{"id":35991,"date":"2023-01-04T09:21:07","date_gmt":"2023-01-04T08:21:07","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=35991"},"modified":"2024-01-12T09:08:15","modified_gmt":"2024-01-12T08:08:15","slug":"premiery-01-2023","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-01-2023\/","title":{"rendered":"PREMIERY 01.2023"},"content":{"rendered":"\n
1<\/td>Bisz<\/td>Ulisses<\/td>PchamyTenSyf<\/td><\/td><\/tr>
1<\/td>Canine Callgirls<\/td>Feline Textboys<\/td><\/td><\/td><\/tr>
1<\/td>Earth<\/td>Even Hell Has Its Heroes<\/td>Thrones and Dominions<\/td><\/td><\/tr>
1<\/td>Jason Moran<\/td>From the Dancehall to the Battlefield<\/td>Yes<\/td><\/td><\/tr>
1<\/td>M.O.O.N.<\/td>Waste Away<\/td><\/td>EP<\/td><\/tr>
1<\/td>Moby<\/td>ambient23<\/td><\/td><\/td><\/tr>
1<\/td>Oedipus Apartment Complex<\/td>The Blissful Sounds of Miracula<\/td><\/td><\/td><\/tr>
2<\/td>Audry<\/td>Undisclosed Advertising & End Credits<\/td><\/td><\/td><\/tr>
2<\/td>Chris Cutler<\/td>In a Box. Compositions and Collaborations, 1972-2022<\/td>ReR<\/td>arch<\/td><\/tr>
2<\/td>Grzegorz Bojanek<\/td>Na trasie Kolei Warszawsko – Wiede\u200b\u0144\u200bskiej | Nagrania terenowe<\/td><\/td><\/td><\/tr>
2<\/td>Mark Jenkin<\/td>Enys Men OST<\/td>Invada<\/td><\/td><\/tr>
2<\/td>Meeting By Chance<\/td>(stand still)<\/td><\/td><\/td><\/tr>
2<\/td>N O More<\/td>Meaningful Human Control<\/td>Scatter<\/td><\/td><\/tr>
2<\/td>Pere Grindo<\/td>House of Ambici<\/td>Sat00rna<\/td><\/td><\/tr>
5<\/td>Eiko Ishibashi<\/td>Cryonic<\/td><\/td><\/td><\/tr>
5<\/td>Eric Fogerty<\/td>Music of Modern Noh<\/td><\/td><\/td><\/tr>
5<\/td>Eric Fogerty<\/td>Music of Modern Noh 2<\/td><\/td><\/td><\/tr>
5<\/td>Karyman<\/td>Roads and Ways<\/td>Sat00rna<\/td><\/td><\/tr>
6<\/td>Asleep Country <\/td>Fake Opulent<\/td>New Motion<\/td><\/td><\/tr>
6<\/td>Beatriz Ferreyra<\/td>Senderos de luz y sombras<\/td>Recollection GRM<\/td><\/td><\/tr>
6<\/td>Blanck Mass<\/td>The Rig (Prime Video Original Series Soundtrack)<\/td>Invada<\/td><\/td><\/tr>
6<\/td>Cakedog<\/td>War Room 4<\/td>Leaving<\/td><\/td><\/tr>
6<\/td>Daniel Teruggi<\/td>Sph\u200b\u00e6\u200bra<\/td>Recollection GRM<\/td><\/td><\/tr>
6<\/td>Eliane Radigue<\/td>In Memoriam-Ostinato \/ Danse des Dakinis<\/td>Alga Marghen<\/td><\/td><\/tr>
6<\/td>Eyot Tapes<\/td>Paradise Lost<\/td>Muscut<\/td><\/td><\/tr>
6<\/td>Heather Stebbins<\/td>At the end of the sky<\/td>Superpang<\/td><\/td><\/tr>
6<\/td>Iggy Pop<\/td>Every Loser<\/td>Goldtooth<\/td><\/td><\/tr>
6<\/td>Manish Pingle<\/td>Samarpan<\/td>Ramble Records<\/td><\/td><\/tr>
6<\/td>Max Johnson<\/td>When the Streets Were Quiet<\/td>New Focus<\/td><\/td><\/tr>
6<\/td>Nicole Dollanganger<\/td>Married in Mount Airy<\/td><\/td><\/td><\/tr>
