{"id":38035,"date":"2023-05-06T19:17:34","date_gmt":"2023-05-06T17:17:34","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=38035"},"modified":"2024-01-12T09:07:28","modified_gmt":"2024-01-12T08:07:28","slug":"premiery-06-2023","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-06-2023\/","title":{"rendered":"PREMIERY 06.2023"},"content":{"rendered":"\n
1<\/td>C_C<\/td>Voltiges<\/td>In Paradisum<\/td><\/td><\/tr>
1<\/td>Keatsu<\/td>Struggles<\/td>Seagull Ross<\/td>DL<\/td><\/tr>
1<\/td>Kultikula<\/td>Kultikula<\/td>Multikulti<\/td><\/td><\/tr>
1<\/td>Marcin Malinowski \/ Dorota Roszkowska \/ Ewa Kaszuba \/ Micha\u0142 Piwowarczyk \/ Aleksandra Kuczewska<\/td>Osvaldo Golijov: The Dreams and Prayers of Isaac the Blind<\/td>Multikulti<\/td><\/td><\/tr>
1<\/td>Piotr Me\u0142ech \/ Patryk Lichota<\/td>Lost Level<\/td>Multikulti<\/td><\/td><\/tr>
2<\/td>1984<\/td>Projekt Loebl<\/td>Antena Krzyku<\/td><\/td><\/tr>
2<\/td>Almeida\/Caicedo\/Oleszak<\/td>Spontaneous Live Series D03: Almeida\/ Caicedo\/ Oleszak Live at Improvised Three-Days<\/td>Spontaneous Music Tribune<\/td>CD <\/td><\/tr>
2<\/td>Ancient Plastix<\/td>II<\/td>Maple Death<\/td><\/td><\/tr>
2<\/td>Avenged Sevenfold<\/td>Life Is But a Dream…<\/td>Warner<\/td><\/td><\/tr>
2<\/td>Baxter Dury<\/td>I Thought I Was Better Than You<\/td>Heavenly<\/td><\/td><\/tr>
2<\/td>BCUC<\/td>Millions of Us<\/td>On The Corner<\/td><\/td><\/tr>
2<\/td>Beach Fossils<\/td>Bunny<\/td>Bayonet<\/td><\/td><\/tr>
2<\/td>Ben Folds<\/td>What Matters Most<\/td>New West<\/td><\/td><\/tr>
2<\/td>Blanco teta<\/td>Rompe Paga<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
2<\/td>Bob Dylan<\/td>Shadow Kingdom<\/td>Legacy<\/td><\/td><\/tr>
2<\/td>Brandt Brauer Frick<\/td>Multi Faith Praying Room<\/td>Because<\/td><\/td><\/tr>
2<\/td>Bully <\/td>Lucky for You<\/td>Sub Pop<\/td><\/td><\/tr>
2<\/td>Come<\/td>Near Life Experience<\/td>Fire<\/td><\/td><\/tr>
2<\/td>David T. Little<\/td>Black Lodge<\/td>Cantaloupe<\/td><\/td><\/tr>
2<\/td>David Toop & Lawrence English<\/td>The Shell That Speaks The Sea<\/td>Room40<\/td><\/td><\/tr>
2<\/td>Dead Vistula<\/td>Penumbra<\/td>Eastrings<\/td>DL<\/td><\/tr>
2<\/td>Einar Solberg<\/td>„16”<\/td>Inside Out<\/td><\/td><\/tr>
2<\/td>Fear Of Eating Rabbits<\/td>Empty Pizza Boxes EP<\/td><\/td><\/td><\/tr>
2<\/td>Federico Durand<\/td>Tour Tapes<\/td>Home Normal<\/td><\/td><\/tr>
2<\/td>Foo Fighters<\/td>But Here We Are<\/td>RCA<\/td><\/td><\/tr>
2<\/td>Hibotep<\/td>Saffron EP<\/td>Byrd Out<\/td><\/td><\/tr>
2<\/td>Images Of Goo<\/td>Images Of Goo<\/td>Un-je-ne-sais-quoi<\/td><\/td><\/tr>
2<\/td>Imitation Zone, !BEN<\/td>Lejt_pl<\/td><\/td><\/td><\/tr>
2<\/td>Jean-Luc Guionnet & Will Guthrie<\/td>Electric Rag Live<\/td>Superpang<\/td><\/td><\/tr>
2<\/td>JJ Whitefield<\/td>MILS001: Ethio Meditations \/ Drama Al Dente<\/td>Madlib Invasion<\/td><\/td><\/tr>
2<\/td>Jon Hopkins<\/td>Immunity<\/td><\/td>reed<\/td><\/tr>
2<\/td>Juan Wauters<\/td>Wandering Rebel<\/td>Captured Tracks<\/td><\/td><\/tr>
2<\/td>Kink Gong<\/td>Tanzania 2<\/td>Discrepant<\/td><\/td><\/tr>
2<\/td>Knower<\/td>Knower Forever<\/td><\/td><\/td><\/tr>
2<\/td>Lanterns On The Lake<\/td>Versions of Us<\/td>Bella Union<\/td><\/td><\/tr>
2<\/td>Lars Jansson \/ Thomas Agergaard<\/td>Garden of Sounds<\/td>Arts<\/td><\/td><\/tr>
2<\/td>Levin Goes Lightly \/ The Members<\/td>Nightclubbing \/ The Model<\/td>Compost<\/td><\/td><\/tr>
2<\/td>McKinley Dixon<\/td>Beloved! Paradise! Jazz!?<\/td>City Slang<\/td><\/td><\/tr>
2<\/td>Metro Boomin<\/td>Metro Boomin Presents Spider-Man: Across the Spider-Verse OST<\/td>Republic<\/td><\/td><\/tr>
2<\/td>Mun Sing<\/td>Inflatable Gravestone<\/td>Planet Mu<\/td><\/td><\/tr>
2<\/td>NIS<\/td>SOL<\/td>Antenna Non Grata<\/td>MC, DL<\/td><\/tr>
