9poque Ensemble & Lammping<\/td>Clouds of Joy: Chance of Rain<\/td>Telephone Explosion<\/td><\/td><\/tr>
18<\/td>Candlemass<\/td>Sweet Evil Sun<\/td>Napalm<\/td><\/td><\/tr>
18<\/td>Colin Stetson<\/td>The Menu OST<\/td>Milan<\/td><\/td><\/tr>
18<\/td>Cunningham \/ Nguyen \/ Shiroishi<\/td>Basket of Knives<\/td>Astral<\/td><\/td><\/tr>
18<\/td>Daniel Bachman<\/td>Almanac Behind<\/td>Three Lobed<\/td><\/td><\/tr>
18<\/td>Dezron Douglas<\/td>Atalaya<\/td>International Anthem <\/td><\/td><\/tr>
18<\/td>Disturbed<\/td>Divisive<\/td>Reprise<\/td><\/td><\/tr>
18<\/td>Duxius<\/td>Remanence<\/td>Springstoff<\/td><\/td><\/tr>
18<\/td>Emma Salokoski & Ilmiliekki Quartet<\/td>Joulu, joulu, jul<\/td>We Jazz<\/td><\/td><\/tr>
18<\/td>Eri Yamamoto<\/td>A Woman with a Purple Wig<\/td>Mahakala<\/td><\/td><\/tr>
18<\/td>Eric Ghost<\/td>Secret Sauce<\/td>Jazz Room<\/td><\/td><\/tr>
18<\/td>Everest Magma<\/td>Alto\/Piano<\/td>Black Sweat <\/td><\/td><\/tr>
18<\/td>Felix Laband<\/td>The Soft White Hand<\/td>Compost<\/td><\/td><\/tr>
18<\/td>Foushe\u00e9<\/td>Softcore<\/td>RCA<\/td><\/td><\/tr>
18<\/td>Garrett Saracho, Adrian Younge, Ali Shaheed Muhammad<\/td>Garrett Saracho JID015<\/td>Jazz Is Dead<\/td><\/td><\/tr>
18<\/td>G\u0142uszek, Lucier, Stasiowska, Zaumne, Zemla<\/td>Canti Spazializzati #11<\/td>Sound Art Forum \/ Canti Illuminati<\/td><\/td><\/tr>
18<\/td>Gorilla Mask<\/td>Mind Raid<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>Helen Ganya<\/td>Polish the Machine<\/td>Bella Union<\/td><\/td><\/tr>
18<\/td>Iftin Band (Kooxda Iftin)<\/td>Mogadishu’s Finest: The Al\u200b-\u200bUruba Sessions<\/td>Ostinato<\/td><\/td><\/tr>
18<\/td>Igor Lumpert’s Innertextures<\/td>I am the Spirit of the Earth<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>isomonstrosity & International Contermporary Ensemble<\/td>isomonstrosity: Johan Lenox \/ Ellen Reid \/ Yuga Cohler<\/td><\/td><\/td><\/tr>
18<\/td>Lori Freedman | Scott Thomson<\/td>Amber<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>Luigi Turra + Belinda Guerriero <\/td>Ressac<\/td>L-ne<\/td><\/td><\/tr>
18<\/td>Metal Preyers<\/td>Shadow Swamps<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
18<\/td>Neil Young & Crazy Horse<\/td>World Record<\/td>Reprise<\/td><\/td><\/tr>
18<\/td>Nichunimu<\/td>Un Cacho de Metal, Un Resto de Vaiv\u00e9n<\/td>577 Records<\/td><\/td><\/tr>
18<\/td>Noah Barker<\/td>Instrumental Memory<\/td>FPE<\/td><\/td><\/tr>
18<\/td>One Small Step<\/td>Gol Variations<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>ONO<\/td>Kate Cincinnati<\/td>American Dreams<\/td><\/td><\/tr>
18<\/td>Panda Bear and Sonic Boom<\/td>Reset (Songbook Instrumentals + Remixes)<\/td>Domino<\/td><\/td><\/tr>
