{"id":39911,"date":"2023-09-17T21:24:53","date_gmt":"2023-09-17T19:24:53","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=39911"},"modified":"2024-01-12T09:07:09","modified_gmt":"2024-01-12T08:07:09","slug":"premiery-11-2023","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/stare-premiery\/premiery-11-2023\/","title":{"rendered":"PREMIERY 11.2023"},"content":{"rendered":"\n
1<\/td>Beneficjenci Splendoru<\/td>Fizyka<\/td><\/td><\/td><\/tr>
1<\/td>Damien Jurado<\/td>Passing the Giraffes<\/td>Maraqopa<\/td><\/td><\/tr>
1<\/td>John Butcher, Thomas Lehn & John Tilbury<\/td>Lights<\/td>Fataka<\/td><\/td><\/tr>
1<\/td>M. Takara<\/td>Live at 3XR<\/td>Edelfaul<\/td><\/td><\/tr>
1<\/td>Peter Evans – Being & Becoming<\/td>Ars Memoria<\/td>More Is More<\/td><\/td><\/tr>
1<\/td>Pisitakun<\/td>KUANTALAENG<\/td>Chinabot<\/td><\/td><\/tr>
1<\/td>U.S. Girls<\/td>Lives<\/td>4AD<\/td><\/td><\/tr>
2<\/td>Pascal Comelade, Lionel Limi\u00f1ana, Marie Limi\u00f1ana<\/td>Boom Boom<\/td>Because<\/td><\/td><\/tr>
3<\/td>AcidSitter<\/td>Make Acid Great Again<\/td>Interstellar Smoke<\/td><\/td><\/tr>
3<\/td>Actress<\/td>LXXXVIII<\/td>Ninja Tune<\/td><\/td><\/tr>
3<\/td>Adela Mede<\/td>Ne L\u00e9pj a Vir\u00e1gra <\/td>Warm Winters Ltd<\/td><\/td><\/tr>
3<\/td>Akhira Sano<\/td>Far More Decentralized<\/td>33-33<\/td><\/td><\/tr>
3<\/td>Alya Isha x Insula<\/td>diaSpoRia<\/td>FPE<\/td><\/td><\/tr>
3<\/td>Amor Muere<\/td>A time to love, a time to die<\/td>Scrawl<\/td><\/td><\/tr>
3<\/td>Anita Lipnicka<\/td>\u015anienie<\/td>Dark Gray<\/td><\/td><\/tr>
3<\/td>Bar Italia<\/td>The Twits<\/td>Matador<\/td><\/td><\/tr>
3<\/td>Beatriz Ferreyra<\/td>UFO Forest+<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Benny Sings With the Metropole Orkest<\/td>Benny Sings With the Metropole Orkest<\/td>Stones Throw<\/td>EP<\/td><\/tr>
3<\/td>Better Corners<\/td>Continuous Miracles, Vol\u200b.\u200b2<\/td>The State51 Conspiracy<\/td><\/td><\/tr>
3<\/td>Christine Ott<\/td>Eclats (Piano Works)<\/td>Gizeh<\/td><\/td><\/tr>
3<\/td>Chromb!<\/td>Cinq<\/td>Dur & Doux<\/td><\/td><\/tr>
3<\/td>Claire Rousay<\/td>i no longer have that glowing thing inside of me<\/td>Thrill Jockey<\/td>EP<\/td><\/tr>
3<\/td>Cold War Kids<\/td>Cold War Kids<\/td><\/td><\/td><\/tr>
3<\/td>Drop Nineteens <\/td>Hard Light<\/td>Wharf Cat<\/td><\/td><\/tr>
3<\/td>Earth<\/td>Earth 2.23: Special Lower Frequency Mix<\/td>Sub Pop<\/td><\/td><\/tr>
3<\/td>Elmar Frey <\/td>Seven Colors<\/td><\/td><\/td><\/tr>
3<\/td>Empty Country<\/td>Empty Country II<\/td>Get Better<\/td><\/td><\/tr>
3<\/td>Eugene Carchesio + Adam Betts<\/td>Circle Drum Music<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Felisha Ledesma<\/td>Fading Farther from Me<\/td>Ecstatic<\/td><\/td><\/tr>
3<\/td>Fismoll<\/td>Pomi\u0119dzy<\/td><\/td><\/td><\/tr>
3<\/td>Four Tet<\/td>Live at Alexandra Palace London, 24th May 2023<\/td><\/td><\/td><\/tr>
3<\/td>Frederik Valentin & Loke Rahbek<\/td>The Friend’s Place<\/td>Posh Isolation<\/td><\/td><\/tr>
3<\/td>Gabriel Birnbaum<\/td>Nightwater | All the Dead Do is Dream<\/td>Western Vinyl<\/td><\/td><\/tr>
