{"id":36224,"date":"2023-01-20T22:52:25","date_gmt":"2023-01-20T21:52:25","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=36224"},"modified":"2024-01-12T09:07:50","modified_gmt":"2024-01-12T08:07:50","slug":"premiery-02-2023","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-02-2023\/","title":{"rendered":"PREMIERY 02.2023"},"content":{"rendered":"\n
1<\/td>Coultrain<\/td>Mundus<\/td>577 Records<\/td><\/td><\/tr>
1<\/td>Opla<\/td>GTI<\/td>Pointless Geometry<\/td>MC\/DL<\/td><\/tr>
1<\/td>Robactwo<\/td>Mi\u0119kkie miasta<\/td>Chwast Records<\/td>DL, CD ltd<\/td><\/tr>
1<\/td>Tekla Goldman<\/td>Ta\u015bma<\/td><\/td><\/td><\/tr>
1<\/td>The Veil<\/td>.\u200b.\u200b.\u200bAnd Out Of The Void Came Love<\/td>Ba Da Bing<\/td><\/td><\/tr>
1<\/td>VA<\/td>Waiting for Your Return: A Shidaiqu Anthology 1927\u200b-\u200b1952, Pt. I<\/td>Death Is Not The End<\/td><\/td><\/tr>
2<\/td>Biliana Voutchkova & Sarah Davachi<\/td>Slow Poem For Stiebler<\/td>Another Timbre<\/td><\/td><\/tr>
2<\/td>Moussa Tchingou<\/td>Tamiditine EP<\/td>Sahel Sounds<\/td><\/td><\/tr>
2<\/td>Oneda, Mr Scruff, Gabe Gurnsey<\/td>Warriors Daughter \/ Rollin\u2019<\/td>Heavenly<\/td><\/td><\/tr>
2<\/td>Satin Doll<\/td>A Model Within<\/td>Superpang<\/td><\/td><\/tr>
3<\/td>Acid Arab<\/td>\u0663 (Trois)<\/td>Crammed Discs<\/td><\/td><\/tr>
3<\/td>Ahl Nana<\/td>L’Orchestre National Mauritanien<\/td>Radio Martiko<\/td><\/td><\/tr>
3<\/td>Alec Schulman<\/td>Light That Slips Away<\/td>Ropeadope<\/td><\/td><\/tr>
3<\/td>All Out<\/td>Celestial Rot<\/td><\/td><\/td><\/tr>
3<\/td>Atom™<\/td>Nacht<\/td>Raster<\/td>EP<\/td><\/tr>
3<\/td>Babyfang<\/td>In the Face of<\/td>PTP<\/td><\/td><\/tr>
3<\/td>Bardo Pond<\/td>No Hashish, No Change Money, No Saki Saki<\/td>Three Lobed<\/td>reed<\/td><\/tr>
3<\/td>Brandon Ross<\/td>Of Sight and Sound<\/td>Sunnyside<\/td><\/td><\/tr>
3<\/td>Br\u00f6tzmann \/ Leigh \/ Lonberg-Holm<\/td>Naked Nudes<\/td>Trost<\/td><\/td><\/tr>
3<\/td>Deli Kuvveti<\/td>In the Summer Dusk<\/td>Sublime Retreat<\/td><\/td><\/tr>
3<\/td>Dreamstate<\/td>Untethered EP<\/td><\/td><\/td><\/tr>
3<\/td>Ellie Goulding<\/td>Higher Than Heaven<\/td>Interscope<\/td><\/td><\/tr>
3<\/td>Emelia Austin<\/td>From Another Sky<\/td>Anxiety Blanket<\/td><\/td><\/tr>
3<\/td>Fran\u00e7ois Jeanneau<\/td>Une Bien Curieuse Plan\u200b\u00e8\u200bte<\/td>Souffle Continu<\/td>arch<\/td><\/tr>
3<\/td>Hamish Hawk<\/td>Angel Numbers<\/td>Post Electric<\/td><\/td><\/tr>
3<\/td>Huntly<\/td>Sentimental Still<\/td>Remote Control<\/td><\/td><\/tr>
3<\/td>Isabelle Bodenseh<\/td>Flowing Mind<\/td>GLM<\/td><\/td><\/tr>
3<\/td>James Brandon Lewis<\/td>Eye of I<\/td>Anti-<\/td><\/td><\/tr>
3<\/td>John Frusciante<\/td>: I I .<\/td>Avenue 66<\/td><\/td><\/tr>
3<\/td>John Frusciante<\/td>. I :<\/td>Avenue 66<\/td><\/td><\/tr>
3<\/td>Kacper Krupa<\/td>First Snow<\/td><\/td><\/td><\/tr>
3<\/td>Kassem Mosse<\/td>Workshop 32<\/td><\/td><\/td><\/tr>
3<\/td>Korn<\/td>Requiem Deluxe<\/td>Loma Vista<\/td><\/td><\/tr>
3<\/td>Kudelski<\/td>Call the Distant<\/td><\/td><\/td><\/tr>
3<\/td>L’Eclair<\/td>Cruise Control<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
3<\/td>La T\u00e8ne<\/td>Ecorcha\u200b\/\u200bTaill\u200b\u00e9\u200be<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
