{"id":41385,"date":"2024-01-12T09:05:01","date_gmt":"2024-01-12T08:05:01","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=41385"},"modified":"2024-01-27T21:55:04","modified_gmt":"2024-01-27T20:55:04","slug":"premiery-01-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-01-2024\/","title":{"rendered":"PREMIERY 01.2024"},"content":{"rendered":"\n
1<\/td>Build<\/td>Orienting Points<\/td>Audiobulb<\/td><\/td><\/tr>
1<\/td>Sea + I<\/td>Anew<\/td>Home Normal<\/td><\/td><\/tr>
1<\/td>Suavas Lewy<\/td>Nowy Rok w rezerwacie<\/td>Nasze Nagrania<\/td><\/td><\/tr>
1<\/td>Whatever Heaven<\/td>The Divine Right Of Kings<\/td>Anxiety Blanket<\/td>EP<\/td><\/tr>
2<\/td>Gumshoes <\/td>Cacophony<\/td><\/td><\/td><\/tr>
2<\/td>Pye Corner Audio<\/td>Prowler<\/td><\/td><\/td><\/tr>
3<\/td>Benjam\u00edn Vergara & Amanda Irarr\u00e1zabal<\/td>\u00faltimo sosiego<\/td>577 Records<\/td><\/td><\/tr>
3<\/td>Woodstock Work Band<\/td>Armed and Dangerous<\/td>ESP-Disk<\/td><\/td><\/tr>
5<\/td>Frunk29<\/td>Sequentia<\/td>Not Not Fun<\/td><\/td><\/tr>
5<\/td>Hannah Kaminer<\/td>Heavy on the Vine<\/td>Bruce & Neville<\/td><\/td><\/tr>
5<\/td>Ian Hawgood & Wil Bolton<\/td>Floral Forms and Subsequent Interactions<\/td>Home Normal<\/td><\/td><\/tr>
5<\/td>Mario Luciano & Lauren Santi<\/td>Shades of Mauve<\/td>Madlib Invazion<\/td><\/td><\/tr>
5<\/td>Oval<\/td>Now \/ Never \/ Whenever Vol\u200b.\u200b3<\/td>Uovooo<\/td><\/td><\/tr>
5<\/td>Phil Geraldi<\/td>AM\u200b\/\u200bFM USA<\/td>Not Not Fun<\/td><\/td><\/tr>
5<\/td>Pile<\/td>Hot Air Balloon EP<\/td>Exploding in Sound<\/td><\/td><\/tr>
5<\/td>Rogo & Jan Faix<\/td>Makutra Dub<\/td>Poli5<\/td><\/td><\/tr>
5<\/td>Sprints<\/td>Letter to Self<\/td>City Slang<\/td><\/td><\/tr>
5<\/td>Stan Zapalny<\/td>Moje momenty EP<\/td>Magic<\/td><\/td><\/tr>
6<\/td>Anna Calvi<\/td>Peaky Blinders: Season 5 & 6 (Original Score)<\/td><\/td><\/td><\/tr>
6<\/td>Philip Glass<\/td>Philip Glass Solo<\/td>Orange Mountain<\/td><\/td><\/tr>
7<\/td>Atom™<\/td>Stations I<\/td>NN<\/td><\/td><\/tr>
8<\/td>Ab Baars, Joost Buis & Berlinde Deman<\/td>Cecil’s Dance<\/td>Catalytic Sound<\/td><\/td><\/tr>
8<\/td>Normal Bias<\/td>LP3<\/td>U Know Me<\/td><\/td><\/tr>
8<\/td>Yeule<\/td>The Overture of Prototype<\/td><\/td><\/td><\/tr>
10<\/td>Unglee Izi<\/td>Musique de L’A\u200b.\u200bS\u200b.\u200bM\u200b.\u200bA\u200b.\u200b_CHRONOS de TELEHOR et SPACE MODULATOR_Plan I, II, III, IV<\/td>Nashazphone<\/td><\/td><\/tr>
11<\/td>Bzdet <\/td>W pracy<\/td>Syf Records<\/td><\/td><\/tr>
11<\/td>Dynasonic<\/td>D-Sides<\/td>Hiss Collective<\/td><\/td><\/tr>
11<\/td>Scotch Rolex, Shackleton & Omutaba<\/td>The Three Hands of Doom<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
11<\/td>\u017deny & Orkestar<\/td>Kas\u200b\u00e1\u200brna Karl\u200b\u00ed\u200bn<\/td>Poli5<\/td><\/td><\/tr>