18<\/td>Pawe\u0142 Domaga\u0142a<\/td>Narnia<\/td>Mystic<\/td><\/td><\/tr>
18<\/td>Per Zanussi & Vestnorsk Jazzensemble<\/td>Li (and the Infinite Game)<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>Phoebe Bridgers<\/td>So Much Wine EP<\/td>Dead Oceans<\/td><\/td><\/tr>
18<\/td>Pole<\/td>Tempus<\/td>Mute<\/td><\/td><\/tr>
18<\/td>Pulse Emitter<\/td>Dusk<\/td>Hausu Mountain<\/td><\/td><\/tr>
18<\/td>Pulverize The Sound<\/td>Black <\/td>More Is More<\/td><\/td><\/tr>
18<\/td>Rauelsson and Tatu R\u00f6nkk\u00f6<\/td>Myriadi<\/td>Beacon Sound<\/td><\/td><\/tr>
18<\/td>RGG<\/td>Endorfina<\/td><\/td><\/td><\/tr>
18<\/td>Ricardo Toscano Trio<\/td>Chasing Contradictions<\/td>Clean Feed<\/td><\/td><\/tr>
18<\/td>Richard Dawson<\/td>The Ruby Cord<\/td>Weird World<\/td><\/td><\/tr>
18<\/td>Roddy Ricch<\/td>Feed tha Streets III<\/td>Atlantic<\/td><\/td><\/tr>
18<\/td>Rodrigo Amado<\/td>Refraction Solo<\/td>Trost<\/td><\/td><\/tr>
18<\/td>R\u00f6yksopp <\/td>Profound Mysteries III<\/td>Dog Triumph<\/td><\/td><\/tr>
18<\/td>Ryszard Lubieniecki \/ Mateusz \u015amigasiewicz<\/td>Canti Spazializzati #10<\/td>Sound Art Forum \/ Canti Illuminati<\/td><\/td><\/tr>
18<\/td>Sarah Davachi<\/td>In Concert & In Residence<\/td>Late Music<\/td><\/td><\/tr>
18<\/td>SIO sicilian improvisers orchestra + THOLLEM<\/td>Omnileliomatic<\/td>Superpang<\/td><\/td><\/tr>
18<\/td>Soaked Oats<\/td>Working Title<\/td>Remote Control<\/td><\/td><\/tr>
18<\/td>Stan Zapalny<\/td>Moje ego<\/td>Magic<\/td>EP<\/td><\/tr>
18<\/td>Sunda Arc<\/td>Night Lands<\/td>Gondwana<\/td><\/td><\/tr>
18<\/td>T5UMUT5UMU<\/td>Sea of Trees<\/td>Hakuna Kulala <\/td>EP<\/td><\/tr>
18<\/td>Thaiboy Digital<\/td>Back 2 Life<\/td>YEAR0001<\/td><\/td><\/tr>
18<\/td>The Muffins<\/td>Baker’s Dozen 7 [1979\u200b-\u200b1980]<\/td>Cuneiform<\/td><\/td><\/tr>
18<\/td>The Muffins<\/td>Baker’s Dozen 5 [1977]<\/td>Cuneiform<\/td><\/td><\/tr>
18<\/td>Tom\u00e1\u0161 Niesner<\/td>Imerze<\/td>Dub Cthonic<\/td><\/td><\/tr>
18<\/td>Tuleje<\/td>Ciche miejsca<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td>CD \/ LP ltd.<\/td><\/tr>
18<\/td>Weyes Blood<\/td>And In The Darkness, Hearts Aglow<\/td>Sub Pop<\/td><\/td><\/tr>
18<\/td>Willie Nelson<\/td>Live at Budokan<\/td>Legacy<\/td><\/td><\/tr>
18<\/td>Young Igi<\/td>Notatki z marginesu<\/td><\/td><\/td><\/tr>
18<\/td>Zola Jesus<\/td>Alive in Capadocia<\/td>Sacred Bones<\/td><\/td><\/tr>
21<\/td>Blanck Mass<\/td>Gazza OST<\/td><\/td><\/td><\/tr>
21<\/td>Kossiga<\/td>Antropocene<\/td>Superpang<\/td><\/td><\/tr>
21<\/td>Lasus<\/td>Flewid<\/td>Noumenal Loom<\/td><\/td><\/tr>
21<\/td>\u015alina Trzaska<\/td>\u015alina Trzaska<\/td>Don’t Sit On My Vinyl<\/td>LP 12″+8″ ltd 66 (CD ju\u017c jest)<\/td><\/tr>