3<\/td>Lea Bertucci<\/td>Metal Aether Murmurations Resonant Field Phase Eclipse Bundle<\/td>Cibachrome Editions<\/td><\/td><\/tr>
3<\/td>Lee Paradise<\/td>Steady EP<\/td>Telephone Explosion<\/td><\/td><\/tr>
3<\/td>Loscil & Lawrence English<\/td>Colours of Air<\/td>Kranky<\/td><\/td><\/tr>
3<\/td>Merve Salgar & Anil Eraslan<\/td>Velvele<\/td>Wabi-Sabi Tapes<\/td><\/td><\/tr>
3<\/td>Merzbow<\/td>Noise Matrix<\/td><\/td><\/td><\/tr>
3<\/td>Pavel Milyakov<\/td>Project Mirrors<\/td>AD 93<\/td><\/td><\/tr>
3<\/td>Pepo Gal\u00e1n<\/td>Family Harmony<\/td>Facture<\/td><\/td><\/tr>
3<\/td>Raye<\/td>My 21st Century Blues<\/td>Human Re Sources<\/td><\/td><\/tr>
3<\/td>Richard Beaudoin<\/td>Digital Memory and the Archive<\/td>New Focus<\/td><\/td><\/tr>
3<\/td>Rien Faire<\/td>Peuple<\/td>Dur & Doux<\/td><\/td><\/tr>
3<\/td>Robert Forster<\/td>The Candle and the Flame<\/td>Tapete<\/td><\/td><\/tr>
3<\/td>Roger Damawuzan<\/td>Seda<\/td>Hot Casa<\/td><\/td><\/tr>
3<\/td>Ryley Walker & Jeff Tobias<\/td>It’ll Sound Different Once We Get Some Bodies in the Room<\/td><\/td><\/td><\/tr>
3<\/td>Sanguisugabogg<\/td>Homicidal Ecstasy<\/td>Century Media<\/td><\/td><\/tr>
3<\/td>Seljuk Rustum<\/td>Cardboard Castles<\/td>Hive Mind<\/td><\/td><\/tr>
3<\/td>Shania Twain<\/td>Queen of Me<\/td><\/td><\/td><\/tr>
3<\/td>Stick Men<\/td>Umeda (Live in Osaka)<\/td>MoonJune<\/td><\/td><\/tr>
3<\/td>Sunny War<\/td>Anarchist Gospel<\/td>New West<\/td><\/td><\/tr>
3<\/td>Szlauch<\/td>Smr\u00f3d<\/td>Syf Records<\/td><\/td><\/tr>
3<\/td>The Go! Team<\/td>Get Up Sequences Part Two<\/td>Memphis Industries<\/td><\/td><\/tr>
3<\/td>The Men<\/td>New York City<\/td>Fuzz Club<\/td><\/td><\/tr>
3<\/td>The Stargazer’s Assistant<\/td>Fire Worshipper<\/td>House Of Mythology<\/td><\/td><\/tr>
3<\/td>The Waeve<\/td>The Waeve<\/td>Transgressive<\/td><\/td><\/tr>
3<\/td>Thomas Greenwood<\/td>Rituals<\/td>Ramble<\/td><\/td><\/tr>
3<\/td>TNS<\/td>Submersive Behaviour<\/td>Joyful Noise<\/td><\/td><\/tr>
3<\/td>Tony Conrad \/ Arnold Dreyblatt \/ Jim O’Rourke<\/td>Tonic 19\u200b-\u200b01\u200b-\u200b2001<\/td>Black Truffle<\/td>arch<\/td><\/tr>
3<\/td>Toumba<\/td>Petals EP<\/td>Hessle Audio<\/td><\/td><\/tr>
3<\/td>VA<\/td>Tying Up Loose Ends #2 – Sea Rove<\/td>Tone Burst<\/td><\/td><\/tr>
3<\/td>Valtteri Laurell Nonet<\/td>Tigers Are Better Looking<\/td>We Jazz<\/td><\/td><\/tr>
3<\/td>Vladislav Delay<\/td>Whistleblower<\/td>Keplar<\/td><\/td><\/tr>
3<\/td>Will Epstein<\/td>Wendy<\/td>Fat Possum<\/td><\/td><\/tr>
3<\/td>Young Fathers<\/td>Heavy Heavy<\/td>Ninja Tune<\/td><\/td><\/tr>
3<\/td>Zave Trow<\/td>envo\u200b\u00fb\u200bteuse haleine<\/td>Room40<\/td><\/td><\/tr>
4<\/td>Meitei \/ \u51a5\u4e01<\/td>SHITSURAI \/ \u5ba4\u793c<\/td>Kitchen Label<\/td><\/td><\/tr>
5<\/td>Stanis\u0142aw Aleksandrowicz Oktet<\/td>Pie\u015b\u0144 o b\u0119bnie<\/td><\/td><\/td><\/tr>
6<\/td>bBb [Ola Rubin+Martin K\u00fcchen]<\/td>Live in Poland<\/td>Scatter<\/td><\/td><\/tr>
6<\/td>Gnyonpix<\/td>Music Is My Therapy EP<\/td>Polish Juke<\/td><\/td><\/tr>
6<\/td>Mirt \u2022 Ter<\/td>Khlong Maha Nak<\/td>Saamleng<\/td><\/td><\/tr>
6<\/td>Twoosty Mayonez<\/td>Carmin LP<\/td>U Know Me<\/td><\/td><\/tr>