2<\/td>Noel Gallagher’s High Flying Birds<\/td>Council Skies<\/td>Sour Mash<\/td><\/td><\/tr>
2<\/td>Protomartyr<\/td>Formal Growth in the Desert<\/td>Domino<\/td><\/td><\/tr>
2<\/td>Raays<\/td>Innervzm II<\/td>Leaving<\/td><\/td><\/tr>
2<\/td>Richard Pavlidis<\/td>Iconography<\/td><\/td><\/td><\/tr>
2<\/td>Rob Crow & Kramer<\/td>Hymns EP<\/td>Shimmy<\/td><\/td><\/tr>
2<\/td>Rodrigues\/ Nuno\/ Faustino\/ Furioso<\/td>Lusco-fusco<\/td>Multikulti\/Spontaneous Music Tribune<\/td>CD<\/td><\/tr>
2<\/td>Roger Waters<\/td>The Lockdown Sessions<\/td><\/td><\/td><\/tr>
2<\/td>Rufus Wainwright<\/td>Folkocracy<\/td>BMG<\/td><\/td><\/tr>
2<\/td>RVG<\/td>Brain Worms<\/td>Fire<\/td><\/td><\/tr>
2<\/td>Sam Blasucci<\/td>Off My Stars<\/td>Innovative Leisure<\/td><\/td><\/tr>
2<\/td>Shmu<\/td>DiiNO POWER: Plastiq Island<\/td>Orange Milk<\/td><\/td><\/tr>
2<\/td>Som Imagin\u00e1rio<\/td>Banda Da Capital<\/td>Far Out<\/td><\/td><\/tr>
2<\/td>Sophie Ellis-Bextor<\/td>Hana<\/td>Cooking Vinyl<\/td><\/td><\/tr>
2<\/td>The Odd Pattern<\/td>Session I<\/td><\/td>SP<\/td><\/tr>
2<\/td>Tigerclub<\/td>The Perfume of Decay<\/td>Loosegroove<\/td><\/td><\/tr>
2<\/td>Trinity<\/td>Live at Rock Palace<\/td>Multikulti\/Spontaneous Music Tribune<\/td>CD<\/td><\/tr>
2<\/td>VA<\/td>Remotely Together<\/td>Rewire<\/td><\/td><\/tr>
2<\/td>Victor Moragues<\/td>Espill<\/td>Superpang<\/td><\/td><\/tr>
2<\/td>Wojciech Golczewski<\/td>Polite People OST<\/td><\/td><\/td><\/tr>
2<\/td>Wojtek Mazolewski<\/td>Yugen 2 – Jestem <\/td>Agora<\/td><\/td><\/tr>
2<\/td>Women Tied to Railroad Tracks<\/td>Holiday In, Holiday Out<\/td>Anxiety Blanket<\/td><\/td><\/tr>
2<\/td>Yoni Mayraz<\/td>Dybbuk Tse!<\/td>Astigmatic<\/td><\/td><\/tr>
2<\/td>Zohn Collective<\/td>John Liberatore: Catch Somewhere<\/td>New Focus<\/td><\/td><\/tr>
3<\/td>Henrik Meierkord<\/td>Geschichten<\/td>Audiobulb<\/td><\/td><\/tr>
3<\/td>Tsuadatta<\/td>Preparation for Sleep<\/td>Astral Spirits<\/td><\/td><\/tr>
4<\/td>James O’Sullivan+N O Moore<\/td>Repetition Disguises<\/td>ScatterArchive<\/td><\/td><\/tr>
5<\/td>Cobrafuma<\/td>Cobrafuma<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
5<\/td>Colin Webster Large Ensemble<\/td>Firts Meeting<\/td>Raw Tonk<\/td><\/td><\/tr>
5<\/td>Krzysztof Topolski<\/td>Fences_Sey\u200b\u00f0\u200bisfj\u200b\u00f6\u200br\u200b\u00f0\u200bur<\/td><\/td><\/td><\/tr>
5<\/td>Pawe\u0142 Pesel<\/td>Escentryzm (Remaster)<\/td>Mik.Musik<\/td><\/td><\/tr>
5<\/td>Wojciech Kucharczyk<\/td>Mangrove Mangrave (Remaster)<\/td>MIk.Musik<\/td><\/td><\/tr>
6<\/td>33EMYBW<\/td>Symbiosis Codes \/ Mandala<\/td>Svbkvlt<\/td><\/td><\/tr>
6<\/td>Adam Makowicz<\/td>Welcome Back, Adam<\/td>For Tune<\/td><\/td><\/tr>
6<\/td>Dandelion<\/td>The Trial<\/td><\/td><\/td><\/tr>
6<\/td>Golem Mecanique<\/td>Satan<\/td>Fort Evil Fruit<\/td><\/td><\/tr>
7<\/td>Daniel Schell & Dick Annegarn<\/td>Egmont And The ff Boom<\/td>Finders Keepers<\/td>arch<\/td><\/tr>
7<\/td>Juryman<\/td>Playground (Reworks)<\/td>Crammed Discs<\/td><\/td><\/tr>
8<\/td>Girl and Girl<\/td>Divorce+<\/td>Sub Pop<\/td>EP<\/td><\/tr>
8<\/td>VA<\/td>Od Bia\u0142egob\u0142ota<\/td>In Crudo<\/td><\/td><\/tr>
9<\/td>Akhira Sano<\/td>Phase Contrast From Recollection<\/td>12k<\/td><\/td><\/tr>
9<\/td>Amaarae<\/td>Fountain Baby<\/td>Interscope<\/td><\/td><\/tr>
9<\/td>Andrius Arutiunian<\/td>Seven Common Ways of Disappearing<\/td>Hallow Ground<\/td><\/td><\/tr>
9<\/td>Anna St. Louis<\/td>In the Air<\/td><\/td><\/td><\/tr>
9<\/td>Bendik Giske<\/td>Bendik Giske<\/td>Smalltown Superound<\/td><\/td><\/tr>
9<\/td>Boldy James & ChanHays<\/td>Prisoner of Circumstance<\/td>Droppin\u2019 Science Records<\/td>EP<\/td><\/tr>
9<\/td>Cecilie Strange<\/td>Beyond<\/td>April<\/td><\/td><\/tr>
9<\/td>Christine and the Queens<\/td>Paranoia, Angels, True Love<\/td>Because<\/td><\/td><\/tr>