12<\/td>@<\/td>Are You There God? It’s Me, @<\/td>Carpark<\/td><\/td><\/tr>
12<\/td>21 Savage<\/td>American Dream<\/td>Slaughter Gang<\/td><\/td><\/tr>
12<\/td>Alluvial<\/td>Death Is But a Door<\/td><\/td>EP<\/td><\/tr>
12<\/td>Anni Kiviniemi Trio<\/td>Eir<\/td>We Jazz<\/td><\/td><\/tr>
12<\/td>Bill Ryder-Jones<\/td>Iechyd Da<\/td>Domino<\/td><\/td><\/tr>
12<\/td>Casey<\/td>How To Disappear<\/td>Hassle<\/td><\/td><\/tr>
12<\/td>Dead Best <\/td>Second<\/td>Don Giovanni<\/td><\/td><\/tr>
12<\/td>Folly Group<\/td>Down There!<\/td>So Young<\/td><\/td><\/tr>
12<\/td>Froukje<\/td>Noodzakelijk Verdriet<\/td>Top Notch<\/td><\/td><\/tr>
12<\/td>Gerycz Powers Rolin<\/td>Activator<\/td>12XU<\/td><\/td><\/tr>
12<\/td>glupsk x Sigtryggur Berg Sigmarsson<\/td>Beyond Happy<\/td>Superpang<\/td><\/td><\/tr>
12<\/td>Hanxiety<\/td>Hanxiety<\/td>Peleton<\/td>EP<\/td><\/tr>
12<\/td>Hizbut J\u00e1mm<\/td>Hizbut J\u00e1mm<\/td>Instant Classic<\/td><\/td><\/tr>
12<\/td>James Osland & Andrew Heath<\/td>Elysian Fields<\/td>Facture<\/td><\/td><\/tr>
12<\/td>JWPaton<\/td>Submerged<\/td>Room40<\/td><\/td><\/tr>
12<\/td>Kali Uchis<\/td>Orqu\u00eddeas<\/td>Geffen<\/td><\/td><\/tr>
12<\/td>Kid Cudi<\/td>Insano <\/td>Republic<\/td><\/td><\/tr>
12<\/td>Koenraad Ecker<\/td>Raw Materials<\/td>L-ne<\/td><\/td><\/tr>
12<\/td>Kreidler<\/td>Twists (A Visitor Arrives)<\/td>Bureau B<\/td><\/td><\/tr>
12<\/td>Lou Reed<\/td>Hudson River Wind Meditations<\/td>Light In The Attic<\/td><\/td><\/tr>
12<\/td>Marika Hackman<\/td>Big Sigh<\/td>Chrysalis<\/td><\/td><\/tr>
12<\/td>Matthew Shipp, Steve Swell<\/td>Space Cube Jazz<\/td>Rogue Art<\/td><\/td><\/tr>
12<\/td>Nicholas Craven & Boldy James<\/td>Penalty of Leadership<\/td><\/td><\/td><\/tr>
12<\/td>Nino Gvillia<\/td>Nicole \/ Overwhelmed by the Unexplained<\/td>Hive Mind<\/td><\/td><\/tr>
12<\/td>Reinhold Friedl & Martin Siewert<\/td>Lichtung<\/td>Karlrecords<\/td><\/td><\/tr>
12<\/td>Revolutionary Ensemble<\/td>Vietnam<\/td>ESP-Disk<\/td>reed<\/td><\/tr>
12<\/td>Robert Cahen<\/td>La nef des fous<\/td>Recollection GRM<\/td><\/td><\/tr>
12<\/td>Surya Botofasina, Nate Mercereau & Carlos Ni\u00f1o<\/td>Subtle Movements<\/td>Leaving<\/td><\/td><\/tr>
12<\/td>Szymon Wildstein<\/td>Tssss<\/td>Enjoy Life<\/td><\/td><\/tr>
12<\/td>The Black Dog<\/td>Neobrutalism EP<\/td><\/td><\/td><\/tr>
12<\/td>The San Lucas Band<\/td>La Voz de las Cumbres (Music of Guatemala)<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
12<\/td>The Vaccines<\/td>Pick-Up Full of Pink Carnations <\/td>Thirty Tigers<\/td><\/td><\/tr>
12<\/td>Tiago Sousa<\/td>Organic Music Tapes Vol\u200b.\u200b3<\/td>Discrepant<\/td><\/td><\/tr>
12<\/td>Tomasz Gwinci\u0144ski<\/td>Music for the Documentaries vol\u200b.\u200b1<\/td>Syriusz Film & Music<\/td><\/td><\/tr>