21<\/td>Themis Vasiliou<\/td>\u03a3\u200b\u03bf\u200b\u03bb\u200b\u03bf \u0395\u200b\u03bb\u200b\u03b5\u200b\u03ba\u200b\u03c4\u200b\u03c1\u200b\u03af\u200b\u03ba \/ Solo Electrique<\/td>Ramble<\/td><\/td><\/tr>
22<\/td>Jan Ptaszyn Wr\u00f3blewski Quartet<\/td>On the Road vol. 1<\/td>For Tune<\/td><\/td><\/tr>
22<\/td>Kate Brooks<\/td>Winterfest<\/td>Cafe Kaput<\/td><\/td><\/tr>
23<\/td>Dopolarians<\/td>Blues for Alvin Fielder<\/td>Mahakala<\/td><\/td><\/tr>
23<\/td>Magic Sword<\/td>Omnibus<\/td>Joyful Noise<\/td><\/td><\/tr>
23<\/td>VA<\/td>„5”<\/td>Chinabot<\/td><\/td><\/tr>
23<\/td>Zaliva-D<\/td>\u5b7d\u200b\u513f\u200b\u8c23 Misbegotten Ballads<\/td>SVBLKVLT<\/td><\/td><\/tr>
24<\/td>Ben Frost<\/td>1899 OST<\/td>Invada<\/td><\/td><\/tr>
24<\/td>Duchy of Warsaw<\/td>Songs of Love and Doom<\/td>Enjoy Life<\/td><\/td><\/tr>
25<\/td>Angelo M. Farro<\/td>The Night of the Electric Insects<\/td>Three:four<\/td><\/td><\/tr>
25<\/td>Antoni Mleczko <\/td>Pampalini \u0142owca zwierz\u0105t<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>Barbara Sikorska<\/td>Mniejsze z\u0142o<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>David Bowie<\/td>A Divine Symmetry | the journey to „Hunky Dory”<\/td>Parlophone<\/td>arch<\/td><\/tr>
25<\/td>David Bowie<\/td>Divine Symmetry<\/td>Parlophone<\/td><\/td><\/tr>
25<\/td>Elder<\/td>Innate Passage<\/td>Armageddon Shop <\/td><\/td><\/tr>
25<\/td>Elephant Dials<\/td>Binary Blues<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td>CD\/LP<\/td><\/tr>
25<\/td>Ergo Band \/ Gra\u017cyna \u0141obaszewska <\/td>Ergo Band \/ Gra\u017cyna \u0141obaszewska <\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>Fievel Is Glauque<\/td>Flaming Swords<\/td><\/td><\/td><\/tr>
25<\/td>Fleetwood Mac<\/td>The Alternate Collection<\/td>Rhino<\/td><\/td><\/tr>
25<\/td>Flight Coda<\/td>A Window at Night the 27th<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
25<\/td>Franck Vigroux<\/td>Magnetoscope<\/td>Raster<\/td><\/td><\/tr>
25<\/td>Gaye Su Akyol<\/td>Anadolu Ejderi<\/td>Glitterbeat<\/td><\/td><\/tr>
25<\/td>Henryk Debich<\/td>Przekora<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>Hiroshi Ebina<\/td>In Science and the Human Heart<\/td>Kitchen Label<\/td><\/td><\/tr>
25<\/td>Iago Fernandez<\/td>Luzada<\/td>Fresh Sound<\/td><\/td><\/tr>
25<\/td>Ikonika<\/td>Bubble Up<\/td>Hyperdub<\/td>EP<\/td><\/tr>
25<\/td>Ingredient<\/td>Ingredient<\/td>Telephone Explosion<\/td><\/td><\/tr>
25<\/td>Jean-Baptise Geoffroy<\/td>Unstable Music To Sleep While You’re Awake<\/td>Wabi-Sabi<\/td><\/td><\/tr>
25<\/td>Jukka Haavisto<\/td>Reflections<\/td>Eclipse<\/td><\/td><\/tr>