9<\/td>Darkside<\/td>Live at Spiral House<\/td>Matador<\/td><\/td><\/tr>
9<\/td>Decisive Pink<\/td>Ticket to Fame<\/td>Fire<\/td><\/td><\/tr>
9<\/td>Erin Rogers & Alec Goldfarb<\/td>Earth’s Precisions<\/td>Infrequent Seams<\/td><\/td><\/tr>
9<\/td>Eva Lunny<\/td>Sonics & Meditations<\/td>Bella Union<\/td><\/td><\/tr>
9<\/td>Extreme<\/td>Six<\/td>Edel<\/td><\/td><\/tr>
9<\/td>Feeble Little Horse<\/td>Girl With Fish<\/td>Saddle Creek<\/td><\/td><\/tr>
9<\/td>Forbes Graham<\/td>I Continue<\/td>Infrequent Seams<\/td><\/td><\/tr>
9<\/td>G.C.Cameron<\/td>Live for Love<\/td>Soundway<\/td><\/td><\/tr>
9<\/td>Godflesh<\/td>Purge<\/td>Avalanche<\/td><\/td><\/tr>
9<\/td>Gruff Rhys<\/td>Careful of Your Keepers<\/td>Rough Trade<\/td><\/td><\/tr>
9<\/td>Happy Pills<\/td>Something Indefinitely Good <\/td>Black Element\/Don’t Sit On My Vinyl!<\/td>CD, MC, VHS, LP<\/td><\/tr>
9<\/td>Jack Cooper<\/td>Arrival<\/td>Astral Spirits<\/td><\/td><\/tr>
9<\/td>Janelle Mon\u00e1e <\/td>The Age of Pleasure<\/td>Columbia<\/td><\/td><\/tr>
9<\/td>Janny Richter<\/td>Delta Trash<\/td>Poli5<\/td><\/td><\/tr>
9<\/td>Jason Isbell and the 400 Unit<\/td>Weathervanes<\/td>Spunk<\/td><\/td><\/tr>
9<\/td>Jayda G<\/td>Guy<\/td>Ninja Tune<\/td><\/td><\/tr>
9<\/td>Jeanne Lee \/ Gunter Hampel \/ Michel Waisvisz \/ Freddy Gosseye \/ Sven-\u00c5ke Johansson<\/td>Schei\u200b\u00df\u200be \u201971<\/td>Black Truffle<\/td><\/td><\/tr>
9<\/td>Jenny Lewis<\/td>Joy’All<\/td>Blue Note<\/td><\/td><\/tr>
9<\/td>Jess Williamson<\/td>Time Ain’t Accidental<\/td>Mexican Summer<\/td><\/td><\/tr>
9<\/td>Joe Armon-Jones & Maxwell Owin<\/td>Archetype<\/td>Aquarii<\/td><\/td><\/tr>
9<\/td>Kaukolampi<\/td>Inside the Sphere<\/td>Optimo<\/td><\/td><\/tr>
9<\/td>Keaton Henson<\/td>House Party<\/td>PIAS<\/td><\/td><\/tr>
9<\/td>King Krule<\/td>Space Heavy<\/td>XL<\/td><\/td><\/tr>
9<\/td>Laura Angusdei<\/td>Goro<\/td>Maple Death<\/td><\/td><\/tr>
9<\/td>Lightning Dust<\/td>Nostalgia Killer<\/td>Western Vinyl<\/td><\/td><\/tr>
9<\/td>Melody Gardot & Philippe Powell<\/td>Entre eux deux: the Paris Sessions<\/td>Decca<\/td><\/td><\/tr>
9<\/td>Natalie Rose LeBrecht<\/td>Holy Prana Open Game<\/td>American Dreams<\/td><\/td><\/tr>
9<\/td>Niall Horan<\/td>The Show<\/td>Capitol<\/td><\/td><\/tr>
9<\/td>Nico Georis<\/td>Cloud Suites<\/td>Leaving<\/td><\/td><\/tr>
9<\/td>Nora Stanley, Benny Bock<\/td>Distance of the Moon<\/td>Colorfield<\/td><\/td><\/tr>
9<\/td>Olof Dreijer & Mount Sims<\/td>Souvenir<\/td>Rabid<\/td><\/td><\/tr>
9<\/td>Pantayo<\/td>Ang Pagdaloy<\/td>Telephone Explosion<\/td><\/td><\/tr>
9<\/td>Pimpono 2+4<\/td>Past and Future Don’t Exist and Now is the Rhythm<\/td>Instant Classic<\/td>CD, MC<\/td><\/tr>
9<\/td>Ricardo Dias Gomes<\/td>Muito Sol<\/td>Hive Mind<\/td><\/td><\/tr>
9<\/td>Shafiq Husayn<\/td>So Gold<\/td>Nature Sounds<\/td><\/td><\/tr>
9<\/td>Slipknot<\/td>Adderall EP<\/td>Roadrunner<\/td><\/td><\/tr>
9<\/td>Solo Andata<\/td>Slip Casting<\/td>12k<\/td><\/td><\/tr>
9<\/td>Squid<\/td>O Monolith<\/td>Warp<\/td><\/td><\/tr>
9<\/td>Stefan Neville & Greg Malcolm<\/td>Don’t Drown<\/td>Okraina<\/td><\/td><\/tr>
9<\/td>The Warlocks<\/td>EXP (Experimental Burnout Music)<\/td><\/td><\/td><\/tr>
9<\/td>Torture Rack<\/td>Primeval Onslaught<\/td>20 Buck Spin<\/td><\/td><\/tr>
9<\/td>VA<\/td>Luke Una Presents \u00c9 Soul Cultura Vol\u200b.\u200b2<\/td>Mr Bongo<\/td><\/td><\/tr>
9<\/td>Werner Dafeldecker <\/td>Neural<\/td>Room40<\/td><\/td><\/tr>
9<\/td>Werner Dafeldecker & Valerio Tricoli<\/td>Der Krater<\/td>Room40<\/td><\/td><\/tr>
9<\/td>Wobbly<\/td>Additional Kids<\/td>Hausu Mountain<\/td><\/td><\/tr>
9<\/td>Zoh Amba featuring William Parker and Francisco Mela<\/td>O Life, O Light vol. 2<\/td>577 Records<\/td><\/td><\/tr>
9<\/td>\u05d3\u05d5\u05d3\u05d5 \u05d8\u05e1\u05d4 [Dudu Tassa] & Jonny Greenwood<\/td>Jarak Qaribak<\/td>World Circuit<\/td><\/td><\/tr>