6<\/td>Paul Dunmall, Paul Rogers, Tony Orrell<\/td>That’s My Life<\/td>577 Records<\/td><\/td><\/tr>
6<\/td>Teus Nobel Liberty Group ft. Jasper Blom and Teis Semey<\/td>Human First<\/td>PIAS<\/td><\/td><\/tr>
6<\/td>The Black Dog<\/td>Music for Dead Airports<\/td><\/td><\/td><\/tr>
6<\/td>The Legendary Pink Dots<\/td>Only Dreaming<\/td><\/td>arch<\/td><\/tr>
7<\/td>Russ Young<\/td>Cloak<\/td>Audiobulb<\/td><\/td><\/tr>
7<\/td>Suavas Lewy<\/td>musicaLoveLove (piosenki z musicalu)<\/td>Nasze Nagrania<\/td><\/td><\/tr>
7<\/td>Tomek Glazik<\/td>Something Like Contemporary Noise (Solo)<\/td><\/td><\/td><\/tr>
8<\/td>Nemoc<\/td>Schwarzprior<\/td>Poli5<\/td><\/td><\/tr>
10<\/td>Groupshow (Jelinek, Leichtmann, Pekler)<\/td>Live At Skymall<\/td>Staubgold<\/td>reed<\/td><\/tr>
10<\/td>Hakki Obadia<\/td>Master Musician Plays Middle East Classics: Iraqi\u200b-\u200bAmerican Violinist & Composer, 1958\u200b-\u200b72<\/td>Canary<\/td>arch<\/td><\/tr>
11<\/td>Immaterial Possession<\/td>Immaterial Possession<\/td>Fire<\/td><\/td><\/tr>
11<\/td>VA<\/td>Od Wielunia – Sieczka brz\u200b\u0119\u200bczy, owies brz\u200b\u0119\u200bczy<\/td>In crudo<\/td><\/td><\/tr>
11<\/td>Wrong Dials<\/td>Future Tragedies<\/td>Hiss Collective<\/td><\/td><\/tr>
12<\/td>Hummingbird<\/td>L\u200b\u00e4\u200bngd<\/td>Facture<\/td><\/td><\/tr>
12<\/td>Seven Rivers of Fire<\/td>Hail Star of the Sea<\/td>Ramble<\/td><\/td><\/tr>
13<\/td>Aidan Blue<\/td>Pleasures of Destruction<\/td>Antenna Non Grata<\/td><\/td><\/tr>
13<\/td>Anchor and Burden<\/td>Kosmonautik Pilgrimage<\/td>MoonJune<\/td><\/td><\/tr>
13<\/td>Bell Orchestre<\/td>Recording a Tape the Colour of the Light<\/td>Erased Tapes<\/td>reed<\/td><\/tr>
13<\/td>Belle and Sebastian <\/td>Late Developers<\/td>Matador<\/td><\/td><\/tr>
13<\/td>Billy Nomates<\/td>CACTI<\/td>Invada<\/td><\/td><\/tr>
13<\/td>Bzdet<\/td>Daleko od OK<\/td>Syf Records<\/td><\/td><\/tr>
13<\/td>Circa Waves<\/td>Never Going Under<\/td><\/td><\/td><\/tr>
13<\/td>Clavish<\/td>Rap Game Awful<\/td>Polydor<\/td>mixtape<\/td><\/tr>
13<\/td>Declaime & Madlib<\/td>In the Beginning vol. 3<\/td>Fat Beats Distribution<\/td><\/td><\/tr>
13<\/td>Dom<\/td>Dom<\/td>Karott Kommando<\/td><\/td><\/tr>
13<\/td>Gaia Wilmer Large Ensemble<\/td>Folia: The Music of Egberto Gismonti<\/td>Sunnyside<\/td><\/td><\/tr>
13<\/td>Gaz Coombes<\/td>Turn the Car Around<\/td>Hot Fruit\/Virgin<\/td><\/td><\/tr>
13<\/td>Halme Prospekt<\/td>Prospektagon<\/td>Eclipse<\/td><\/td><\/tr>
13<\/td>James Yorkston, Nina Persson & The Second Hand Orchestra<\/td>The Great White Sea Eagle<\/td>Domino<\/td><\/td><\/tr>
13<\/td>Julia Wolf<\/td>Good Thing We Stayed<\/td>Poorchoice Music<\/td><\/td><\/tr>