6<\/td>Warmth<\/td>Collider<\/td>Archives<\/td><\/td><\/tr>
7<\/td>Anthony Pateras<\/td>Two Solos<\/td>Futura Resistenza<\/td><\/td><\/tr>
7<\/td>Meeting By Chance<\/td>Exit<\/td><\/td><\/td><\/tr>
8<\/td>Atsuko Hatano & Giovanni di Domenico<\/td>Rinka \u71d0\u706b<\/td>Superpang<\/td><\/td><\/tr>
9<\/td>B\u0142a\u017cej Kr\u00f3l<\/td>W ka\u017cdym (polskim) domu<\/td>Sony<\/td><\/td><\/tr>
9<\/td>OrangeTone<\/td>Light Mixer<\/td>Noumenal Loom<\/td><\/td><\/tr>
9<\/td>Satoko Fujii & Otomo Yoshihide<\/td>Perpetual Motion<\/td>Ayler<\/td><\/td><\/tr>
10<\/td>Amber Arcades<\/td>Barefoot On Diamond Road<\/td><\/td><\/td><\/tr>
10<\/td>Andy Shauf<\/td>Norm<\/td>Anti-<\/td><\/td><\/tr>
10<\/td>Black Belt Eagle Scout<\/td>The Land, The Water, The Sky<\/td>Saddle Creek<\/td><\/td><\/tr>
10<\/td>Christopher Parker & the Band of Guardian Angels<\/td>Yeah, Yeah!<\/td>Mahakala<\/td><\/td><\/tr>
10<\/td>Daniel Kordik – N.O. Moore<\/td>Ciphers<\/td>Superpang<\/td><\/td><\/tr>
10<\/td>David Bowie<\/td>A Divine Symmetry | an alternative journey through „Hunky Dory”<\/td>ISO<\/td>reed<\/td><\/tr>
10<\/td>Dawid Borysiewicz & Szatt<\/td>Kiss<\/td><\/td><\/td><\/tr>
10<\/td>Duane Pitre<\/td>Varolii Patterns<\/td>Important<\/td><\/td><\/tr>
10<\/td>Earth House Hold<\/td>How Deep Is Your Devotion<\/td>A Strangely Isolated Place<\/td><\/td><\/tr>
10<\/td>El Ten Eleven<\/td>Valley of Fire<\/td>Joyful Noise<\/td><\/td><\/tr>
10<\/td>Elodie<\/td>OK. Respira<\/td><\/td><\/td><\/tr>
10<\/td>Guy Barash<\/td>Killdeer<\/td>New Focus<\/td><\/td><\/tr>
10<\/td>Ha\u0144ba!<\/td>Narutowicz<\/td>Don’t Sit On My Vinyl<\/td>7″<\/td><\/tr>
10<\/td>Hollie Kenniff<\/td>We All Have Places That We Miss<\/td>Western Vinyl<\/td><\/td><\/tr>
10<\/td>In Flames<\/td>Foregone<\/td>Nuclear Blast<\/td><\/td><\/tr>
10<\/td>Ishmael Ensemble & Rider Shafique<\/td>New Era<\/td><\/td><\/td><\/tr>
10<\/td>Jo Lawry<\/td>Acrobats<\/td>Whirlwind<\/td><\/td><\/tr>
10<\/td>Kelela <\/td>Raven<\/td>Warp<\/td><\/td><\/tr>
10<\/td>Kelly Lee Owens<\/td>LP\u200b.\u200b8\u200b.\u200b2<\/td>Smalltown Supersound<\/td>EP<\/td><\/tr>
10<\/td>Laraaji<\/td>Segue to Infinity<\/td>Numero Group<\/td><\/td><\/tr>
10<\/td>Lisa O’Neill<\/td>All Of This Is Chance<\/td>Rough Trade<\/td><\/td><\/tr>
10<\/td>Liv.e<\/td>Girl In The Half Pearl<\/td><\/td><\/td><\/tr>
10<\/td>Maps<\/td>Counter Melodies<\/td>PIAS<\/td><\/td><\/tr>
10<\/td>Marlene Ribeiro<\/td>Toquei no Sol<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
10<\/td>Michael Cashmore<\/td>The Sword Becomes A Shield (Symphony Number 1)<\/td>House of Mythology<\/td><\/td><\/tr>
10<\/td>Nick Le\u00f3n \/ DJ Python<\/td>Esplit EP<\/td>Worldwide Unlimited<\/td><\/td><\/tr>
10<\/td>\u00f8jeRum\/Scanner<\/td>V\u200b\u00e5\u200bgnende Jeg Ser De D\u200b\u00f8\u200bde<\/td>Room40<\/td><\/td><\/tr>
10<\/td>Paramore<\/td>This Is Why<\/td>Atlantic <\/td><\/td><\/tr>
10<\/td>Pearla<\/td>Oh Glistening Onion, the Nighttime Is Coming<\/td>Spacebomb<\/td><\/td><\/tr>
10<\/td>Pierce The Veil<\/td>The Jaws of Life<\/td>Fearless<\/td><\/td><\/tr>
10<\/td>Quasi<\/td>Breaking the Balls of History<\/td>Sub Pop<\/td><\/td><\/tr>