10<\/td>Offthesky<\/td>Opening Opening<\/td>Facture<\/td><\/td><\/tr>
11<\/td>Cinemon<\/td>Supercharged<\/td><\/td><\/td><\/tr>
12<\/td>Solo Gemini<\/td>Love Is God<\/td>Father and Son Records and Tapes<\/td><\/td><\/tr>
13<\/td>Audion<\/td>The Return of Losing It<\/td>Ghostly<\/td><\/td><\/tr>
13<\/td>Paprodziad z P\u0119czakiem<\/td>Globalne ocieplenie<\/td>Biokultura<\/td><\/td><\/tr>
13<\/td>Spoon<\/td>Memory Dust EP<\/td>Matador<\/td><\/td><\/tr>
14<\/td>Mars Williams-Vasco Trilla<\/td>Critical Mass<\/td><\/td><\/td><\/tr>
14<\/td>Saint Abdullah & Eomac<\/td>A Vow Not To REad<\/td>Planet Mu<\/td><\/td><\/tr>
14<\/td>Skveee<\/td>Unspoken<\/td>33 Records<\/td><\/td><\/tr>
14<\/td>Waterbaby<\/td>Foam<\/td>Sub Pop<\/td>EP<\/td><\/tr>
15<\/td>Emin G\u00f6k<\/td>Silentio<\/td>Chinabot<\/td><\/td><\/tr>
15<\/td>Keith Fullerton Whitman<\/td>A Stable Environment [Going In 025]<\/td>Going In<\/td><\/td><\/tr>
15<\/td>Louis Laurain<\/td>Le Bargy<\/td>Three:Four<\/td><\/td><\/tr>
15<\/td>Magda Kura\u015b Quintet<\/td>Tryptyk Bi\u0142gorajski<\/td>Alpaka<\/td>CD, DL<\/td><\/tr>
15<\/td>Micha\u0142 Gi\u017cycki, Piotr D\u0105browski <\/td>Lokka<\/td>TORF<\/td>DL<\/td><\/tr>
15<\/td>Paarabola<\/td>Pure Holistic Evil<\/td>Zoharum<\/td><\/td><\/tr>
15<\/td>The Cry<\/td>The Cry<\/td>Gizeh<\/td><\/td><\/tr>
15<\/td>Vijay Iyer<\/td>Raw Materials<\/td>Pi Recordings<\/td><\/td><\/tr>
15<\/td>White Stains<\/td>Singleminded Dualisms<\/td>Zoharum<\/td><\/td><\/tr>
16<\/td>Ahmed Ben Ali<\/td>Habibi Funk 022: Subhana<\/td>Habibi Funk<\/td><\/td><\/tr>
16<\/td>Amnesia Scanner & Freeka Tet<\/td>Strobe RIP<\/td>PAN<\/td><\/td><\/tr>
16<\/td>An Moku | Stefan Schmidt<\/td>Raum im Raum<\/td>Karlrecords<\/td><\/td><\/tr>
16<\/td>Artur Rumi\u0144ski<\/td>Drifting Blur<\/td>Antenna Non Grata<\/td>MC, DL<\/td><\/tr>
16<\/td>Ascetic<\/td>Ascetic<\/td>Audio Cave<\/td>CD, DL<\/td><\/tr>
16<\/td>Aselefech Ashine & Getenesh Kebret<\/td>\u1238\u200b\u1308\u200b\u1294\u200b\u12ce\u200b\u127d (Beauties)<\/td>Mississippi<\/td><\/td><\/tr>
16<\/td>Ben Howard<\/td>Is It?<\/td>Island<\/td><\/td><\/tr>
16<\/td>Ben Verdery & Ulysses Quartet<\/td>A Giant Beside You<\/td>New Focus<\/td><\/td><\/tr>
16<\/td>Bettye Lavette<\/td>LaVette!<\/td>Jay Vee<\/td><\/td><\/tr>
16<\/td>Bonny Doon<\/td>Let There Be Music<\/td>Anti-<\/td><\/td><\/tr>
16<\/td>Boris & Uniform<\/td>Bright New Disease<\/td>Sacred Bones<\/td><\/td><\/tr>
16<\/td>Caterina Barbieri<\/td>Myuthafoo<\/td>light-years<\/td><\/td><\/tr>
16<\/td>CHRIS SPEED TRIO with Chris Tordini and Dave King<\/td>Despite Obstacles<\/td>Intakt<\/td><\/td><\/tr>
16<\/td>Creep Show<\/td>Yawning Abyss<\/td>Bella Union<\/td><\/td><\/tr>
16<\/td>Danny Paul Grody<\/td>Arc of Day<\/td>Three Lobed<\/td><\/td><\/tr>
16<\/td>DAVID VIRELLES with Ben Street and Eric McPherson<\/td>Carta<\/td>Intakt<\/td><\/td><\/tr>
16<\/td>Dezerter<\/td>Deuter<\/td>Mystic<\/td>reed CD<\/td><\/tr>
16<\/td>Django Django<\/td>Off Planet: Parts 1-4<\/td>Because<\/td><\/td><\/tr>
16<\/td>Donny McCaslin<\/td>I Want More<\/td><\/td><\/td><\/tr>
16<\/td>Drive-By Truckers<\/td>The Complete Dirty South<\/td>New West<\/td><\/td><\/tr>
16<\/td>Dylan Moon<\/td>Song & Dance<\/td>RVNG Intl<\/td><\/td><\/tr>
16<\/td>Erik Griswold<\/td>Tres Perdu<\/td>Room40<\/td><\/td><\/tr>
16<\/td>Ethan Cohn \/ Sebasti\u00e1n Greschuk<\/td>Ensemble Infinity<\/td>Eyes & Ears<\/td><\/td><\/tr>
16<\/td>Fust<\/td>Genevieve<\/td>Dear Life<\/td><\/td><\/tr>
16<\/td>Greg Foat & Gigi Masin<\/td>Dolphin<\/td>Strut<\/td><\/td><\/tr>
16<\/td>Hand Habits<\/td>Sugar the Bruise<\/td>Fat Possum<\/td><\/td><\/tr>
16<\/td>Jan M\u0142ynarski & Brass Federacja<\/td>Narkotyki<\/td>Mystic<\/td><\/td><\/tr>
