
{"id":42680,"date":"2024-04-01T15:39:25","date_gmt":"2024-04-01T13:39:25","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=42680"},"modified":"2024-04-26T08:47:45","modified_gmt":"2024-04-26T06:47:45","slug":"premiery-04-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-04-2024\/","title":{"rendered":"PREMIERY 04.2024"},"content":{"rendered":"\n<table class=\"wp-block-table\"><tbody><tr><td>1<\/td><td>Bobi Peru<\/td><td>Subliminal Perception<\/td><td>SoulCraft<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Goodly<\/td><td>Goodly<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Izumi Kimura \/ Barry Guy \/ Gerry Hemingway<\/td><td>Six Hands Open as One<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Kamil Piotrowicz \/ Erik Kimestad \/ Simon Albertsen<\/td><td>The President<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Runforrest<\/td><td>Rytua\u0142<\/td><td><\/td><td><\/td><\/tr><tr><td>1<\/td><td>Simon Nabatov<\/td><td>Raging Bulgakov<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><tr><td>2<\/td><td>Alain Goraguer<\/td><td>Rare Soundtracks &amp; Lost Tapes (1973\u200b-\u200b1984)<\/td><td>Transversales<\/td><td><\/td><\/tr><tr><td>2<\/td><td>Mirt<\/td><td>Wanderlust<\/td><td><\/td><td><\/td><\/tr><tr><td>4<\/td><td>Bernard Parmigiani<\/td><td>Complete Works 03<\/td><td><\/td><td><\/td><\/tr><tr><td>4<\/td><td>Claude P\u00e9riard<\/td><td>Dans le ventre de l\u200b\u2019\u200bHippocampe<\/td><td>Kohlenstoff<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Giovanni Di Domenico with Norberto Lobo, Tetuzi Akiyama and Jim O&#8217;Rourke<\/td><td>Duos with Guitars<\/td><td><\/td><td><\/td><\/tr><tr><td>4<\/td><td>Jose Val del Omar, Eduardo Polonio, Josep Maria Mestres Quadreny, Juan Hidalgo, Crist\u00f3bal Halffter<\/td><td>Five Spanish Pioneers of Electronic and Experimental Music 1953\u200b-\u200b1969<\/td><td>Sub Rosa<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Maeror Tri<\/td><td>Ambient Dreams<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Nimh<\/td><td>Before and After Silence<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Rafa\u0142 Ko\u0142acki<\/td><td>Mowa tworzenia<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Tunnels Of \u0100h<\/td><td>The Charnel Working + The Klesha File<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>5<\/td><td>A Lily<\/td><td>Saru I-Qamar<\/td><td>Phantom Limb<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Adam Wiltzie<\/td><td>Eleven Fugues for Sodium Pentothal<\/td><td>Kranky<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Alpha Wolf<\/td><td>Half Living Things<\/td><td>Sharptone<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Amblare <\/td><td>Amblare <\/td><td>Melodic Virtue<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Amy Gadiaga<\/td><td>All Black Everything<\/td><td>Jazz Re:freshed<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Andrew CS<\/td><td>Caught in Pointers<\/td><td>Leaving<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Ariel<\/td><td>Ariel<\/td><td>Jazz Room<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Ariel<\/td><td>Ariel<\/td><td>Jazz Room<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bagus Shidqi<\/td><td>Digital Indigenous 06: Njondhil Njondhal<\/td><td>Digital Indigenous<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Baudouin de Jaer<\/td><td>Five Traces &#8211; Geomungo Compositions Vol III<\/td><td>Sub Rosa<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Beatenberg<\/td><td>The Great Fire of Beatenberg<\/td><td>Leafy Outlook<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bnny<\/td><td>One Million Love Songs<\/td><td>Fire Talk<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Bruno Berle<\/td><td>No Reino Dos Afetos 2<\/td><td>Far Out<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Caleb Landry Jones<\/td><td>Hey Gary, Hey Dawn<\/td><td>Sacred Bones<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Container<\/td><td>Yacker<\/td><td>Alter<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Coral Morphologic &amp; Nick Le\u00f3n<\/td><td>Projections of a Coral City<\/td><td>Balmat<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Dawuna<\/td><td>Southside Bottoms<\/td><td>PTP<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Desarbres