10<\/td>R. IWANSKI<\/td>Transformations 1<\/td>Eter\/Gusstaff<\/td>CD\/DL (LP w marcu)<\/td><\/tr>
10<\/td>Roberto Cassani & Fraser A. Campbell<\/td>Poet Shuts Clock<\/td>Sunnyside<\/td><\/td><\/tr>
10<\/td>Sara Persico<\/td>Boundary<\/td>Karlrecords<\/td><\/td><\/tr>
10<\/td>Seaming To<\/td>Dust Gatherers<\/td>O SIngAtMe<\/td><\/td><\/tr>
10<\/td>Shayna Dunkelman & Javier Areal V\u00e9lez<\/td>Miru Mira<\/td>Atlantic Rhythms<\/td><\/td><\/tr>
10<\/td>Speed Stick<\/td>Fringe Matter<\/td>Don Giovanni<\/td><\/td><\/tr>
10<\/td>Stephanie Lamprea<\/td>14 R\u200b\u00e9\u200bcitations<\/td>New Focus<\/td><\/td><\/tr>
10<\/td>The Brian Jonestown Massacre<\/td>The Future Is Your Past<\/td><\/td><\/td><\/tr>
10<\/td>The Golden Dregs<\/td>On Grace & Dignity<\/td>4AD<\/td><\/td><\/tr>
10<\/td>The Notwist<\/td>Live from Alien Research Center<\/td>Morr Music<\/td><\/td><\/tr>
10<\/td>Tim Hill<\/td>Giant<\/td>Innovative Leisure<\/td><\/td><\/tr>
10<\/td>VA <\/td>Portals<\/td>Other People<\/td><\/td><\/tr>
10<\/td>Vusi Mahlasela, Norman Zulu and Jive Connection<\/td>Face To Face<\/td>Strut<\/td><\/td><\/tr>
10<\/td>White Lung<\/td>Premonition<\/td>Domino<\/td><\/td><\/tr>
10<\/td>Yo La Tengo<\/td>This Stupid World<\/td>Matador<\/td><\/td><\/tr>
10<\/td>You Me At SIx<\/td>Truth Decay<\/td>Rise<\/td><\/td><\/tr>
10<\/td>ZA! <\/td>ZA! & la TransMegaCobla<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
11<\/td>Mirt \u2022 Ter<\/td>A Winter Night at Tarutao<\/td>Saamleng<\/td><\/td><\/tr>
11<\/td>The OO-Ray<\/td>Generate<\/td>Audiobulb<\/td><\/td><\/tr>
11<\/td>VA<\/td>Turkish\u200b-\u200bSyrian Earthquake Relief<\/td>Canary Records<\/td>charity<\/td><\/tr>
12<\/td>Kapela Dobrzeliniacy<\/td>Cz\u200b\u0142\u200bowiek patrzy na nogi, to tak jakby sam ta\u200b\u0144\u200bczy\u0142<\/td>In Crudo<\/td><\/td><\/tr>
12<\/td>Please Don’t Hurt Me<\/td>Please Don’t Hurt Me<\/td>Enjoy Life<\/td><\/td><\/tr>
13<\/td>Fate <\/td>Ananke<\/td>Nikt Nic Nie Wie<\/td><\/td><\/tr>
13<\/td>George Burt+Graeme Stephen<\/td>Q+A<\/td>ScatterArchive<\/td><\/td><\/tr>
13<\/td>John Edwards \/ Andrew Lisle \/ Dirk Serries \/ Colin Webster<\/td>Out of Nowhere<\/td>Raw Tonk<\/td><\/td><\/tr>
14<\/td>Caroline Polachek<\/td>Desire, I Want To Turn Into You<\/td>Perpetual Novice<\/td><\/td><\/tr>
15<\/td>Pauline Oliveros\/Francisco L\u00f3pez\/Doug Van Nort\/Jonas Braasch<\/td>Quartet for the End of Space<\/td>Pogus<\/td><\/td><\/tr>
15<\/td>Robert Ffrench<\/td>Wondering<\/td>Death Is Not The End<\/td><\/td><\/tr>
16<\/td>Child<\/td>Meditations in Filth<\/td>EAT<\/td><\/td><\/tr>
16<\/td>Jonnine<\/td>Maritz<\/td>Idle Press<\/td><\/td><\/tr>
16<\/td>Rainer B\u00f6hm<\/td>What If<\/td>Enya & Yellowbird<\/td><\/td><\/tr>
17<\/td>Aksel Roed’s Other Aspects<\/td>Do You Dream In Colour<\/td>Is It Jazz<\/td><\/td><\/tr>
17<\/td>Andrew Osterhoudt<\/td>Out Together<\/td>Geographic North<\/td><\/td><\/tr>
17<\/td>Anna B Savage<\/td>Influx<\/td>City Slang<\/td><\/td><\/tr>
17<\/td>Astroturf Noise <\/td>Blazing\/Freezing<\/td>577 Records<\/td><\/td><\/tr>
17<\/td>Attila Csihar<\/td>Void Ov Voices : Baalbek<\/td>Ideologic Organ<\/td><\/td><\/tr>
17<\/td>Avey Tare<\/td>7s<\/td>Domino<\/td><\/td><\/tr>
17<\/td>Bktherula<\/td>LVL5 P1<\/td><\/td><\/td><\/tr>