13<\/td>Liela Moss<\/td>Internal Working Model<\/td>Bella Union<\/td><\/td><\/tr>
13<\/td>Lucas Santtana<\/td>O Para\u200b\u00ed\u200bso<\/td>No Format!<\/td><\/td><\/tr>
13<\/td>Margo Price<\/td>Strays<\/td>Loma Vista<\/td><\/td><\/tr>
13<\/td>Memphis LK<\/td>Too Much Fun<\/td>Remote Control<\/td><\/td><\/tr>
13<\/td>Obituary<\/td>Dying of Everything<\/td>Rrelapse<\/td><\/td><\/tr>
13<\/td>Oliver Coates<\/td>Aftersun OST<\/td><\/td><\/td><\/tr>
13<\/td>Rozi Plain<\/td>Prize<\/td>Memphis Industries<\/td><\/td><\/tr>
13<\/td>Scott Cazan<\/td>Three<\/td>Superpang<\/td><\/td><\/tr>
13<\/td>Tachycardie<\/td>Autonomie Min\u00e9rale<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
13<\/td>Takashi Kokubo & Andrea Esperti<\/td>Music for a Cosmic Garden<\/td>WRWTFWW<\/td><\/td><\/tr>
13<\/td>The Subways<\/td>Uncertain Joys<\/td>Alcopop!<\/td><\/td><\/tr>
13<\/td>The Wise Man’s Fear<\/td>Atlas Ruinica<\/td><\/td><\/td><\/tr>
13<\/td>Tiago Sousa<\/td>Organic Music Tapes vol. 2<\/td>Discrepant<\/td><\/td><\/tr>
13<\/td>Tujiko Noriko<\/td>Cr\u200b\u00e9\u200bpuscule I & II<\/td>Editions Mego<\/td><\/td><\/tr>
13<\/td>Velvet Negroni<\/td>Bulli<\/td>4AD<\/td><\/td><\/tr>
13<\/td>Ze\u00f1el<\/td>Zenel 5ive<\/td>Jazz Re:Freshed<\/td><\/td><\/tr>
14<\/td>Eiko Ishibashi \/ Jim O’Rourke<\/td>Live in Okayama<\/td><\/td><\/td><\/tr>
16<\/td>Tim Daisy \/ Erez Dessel<\/td>Open Spiral<\/td>Catalytic-Sound<\/td><\/td><\/tr>
16<\/td>Wudec<\/td>Missing Pages<\/td>Nagrania Somnambuliczne<\/td><\/td><\/tr>
17<\/td>Dave Rempis \/ Elisabeth Harnik \/ Fred Lonberg-Holm \/ Tim Daisy<\/td>Earscratcher<\/td>Catalytic-Sound<\/td><\/td><\/tr>
17<\/td>Ryuichi Sakamoto<\/td>„12”<\/td>Milan<\/td><\/td><\/tr>
18<\/td>Paul Lytton & Ken Vandermark<\/td>Distant Cousins<\/td>Catalytic-Sound<\/td><\/td><\/tr>
18<\/td>\u015apiewacy z Baszkowa<\/td>Pie\u015bni za umar\u0142ym<\/td>In Crudo<\/td><\/td><\/tr>
18<\/td>Vladislav Delay<\/td>Hide Behind the Silence EP 1<\/td>Rajaton<\/td><\/td><\/tr>
19<\/td>Buck Curran<\/td>Immortal Light<\/td>Ramble<\/td><\/td><\/tr>
19<\/td>Francisco Mela featuring Cooper-Moore and William Parker<\/td>Music Frees Our Souls Vol. 2<\/td>577 records<\/td><\/td><\/tr>
20<\/td>Aidan Baker & Sergio Sorrentin<\/td>And the Clouds Played the Guitar<\/td><\/td><\/td><\/tr>
20<\/td>Anders Jormin<\/td>Pasado en Claro<\/td>ECM<\/td><\/td><\/tr>
20<\/td>Andrew Cyrille<\/td>Music Delivery \/ Percussion<\/td>Intakt<\/td><\/td><\/tr>
20<\/td>Andrzej Korzy\u0144ski <\/td>Diabe\u0142 OST<\/td>Finders Keepers<\/td>arch<\/td><\/tr>
20<\/td>Art Ensemble of Chicago<\/td>The Sixth Decade – From Paris to Paris<\/td>RogueArt<\/td><\/td><\/tr>
20<\/td>Boldy James & Richgains<\/td>Indiana Jones<\/td><\/td><\/td><\/tr>