3<\/td>Gong<\/td>Unending Ascending<\/td><\/td><\/td><\/tr>
3<\/td>Green Land<\/td>This Heathen Land<\/td>Nuclear Blast<\/td><\/td><\/tr>
3<\/td>Hailu Mergia<\/td>Pioneer Works Swing (live)<\/td>Awesome Tapes From Africa<\/td><\/td><\/tr>
3<\/td>Hilary Woods<\/td>Acts of Light<\/td>Sacred Bones<\/td><\/td><\/tr>
3<\/td>Honour<\/td>\u00c0l\u200b\u00e1\u200b\u00e1\u200bf\u200b\u00ed\u200b\u00e0<\/td>PAN<\/td><\/td><\/tr>
3<\/td>Hotline TNT<\/td>Cartwheel<\/td>Third Man<\/td><\/td><\/tr>
3<\/td>Ian Sweet<\/td>Sucker<\/td>Polyvinyl<\/td><\/td><\/tr>
3<\/td>Jaime Wyatt<\/td>Feel Good<\/td>New West<\/td><\/td><\/tr>
3<\/td>James Heather<\/td>Reworks vol. 2<\/td>Ahead Of Our Time<\/td><\/td><\/tr>
3<\/td>Jan LF Strach<\/td>Stressing Obsessing Aeropressing<\/td><\/td><\/td><\/tr>
3<\/td>Joan Shelley & Myriam Gendron<\/td>Lullabies from the Archive of American Folk Song<\/td>No Quarter<\/td>EP<\/td><\/tr>
3<\/td>Jockstrap & Taylor Skye<\/td>I<3UQTINVU<\/td>Rough Trade<\/td><\/td><\/tr>
3<\/td>Kevin Abstract<\/td>Blanket<\/td>RCA<\/td><\/td><\/tr>
3<\/td>King Creosote <\/td>I Des<\/td><\/td><\/td><\/tr>
3<\/td>Laura Veirs<\/td>Phone Orphans<\/td>Raven Marching Band<\/td><\/td><\/tr>
3<\/td>Lingua Ignota<\/td>The End: Live at Islington Assembly Hall<\/td><\/td><\/td><\/tr>
3<\/td>Lisa Lerkenfeldt<\/td>Halos of Perception<\/td>Shelter Press<\/td><\/td><\/tr>
3<\/td>Lol Tolhurst, Budgie & Jacknife Lee<\/td>Los Angeles<\/td>PIAS<\/td><\/td><\/tr>
3<\/td>Maria Grapsa Sextet<\/td>Life<\/td>Musical Dojo<\/td><\/td><\/tr>
3<\/td>Markus Guentner & Joachim Spieth<\/td>Overlay<\/td>Affln<\/td><\/td><\/tr>
3<\/td>Marnie Stern<\/td>The Comeback Kid<\/td>Joyful Noise<\/td><\/td><\/tr>
3<\/td>Matmos<\/td>Return To Archive<\/td>Smithsonian<\/td><\/td><\/tr>
3<\/td>More Eaze<\/td>songs of luv\u200b+\u200bh8<\/td>Ecstatic<\/td><\/td><\/tr>
3<\/td>Moses Yoofee Trio<\/td>Ocean<\/td>Leiter<\/td>EP<\/td><\/tr>
3<\/td>Ndox Electrique<\/td>T\u00ebd ak Mame Coumba Lamba ak Mame Coumba Mbang<\/td>Bongo Joe<\/td><\/td><\/tr>
3<\/td>Off World<\/td>„3”<\/td>Constellation<\/td><\/td><\/tr>
3<\/td>Ola Szmidt<\/td>Rooted Explorations<\/td>Accidental<\/td><\/td><\/tr>
3<\/td>Old Fire<\/td>Iterations<\/td>Western Vinyl<\/td><\/td><\/tr>
3<\/td>PoiL<\/td>Yoshitsune<\/td>Dur & Doux<\/td><\/td><\/tr>
3<\/td>Rave At Your Fictional Borders<\/td>Potion Trigger<\/td>Dave De Rose Music<\/td><\/td><\/tr>
3<\/td>Ray Ragnhild Adams<\/td>Allande<\/td>Frederiksberg<\/td><\/td><\/tr>
3<\/td>Rebecca Sugar<\/td>Spiral Bound<\/td><\/td>EP<\/td><\/tr>
3<\/td>Resavoir<\/td>Resavoir<\/td>International Anthem<\/td><\/td><\/tr>
3<\/td>Rizomagic<\/td>Marimbitiaos<\/td><\/td><\/td><\/tr>
3<\/td>Robert Kafel<\/td>Noise Expanse<\/td>Jvdasz Iskariota<\/td><\/td><\/tr>
3<\/td>Sarah Davachi<\/td>Long Gradus<\/td>Late Music<\/td><\/td><\/tr>
3<\/td>Sen Morimoto<\/td>Diagnosis<\/td>City Slang<\/td><\/td><\/tr>
3<\/td>Serenity<\/td>Nemesis AD<\/td>Napalm<\/td><\/td><\/tr>
3<\/td>Sign Libra<\/td>Hidden Beauty<\/td>RVNG Intl<\/td><\/td><\/tr>
3<\/td>Silent Planet<\/td>Superbloom<\/td>Solid State<\/td><\/td><\/tr>