17<\/td>Clint Mansell<\/td>Sharper OST<\/td>Invada<\/td><\/td><\/tr>
17<\/td>Damos Room x LYAM<\/td>EIN<\/td>Accidental<\/td><\/td><\/tr>
17<\/td>Death & Vanilla<\/td>Flicker<\/td>Fire<\/td><\/td><\/tr>
17<\/td>dEUS<\/td>How To Replace It<\/td>PIAS<\/td><\/td><\/tr>
17<\/td>Egipcjanie<\/td>Czas dla siebie<\/td>Thin Man<\/td>CD<\/td><\/tr>
17<\/td>Elskavon<\/td>Origins<\/td>Western Vinyl<\/td><\/td><\/tr>
17<\/td>Erik Hall<\/td>Canto Ostinato (Simeon ten Holt)<\/td>Western Vinyl<\/td><\/td><\/tr>
17<\/td>Gabriel da Rosa<\/td>\u00c9 o que a casa oferece<\/td>Stones Throw<\/td><\/td><\/tr>
17<\/td>Graphic Nature<\/td>A Mind Waiting to Die<\/td>Rude<\/td><\/td><\/tr>
17<\/td>Grupo Um<\/td>Starting Point<\/td>Far Out<\/td><\/td><\/tr>
17<\/td>Hania Rani<\/td>On Giacometti<\/td>Gondwana<\/td><\/td><\/tr>
17<\/td>IFS MA<\/td>REIFSMA<\/td>Guides<\/td><\/td><\/tr>
17<\/td>Imaginary Softwoods<\/td>The Notional Pastures of Imaginary Softwoods<\/td><\/td><\/td><\/tr>
17<\/td>Indy<\/td>Threads<\/td><\/td>EP<\/td><\/tr>
17<\/td>Inhaler<\/td>Cuts and Bruises<\/td>Polydor<\/td><\/td><\/tr>
17<\/td>Isik Kural<\/td>Peaches<\/td>RVNG Intl<\/td>EP<\/td><\/tr>
17<\/td>JIM BLACK & THE SCHRIMPS with Jim Black, Asger Nissen, Julius Gawlik and Felix Henkelhausen<\/td>Ain’t No Saint<\/td>Intakt<\/td><\/td><\/tr>
17<\/td>Joelle Leandre<\/td>Zurich Concert (live)<\/td>Intakt<\/td><\/td><\/tr>
17<\/td>John Zorn<\/td>The Fourth Way<\/td>Tzadik<\/td><\/td><\/tr>
17<\/td>Jon Hassell<\/td>Psychogeography<\/td>Ndeya<\/td><\/td><\/tr>
17<\/td>Jon Hassell<\/td>The Living City<\/td>Ndeya<\/td><\/td><\/tr>
17<\/td>Jon Hassell<\/td>Further Fictions<\/td>Ndeya<\/td><\/td><\/tr>
17<\/td>Junn<\/td>Komeetta<\/td>Eclipse<\/td><\/td><\/tr>
17<\/td>Kerala Dust<\/td>Violet Drive<\/td>PIAS<\/td><\/td><\/tr>
17<\/td>Khotin<\/td>Release Spirit<\/td>Ghostly<\/td><\/td><\/tr>
17<\/td>King Ayisoba<\/td>Work Hard<\/td>Glitterbeat<\/td><\/td><\/tr>
17<\/td>Kyle Bruckmann, Tim Daisy, Phillip Greenlief & Lisa Mezzacappa<\/td>Semaphore<\/td>Catalytic-Sound<\/td><\/td><\/tr>
17<\/td>Lisel<\/td>Patterns For Auto\u200b-\u200bTuned Voices And Delay<\/td>Ba Da Bing<\/td><\/td><\/tr>
17<\/td>Lowly<\/td>Keep Up The Good Work<\/td>Bella Union<\/td><\/td><\/tr>
17<\/td>Mioclono<\/td>Cluster I<\/td>Hivern Discs<\/td><\/td><\/tr>
17<\/td>Nappy Nina<\/td>Mourning Due<\/td><\/td><\/td><\/tr>
17<\/td>Oliver<\/td>Stone Unturned<\/td>Guerssen<\/td><\/td><\/tr>
17<\/td>Orbital<\/td>Optical Delusion<\/td><\/td><\/td><\/tr>
17<\/td>P!nk<\/td>Trustfall<\/td>RCA<\/td><\/td><\/tr>
17<\/td>Pedro Ricardo<\/td>Soprem Bons Ventos<\/td>Soundway<\/td><\/td><\/tr>
17<\/td>Pigs Pigs Pigs Pigs Pigs Pigs Pigs<\/td>Land of Sleeper<\/td>Rocket<\/td><\/td><\/tr>
17<\/td>Pile<\/td>All Fiction<\/td><\/td><\/td><\/tr>
17<\/td>Pita & Friedl<\/td>Pita & Friedl<\/td>Karlrecords<\/td><\/td><\/tr>
17<\/td>Polobi & the Gwo Ka Masters<\/td>Abroni Cyclonique<\/td>Real World<\/td><\/td><\/tr>
17<\/td>Roberto Pistolesi<\/td>Open Lands and Moving People<\/td>\u03a0\u039amusic<\/td><\/td><\/tr>
17<\/td>Romance & Dean Hurley<\/td>River of Dreams<\/td>Ecstatic<\/td><\/td><\/tr>
17<\/td>Runner<\/td>Like Dying Stars, We’re Reaching Out<\/td>Run For Cover<\/td><\/td><\/tr>