25<\/td>L\u00e4uten der Seele<\/td>Die Mariengrotte als Trinkwasseraufbereitungsanlage<\/td>Hands in the Dark<\/td><\/td><\/tr>
25<\/td>Louis Villain<\/td>Maestro<\/td><\/td><\/td><\/tr>
25<\/td>Love<\/td>Expressions Tell Everything<\/td>New Land<\/td>komp<\/td><\/tr>
25<\/td>Marc Richter<\/td>MM\u200b\u221e\u200bXX Vol\u200b.\u200b1 & 2<\/td>Dekorder<\/td><\/td><\/tr>
25<\/td>Marcel Dettmann<\/td>Fear of Programming<\/td>Dekmantel<\/td><\/td><\/tr>
25<\/td>Marek Wilczy\u0144ski<\/td>Bolek i Lolek na Dzikim Zachodzie<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>Marker Starling<\/td>Diamond Violence<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
25<\/td>Mats Gustafsson & NU ENSEMBLE<\/td>Hidros 8 – Heal<\/td>Trost<\/td><\/td><\/tr>
25<\/td>Myl\u00e8ne Farmer<\/td>L’emrpise<\/td>Sony<\/td><\/td><\/tr>
25<\/td>Neptunian Maximialism<\/td>Finis Gloriae Mundi<\/td>I, Voidhanger<\/td><\/td><\/tr>
25<\/td>Peter Broderick<\/td>Piano Works Vol. 1 (Floating in Tucker’s Basement)<\/td>Erased Tapes<\/td><\/td><\/tr>
25<\/td>Portico Quartet Ensemble<\/td>Terrain (Extended) – Live in Studio One: An Abbey Road 90th Session<\/td>Gondwana<\/td><\/td><\/tr>
25<\/td>Prado<\/td>Machines<\/td>Buh<\/td><\/td><\/tr>
25<\/td>Royal Flux<\/td>Splash of Royalty<\/td>Flex Entertainment<\/td><\/td><\/tr>
25<\/td>Run Logan Run<\/td>Nature Will Take Care of You<\/td>Worm Discs<\/td><\/td><\/tr>
25<\/td>\u200bs \u200bt \u200ba \u200br \u200bg \u200ba \u200bz \u200be<\/td>One<\/td>Transgressive<\/td><\/td><\/tr>
25<\/td>Sophie Ellis-Bextor<\/td>Sophie Ellis-Bextor’s Kitchen Disco (Live at The London Palladium)<\/td><\/td><\/td><\/tr>
25<\/td>Sorry Boys<\/td>Renesans<\/td>Mystic<\/td><\/td><\/tr>
25<\/td>Soundwalk Collective & Patti Smith<\/td>The Perfect Vision Reworkings<\/td>Bella Union<\/td><\/td><\/tr>
25<\/td>Stargaze<\/td>One<\/td>Transgressive<\/td><\/td><\/tr>
25<\/td>Stormzy<\/td>This Is What I Mean<\/td>Def Jam<\/td><\/td><\/tr>
25<\/td>That’s How I Fight<\/td>Between Movements EP<\/td>Zoharum<\/td>EP<\/td><\/tr>
25<\/td>The Cure<\/td>Wish: 30th Anniversary Edition – Remastered<\/td><\/td><\/td><\/tr>
25<\/td>The Supreme Court <\/td>The Supreme Vibe<\/td>April<\/td><\/td><\/tr>
25<\/td>Ultravox<\/td>Rage in Eden [Steven Wilson stereo mix]<\/td>Chrysalis<\/td>reed<\/td><\/tr>
25<\/td>Un Caddie Renvers\u00e9 dans l’Herbe<\/td>Nighturns<\/td>Dekorder<\/td><\/td><\/tr>
25<\/td>Ura<\/td>Baby with a Halo<\/td>Motion Ward<\/td><\/td><\/tr>
25<\/td>Uusi Aika<\/td>Uusi Aika<\/td>We Jazz<\/td><\/td><\/tr>
25<\/td>VA<\/td>Pop Ambient 2023<\/td>Kompakt<\/td><\/td><\/tr>
25<\/td>VA<\/td>The Best Of Studio Film\u00f3w Rysunkowych<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>VA<\/td>Mini. Polish Animated Shorts 1966-69<\/td>GAD<\/td>CD, arch<\/td><\/tr>