16<\/td>Jantra<\/td>Synthesized Sudan: Astro\u200b-\u200bNubian Electronic Jaglara Dance Sounds from the Fashaga Underground<\/td>Ostinato<\/td><\/td><\/tr>
16<\/td>Kiana Led\u00e9<\/td>Grudges<\/td>Republic<\/td><\/td><\/tr>
16<\/td>Killer Mike<\/td>Michael<\/td>Loma Vista<\/td><\/td><\/tr>
16<\/td>King Gizzard & The Lizard Wizard<\/td>PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation<\/td><\/td><\/td><\/tr>
16<\/td>Kresten Osgood \/ Bob Moses \/ Tisziji Mu\u00f1oz<\/td>Spiritual Drum Kingship<\/td>Gotta Let It Out<\/td><\/td><\/tr>
16<\/td>Lorena \u00c1lvarez & Alejandro Palacios<\/td>Paisajes Para Torcer al Reloj<\/td>Not Not Fun<\/td><\/td><\/tr>
16<\/td>Loupe<\/td>Do You Ever Wonder What Comes Next?<\/td>Sinnbus<\/td><\/td><\/tr>
16<\/td>Meshell Ndegeocello<\/td>The Omnichord Real Book<\/td>Blue Note<\/td><\/td><\/tr>
16<\/td>Methods Body<\/td>Plural Not Possessive<\/td>Beacon Sound<\/td><\/td><\/tr>
16<\/td>Michael Hurley<\/td>Sweetkorn<\/td>Mississippi<\/td><\/td><\/tr>
16<\/td>Micha\u0142 Gi\u017cycki, Piotr D\u0105browski <\/td>Deva<\/td>TORF<\/td>DL<\/td><\/tr>
16<\/td>Mike Dimes<\/td>Texas Boy<\/td>Camp Billy<\/td><\/td><\/tr>
16<\/td>Milo Korbenski<\/td>Vol. 1<\/td>Phantom Limb<\/td><\/td><\/tr>
16<\/td>Moriah Plaza<\/td>Moriah Plaza<\/td>Batov<\/td><\/td><\/tr>
16<\/td>Nils \u00d8kland<\/td>Glimmer<\/td>ECM<\/td><\/td><\/tr>
16<\/td>Normal Nada the Krakmaxter<\/td>Tribal Progressive Heavy Metal<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
16<\/td>Pat Metheny<\/td>Dream Box<\/td>BMG<\/td><\/td><\/tr>
16<\/td>Perforto<\/td>Uragano<\/td>Ramble<\/td><\/td><\/tr>
16<\/td>Peter J. Birch<\/td>Fantazmat<\/td>PIAS\/Integral<\/td>CD <\/td><\/tr>
16<\/td>Philip Jeck & Chris Watson<\/td>Oxmardyke<\/td>Touch<\/td><\/td><\/tr>
16<\/td>Pigeon<\/td>Backslider EP<\/td>Innovative Leisure<\/td><\/td><\/tr>
16<\/td>Polski Piach<\/td>Po\u0142udnie+P\u00f3\u0142noc<\/td>Gusstaff <\/td>MC<\/td><\/tr>
16<\/td>Prochy<\/td>Prochy<\/td>Opus Elefantum<\/td><\/td><\/tr>
16<\/td>Pr\u00f3chno<\/td>P3<\/td>Gusstaff\/Don’t Sit On My Vinyl!<\/td>CD, LP+8″ clear limited 66 \/ LP black (un)limited<\/td><\/tr>
16<\/td>Queens Of The Stone Age<\/td>In Times New Roman<\/td>Matador<\/td><\/td><\/tr>
16<\/td>Rain Gregorio<\/td>Myrtle On Holiday<\/td>Anxiety Blanket<\/td><\/td><\/tr>
16<\/td>Randy Bernsen<\/td>Heart Mind and Soul<\/td>Jericho Jams<\/td><\/td><\/tr>
16<\/td>Roger Bekono<\/td>Roger Bekono<\/td>Awesome Tapes From Africa<\/td><\/td><\/tr>
16<\/td>Rolrolrol<\/td>Music <\/td>Ilian Tape<\/td><\/td><\/tr>
16<\/td>Saroos<\/td>Turtle Roll<\/td>Alien Transistor<\/td><\/td><\/tr>
16<\/td>Sigur R\u00f3s<\/td>\u00c1TTA<\/td>Krunk\/BMG<\/td><\/td><\/tr>
16<\/td>Sylvie Krobov\u00e1<\/td>Chodec<\/td>Poli5<\/td><\/td><\/tr>
16<\/td>Tunnels Of \u0100h<\/td>The Smeared Cloth 2012-2018 Unearthed <\/td>Zoharum<\/td><\/td><\/tr>
16<\/td>Two Fingers vs. Muadeep<\/td>Cronos<\/td>Nomark<\/td><\/td><\/tr>
16<\/td>Ulrich Krieger<\/td>Aphotic I \u2014 Hadal<\/td>Room40<\/td><\/td><\/tr>
16<\/td>VA<\/td>Taa! Our Language May Be Dying, But Our Voices Remain<\/td>Glitterbeat<\/td><\/td><\/tr>
16<\/td>Wild Up<\/td>Julius Eastman Vol. 3: If You’re So Smart, Why Aren’t You Rich?<\/td>New Amsterdam<\/td><\/td><\/tr>
16<\/td>Yusuf<\/td>King of a Land<\/td>BMG<\/td><\/td><\/tr>
17<\/td>Micha\u0142 Gi\u017cycki, Piotr D\u0105browski <\/td>Citta<\/td>TORF<\/td>DL<\/td><\/tr>
18<\/td>Ingebrigt Haker Flaten & Paal Nilssen-Love<\/td>Guts & Skins<\/td>Catalytic-Sound<\/td><\/td><\/tr>
18<\/td>Olga Czech<\/td>Wszech\u015bwiat<\/td>BAS<\/td><\/td><\/tr>
19<\/td>Baldruin<\/td>Relikte aus der Zukunft<\/td>Buh<\/td><\/td><\/tr>
20<\/td>Bong Wish<\/td>Hazy Road<\/td>Feeding Tube<\/td><\/td><\/tr>
20<\/td>Minaru<\/td>Blue Forty-Seven<\/td>Blue Tapes<\/td><\/td><\/tr>
21<\/td>Anthony Pateras<\/td>A Dread of Voids<\/td><\/td><\/td><\/tr>