3<\/td>Silvan Joray ft. Nadav Erlich & Jeff Ballard <\/td>Updraft<\/td>Ubuntu Music<\/td><\/td><\/tr>
3<\/td>Sing Leaf<\/td>Remote Model<\/td>TAR \/ MM\/ UOH<\/td><\/td><\/tr>
3<\/td>Snail Mail<\/td>Valentine (Demos)<\/td>Matador<\/td><\/td><\/tr>
3<\/td>Spiritbox<\/td>The Fear of Fear<\/td>Rise<\/td>EP<\/td><\/tr>
3<\/td>strom|morts<\/td>Malville Superph\u200b\u00e9\u200bnix: The Most Dangerous Machine in the World<\/td>Ash International<\/td><\/td><\/tr>
3<\/td>Suffocation<\/td>Hymns From The Apocrypha<\/td>Nuclear Blast<\/td><\/td><\/tr>
3<\/td>Szatt<\/td>Everdome OST vol. II<\/td>Dyspensa<\/td><\/td><\/tr>
3<\/td>TALsounds<\/td>Shift<\/td>NNA Tapes<\/td><\/td><\/tr>
3<\/td>Tashi Dorji<\/td>Tashi Dorji<\/td>Drag City<\/td>arch<\/td><\/tr>
3<\/td>Tashi Dorji<\/td>Guitar Improvisations<\/td>Drag City<\/td><\/td><\/tr>
3<\/td>tellKujira<\/td>tellKujira<\/td>Superpang<\/td><\/td><\/tr>
3<\/td>Thala<\/td>Twotwentytwo<\/td>Fire<\/td><\/td><\/tr>
3<\/td>The Alchemist<\/td>Flying High 2<\/td>ALC<\/td>EP<\/td><\/tr>
3<\/td>The Struts<\/td>Pretty Vicious<\/td>Big Machine<\/td><\/td><\/tr>
3<\/td>There Will Be Fireworks<\/td>Summer Moon<\/td><\/td><\/td><\/tr>
3<\/td>Till Lindemann<\/td>Zunge<\/td><\/td><\/td><\/tr>
3<\/td>Tkay Maidza<\/td>Sweet Justice<\/td>4AD<\/td><\/td><\/tr>
3<\/td>Totenmesse<\/td>Fiktionlust<\/td>Pagan<\/td><\/td><\/tr>
3<\/td>Tymon Tyma\u0144ski<\/td>Paszkwile<\/td>S7<\/td><\/td><\/tr>
3<\/td>Univers Zero<\/td>Lueur<\/td>Sub Rosa<\/td><\/td><\/tr>
3<\/td>VA<\/td>Raveningham Sound Walk<\/td>Brawl<\/td><\/td><\/tr>
3<\/td>Van Morrison<\/td>Accentuate the Positive<\/td><\/td><\/td><\/tr>
3<\/td>William Eggleston<\/td>„512”<\/td>Secretly Canadian<\/td><\/td><\/tr>
3<\/td>Willie Nelson<\/td>Greatest Hits<\/td><\/td><\/td><\/tr>
5<\/td>Bastarda \/ Aleksi\u0107 \/ Podrumac<\/td>Lilith Abi<\/td>Audio Cave<\/td><\/td><\/tr>
6<\/td>Ala Zastary<\/td>Potwory<\/td><\/td><\/td><\/tr>
7<\/td>Fucked Up<\/td>Show Friends EP<\/td><\/td><\/td><\/tr>
7<\/td>Martyna Basta<\/td>Diaries Beneath Fragile Glass<\/td>Stroom TV<\/td><\/td><\/tr>
8<\/td>33EMYBW<\/td>Holes of Sinian<\/td>Svbkvlt<\/td><\/td><\/tr>
8<\/td>Tomasz Chy\u0142a Quintet<\/td>Music We Like To Dance To<\/td>Alpaka<\/td><\/td><\/tr>
10<\/td>Aesop Rock<\/td>Integrated Tech Solutions<\/td>Rhymesayers<\/td><\/td><\/tr>
10<\/td>Aespa<\/td>Drama EP<\/td>SM Entertainment<\/td><\/td><\/tr>
10<\/td>\u00c1ine O’Dwyer<\/td>Turning in Space<\/td>Blank Forms Editions<\/td><\/td><\/tr>
10<\/td>AJR<\/td>The Maybe Man<\/td>Mercury<\/td><\/td><\/tr>
10<\/td>Art Feynman<\/td>Be Good the Crazy Boys<\/td>Western Vinyl<\/td><\/td><\/tr>
10<\/td>Baby Queen<\/td>Quarter Life Crisis<\/td>Polydor<\/td><\/td><\/tr>
10<\/td>Bas Jan<\/td>Back To The Stomp<\/td>Fire<\/td><\/td><\/tr>
10<\/td>Beirut<\/td>Hadsel<\/td>Pompeii<\/td><\/td><\/tr>
10<\/td>Bokka<\/td>Bokka Hits 10<\/td><\/td><\/td><\/tr>
10<\/td>Cat Power<\/td>Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert<\/td>Domino<\/td><\/td><\/tr>
10<\/td>Celia Hollander<\/td>2nd Draft<\/td>Leaving<\/td><\/td><\/tr>
10<\/td>Chris Stapleton<\/td>Higher<\/td>Mercury Nashville<\/td><\/td><\/tr>