12<\/td>Unknown T<\/td>Blood Diamond<\/td>Island<\/td><\/td><\/tr>
12<\/td>Wczasy<\/td>Program EP<\/td>Thin Man<\/td><\/td><\/tr>
12<\/td>\u6731\u5a67\u6c50 [Akini Jing]<\/td>Villain<\/td>88rising<\/td><\/td><\/tr>
13<\/td>Horacio Vaggione<\/td>\u2018Schall\u2019 \/ \u2018Rechant\u2019<\/td>Recollection GRM<\/td><\/td><\/tr>
13<\/td>Slow’Mo<\/td>Archiwum<\/td>33 Records<\/td>EP<\/td><\/tr>
13<\/td>Tiago Sousa<\/td>Organic Music Tapes vol 2<\/td><\/td><\/td><\/tr>
14<\/td>Begu<\/td>Frozen<\/td>Father and Son Records & Tapes<\/td><\/td><\/tr>
15<\/td>Alex Deforce & Charlotte Jacobs<\/td>Kwart Voor Straks<\/td>Stroom.TV<\/a><\/td><\/td><\/tr>
15<\/td>Amos Lora<\/td>Dadgad<\/td>MoonJune<\/td><\/td><\/tr>
16<\/td>Mining<\/td>Chimet<\/td>The Leaf Label<\/td><\/td><\/tr>
17<\/td>\u6f58PAN<\/td>Reborn<\/td>Transgressive<\/td>EP<\/td><\/tr>
19<\/td>90 Day Men<\/td>We Blame Chicago<\/td>Numero Group<\/td><\/td><\/tr>
19<\/td>Atom String Quartet<\/td>Universum<\/td>Warner Classics<\/td><\/td><\/tr>
19<\/td>Bolts Of Melody<\/td>Film Noir<\/td><\/td><\/td><\/tr>
19<\/td>Cold In Berlin<\/td>The Body is the Wound<\/td><\/td>EP<\/td><\/tr>
19<\/td>Conch\u00far White<\/td>Swirling Violets<\/td>Bella Union<\/td><\/td><\/tr>
19<\/td>Cowboy Sadness<\/td>Selected Jambient Works vol. 1<\/td>People Teeth<\/td><\/td><\/tr>
19<\/td>Dancefloor Classics (Vladislav Delay)<\/td>Dancefloor Classics vol. 1-5<\/td>Rajaton<\/td><\/td><\/tr>
19<\/td>Delasi<\/td>Audacity of Free Thought<\/td>Brownswood<\/td><\/td><\/tr>
19<\/td>Don Melody Club <\/td>Zonder Pardon<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
19<\/td>Donato Dozzy<\/td>Magda<\/td>Spazio Disponibile<\/td><\/td><\/tr>
19<\/td>Ethan Iverson<\/td>Technically Acceptable<\/td>Blue Note<\/td><\/td><\/tr>
19<\/td>Exploding Star Orchestra\/Small Unit<\/td>Spectral Fiction<\/td>Corbett vs. Dempsey<\/td><\/td><\/tr>
19<\/td>Filmmaker<\/td>Land of Hidden Variables<\/td>Opal Tapes<\/td><\/td><\/tr>
19<\/td>Funken, Chergui et Hateau<\/td>Daniel dans la nuit<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
19<\/td>Green Day<\/td>Saviors<\/td>Reprise<\/td><\/td><\/tr>
19<\/td>Gush<\/td>Afro Blue<\/td>Trost<\/td><\/td><\/tr>
19<\/td>Ian Mikyska & Fredrik Rasten<\/td>Music for Sixth\u200b-\u200btone Harmonium<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
19<\/td>John Zorn<\/td>The Hermetic Organ Volume 11 – For Terry Riley<\/td>Tzadik<\/td><\/td><\/tr>
19<\/td>Josef Pankiewicz<\/td>Ritual of Colors<\/td><\/td><\/td><\/tr>
19<\/td>Jozef van Wissem<\/td>The Night Dwells in the Day<\/td>Incunabulum<\/td><\/td><\/tr>