17<\/td>Santa Muerte<\/td>Eslabon EP<\/td>Hyperdub<\/td><\/td><\/tr>
17<\/td>Screaming Females<\/td>Desire Pathway<\/td>Don Giovanni<\/td><\/td><\/tr>
17<\/td>Searching For Management<\/td>Searching For management<\/td>33 records<\/td><\/td><\/tr>
17<\/td>Skrillex<\/td>Quest for Fire<\/td>Atlantic<\/td><\/td><\/tr>
17<\/td>Sounding Society<\/td>Homecoming Medley or Society Into Sound <\/td>Gotta Let It Out<\/td><\/td><\/tr>
17<\/td>The Recreation<\/td>Some Things Do Change, Some Things Don’t Change<\/td><\/td><\/td><\/tr>
17<\/td>The Wild Classical Music Ensemble & Lee Ranaldo<\/td>Hell Gate<\/td>La Belle Brute<\/td><\/td><\/tr>
17<\/td>Tim Garland, Jason Rebello<\/td>Life to Life<\/td>Whirlwind<\/td><\/td><\/tr>
17<\/td>Tini<\/td>Cupido<\/td>Hollywood<\/td><\/td><\/tr>
17<\/td>Toxe<\/td>The Story Of Leonora (OST)<\/td>PAN<\/td><\/td><\/tr>
17<\/td>Transmissions From Total Refreshment Centre<\/td>Transmissions From Total Refreshment Centre<\/td>Blue Note<\/td><\/td><\/tr>
17<\/td>VA<\/td>Solidarity With February 2023 Earthquake Victims<\/td>Les Disques Bongo Joe<\/td>charity<\/td><\/tr>
17<\/td>Wesley Joseph<\/td>Glow<\/td>Secretly Canadian<\/td><\/td><\/tr>
17<\/td>Zdech\u0142y Osa<\/td>Breslau Hardcore<\/td>Warner<\/td><\/td><\/tr>
18<\/td>PAKT – Percy Jones, Alex Skolnick, Kenny Grohowski, Tim Motzer<\/td>PAKT – Live in Piermont<\/td>MoonJune<\/td><\/td><\/tr>
18<\/td>Skrillex<\/td>Don’t Get Too Close<\/td>Atlantic<\/td><\/td><\/tr>
18<\/td>Steve Roden<\/td>Winter Couplet<\/td>Room40<\/td><\/td><\/tr>
19<\/td>Grand River<\/td>All Above<\/td>Editions Mego<\/td><\/td><\/tr>
19<\/td>Voices of the Cosmos<\/td>Deep Fields<\/td>Zoharum<\/td><\/td><\/tr>
20<\/td>Beqa Ungiadze<\/td>PSALM011: \u10e1\u200b\u10d0\u200b\u10d3\u200b\u10d2\u200b\u10e3\u200b\u10e0\u200b\u10d8 [Station]<\/td>Phantom Limb<\/td><\/td><\/tr>
21<\/td>Perch Hen Brock & Rain<\/td>Elegiacal<\/td>Catalytic-Sound<\/td><\/td><\/tr>
21<\/td>Sideshow<\/td>2mm Don’t Just Stand There!<\/td>10k<\/td><\/td><\/tr>
21<\/td>Trupa Trupa<\/td>ttt<\/td>Glitterbeat<\/td><\/td><\/tr>
22<\/td>DJ Blik<\/td>Topia<\/td>U Know Me <\/td>EP<\/td><\/tr>
23<\/td>2shy<\/td>C\/Patches<\/td>Dom Trojga<\/td>EP<\/td><\/tr>
23<\/td>Indalaska<\/td>Musique des Sables<\/td>Zoharum<\/td><\/td><\/tr>
23<\/td>Kemot Kaisim<\/td>Playing with the Window Open<\/td>Antenna Non Grata<\/td><\/td><\/tr>
23<\/td>RSS B0Y 1<\/td>H0L0<\/td>Sat00rna<\/td><\/td><\/tr>
23<\/td>seina sleep & YoursTruuly<\/td>Truusleep<\/td>PTP<\/td><\/td><\/tr>
23<\/td>The Strokes<\/td>The Singles: Volume 1<\/td>Rough Trade<\/td><\/td><\/tr>
23<\/td>VA<\/td>80s\u200b\u2013\u200bTAPES Vol\u200b.\u200b1 (1985\u200b-\u200b1990)<\/td>Nonplace<\/td>arch<\/td><\/tr>
24<\/td>3Phaz<\/td>Ends Meet<\/td>Discrepant<\/td><\/td><\/tr>
24<\/td>Afro Kolektyw<\/td>Ostatnie s\u0142owo<\/td>Thin Man<\/td><\/td><\/tr>
24<\/td>Alexander Tucker & Keith Collins<\/td>Fifth Continent<\/td>Subtext<\/td><\/td><\/tr>
24<\/td>Alexandre Thivant<\/td>Biological Father<\/td>Superpang<\/td><\/td><\/tr>
24<\/td>Algiers<\/td>Shook<\/td>Matador<\/td><\/td><\/tr>
24<\/td>Amen Seat<\/td>Amen Seat<\/td>Deathbomb Arc<\/td><\/td><\/tr>
24<\/td>Anemic Cinema<\/td>Iconoclasts<\/td>Ramble<\/td><\/td><\/tr>