10<\/td>Christopher Whyte<\/td>Cold Stability<\/td>New Focus<\/td><\/td><\/tr>
10<\/td>Clara!<\/td>Pulso<\/td>AD93<\/td><\/td><\/tr>
10<\/td>Daneshevskaya<\/td>Long Is the Tunnel<\/td>Winspear<\/td><\/td><\/tr>
10<\/td>Daniel Donato<\/td>Reflector<\/td><\/td><\/td><\/tr>
10<\/td>Danny Scott Lane<\/td>Shower<\/td>WRWTFWW<\/td><\/td><\/tr>
10<\/td>Diepkloof United Voice<\/td>Harmonizing Soweto: Golden City Gospel & Kasi Soul from the new South Africa<\/td>Ostinato<\/td><\/td><\/tr>
10<\/td>Duke<\/td>Early Instrumentals<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
10<\/td>Ellas Kapell<\/td>For All We Know<\/td>Naxos Prophone<\/td><\/td><\/tr>
10<\/td>Foodman<\/td>Uchigawa Tankentai<\/td>Hyperdub<\/td><\/td><\/tr>
10<\/td>Fran\u00e7ois J. Bonnet & Stephen O’Malley<\/td>Cylene II<\/td>Drag City<\/td><\/td><\/tr>
10<\/td>Helmet <\/td>Left<\/td>earMusic<\/td><\/td><\/tr>
10<\/td>Human Being Human<\/td>Disappearance<\/td>April<\/td><\/td><\/tr>
10<\/td>Jess Joy<\/td>Sourceheiress<\/td>Joyful Noise<\/td><\/td><\/tr>
10<\/td>Julek Ploski<\/td>Matcha Latta, Contemplation EP<\/td><\/td><\/td><\/tr>
10<\/td>June McDoom<\/td>With Strings<\/td>Temporary Residence Ltd.<\/td><\/td><\/tr>
10<\/td>Koma Saxo<\/td>Post Koma<\/td>We Jazz<\/td><\/td><\/tr>
10<\/td>Lau Nau<\/td>Aphrilis<\/td>Beacon Sound<\/td><\/td><\/tr>
10<\/td>Lenhart Tapes<\/td>Dens<\/td>Glitterbeat<\/td><\/td><\/tr>
10<\/td>Lil Peep<\/td>Come Over When You’re Sober, Pt. 2 (og version)<\/td><\/td><\/td><\/tr>
10<\/td>Lonely the Brave<\/td>What We Do to Feel<\/td>Easy Life<\/td><\/td><\/tr>
10<\/td>Lucy Railton<\/td>Corner Dancer<\/td>Modern Love<\/td><\/td><\/tr>
10<\/td>Marcin Masecki<\/td>Boleros y m\u00e1s<\/td>Toinen<\/td><\/td><\/tr>
10<\/td>Mery Spolsky<\/td>Erotik era<\/td>Kayax<\/td><\/td><\/tr>
10<\/td>Midgee<\/td>Long Live the Swarm<\/td>Syf Records<\/td><\/td><\/tr>
10<\/td>Miguel Atwood-Ferguson<\/td>Les Jardins Mystiques Vol\u200b.\u200b1<\/td>Brainfeeder<\/td><\/td><\/tr>
10<\/td>Monument Zero<\/td>Merkur Celluloid<\/td>Ubocze Rec.<\/td><\/td><\/tr>
10<\/td>Moritz von Oswald<\/td>Silencio<\/td>Tresor<\/td><\/td><\/tr>
10<\/td>Niecy Blues<\/td>Exit Simulation<\/td>Kranky<\/td><\/td><\/tr>
10<\/td>Nordic Affect \/ Maja S. K. Ratkje<\/td>R\u00f6kkur<\/td><\/td><\/td><\/tr>
10<\/td>Ochman<\/td>Testament<\/td>Polydor<\/td><\/td><\/tr>
10<\/td>Oscar Scheller<\/td>Coming of Age<\/td>Handle With Care<\/td><\/td><\/tr>
10<\/td>Patrick Shiroishi<\/td>I Was to Young to Hear Silence<\/td>American Dreams<\/td><\/td><\/tr>
10<\/td>Pauline Anna Strom<\/td>Plot Zero<\/td>RVNG Intl<\/td><\/td><\/tr>
10<\/td>Pauline Anna Strom<\/td>Echoes, Spaces, Lines<\/td>RVNG Intl<\/td><\/td><\/tr>
10<\/td>Pauline Anna Strom<\/td>Spectre<\/td>RVNG Intl<\/td><\/td><\/tr>
10<\/td>Ph\u00e9t Ph\u00e9t Ph\u00e9t<\/td>Shimmer<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
10<\/td>PinkPantheress<\/td>Heaven Knows<\/td><\/td><\/td><\/tr>
10<\/td>Postman<\/td>Still Life<\/td><\/td><\/td><\/tr>
10<\/td>Psychedelic Porn Crumpets<\/td>What Reality?<\/td>Fronzoli<\/td><\/td><\/tr>
10<\/td>Quannnic<\/td>Stepdream<\/td>deadAir<\/td><\/td><\/tr>