21<\/td>Jacek Rodziewicz<\/td>Muzyka moja i Nasha<\/td><\/td><\/td><\/tr>
21<\/td>JB Glazer<\/td>UR K?<\/td>33-33<\/td><\/td><\/tr>
21<\/td>Michiko Ogawa & Lucy Railton<\/td>Fragments of Reincarnation<\/td>Another Timbre<\/td><\/td><\/tr>
21<\/td>Morton Feldman<\/td>Violin and String Quartet<\/td>Another Timbre<\/td><\/td><\/tr>
21<\/td>Nahash<\/td>A Snake in Your House<\/td>Svbkvlt<\/td><\/td><\/tr>
21<\/td>Sarah-Jane Summers<\/td>Echo Stane<\/td>Another Timbre<\/td><\/td><\/tr>
23<\/td>Albert Hammond Jr.<\/td>Melodies on Hiatus<\/td>Red Bull<\/td><\/td><\/tr>
23<\/td>Ambiance II Fusion<\/td>Come Touch Tomorrow<\/td>Freestyle<\/td><\/td><\/tr>
23<\/td>Annika Socolofsky<\/td>Don’t Say a Word<\/td>New Amsterdam<\/td><\/td><\/tr>
23<\/td>Arthur Russell<\/td>Picture of Bunny Rabbit<\/td>Audika<\/td>arch<\/td><\/tr>
23<\/td>Ativin<\/td>Austere<\/td>Fonoradar\/Joyful Noise<\/td><\/td><\/tr>
23<\/td>Big Freedia<\/td>Central City<\/td>Queen Diva Music<\/td><\/td><\/tr>
23<\/td>Black Duck<\/td>Black Duck<\/td>Thrill Jockey<\/td><\/td><\/tr>
23<\/td>Blue Lake<\/td>Sun Arcs<\/td>Tonal Union<\/td><\/td><\/tr>
23<\/td>Bridey<\/td>Arena Rock Appetizer<\/td>Anxiety Blanket<\/td><\/td><\/tr>
23<\/td>B\u00faho Ermita\u00f1o<\/td>Implosiones<\/td>Buh<\/td><\/td><\/tr>
23<\/td>Cable Ties<\/td>All Her Plans<\/td>Merge<\/td><\/td><\/tr>
23<\/td>Cory Hanson<\/td>Western Cum<\/td>Drag City<\/td><\/td><\/tr>
23<\/td>Dee Byrne<\/td>Outlines<\/td>Whirlwind<\/td><\/td><\/tr>
23<\/td>Destiny Bond<\/td>Be My Vengeance<\/td><\/td><\/td><\/tr>
23<\/td>DYL <\/td>Groove 15<\/td>Outlines<\/td><\/td><\/tr>
23<\/td>Ekiti Sound<\/td>Drum Money<\/td>Crammed Discs<\/td><\/td><\/tr>
23<\/td>Elza Soares<\/td>No tempo da intoler\u00e2ncia<\/td>Deck<\/td><\/td><\/tr>
23<\/td>Etnobotanika<\/td>Le\u015bne duchy<\/td>The Very Polish Cut Outs<\/td><\/td><\/tr>
23<\/td>Fred Frith & Macio Moretti<\/td>Works for me should be the title<\/td>Don’t Sit On My Vinyl!<\/td>LP clear limited (66) \/ LP black (un)limited<\/td><\/tr>
23<\/td>Geese<\/td>3D Country<\/td>Partisan<\/td><\/td><\/tr>
23<\/td>Graham Lambkin<\/td>Aphorisms<\/td>Blank Forms<\/td><\/td><\/tr>
23<\/td>Henryk Ku\u017aniak<\/td>Na k\u0142opoty… Bednarski<\/td>GAD<\/td>arch CD<\/td><\/tr>
23<\/td>HIIT<\/td>For Beauty Is Nothing But The Beginning Of Terror<\/td>Clean Feed<\/td><\/td><\/tr>
23<\/td>Jahmal Padmore<\/td>One<\/td>Telephone Explosion<\/td>EP<\/td><\/tr>
23<\/td>Jason Mraz<\/td>Mystical Magical Rhythmical Radical Ride<\/td>BMG<\/td><\/td><\/tr>
23<\/td>J\u00e9r\u00f4me Noetinger<\/td>Outside Supercolor<\/td>Room40<\/td><\/td><\/tr>
23<\/td>J\u00e9r\u00f4me Noetinger & Anthony Pateras<\/td>15 Coruscations<\/td>Penultimate Press<\/td><\/td><\/tr>
23<\/td>Kacperczyk <\/td>Pokolenie ko\u0144ca \u015bwiata<\/td>SBM<\/td><\/td><\/tr>
23<\/td>Kelly Clarkson<\/td>Chemistry<\/td>Atlantic<\/td><\/td><\/tr>
23<\/td>Kim Petras<\/td>Feed the Beast<\/td>Republic<\/td><\/td><\/tr>
23<\/td>Krzysztof Duda<\/td>Altus<\/td>GAD<\/td>reed cd<\/td><\/tr>
23<\/td>Lantskap Logic<\/td>Hidden Danger Lets Me In<\/td>Clean Feed<\/td><\/td><\/tr>
23<\/td>Living Under Drones<\/td>Knot on Knot<\/td>Fonoradar<\/td>LP<\/td><\/tr>
23<\/td>Lloyd Cole<\/td>On Pain<\/td><\/td><\/td><\/tr>
23<\/td>M. Ward<\/td>Supernatural Thing<\/td>Anti-<\/td><\/td><\/tr>
23<\/td>Marek Pospieszalski<\/td>No Other End of the World Will There Be (Based on the works of Polish Female Composers of the 20th Century)<\/td>Clean Feed<\/td><\/td><\/tr>
23<\/td>Mental Cruelty<\/td>Zwielicht<\/td>Century Media<\/td><\/td><\/tr>
23<\/td>Metrum<\/td>Metrum<\/td>GAD<\/td>CD<\/td><\/tr>
23<\/td>MEV<\/td>Symphony No. 107 – The Bard<\/td>Black Truffle<\/td><\/td><\/tr>
23<\/td>Militarie Gun<\/td>Life Under the Gun<\/td>Loma Vista<\/td><\/td><\/tr>