25<\/td>VA<\/td>River of Revenge: Brazilian Country Music 1929\u200b-\u200b1961, Vol. 1<\/td>Death Is Not The End<\/td><\/td><\/tr>
25<\/td>Vengeur<\/td>Par feu et par flammes<\/td>I, Voidhanger<\/td><\/td><\/tr>
25<\/td>Vincent<\/td>Stany<\/td>Seagull Ross<\/td><\/td><\/tr>
25<\/td>Vindicatrix<\/td>One or Several Tigers<\/td>Dekorder<\/td><\/td><\/tr>
25<\/td>VLMV<\/td>Flora & Fauna<\/td>Bigo & Twigetti<\/td>EP<\/td><\/tr>
25<\/td>\u30d6\u30e9\u30c3\u30af\u30fb\u30df\u30c7\u30a3 [black midi]<\/td>\u30e9\u30a4\u30f4\u30fb\u30d5\u30a1\u30a4\u30e4 (Live Fire)<\/td>Rough Trade<\/td><\/td><\/tr>
26<\/td>Aga Zaryan<\/td>Sara<\/td>Warner<\/td><\/td><\/tr>
27<\/td>Alex Zhang Hungtai<\/td>Swimming Bird<\/td><\/td><\/td><\/tr>
28<\/td>Gintas K. & Michelle O’Rourke<\/td>Sorry Gold<\/td>Zoharum<\/td><\/td><\/tr>
28<\/td>Rafael Toral<\/td>Space Study 3<\/td><\/td>EP<\/td><\/tr>
28<\/td>Tomasz Mre\u0144ca<\/td>Torn Soundscapes<\/td><\/td><\/td><\/tr>
29<\/td>Hand Habits<\/td>Fun House + Blueprints<\/td>Saddle Creek<\/td><\/td><\/tr>
29<\/td>Kr\u00f3l\u00f3wczana Smuga<\/td>Sport Patriotyzm Militaria<\/td>Requiem<\/td><\/td><\/tr>
29<\/td>Modern Studies<\/td>Cassandra<\/td>Fire<\/td><\/td><\/tr>
29<\/td>Vidna Obmana & PBK<\/td>Monument Of Empty Colours \/ Depression & Ideal<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Bester Quartet<\/td>Hustle and Bustle<\/td>For Tune<\/td><\/td><\/tr>
30<\/td>Designers<\/td>Designers<\/td>We Jazz<\/td><\/td><\/tr>
30<\/td>Giving Head<\/td>Utwory wybrane i inne<\/td>Enjoy Life<\/td><\/td><\/tr>
30<\/td>Kamil Kukla<\/td>Water Ghost<\/td>Glamour Label<\/td><\/td><\/tr>
30<\/td>Michel Kristof and Makoto Sato<\/td>Wasabi Lullaby<\/td>Ramble<\/td><\/td><\/tr>
30<\/td>Satomimagae<\/td>Awa (expanded)<\/td>RVNG Intl<\/td><\/td><\/tr>
30<\/td>Zimn\u00ed pneu<\/td>Kvalitn\u00ed dema a alba<\/td>Poli5<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Current 93 Her Ghost Sings Spheres 1 Klein Star In The Hood 1 Sault Today & Tomorrow 1 Sault AIIR 1 Sault „11” 1 Sault (Unititled) God 1 Sault Earth 2 Francesca Naibo So Much Time Ramble 2 Muriel Grossmann Universal Code 2 Tomek Glazik Unsettled Status 3 Ben Frost Broken Spectre Vinyl Factory […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34958"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=34958"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34958\/revisions"}],"predecessor-version":[{"id":35696,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/34958\/revisions\/35696"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=34958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}