10<\/td>Quantic<\/td>Dance While Falling<\/td><\/td><\/td><\/tr>
10<\/td>Rick Ross & Meek Mill<\/td>Too Good to Be True<\/td>Gamma.<\/td><\/td><\/tr>
10<\/td>Shackleton<\/td>The Scandal of Time<\/td>Woe to the Septic Heart<\/td><\/td><\/tr>
10<\/td>Signal Quest<\/td>Hypermyth<\/td>Orange Milk<\/td><\/td><\/tr>
10<\/td>Skalpel<\/td>Big Band Live<\/td>No Paper<\/td><\/td><\/tr>
10<\/td>The Beatles<\/td>1962 – 1966 (Red Album)<\/td>Universal<\/td>arch<\/td><\/tr>
10<\/td>The Beatles<\/td>1967 – 1970 (Blue Album)<\/td>Universal<\/td>arch<\/td><\/tr>
10<\/td>The Crossing & David Shapiro<\/td>Sumptuous Planet: A Secular Mass<\/td>New Focus<\/td><\/td><\/tr>
10<\/td>The Kid Laroi<\/td>The First Time<\/td>Columbia<\/td><\/td><\/tr>
10<\/td>Trippie Red<\/td>Saint Michael EP<\/td>1400 Entertainment<\/td><\/td><\/tr>
10<\/td>Trond Kallev\u00e5g<\/td>Amerikab\u200b\u00e5\u200bten<\/td>Hubro<\/td><\/td><\/tr>
10<\/td>Tyvek<\/td>Overground<\/td><\/td><\/td><\/tr>
11<\/td>Peja\/Slums Attack<\/td>XXXL \u2013 Trzecia Dekada<\/td><\/td><\/td><\/tr>
11<\/td>Raze Regal & White Denim Inc.<\/td>Raze Regal & White Denim Inc.<\/td><\/td><\/td><\/tr>
11<\/td>Ustad Zia Mohiuddin Dagar<\/td>Vrindavan 1982<\/td>Black Truffle<\/td><\/td><\/tr>
15<\/td>Chlo\u00e9 Despax & F\u00e9lix Blume<\/td>Agua Larga: Traditional & Imaginary Cimarron Music<\/td>Akuphone<\/td><\/td><\/tr>
15<\/td>Maciej Staniecki\/Wojciech Jachna<\/td>Complementary Colors<\/td>Requiem<\/td><\/td><\/tr>
15<\/td>Myra Melford’s Fire and Water Quintet (M. Melford, I. Laubrock, M Halvorson, T Reid, L. Mok)<\/td>Hear the Light Singing<\/td>RogueArt<\/td><\/td><\/tr>
15<\/td>Szymon Bia\u0142orucki<\/td>Fire Assembly Point<\/td><\/td><\/td><\/tr>
17<\/td>Ali Sethi & Nicolas Jaar<\/td>Intiha<\/td>Other People<\/td><\/td><\/tr>
17<\/td>Ancient Infinity Orchestra<\/td>River of Light<\/td>Gondwana<\/td><\/td><\/tr>
17<\/td>Andr\u00e9 3000<\/td>New Blue Sun<\/td>Epic<\/td><\/td><\/tr>
17<\/td>Andreas Toftemark Quartet ft. Gerard Presencer<\/td>La Gare<\/td>April<\/td><\/td><\/tr>
17<\/td>Anenon<\/td>Moons Melt Milk Light<\/td>Tonal Union<\/td><\/td><\/tr>
17<\/td>Bambi<\/td>In Real Life<\/td>Be Records<\/td><\/td><\/tr>
17<\/td>Bob Dylan<\/td>The Complete Budokan 1978<\/td>Columbia<\/td>arch<\/td><\/tr>
17<\/td>Bounaly<\/td>Dimanche \u00e0 Bamako<\/td>Sahel Sounds<\/td><\/td><\/tr>
17<\/td>Classix Nouveaux<\/td>Battle Cry<\/td><\/td><\/td><\/tr>
17<\/td>Daft Punk<\/td>Random Access Memories (Drumless Edition)<\/td>Columbia<\/td><\/td><\/tr>
17<\/td>Daniel Bachman<\/td>When the Roses Come Again<\/td>Three Lobed<\/td><\/td><\/tr>
17<\/td>Daniel Spaleniak<\/td>Band In the Studio<\/td><\/td><\/td><\/tr>
17<\/td>Danny Brown<\/td>Quaranta<\/td>Warp<\/td><\/td><\/tr>
17<\/td>Derek Bailey & Paul Motian<\/td>Duo in Concert<\/td>Frozen Reeds<\/td><\/td><\/tr>
17<\/td>DJ Manny<\/td>Hypnotized<\/td>Planet Mu<\/td><\/td><\/tr>
17<\/td>Dolly Parton<\/td>Rockstar<\/td><\/td><\/td><\/tr>
17<\/td>Drazek \/ Fuscaldo \/ Drake \/ Aoki \/ Jones \/ Abrams<\/td>June 22<\/td>Astral Spirits<\/td><\/td><\/tr>
17<\/td>E\/I<\/td>extension\/immersion<\/td>Instant Classic \/ Love & Beauty <\/td><\/td><\/tr>