23<\/td>Om Unit<\/td>In The Afterworld<\/td>Acid Test<\/td><\/td><\/tr>
23<\/td>Oren Ambarchi & Eric Thielemans<\/td>Double Consciousness<\/td><\/td><\/td><\/tr>
23<\/td>OvE<\/td>Geography and Geometry <\/td>Fonoradar<\/td>LP<\/td><\/tr>
23<\/td>Pascal Comelade, Ramon Prats & Lee Ranaldo<\/td>Velvet Serenade<\/td>Staubgold<\/td><\/td><\/tr>
23<\/td>Peter Jefferies<\/td>Closed Circuit<\/td>Ba Da Bing<\/td><\/td><\/tr>
23<\/td>Ragnar Johnson & Jessica Mayer<\/td>Spirit Cry Flutes and Bamboo Jews Harps from Papua New Guinea: Eastern Highlands and Madang<\/td>Ideologic Organ<\/td><\/td><\/tr>
23<\/td>Rh\u00f9n<\/td>Toz\u200b\u00ef\u200bh<\/td><\/td><\/td><\/tr>
23<\/td>Robert Piotrowicz<\/td>Afterlife<\/td>Penultimate Press<\/td><\/td><\/tr>
23<\/td>Rrose<\/td>Please Touch<\/td><\/td><\/td><\/tr>
23<\/td>Sanam<\/td>Aykathani Malakon \u0635\u200b\u0646\u200b\u0645 – \u0623\u200b\u064a\u200b\u0642\u200b\u0638\u200b\u0646\u200b\u064a \u0645\u200b\u0644\u200b\u0627\u200b\u0643\u200b\u064c<\/td>Mais Um<\/td><\/td><\/tr>
23<\/td>Secret Night Gang<\/td>Belongs on a Place Called Earth<\/td>Brownswood<\/td><\/td><\/tr>
23<\/td>Selvhenter<\/td>Mesmerizer<\/td>Hands In The Dark<\/td><\/td><\/tr>
23<\/td>Sonny Rollins<\/td>Go West!<\/td>Craft<\/td>arch<\/td><\/tr>
23<\/td>Swans<\/td>The Beggar<\/td>Young God<\/td><\/td><\/tr>
23<\/td>The Cat & Bells Club<\/td>The Cat & Bells Club<\/td>Blank Forms<\/td><\/td><\/tr>
23<\/td>V\/Z<\/td>Suono Assente<\/td>AD93<\/td><\/td><\/tr>
23<\/td>VA<\/td>PRENDS LE TEMPS D’ECOUTER – Musique d’expression libre dans les classes Freinet<\/td>Born Bad<\/td><\/td><\/tr>
23<\/td>Young Thug <\/td>Business Is Business<\/td>Atlantic<\/td><\/td><\/tr>
25<\/td>Z\u00e9 Ibarra<\/td>Marqu\u00eas, 256.<\/td>Coala<\/td><\/td><\/tr>
26<\/td>\u015anied\u017a<\/td>Zero prawdy<\/td><\/td><\/td><\/tr>
27<\/td>Emiter<\/td>Les grands voyages de Janina W\u200b\u0119\u200bgrzynowska. Fantaisies au sujet de la g\u200b\u00e9\u200bom\u200b\u00e9\u200btrie et du mouvement<\/td><\/td><\/td><\/tr>
28<\/td>Galcher Lustwerk<\/td>Lustwerk II<\/td>Ghostly<\/td><\/td><\/tr>
29<\/td>Tomasz Bednarczyk<\/td>After Midnight<\/td><\/td><\/td><\/tr>
30<\/td>Alex G<\/td>Live from Union Transfer<\/td>Domino<\/td><\/td><\/tr>
30<\/td>Anberlin<\/td>Convinced<\/td><\/td><\/td><\/tr>
30<\/td>Angelo de Augustine<\/td>Toil and Trouble<\/td>Asthmatic Kitty<\/td><\/td><\/tr>
30<\/td>bdrmm<\/td>I Don’t Know<\/td>Rock Action<\/td><\/td><\/tr>
30<\/td>Bokant\u00e9<\/td>History<\/td>Real World<\/td><\/td><\/tr>
30<\/td>Brian Eno<\/td>77 Million Paintings<\/td>Universal<\/td>EP<\/td><\/tr>
30<\/td>Brigid Mae Power<\/td>Dream From The Deep Well<\/td>Fire<\/td><\/td><\/tr>
30<\/td>Busted Head Racket<\/td>Junk Food<\/td>Syf Records<\/td><\/td><\/tr>
30<\/td>Charlie Watts<\/td>Anthology<\/td>BMG<\/td><\/td><\/tr>
30<\/td>Chester Watson<\/td>Fish Don’t Climb Trees<\/td>POW<\/td><\/td><\/tr>
30<\/td>Chuck Johnson<\/td>Music from Burden of Proof<\/td>All Saints<\/td><\/td><\/tr>
30<\/td>Death’s Dynamic Shroud<\/td>After Angel<\/td>Ghost Diamond<\/td><\/td><\/tr>
30<\/td>Divide and Dissolve<\/td>Systemic<\/td>Invada<\/td><\/td><\/tr>
30<\/td>Do Nothing<\/td>Snake Sideways<\/td>The Orchard<\/td><\/td><\/tr>
30<\/td>Ellen Allien x Ash Code<\/td>Dance and Kill<\/td>BPitch Control<\/td><\/td><\/tr>
30<\/td>Frank Zappa<\/td>Funky Nothingness<\/td>Universal<\/td><\/td><\/tr>
30<\/td>Grian Chatten<\/td>Chaos for the Fly<\/td>Partisan<\/td><\/td><\/tr>
30<\/td>Hayden Pedigo<\/td>The Happiest Times I Ever Ignored<\/td>Mexican Summer<\/td><\/td><\/tr>
30<\/td>HVL & Gacha Bakradze<\/td>Splits<\/td>Orange Analogue<\/td><\/td><\/tr>
30<\/td>Icebeing<\/td>Striped<\/td><\/td><\/td><\/tr>
30<\/td>Jason Adasiewicz<\/td>Roy’s World<\/td>Corbett vs Dempsey<\/td><\/td><\/tr>
30<\/td>JD Pinkus & Tall Tall Trees<\/td>Ponder Machine<\/td>Joyful Noise<\/td><\/td><\/tr>