20<\/td>Brainiac<\/td>The Predator Nominate<\/td>Touch and Go<\/td>EP<\/td><\/tr>
20<\/td>Christoph Irniger Pilgrim with Stefan Aeby, Dave Gisler, Raffaele Bossard and Michael Stulz<\/td>Ghost Cat<\/td>Intakt<\/td><\/td><\/tr>
20<\/td>Danny Arakaki<\/td>Tumble in Shade<\/td>Husky Pants<\/td><\/td><\/tr>
20<\/td>Dave Rowntree<\/td>Radio Songs<\/td>Cooking Vinyl<\/td><\/td><\/tr>
20<\/td>DRY THRUST – Graewe\/Siewert\/Kern<\/td>The Less You Sleep<\/td>Trost<\/td><\/td><\/tr>
20<\/td>Falling Forward<\/td>Let These Days Pass: The Complete Anthology 1991\u200b-\u200b1995<\/td>Temporary Residence<\/td><\/td><\/tr>
20<\/td>Fred Frith \/ Susana Santos Silva<\/td>Laying Demons to Rest<\/td>RogueArt<\/td><\/td><\/tr>
20<\/td>Gamut Inc.<\/td>Sum to Infinity<\/td>Morphine<\/td><\/td><\/tr>
20<\/td>Ghost Woman<\/td>Anne, If<\/td>Full Time Hobby<\/td><\/td><\/tr>
20<\/td>Glyders<\/td>Maria’s Hunt<\/td><\/td><\/td><\/tr>
20<\/td>Go\u0142\u0119bie<\/td>Ze s\u0142\u00f3w witra\u017ce<\/td><\/td><\/td><\/tr>
20<\/td>Imperium Dekadenz<\/td>Into Sorrow Evermore<\/td>Napalm<\/td><\/td><\/tr>
20<\/td>J.T. IV<\/td>The Future<\/td>Drag City<\/td>arch<\/td><\/tr>
20<\/td>John Cale<\/td>Mercy<\/td>Double Six<\/td><\/td><\/tr>
20<\/td>John Zorn<\/td>New Masada Quartet Volume Two<\/td>Tzadik<\/td><\/td><\/tr>
20<\/td>Judy Talk<\/td>Remember Never Before<\/td>Six Shooter <\/td><\/td><\/tr>
20<\/td>Kali Malone (featuring Stephen O\u2019Malley & Lucy Railton)<\/td>Does Spring Hide Its Joy<\/td>Ideologic Organ<\/td><\/td><\/tr>
20<\/td>Katatonia<\/td>Sky Void of Stars<\/td><\/td><\/td><\/tr>
20<\/td>Kawashima \/ Mochizuki \/ Henritzi<\/td>Chinmoku wa ishikure ni yadoru bouryoku<\/td>Trost<\/td><\/td><\/tr>
20<\/td>Ladytron<\/td>Time’s Arrow<\/td>Cooking Vinyl<\/td><\/td><\/tr>
20<\/td>Laibach<\/td>Love I Still Alive EP<\/td><\/td><\/td><\/tr>
20<\/td>L\u00e5psley<\/td>Cautionary Tales of Youth<\/td>Believe<\/td><\/td><\/tr>
20<\/td>Lionel Marchett & Decibel<\/td>Inland Lake (le lac int\u200b\u00e9\u200brieur)<\/td>Room40<\/td><\/td><\/tr>
20<\/td>Loadbang and Ekmeles with guests<\/td>The Consent of Sound and Meaning: Music of Eric Richards<\/td>New Focus<\/td><\/td><\/tr>
20<\/td>Mac DeMarco<\/td>Five Easy Hot Dogs<\/td>Mac’s Record Label<\/td><\/td><\/tr>
20<\/td>M\u00e5neskin<\/td>Rush!<\/td>Epic<\/td><\/td><\/tr>
20<\/td>Martina Bertoni<\/td>Hypnagogia<\/td>Karlrecords<\/td><\/td><\/tr>
20<\/td>Mette Heriette<\/td>Drifting<\/td>ECM<\/td><\/td><\/tr>
20<\/td>Mike Majkowski<\/td>Coast<\/td>Fragments Editions<\/td><\/td><\/tr>
20<\/td>New Found Glory<\/td>Make the Most of It<\/td>Revelation<\/td><\/td><\/tr>
20<\/td>Nighttime<\/td>Keeper Is the Heart<\/td>Ba Da Bing<\/td><\/td><\/tr>
20<\/td>Oddisee<\/td>To What End<\/td>Outer Note<\/td><\/td><\/tr>