19<\/td>Keiji Haino, Jim O’Rourke & Oren Ambarchi<\/td>\u3044\u3044\u3053\u3044\u3044\u3053\u304c\u305f\u3064\u305f\u4e00\u3064\u3060\u3051\u8db3\u308a\u306a\u3044\u3068\u60aa\u3000\u305f\u3064\u305f\u4e00\u3064\u3060\u3051\u591a\u3068\u5584\u3000\u305d\u3093\u306a\u3082\u3093\u3055 (With pats on the head, just one too few is evil one too many is good that’s all it is)<\/td>Black Truffle<\/td><\/td><\/tr>
19<\/td>Keyon Harold<\/td>Foreverland<\/td>Concord Jazz<\/td><\/td><\/tr>
19<\/td>Mary Halvorson<\/td>Cloudward<\/td>Nonesuch<\/td><\/td><\/tr>
19<\/td>Nailah Hunter<\/td>Lovegaze<\/td>Fat Possum<\/td><\/td><\/tr>
19<\/td>Ohr, Cofaxx<\/td>What It Seems<\/td><\/td><\/td><\/tr>
19<\/td>Oren Ambarchi<\/td>With pats on the head, just one too few is evil one too many is good that’s all it is<\/td>Black Truffle<\/td><\/td><\/tr>
19<\/td>Pawbeats<\/td>Dzienna<\/td><\/td><\/td><\/tr>
19<\/td>Roma Zuckerman<\/td>Phenomenon of Provincial Mentality<\/td>Gost Zvuk<\/td><\/td><\/tr>
19<\/td>Scanner<\/td>Alchemeia<\/td><\/td><\/td><\/tr>
19<\/td>SIMON SPIESS QUIET TREE with Marc M\u00e9an and Jonas Ruther<\/td>Euphorbia<\/td>Intakt<\/td><\/td><\/tr>
19<\/td>Sleater-Kinney<\/td>Little Rope<\/td>Loma Vista<\/td><\/td><\/tr>
19<\/td>Slift<\/td>Ilion<\/td>Sub Pop<\/td><\/td><\/tr>
19<\/td>SUNNY FIVE Tim Berne \u2013 David Torn \u2013 Ches Smith \u2013 Devin Hoff \u2013 Marc Ducret<\/td>Candid<\/td>Intakt<\/td><\/td><\/tr>
19<\/td>Tatu & Tutkimusmatkailijat<\/td>Vasta alkusoittoa<\/td>Eclipse<\/td><\/td><\/tr>
19<\/td>The Fauns<\/td>How Lost<\/td>Invada<\/td><\/td><\/tr>
19<\/td>UKAEA<\/td>Birds Catching Fire in the Sky<\/td>The State51 Conspiracy<\/td><\/td><\/tr>
19<\/td>Vladislav Delay<\/td>Hide Behind The Silence EP 5<\/td><\/td><\/td><\/tr>
19<\/td>Wra\u017colot<\/td>Przemiana materii<\/td><\/td><\/td><\/tr>
19<\/td>Y\u012aN Y\u012aN<\/td>Mount Matsu<\/td>Glitterbeat<\/td><\/td><\/tr>
23<\/td>Apu Nanu<\/td>The Untold Saga<\/td>BFF Music<\/td><\/td><\/tr>
23<\/td>Microstoria<\/td>init ding + _snd (Remastered)<\/td><\/td><\/td><\/tr>
24<\/td>Coaltar of the Deepers \/ Boris<\/td>Hello There<\/td>U-desper<\/td><\/td><\/tr>
24<\/td>El Perro Del Mar<\/td>Between You and Me Nothing<\/td>City Slang<\/td>EP<\/td><\/tr>
24<\/td>Eye Flys<\/td>Eye Flys<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>Michael Wollny & Joachim K\u00fchn<\/td>Duo<\/td>ACT<\/td><\/td><\/tr>
25<\/td>Pye Corner Audio<\/td>Acid 1<\/td>Emotional Response<\/td><\/td><\/tr>
26<\/td>Abdullah Ibrahim<\/td>„3”<\/td>Gearbox<\/td><\/td><\/tr>
26<\/td>Agust\u00edn Pereyra Lucena<\/td>Agust\u00edn Pereyra Lucena<\/td>Far Out<\/td><\/td><\/tr>
26<\/td>Angry Blackmen<\/td>The Legend of ABM <\/td>Deathbomb Arc<\/td><\/td><\/tr>
26<\/td>Anna Calvi<\/td>Peaky Blinders: Season 5 OST<\/td>Domino<\/td><\/td><\/tr>
26<\/td>Anna Calvi & Nick Launay<\/td>Peaky Blinders: Season 6 OST<\/td>Domino<\/td><\/td><\/tr>
26<\/td>Antistatic<\/td>Relics<\/td>Cuneiform<\/td><\/td><\/tr>