17<\/td>Emeli Sande<\/td>How Were We To Know<\/td><\/td><\/td><\/tr>
17<\/td>Extensa<\/td>Extensa<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td>CD\/LP <\/td><\/tr>
17<\/td>French TV<\/td>A Ghastly State of Affairs<\/td>Cuneiform<\/td><\/td><\/tr>
17<\/td>Gifted & Blessed<\/td>Heard and Unheard<\/td>Stones Throw<\/td><\/td><\/tr>
17<\/td>Iron & Wine<\/td>Who Can See Firever OST<\/td>Sub Pop<\/td><\/td><\/tr>
17<\/td>Jaako Eino Kalevi<\/td>Chaos Magic<\/td>Domino<\/td><\/td><\/tr>
17<\/td>John Zorn<\/td>Parrhesiastes<\/td>Tzadik<\/td><\/td><\/tr>
17<\/td>Juan Wauters<\/td>Limbo<\/td>Captured Tracks<\/td><\/td><\/tr>
17<\/td>Jules Reidy<\/td>Trances<\/td>Shelter Press<\/td><\/td><\/tr>
17<\/td>Julie Byrne<\/td>Julie Byrne with Laugh Cry Laugh<\/td>Ghostly<\/td><\/td><\/tr>
17<\/td>Kenneth Jimenez<\/td>Sonnet to Silence<\/td>We Jazz<\/td><\/td><\/tr>
17<\/td>Kishi Bashi<\/td>Music from the Song Film: Omoiyari<\/td>Joyful Noise<\/td><\/td><\/tr>
17<\/td>Kurt Vile<\/td>Back to Moon Beach<\/td>Verve<\/td><\/td><\/tr>
17<\/td>Lech Janerka<\/td>Gipsowy odlew falsyfikatu<\/td>Mystic<\/td><\/td><\/tr>
17<\/td>Lil Wayne & 2 Chainz<\/td>Welcome 2 ColleGrove<\/td>Def Jam<\/td><\/td><\/tr>
17<\/td>Lucidvox<\/td>That’s What Remained<\/td>Glitterbeat<\/td><\/td><\/tr>
17<\/td>Mariusz Duda<\/td>AFR AI D<\/td>Mystic<\/td><\/td><\/tr>
17<\/td>Mbuso Khoza<\/td>Ifa Lomkhono<\/td>Ropeadope<\/td><\/td><\/tr>
17<\/td>mingjia<\/td>star, star<\/td>New Amsterdam<\/td><\/td><\/tr>
17<\/td>Montanera<\/td>A Flor de Piel<\/td>Western Vinyl<\/td><\/td><\/tr>
17<\/td>Neil Hamburger<\/td>Seasonal Depression Suite<\/td>Drag City<\/td><\/td><\/tr>
17<\/td>Owen Pallett<\/td>Dream Scenario OST<\/td>A24<\/td><\/td><\/tr>
17<\/td>Peter Rosendal<\/td>Vejviser<\/td>Creative Cph<\/td><\/td><\/tr>
17<\/td>Quade<\/td>Nacre<\/td>AD93<\/td><\/td><\/tr>
17<\/td>Richard Hronsk\u00fd<\/td>Closures<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
17<\/td>Robert Aiki Aubrey Lowe<\/td>Grasshopper Republic OST<\/td><\/td><\/td><\/tr>
17<\/td>Roger Eno<\/td>The skies, they shift like chords<\/td>Deutsche Grammophon<\/td><\/td><\/tr>
17<\/td>Roy Werner<\/td>Imagine My Surprise<\/td>Moon Glyph<\/td><\/td><\/tr>
17<\/td>Samuel Goff, Camila Nebbia & Patrick Shiroishi<\/td>Diminished Bodies<\/td><\/td><\/td><\/tr>
17<\/td>Savage Republic<\/td>Live in Wroc\u0142aw<\/td>Gusstaff<\/td>CD\/LP\/LP+8″<\/td><\/tr>
17<\/td>S\u00f8ren Bebe Trio<\/td>Here Now<\/td>From Out Here<\/td><\/td><\/tr>
17<\/td>Sun People<\/td>Joyful Discontent<\/td>Outlines<\/td><\/td><\/tr>
17<\/td>Thandi Ntuli with Carlos Ni\u00f1o<\/td>Rainbow Revisited<\/td>International Anthem<\/td><\/td><\/tr>
17<\/td>The Polyphonic Spree<\/td>Salvage Enterprise<\/td>Good Records<\/td><\/td><\/tr>
17<\/td>VA<\/td>M\u0119skie Granie 2023<\/td>Mystic<\/td><\/td><\/tr>
17<\/td>Vastum<\/td>Inward To Gethsemane<\/td>20 Buck Spin<\/td><\/td><\/tr>
17<\/td>Vince Clarke<\/td>Songs of Silence<\/td>Mute<\/td><\/td><\/tr>
17<\/td>Water From Your Eyes<\/td>Crushed By Everyone<\/td>Matador<\/td><\/td><\/tr>