20<\/td>Refree<\/td>El Espacio Entre<\/td>Glitterbeat<\/td><\/td><\/tr>
20<\/td>Riverside<\/td>ID.Entity<\/td><\/td><\/td><\/tr>
20<\/td>RM Francis<\/td>pedimos un mensaje<\/td>Superpang<\/td><\/td><\/tr>
20<\/td>Scalp<\/td>Black Tar<\/td>Closed Casket Activities<\/td><\/td><\/tr>
20<\/td>Simon Scott<\/td>Long Drove<\/td>Room40<\/td><\/td><\/tr>
20<\/td>Ted Reichman<\/td>Orgelwerke<\/td>Touch<\/td><\/td><\/tr>
20<\/td>The Bad Ends<\/td>The Power and the Glory<\/td>New West<\/td><\/td><\/tr>
20<\/td>The Murder Capital<\/td>Gigi’s Recovery<\/td>Human Season<\/td><\/td><\/tr>
20<\/td>Tribunal<\/td>The Weight of Remembrance<\/td>20 Buck Spin<\/td><\/td><\/tr>
20<\/td>VA<\/td>Further On: The Songs of Billy Conway<\/td><\/td><\/td><\/tr>
20<\/td>We Are Scientists<\/td>Lobes<\/td><\/td><\/td><\/tr>
20<\/td>you.GURU<\/td>Untouchable<\/td>Antena Krzyku<\/td><\/td><\/tr>
21<\/td>Laura Cannell<\/td>The Dovecote Sessions<\/td>Brawl<\/td><\/td><\/tr>
22<\/td>Emanuel Harrold<\/td>We da People <\/td>Gearbox<\/td><\/td><\/tr>
23<\/td>Ampscent<\/td>Nothing But the World<\/td>Zoharum<\/td><\/td><\/tr>
23<\/td>Brandkommando<\/td>„1989”<\/td>Zoharum<\/td><\/td><\/tr>
23<\/td>Deathprod<\/td>Compositions<\/td>Smalltown Supersound<\/td><\/td><\/tr>
23<\/td>Luciano Bagnasco<\/td>Procesos Cruzados<\/td>Ramble<\/td><\/td><\/tr>
23<\/td>Mark William Lewis<\/td>Living<\/td><\/td><\/td><\/tr>
23<\/td>Max W\u00fcrden<\/td>Landmark<\/td>A Strangely Isolated Place<\/td><\/td><\/tr>
23<\/td>Mike Nyoni & Born Free<\/td>My Own Thing<\/td>Now-Again<\/td>arch<\/td><\/tr>
23<\/td>Paternoster<\/td>The Ersten Tage<\/td>Now-Again<\/td>arch<\/td><\/tr>
25<\/td>AR . MA<\/td>509 Kilometr<\/td>Father and Son Records & Tapes<\/td><\/td><\/tr>
25<\/td>Koki Nakano<\/td>Soft Sculptures<\/td>No Format<\/td><\/td><\/tr>
25<\/td>Pod\u0142oga<\/td>EP 1\/4<\/td><\/td><\/td><\/tr>
26<\/td>Christopher Haworth<\/td>Auditory Distorion Synthesis<\/td>Superpang<\/td><\/td><\/tr>
26<\/td>Otto Sidharta<\/td>Kajang<\/td>Sub Rosa<\/td><\/td><\/tr>
26<\/td>VA<\/td>Tickets For Doomsday: Heavy Psychedelic Funk & Soul Ballads and Dirges 1970\u200b-\u200b1975<\/td>Now-Again<\/td>arch<\/td><\/tr>
27<\/td>…And Oceans<\/td>As In Gardens, So In Tombs<\/td>Season of Mists<\/td><\/td><\/tr>
27<\/td>Asher<\/td>Automatism<\/td>Room40<\/td><\/td><\/tr>
27<\/td>Asher Tuil<\/td>Automatism<\/td>Room40<\/td><\/td><\/tr>
27<\/td>Ava Max<\/td>Diamonds & Dabcefloors<\/td>Atlantic<\/td><\/td><\/tr>
27<\/td>Bass Drum of Death<\/td>Say I Won’t <\/td>Fat Possum<\/td><\/td><\/tr>
27<\/td>Bob Dylan<\/td>The Bootleg Series Vol. 17: Fragments – Time Out of Mind Sessions (1996-1997)<\/td>Columbia<\/td><\/td><\/tr>