26<\/td>Arve Henriksen, Harmen Fraanje<\/td>Touch of Time<\/td>ECM<\/td><\/td><\/tr>
26<\/td>Astrid Sonne<\/td>Great Doubt<\/td>Escho<\/td><\/td><\/tr>
26<\/td>Batushka<\/td>\u0427\u200b\u0415\u200b\u0420\u200b\u041d\u200b\u042b\u200b\u0415 \u0420\u200b\u0418\u200b\u0422\u200b\u0423\u200b\u0410\u200b\u041b\u200b\u042b \/ BLACK RITUALS<\/td>Witching Hour<\/td><\/td><\/tr>
26<\/td>Benny The Butcher<\/td>Everybody Can\u2019t Go <\/td>Def Jam<\/td><\/td><\/tr>
26<\/td>Botanica<\/td>Evig<\/td><\/td><\/td><\/tr>
26<\/td>Brion Gysin<\/td>Junk<\/td>Wewantsounds<\/td><\/td><\/tr>
26<\/td>Br\u00f6tzmann \/ Nilssen-Love<\/td>Chickenshit Bingo <\/td>Trost<\/td><\/td><\/tr>
26<\/td>Brunhild Meyer-Ferrari<\/td>Ext\u00e9rieur-Jour<\/td><\/td><\/td><\/tr>
26<\/td>Crimeapple & Preservation<\/td>El Le\u00f3n<\/td>Mon Dieu<\/td><\/td><\/tr>
26<\/td>David Wallraf<\/td>The Commune of Nightmares<\/td>Karlrecords<\/td><\/td><\/tr>
26<\/td>Dead Poet Society<\/td>Fission<\/td>Spinefarm<\/td><\/td><\/tr>
26<\/td>Elena Setien<\/td>Moonlit Reveries<\/td>Thrill Jockey<\/td><\/td><\/tr>
26<\/td>Emilia Tuovila & V\u00e4ijytys<\/td>T\u200b\u00e4\u200bs on sulle<\/td>Eclipse<\/td><\/td><\/tr>
26<\/td>Fabiano do Nascimento & Sam Gendel<\/td>The Room <\/td>Real World<\/td><\/td><\/tr>
26<\/td>Fifidroki<\/td>Figura dziks<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td><\/td><\/tr>
26<\/td>Future Islands<\/td>People Who Aren’t There Anymor<\/td>4AD<\/td><\/td><\/tr>
26<\/td>Gary Clark jr.<\/td>JPEG RAW Sampler<\/td><\/td>EP<\/td><\/tr>
26<\/td>Gruff Rhys<\/td>Sadness Sets Me Free <\/td>Rough Trade<\/td><\/td><\/tr>
26<\/td>James Arthur<\/td>Bitter Sweet Love<\/td>Columbia<\/td><\/td><\/tr>
26<\/td>Jan Jelinek & Arthur Clees<\/td>Live in Luxembourg, December 3rd 2021<\/td>Faitiche<\/td><\/td><\/tr>
26<\/td>Katy Kirby<\/td>Blue Raspberry<\/td>Anti-<\/td><\/td><\/tr>
26<\/td>Laura Cannell<\/td>Sealore<\/td>Brawl<\/td><\/td><\/tr>
26<\/td>Leslee Smucker<\/td>Breathing Landscape<\/td>Beacon Sound<\/td><\/td><\/tr>
26<\/td>Lumpeks<\/td>Polonez<\/td>Umlaut<\/td><\/td><\/tr>
26<\/td>Manticora<\/td>Mycelium<\/td>Mighty Music<\/td><\/td><\/tr>
26<\/td>Matthieu Bordenave<\/td>The Blue Land<\/td>ECM<\/td><\/td><\/tr>
26<\/td>Mayuko<\/td>Songs To Whistle When Strolling Along The Abyss<\/td><\/td><\/td><\/tr>
26<\/td>Me\u0142ech\/Kurek<\/td>Walk Through<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td><\/td><\/tr>
26<\/td>Mike Cooper & Pierre Bastien<\/td>Aquapelagos Vol\u200b\u200b\u200b.\u200b\u200b\u200b2: \u00cdndico<\/td>Discrepant<\/td><\/td><\/tr>
26<\/td>Militarie Gun<\/td>Life Under the Sun<\/td>Loma Vista<\/td><\/td><\/tr>
26<\/td>Nehan<\/td>An Evening with Nehan<\/td>Drag City<\/td><\/td><\/tr>
26<\/td>New Model Army<\/td>Unbroken<\/td><\/td><\/td><\/tr>
26<\/td>Office Dog<\/td>Spiel<\/td>New West<\/td><\/td><\/tr>