17<\/td>Yellow Swans<\/td>Left Behind EP<\/td>Yellow Swans<\/td><\/td><\/tr>
18<\/td>Jacaszek\/Weso\u0142owski & Szczecin Philharmonic Orchestra<\/td>Eir\u1e17n\u0113<\/td>Coastline Northern Cuts & Szczecin Philharmonic<\/td>DL\/LP<\/td><\/tr>
19<\/td>Bertheau\u200b\/\u200bChmiel\u200b\/\u200bMonchoc\u200b\u00e9<\/td>The Schumann Resonance<\/td>Antenna Non Grata<\/td><\/td><\/tr>
20<\/td>Flaner Klespoza<\/td>Czarny kokos<\/td>Nagrania Somnambuliczne<\/td><\/td><\/tr>
21<\/td>Chuck Johnson<\/td>Shadows on the Green<\/td>All Saints<\/td><\/td><\/tr>
22<\/td>Ewa Sad<\/td>Bum Bum<\/td>Polish Subtitles<\/td><\/td><\/tr>
22<\/td>Rat Section<\/td>What Stays In Vegas<\/td>Halcyon Veil<\/td><\/td><\/tr>
22<\/td>VA<\/td>Generacja JAZZ LP<\/td>U Know Me <\/td><\/td><\/tr>
23<\/td>an-hoer<\/td>sepr.online.works<\/td><\/td><\/td><\/tr>
23<\/td>Cee Lo Green<\/td>Lodega<\/td><\/td><\/td><\/tr>
23<\/td>Simon Lanz & Tobias Lanz<\/td>Arches<\/td>Hallow Ground<\/td><\/td><\/tr>
23<\/td>Zosza<\/td>Dissapointment Muscle<\/td>Piccolo Disturbo<\/td><\/td><\/tr>
24<\/td>-1988-<\/td>Gruda<\/td>S7<\/td>reed<\/td><\/tr>
24<\/td>Benet McLean <\/td>Green Park<\/td>Sea Mammal<\/td><\/td><\/tr>
24<\/td>Biosphere<\/td>Inland Delta<\/td>Biophon<\/td><\/td><\/tr>
24<\/td>Busta Rhymes<\/td>Blockbusta<\/td>Conglomerate<\/td><\/td><\/tr>
24<\/td>Charles Mingus<\/td>Incarnations<\/td>Candid<\/td>RSD<\/td><\/tr>
24<\/td>Cykada<\/td>Metamorphosis<\/td>Astigmatic<\/td><\/td><\/tr>
24<\/td>DJ Muggs & Dean Hurley<\/td>Divinity (Original Motion Picture Soundtrack)<\/td>Sacred Bones<\/td><\/td><\/tr>
24<\/td>Dziwna Wiosna<\/td>Duchy disco<\/td><\/td><\/td><\/tr>
24<\/td>Ekotonika<\/td>Rain, Storm and Dreams<\/td>Don’t Sit On My Vinyl<\/td>10″<\/td><\/tr>
24<\/td>Fabiano do Nascimento<\/td>Mundo Solo<\/td>Far Out<\/td><\/td><\/tr>
24<\/td>Feeling Figures<\/td>Migration Magic<\/td>Perennialdeath<\/td><\/td><\/tr>
24<\/td>Future Static<\/td>Liminality<\/td>Wild Things<\/td><\/td><\/tr>
24<\/td>Grand River & Sofie Birch<\/td>Our Circadian<\/td><\/td>EP<\/td><\/tr>
24<\/td>Guided By Voices<\/td>Nowhere To Go But Up<\/td>GBV<\/td><\/td><\/tr>
24<\/td>Hand To Earth<\/td>Mokuy<\/td>Room40<\/td><\/td><\/tr>
24<\/td>Hyperculte<\/td>La Pang\u200b\u00e9\u200be<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
24<\/td>Ingri H\u00f8yland<\/td>Ode to Stone<\/td><\/td><\/td><\/tr>
24<\/td>Joni Mitchell<\/td>Court and Spark Demos<\/td>Rhino<\/td>arch<\/td><\/tr>
24<\/td>Joshua Idehen<\/td>Stretch for the Stars<\/td>Studio Barnhus<\/td>EP<\/td><\/tr>
24<\/td>Kamaiyah<\/td>Another Summer Night<\/td>Keep It Lit<\/td><\/td><\/tr>
24<\/td>K\u0119pi\u0144ski | Kowalonek<\/td>Kintsugi<\/td>Kayax<\/td><\/td><\/tr>
24<\/td>Krzysztof Komeda Quintet<\/td>Live in Bled 1965<\/td>GAD Records<\/td><\/td><\/tr>
24<\/td>Mad Ship<\/td>Time Shift<\/td><\/td><\/td><\/tr>
24<\/td>Meinild\/Anderskov\/Tom<\/td>Spectral Entanglements<\/td>Barefoot<\/td><\/td><\/tr>
24<\/td>Mrozu<\/td>MTV Unplugged<\/td><\/td><\/td><\/tr>
24<\/td>M\u00f9lk<\/td>Dwa<\/td><\/td><\/td><\/tr>
24<\/td>Norah Jones<\/td>Playing Along<\/td>Blue Note<\/td>komp<\/td><\/tr>