27<\/td>Brian Eno<\/td>Lux 1<\/td>Universal<\/td>EP<\/td><\/tr>
27<\/td>Burnt Friedman<\/td>Hexenschuss<\/td>Nonplace<\/td><\/td><\/tr>
27<\/td>Christine Correa<\/td>Just You Stand and Listen with Me<\/td>Sunnyside<\/td><\/td><\/tr>
27<\/td>Complete Mountain Almanac<\/td>Complete Mountain Almanac<\/td>Bella Union<\/td><\/td><\/tr>
27<\/td>Cristobal Tapia De Veer<\/td>The White Lotus OST<\/td>WRWTFWW<\/td><\/td><\/tr>
27<\/td>Crosslegged<\/td>Another Blue<\/td><\/td><\/td><\/tr>
27<\/td>Dariusz Kozakiewicz<\/td>Krokodyl<\/td>Agencja Muzyczna Polskiego Radia<\/td><\/td><\/tr>
27<\/td>Dobrawa Czocher<\/td>Dreamscapes<\/td>Modern\/BMG<\/td><\/td><\/tr>
27<\/td>Eagle-Eye Cherry<\/td>Back On Track<\/td>Playground<\/td><\/td><\/tr>
27<\/td>Fucked Up<\/td>One Day<\/td>Merge<\/td><\/td><\/tr>
27<\/td>Golia \/ Shiroishi \/ Sikora \/ Skrowaczewski \/ Wedman \/ Zappa<\/td>HelMel<\/td>Fort Evil Fruit<\/td><\/td><\/tr>
27<\/td>Hen Ogledd<\/td>Bronze<\/td>Drag City<\/td>reed<\/td><\/tr>
27<\/td>Hen Ogledd<\/td>Hen Ogledd<\/td>Drag City<\/td>reed<\/td><\/tr>
27<\/td>Ibukun Sunday<\/td>PSALM010: Mantra<\/td>Phantom Limb<\/td><\/td><\/tr>
27<\/td>Incanus<\/td>Long Gone Leisures<\/td>Antenna Non Grata<\/td><\/td><\/tr>
27<\/td>J. Rocc<\/td>Beatitudes<\/td>Stones Throw<\/td><\/td><\/tr>
27<\/td>Jo Johnson<\/td>The Wave Ahead<\/td>Mysteries of the Deep<\/td><\/td><\/tr>
27<\/td>Joe Henry<\/td>All The Eye Can See<\/td><\/td><\/td><\/tr>
27<\/td>Kimbra<\/td>A Reckoning<\/td><\/td><\/td><\/tr>
27<\/td>King Tuff<\/td>Smalltown Stardust<\/td>Sub Pop<\/td><\/td><\/tr>
27<\/td>King Vision Ultra<\/td>Shook World (hosted by Algiers)<\/td>PTP<\/td><\/td><\/tr>
27<\/td>Lakecia Benjamin<\/td>Phoenix<\/td>Whirlwinds<\/td><\/td><\/tr>
27<\/td>Le Cri du Caire<\/td>Le Cri du Caire<\/td>Les Disques du Festival Permanent<\/td><\/td><\/tr>
27<\/td>Lil Yachty<\/td>Let’s Start Here<\/td>Quality Control<\/td><\/td><\/tr>
27<\/td>Lilicox<\/td>Drums (Lata)<\/td>Principe<\/td><\/td><\/tr>
27<\/td>Little North<\/td>Wide Open<\/td>April<\/td><\/td><\/tr>
27<\/td>Matthias Puech<\/td>Mt. Hadamard National Park<\/td>Hallow Ground<\/td><\/td><\/tr>
27<\/td>Meg Baird<\/td>Furling<\/td>Drag City<\/td><\/td><\/tr>
27<\/td>Molly Joyce<\/td>Perspective: Open Arms EP<\/td>New Amsterdam<\/td><\/td><\/tr>
27<\/td>Nabat\u00e9 Isles<\/td>En motion<\/td>Ropeadope<\/td><\/td><\/tr>
27<\/td>Nat Birchall<\/td>The Infinite<\/td><\/td><\/td><\/tr>
27<\/td>Oozing Wound<\/td>We Cater to Cowards<\/td>Thrill Jockey<\/td><\/td><\/tr>
27<\/td>Phil Ranelin, Wendell Harrison, Adrian Younge, Ali Shaheed Muhammad<\/td>Phil Ranelin and Wendell Harrison JID016<\/td>Jazz Is Dead<\/td><\/td><\/tr>
27<\/td>Postar Benny<\/td>University!<\/td>True Panther<\/td><\/td><\/tr>