26<\/td>Old Mountain feat. Tony Malaby<\/td>Another State of Rhythm<\/td>Clean Feed<\/td><\/td><\/tr>
26<\/td>Or Best Offer<\/td>Center<\/td>Ba Da Bing<\/td><\/td><\/tr>
26<\/td>R.A.P. Ferreira & Fumitake Tamura<\/td>The First Fist to Make Contact When We Dap<\/td>Alpha Pup<\/td><\/td><\/tr>
26<\/td>Rahsaan Roland Kirk<\/td>Live in Paris (1970)<\/td>Transversales<\/td>arch<\/td><\/tr>
26<\/td>Saramaccan Sound (Suriname)<\/td>Where The River Bends Is Only The Beginning<\/td>Glitterbeat<\/td><\/td><\/tr>
26<\/td>Sivert H\u00f8yem<\/td>On An Island<\/td>Hektor<\/td><\/td><\/tr>
26<\/td>Tapir!<\/td>The Pilgrim, Their God and The King Of My Decrepit Mountain<\/td>Heavenly<\/td><\/td><\/tr>
26<\/td>Tess Hirst<\/td>HERStory<\/td>Jazz Re:Freshed<\/td><\/td><\/tr>
26<\/td>The Smile<\/td>Wall of Eyes<\/td>XL<\/td><\/td><\/tr>
26<\/td>They Hate Change<\/td>Wish You Were Here\u200b.\u200b.\u200b.<\/td>Jagjaguwar<\/td><\/td><\/tr>
26<\/td>Torres<\/td>What an Enormous Room <\/td>Merge<\/td><\/td><\/tr>
26<\/td>TR\/ST<\/td>TR\/ST<\/td>Dais<\/td>EP<\/td><\/tr>
26<\/td>Ty Segall<\/td>Three Balls<\/td>Drag City<\/td><\/td><\/tr>
26<\/td>Yussef Dayes<\/td>Live from Malibu<\/td>Brownswood<\/td><\/td><\/tr>
27<\/td>Dariusz Mazurowski<\/td>Metropolis Balticum (Urbana Landscape)<\/td>Antenna Non Grata<\/td><\/td><\/tr>
29<\/td>Wilson Wilson<\/td>Imagine All Is Well<\/td><\/td><\/td><\/tr>
30<\/td>Champagne Dub<\/td>Rainbow<\/td>On The Corner<\/td><\/td><\/tr>
30<\/td>Christopher Sawyer<\/td>Together nowhere, alone elsewhere<\/td><\/td><\/td><\/tr>
30<\/td>Florestan Berset \/ Norbert Pfammatter \/ Francesco Losavio<\/td>A Vol d’oiseau<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
30<\/td>Marek Malinowski \/ Robert Rychlicki-G\u0105sowski \/ Wojciech Zadru\u017cy\u0144ski<\/td>Scratching Fork II<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
30<\/td>Wadada Leo Smith & Joe Morris<\/td>Earth’s Frequencies<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Build Orienting Points Audiobulb 1 Sea + I Anew Home Normal 1 Suavas Lewy Nowy Rok w rezerwacie Nasze Nagrania 1 Whatever Heaven The Divine Right Of Kings Anxiety Blanket EP 2 Gumshoes Cacophony 2 Pye Corner Audio Prowler 3 Benjam\u00edn Vergara & Amanda Irarr\u00e1zabal \u00faltimo sosiego 577 Records 3 Woodstock Work Band Armed […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/41385"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=41385"}],"version-history":[{"count":2,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/41385\/revisions"}],"predecessor-version":[{"id":41638,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/41385\/revisions\/41638"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=41385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}