24<\/td>Beata Kozidrak<\/td>4B<\/td>Sony<\/td><\/td><\/tr>
24<\/td>BIG|BRAVE<\/td>Nature Morte<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>Bria<\/td>Country Covers vol. 2<\/td>Sub Pop<\/td><\/td><\/tr>
24<\/td>Circus\/Citadel<\/td>Antti L\u200b\u00f6\u200btj\u200b\u00f6\u200bnen<\/td>We Jazz<\/td><\/td><\/tr>
24<\/td>CM von Hausswolff & Chandra Shukla<\/td>Travelogue [Bali]<\/td>Touch<\/td><\/td><\/tr>
24<\/td>Don Toliver<\/td>Love Sick<\/td>Atlantic<\/td><\/td><\/tr>
24<\/td>Drew Gardner<\/td>The Return<\/td>Astral Spirits<\/td><\/td><\/tr>
24<\/td>Earth Trax<\/td>Closer Now<\/td>Lapsus<\/td><\/td><\/tr>
24<\/td>Eugene Chadbourne<\/td>What’s Been Baking<\/td>Ramble<\/td><\/td><\/tr>
24<\/td>Faten Kanaan<\/td>Afterpoem<\/td>Fire<\/td><\/td><\/tr>
24<\/td>Gamelan Kanjoet Mesem of the Mangkunegaran Palace<\/td>Gamelan in the Mangkunegaran Court, Surakarta, Java, 1931\u200b-\u200b37<\/td>Canary<\/td><\/td><\/tr>
24<\/td>Godsmack<\/td>Lighting Up the Sky<\/td>BMG<\/td><\/td><\/tr>
24<\/td>Gorillaz<\/td>Cracker Island<\/td>Warner<\/td><\/td><\/tr>
24<\/td>Gracie Abrams<\/td>Good Riddance<\/td>Interscope<\/td><\/td><\/tr>
24<\/td>gum.mp3<\/td>Riddim Seeker<\/td>Ghostly<\/td>EP<\/td><\/tr>
24<\/td>Hajda Banda \/ \u0413\u0430\u0439\u0434\u0430 \u0411\u0430\u043d\u0434\u0430 <\/td>Hajda!<\/td><\/td><\/td><\/tr>
24<\/td>Hako Yamasaki<\/td>Tsunawatari<\/td>WRWTFWW<\/td><\/td><\/tr>
24<\/td>Hako Yamasaki<\/td>Tobimasu<\/td>WRWTFWW<\/td>reed<\/td><\/tr>
24<\/td>Heinali<\/td>Kiyv Eternal<\/td>Injazero<\/td><\/td><\/tr>
24<\/td>Iris DeMent<\/td>Workin\u2019 on a World <\/td>Flariella<\/td><\/td><\/tr>
24<\/td>Ironomi <\/td>Himorogi<\/td>Kitchen Label<\/td><\/td><\/tr>
24<\/td>J. Vague<\/td>Silver<\/td>Mansions & Millions<\/td><\/td><\/tr>
24<\/td>Jerzy Milian \/ Orkiestra Rozrywkowa PRiTV w Katowicach<\/td>Nemezja<\/td>GAD<\/td>DL<\/td><\/tr>
24<\/td>Joe Westerlund<\/td>Elegies for the Drift<\/td>Psychic Hotline<\/td><\/td><\/tr>
24<\/td>John Bence<\/td>Archangels<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>Kaitlyn Aurelia Smith<\/td>Let’s Turn It Into Sound Remixes<\/td>Ghostly<\/td>EP<\/td><\/tr>
24<\/td>Kassel Jaeger<\/td>Shifted in Dreams<\/td>Shelter Press<\/td><\/td><\/tr>
24<\/td>Katrina Krimsky<\/td>„1980”<\/td>Unseen Worlds<\/td>arch<\/td><\/tr>
24<\/td>Krzysztof Duda<\/td>Ostinato<\/td>GAD<\/td>DL<\/td><\/tr>
24<\/td>KSU<\/td>„44”<\/td>Mystic<\/td><\/td><\/tr>
24<\/td>Lisa Marie Simmons, Marco Cremaschini<\/td>Notespeak 12<\/td>Ropeadope<\/td><\/td><\/tr>
24<\/td>Logic<\/td>College Park<\/td>Three Oh One<\/td><\/td><\/tr>
24<\/td>Masayoshi Miyazaki<\/td>China Life<\/td>Flaming Pines<\/td><\/td><\/tr>
24<\/td>Mat Muntz<\/td>Phantom Islands<\/td>Orenda<\/td><\/td><\/tr>
24<\/td>Mattias Petersson<\/td>Triangular Progressions<\/td>Hallow Ground<\/td><\/td><\/tr>
24<\/td>Meemo Comma<\/td>Loverboy<\/td>Planet Mu<\/td><\/td><\/tr>
24<\/td>Model\/Actriz<\/td>Dogsbody<\/td>True Panther<\/td><\/td><\/tr>
24<\/td>Neutral Milk Hotel<\/td>The Collected Works of Neutral Milk Hotel <\/td>Merge<\/td>arch<\/td><\/tr>
24<\/td>NNAMD\u00cf<\/td>Please Have a Seat Deluxe<\/td>Secretly Canadian<\/td><\/td><\/tr>