27<\/td>Purple Decades<\/td>Journey Test<\/td>Beacon Sound<\/td><\/td><\/tr>
27<\/td>R. RIng<\/td>War Poems, We Rested<\/td>Don Giovanni<\/td><\/td><\/tr>
27<\/td>Red Axes<\/td>The Phantasy Collection (vol. 1)<\/td>Phantasy Sound<\/td><\/td><\/tr>
27<\/td>Rian Treanor & Ocen James<\/td>Saccades<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
27<\/td>Sam Smith<\/td>Gloria<\/td><\/td><\/td><\/tr>
27<\/td>Samia<\/td>Honey<\/td>Grand Jury<\/td><\/td><\/tr>
27<\/td>Scott L. Miller & Zeitgeist<\/td>Coincident<\/td>New Focus<\/td><\/td><\/tr>
27<\/td>SG Lewis<\/td>AudioLust & HigherLove<\/td>PMR<\/td><\/td><\/tr>
27<\/td>Sightless Pit<\/td>Lockstep Bloodwar<\/td>Thrill Jockey<\/td><\/td><\/tr>
27<\/td>Stefan Shkimba & Co.<\/td>Lemko Wedding and Life\u200b-\u200bSketches: Carpatho\u200b-\u200bRusyns in New York, April 1928 – Sept. 1930<\/td>Canary<\/td><\/td><\/tr>
27<\/td>The Arcs<\/td>Electrophonic Chronic<\/td>Easy Eye Sound<\/td><\/td><\/tr>
27<\/td>The Happiness & Derek Clegg<\/td>This Is Your Life<\/td><\/td><\/td><\/tr>
27<\/td>The Tubs<\/td>Dead Meat<\/td>Trouble In Mind<\/td><\/td><\/tr>
27<\/td>Tim Hecker<\/td>Infinity Pool<\/td>Milan<\/td><\/td><\/tr>
27<\/td>Vusi Mahlasela, Norman Zulu and Jive Connection<\/td>Face to Face<\/td>Strut<\/td>arch<\/td><\/tr>
27<\/td>White Reaper<\/td>Asking for a Ride<\/td>Elektra<\/td><\/td><\/tr>
27<\/td>Witch<\/td>Waile<\/td><\/td><\/td><\/tr>
27<\/td>Wojciech Kucharczyk<\/td>Fake Scores volume 1 – „The Whole”<\/td>Mik.Musik.!.<\/td><\/td><\/tr>
28<\/td>Don Cherry & Jean Schwarz<\/td>Roundtrip (1977)<\/td>Transversales<\/td>arch<\/td><\/tr>
30<\/td>Evita Manji<\/td>Spandrel?<\/td>PAN<\/td><\/td><\/tr>
30<\/td>Hollie Kenniff<\/td>All Have Places That We Miss<\/td>Western Vinyl<\/td><\/td><\/tr>
31<\/td>Gorgonn<\/td>Six Paths<\/td>SVBKVLT<\/td><\/td><\/tr>
31<\/td>Grant Chapman<\/td>Indentations<\/td>Metron<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Bisz Ulisses PchamyTenSyf 1 Canine Callgirls Feline Textboys 1 Earth Even Hell Has Its Heroes Thrones and Dominions 1 Jason Moran From the Dancehall to the Battlefield Yes 1 M.O.O.N. Waste Away EP 1 Moby ambient23 1 Oedipus Apartment Complex The Blissful Sounds of Miracula 2 Audry Undisclosed Advertising & End Credits 2 Chris […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/35991"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=35991"}],"version-history":[{"count":5,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/35991\/revisions"}],"predecessor-version":[{"id":36388,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/35991\/revisions\/36388"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=35991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}