24<\/td>O.<\/td>Slice<\/td>Speedy Wunderground<\/td>EP<\/td><\/tr>
24<\/td>Palle Mikkelborg, Jakob Bro & Marilyn Mazur<\/td>Strands (Live at the Danish Radio Concert Hall)<\/td>ECM<\/td><\/td><\/tr>
24<\/td>Phil Struck<\/td>Der Ferne<\/td>Mondoj<\/td><\/td><\/tr>
24<\/td>Rupert Cox<\/td>Search Party<\/td>Albert’s Favourites<\/td><\/td><\/tr>
24<\/td>Sam Dunscombe<\/td>Two Forests<\/td>Black Truffle<\/td><\/td><\/tr>
24<\/td>Sam Gendel & Ugne Uma<\/td>Tam tikri objektai erdv\u0117je<\/td>Meakusma<\/td>EP<\/td><\/tr>
24<\/td>Santaka<\/td>Ramyb\u0117 \/ Autoportretas<\/td>The State51 Conspiracy<\/td><\/td><\/tr>
24<\/td>SBB<\/td>Live Cuts: Elmshorn 1980<\/td>GAD Records<\/td><\/td><\/tr>
24<\/td>Silent Servant<\/td>In Memoriam<\/td>Tresor<\/td>EP<\/td><\/tr>
24<\/td>Snoop Dogg<\/td>Missionary<\/td>Death Row<\/td><\/td><\/tr>
24<\/td>Snow Strippers<\/td>Night Killaz Vol. 1 EP<\/td>Surf Gang<\/td><\/td><\/tr>
24<\/td>Take That<\/td>This Life<\/td>EMI<\/td><\/td><\/tr>
24<\/td>The Gurdjieff Ensemble & Levon Eskenian<\/td>Zartir<\/td>ECM<\/td><\/td><\/tr>
24<\/td>The Stance Brothers<\/td>Duktus<\/td>We Jazz<\/td><\/td><\/tr>
24<\/td>William Hooker & Phill Niblock<\/td>Hooker and Niblock<\/td>Room40<\/td>EP<\/td><\/tr>
24<\/td>WSPAK<\/td>Radist z neba!<\/td>ForTune <\/td><\/td><\/tr>
28<\/td>Jessica<\/td>Fucking Humankind<\/td>HISS Collective<\/td><\/td><\/tr>
29<\/td>Eleh<\/td>Kicktile<\/td>Touch<\/td><\/td><\/tr>
29<\/td>Pejza\u017c<\/td>List II<\/td>The Very Polish Cut Outs<\/td><\/td><\/tr>
29<\/td>Tomek Zi\u0119tek<\/td>Some Old Songs<\/td>Kayax<\/td><\/td><\/tr>
30<\/td>Hoshii<\/td>Hoshii<\/td><\/td><\/td><\/tr>
30<\/td>Les\u0142aw Matecki<\/td>Matecki<\/td><\/td><\/td><\/tr>
30<\/td>Marcin Dymiter<\/td>Field Notes # 15 Kumaki w Libanie<\/td><\/td><\/td><\/tr>
30<\/td>Mi\u0142osz Pieczonka<\/td>Asleep<\/td><\/td><\/td><\/tr>
30<\/td>Mooris<\/td>I<\/td>Holuzam<\/td><\/td><\/tr>
30<\/td>Rapoon<\/td>Time Frost<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Stargazer’s Assistant<\/td>Fire Worshipper<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Uhushuhu <\/td>Zvirat<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Vidna Obmana<\/td>Crossing the Trail<\/td>Zoharum<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Beneficjenci Splendoru Fizyka 1 Damien Jurado Passing the Giraffes Maraqopa 1 John Butcher, Thomas Lehn & John Tilbury Lights Fataka 1 M. Takara Live at 3XR Edelfaul 1 Peter Evans – Being & Becoming Ars Memoria More Is More 1 Pisitakun KUANTALAENG Chinabot 1 U.S. Girls Lives 4AD 2 Pascal Comelade, Lionel Limi\u00f1ana, Marie […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":31418,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/39911"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=39911"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/39911\/revisions"}],"predecessor-version":[{"id":41185,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/39911\/revisions\/41185"}],"up":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/31418"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=39911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}