30<\/td>JD Pinkus & Tall Tall Trees<\/td>Ponder Machine<\/td>Joyful Noise<\/td><\/td><\/tr>
30<\/td>Joachim K\u00fchn Trio & Atom String Quartet<\/td>Jazz at Berlin Philharmonic XIV \u201cKOMEDA\u201d<\/td>ACT<\/td><\/td><\/tr>
30<\/td>Joanna Sternberg<\/td>I’ve Got Me<\/td>Fat Possum<\/td><\/td><\/tr>
30<\/td>John Carroll Kirby<\/td>Blowout<\/td>Stones Throw<\/td><\/td><\/tr>
30<\/td>Kieran Hebden & William Tyler<\/td>Darkness, Darkness \/ No Services<\/td>Psychic Hotline<\/td><\/td><\/tr>
30<\/td>Laibach<\/td>Iron Sky: The Coming Race<\/td>Mute<\/td><\/td><\/tr>
30<\/td>Lil Uzi Vert<\/td>Pink Tape<\/td>Atlantic<\/td><\/td><\/tr>
30<\/td>Location Location Location<\/td>Damaged Goods<\/td>Cuneiform<\/td><\/td><\/tr>
30<\/td>Louis Laurain<\/td>Le Bargy<\/td>Three:four<\/td><\/td><\/tr>
30<\/td>Lucinda Williams<\/td>Stories From a Rock n Roll Heart <\/td>Thirty Tigers<\/td><\/td><\/tr>
30<\/td>Mark Vernon<\/td>Call Back Carousel<\/td>Discrepant<\/td><\/td><\/tr>
30<\/td>MLDVA<\/td>MLDVA & \u00c7\u200b\u0131\u200bnar Timur<\/td>Shapes of Rhythm<\/td><\/td><\/tr>
30<\/td>M\u0142ody Kotek<\/td>Ca\u200b\u0142\u200by m\u200b\u00f3\u200bj plan trzeba rozbi\u0107 i p\u200b\u0119\u200bkn\u0119 to dobry znak mog\u0119 by\u0107 ca\u200b\u0142\u200bkiem ze szk\u200b\u0142\u200ba<\/td>Enjoy Life<\/td><\/td><\/tr>
30<\/td>Mong Tong \u5922\u6771<\/td>Tao Fire \u9053\u706b<\/td>Guruguru Brain<\/td><\/td><\/tr>
30<\/td>Nicola Conte<\/td>Umoja<\/td><\/td><\/td><\/tr>
30<\/td>Nothing But Thieves<\/td>Dead Club City<\/td><\/td><\/td><\/tr>
30<\/td>Olivia Dean<\/td>Messy<\/td>EMI<\/td><\/td><\/tr>
30<\/td>Phi-Psonics<\/td>Octava<\/td>Gondwana<\/td><\/td><\/tr>
30<\/td>Piotr Figiel<\/td>Shattered Dreams<\/td><\/td><\/td><\/tr>
30<\/td>Praed<\/td>Fabrication of Silver Dreams<\/td>Discrepant<\/td><\/td><\/tr>
30<\/td>Ricercar 64<\/td>Opus 1<\/td>GAD<\/td>CD<\/td><\/tr>
30<\/td>Sam Scranton<\/td>Body Pillow<\/td>Moon Glyph<\/td><\/td><\/tr>
30<\/td>Serpent Of Old<\/td>Ensemble Under the Dark Sun<\/td>Transcending Obscurity<\/td><\/td><\/tr>
30<\/td>Soft Machine<\/td>Other Doors<\/td>Dyad<\/td><\/td><\/tr>
30<\/td>Steve Martins<\/td>19:11<\/td>Antena Krzyku<\/td><\/td><\/tr>
30<\/td>Sweeping Promises<\/td>Good Living Is Coming For You<\/td>Sub Pop<\/td><\/td><\/tr>
30<\/td>Tainy<\/td>Data<\/td>Neon 16<\/td><\/td><\/tr>
30<\/td>The Alchemist<\/td>Flying High<\/td>ALC<\/td><\/td><\/tr>
30<\/td>The Body<\/td>I Shall Die Here \/ Earth Triumphant<\/td><\/td><\/td><\/tr>
30<\/td>The Bug<\/td>Machine 2<\/td>Pressure<\/td><\/td><\/tr>
30<\/td>The Japanese House<\/td>In the End It Always Does<\/td>Dirty Hit<\/td><\/td><\/tr>
30<\/td>Toro y Moi<\/td>Mahal (Live from Big Sur)<\/td>Dead Oceans<\/td><\/td><\/tr>
30<\/td>Tyshawn Sorey<\/td>Continuing<\/td>Pi Recordings<\/td><\/td><\/tr>
30<\/td>VA<\/td>Echolocation: Resonate From Here<\/td>Brawl<\/td><\/td><\/tr>
30<\/td>VA<\/td>Opole 64<\/td>GAD<\/td>4CD<\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 C_C Voltiges In Paradisum 1 Keatsu Struggles Seagull Ross DL 1 Kultikula Kultikula Multikulti 1 Marcin Malinowski \/ Dorota Roszkowska \/ Ewa Kaszuba \/ Micha\u0142 Piwowarczyk \/ Aleksandra Kuczewska Osvaldo Golijov: The Dreams and Prayers of Isaac the Blind Multikulti 1 Piotr Me\u0142ech \/ Patryk Lichota Lost Level Multikulti 2 1984 Projekt Loebl Antena […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/38035"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=38035"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/38035\/revisions"}],"predecessor-version":[{"id":38972,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/38035\/revisions\/38972"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=38035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}