24<\/td>Oran\u017cada<\/td>Karma tango<\/td>Audio Cave<\/td>CD, DL<\/td><\/tr>
24<\/td>Owen Pallett<\/td>The Two EPs<\/td>Secret City<\/td><\/td><\/tr>
24<\/td>Philip Selway<\/td>Strange Dance<\/td>Bella Union<\/td><\/td><\/tr>
24<\/td>ReTo<\/td>Styxxxx<\/td><\/td><\/td><\/tr>
24<\/td>Ronnie & Clyde<\/td>Nettlebed Skyline<\/td>Gearbox<\/td><\/td><\/tr>
24<\/td>Rzekomo<\/td>Spiritual Wastefulness <\/td><\/td>EP<\/td><\/tr>
24<\/td>Saint Abdullah & Jason Nazary<\/td>Evicted in the Morning<\/td>Disciples<\/td><\/td><\/tr>
24<\/td>Sam Gendel<\/td>Cookup<\/td>Nonesuch<\/td><\/td><\/tr>
24<\/td>Shame<\/td>Food For Worms<\/td><\/td><\/td><\/tr>
24<\/td>Snow Ghosts<\/td>The Fell<\/td>Houndstooth<\/td><\/td><\/tr>
24<\/td>Steve Swell, Joe Mcphee, Chris Corsano<\/td>Sometimes the Air Is<\/td>Mahakala<\/td><\/td><\/tr>
24<\/td>Tha God Fahim<\/td>Iron Bull<\/td>Nature Sounds<\/td><\/td><\/tr>
24<\/td>The Black Dog<\/td>Music for Airport Lounges<\/td><\/td><\/td><\/tr>
24<\/td>The Necks<\/td>Travel<\/td>Norther Spy<\/td><\/td><\/tr>
24<\/td>Tigeroak<\/td>Living and Living<\/td>April<\/td><\/td><\/tr>
24<\/td>Tunico<\/td>Tunico<\/td>Far Out<\/td><\/td><\/tr>
24<\/td>Ty Segall & Emmett Kelly<\/td>Live at Workship<\/td>Drag City<\/td><\/td><\/tr>
24<\/td>U.S. Girls<\/td>Bless the Mess<\/td>4AD<\/td><\/td><\/tr>
24<\/td>Yeat<\/td>Aft\u00ebrLyfe<\/td>TwizzyRich<\/td><\/td><\/tr>
25<\/td>Megan Alice Clune<\/td>Furtive Glances<\/td>Room40<\/td><\/td><\/tr>
26<\/td>Paszka<\/td>Lapton<\/td>Gin&Platonic<\/td><\/td><\/tr>
27<\/td>DJ Pracownik<\/td>2011\u200b-\u200b\u221e<\/td>Audile Snow<\/td><\/td><\/tr>
27<\/td>Dynastor & Innesti<\/td>Meander<\/td>Archives<\/td><\/td><\/tr>
27<\/td>Kisu Min<\/td>City of the Revolution<\/td>Antena Krzyku<\/td><\/td><\/tr>
27<\/td>Lugo\/Shiroishi<\/td>Feed <\/td>Superpang<\/td><\/td><\/tr>
27<\/td>Pat Thomas<\/td>Wazifah Volume 1<\/td>Scatter<\/td><\/td><\/tr>
28<\/td>Adam Go\u0142\u0119biewski \/ Witold Oleszak<\/td>Unisex<\/td>Antenna Non Grata<\/td>CD, DL<\/td><\/tr>
28<\/td>Fabriker [101]<\/td>Delirus<\/td>Antenna Non Grata<\/td>CD, DL<\/td><\/tr>
28<\/td>Genetics and Windsurfing<\/td>Sk\u0142adnia<\/td>Audile Snow<\/td><\/td><\/tr>
28<\/td>Heliocentrics <\/td>Out There<\/td>Now-Again<\/td>reed<\/td><\/tr>
28<\/td>Ryley Walker<\/td>Live in Malmo<\/td>Husky Pants<\/td><\/td><\/tr>
28<\/td>Zima Stulecia<\/td>Minus 30\u00b0C<\/td>Astigmatic<\/td><\/td><\/tr>
tbc<\/td>DUNS<\/td>Rufus<\/td><\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Coultrain Mundus 577 Records 1 Opla GTI Pointless Geometry MC\/DL 1 Robactwo Mi\u0119kkie miasta Chwast Records DL, CD ltd 1 Tekla Goldman Ta\u015bma 1 The Veil .\u200b.\u200b.\u200bAnd Out Of The Void Came Love Ba Da Bing 1 VA Waiting for Your Return: A Shidaiqu Anthology 1927\u200b-\u200b1952, Pt. I Death Is Not The End 2 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/36224"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=36224"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/36224\/revisions"}],"predecessor-version":[{"id":36952,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/36224\/revisions\/36952"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=36224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}