Ensemble<\/td><td>Spontaneous Live Series D05<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Desarbres Ensemble (Ferran Fages, Tom Chant, Mateusz Rybicki, Michal Biel, Carina Khorkhordina, Alex Reviriego)<\/td><td>Live at 6th Spontaneous Music Festival 2022<\/td><td>Spontaneous Live Series<\/td><td>DL<\/td><\/tr><tr><td>5<\/td><td>Drahla<\/td><td>Angeltape<\/td><td>Captured Tracks<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Einst\u00fcrzende Neubauten<\/td><td>Rampen \u2013 apm: alien pop music<\/td><td>Potomak<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Fabiana Palladino<\/td><td>Fabiana Palladino<\/td><td>Paul Institute<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Faust<\/td><td>Momentaufnahme III<\/td><td>Bureau B<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Faust<\/td><td>Momentaufnahme IV<\/td><td>Bureau B<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Flung<\/td><td>All Heartbeat<\/td><td>Get Better<\/td><td><\/td><\/tr><tr><td>5<\/td><td>FourColor<\/td><td>Lightscape<\/td><td>12k<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Fyear<\/td><td>Fyear<\/td><td>Constellation<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Grace Cummings<\/td><td>Ramona<\/td><td>ATO<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Hawkwind<\/td><td>Stories From Time and Space<\/td><td>Cherry Red<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Iron Monkey<\/td><td>Spleen &amp; Goad <\/td><td>Relapse<\/td><td><\/td><\/tr><tr><td>5<\/td><td>IVO PERELMAN QUARTET (I. Perelman, M. Shipp, M. Helias, T. Rainey)<\/td><td>Water Music<\/td><td>Rogue Art<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Izzy and the Black Trees<\/td><td>Go On, Test The System<\/td><td>Antena Krzyku<\/td><td>EP<\/td><\/tr><tr><td>5<\/td><td>James Rushford<\/td><td>Turzets<\/td><td>Blank Forms<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Jane Penny<\/td><td>Surfacing<\/td><td>Luminelle<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Jane Weaver<\/td><td>Love in Constant Spectacle<\/td><td>Fire<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Jembaa Groove<\/td><td>Ye Ankasa | We Ourselves<\/td><td>Agogo<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Josh Johnson<\/td><td>Unusual Object<\/td><td>Northern Spy<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Kate Soper<\/td><td>The Hunt<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Khruangbin<\/td><td>A la Sala<\/td><td>Dead Oceans<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Kolonel Djafaar<\/td><td>Getaway<\/td><td>Batov<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Koza\/Molehead<\/td><td>Kusz<\/td><td>Dyspensa<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Lizzy McApline<\/td><td>Older<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Lo Moon<\/td><td>I Wish You Way More Than Luck<\/td><td>Strngr<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Loscil \/ Lawrence English<\/td><td>Chroma<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Louis Culture<\/td><td>I Can&#8217;t Wait to See You Again<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Matthew Shipp<\/td><td>New Concepts in Piano Trio Jazz<\/td><td>ESP-Disk<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Maya Beiser X Terry Riley<\/td><td>In C<\/td><td>Islandia<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Mei Semones<\/td><td>Kabutomushi<\/td><td>Bayonet<\/td><td>EP<\/td><\/tr><tr><td>5<\/td><td>Melissa Aldana<\/td><td>Echoes of the Inner Prophet<\/td><td>Blue Note<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Mount Kimbie<\/td><td>The Sunset Violent<\/td><td>Warp<\/td><td><\/td><\/tr><tr><td>5<\/td><td>New Mexican Stargazers<\/td><td>Casino 2223<\/td><td>Not Not Fun<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Otsochodzi<\/td><td>TThe Grind<\/td><td>2020 Label<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Pablopavo i Ludziki<\/td><td>Lakuna<\/td><td>Karrot Kommando<\/td><td><\/td><\/tr><tr><td>5<\/td><td>P\u00e1t\u00ed na sv\u011bt\u011b<\/td><td>Hymny<\/td><td>Poli5<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Pernice Brothers<\/td><td>Who Will You Believe<\/td><td>New West<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Phelimuncasi &amp; Metal Preyers<\/td><td>Izigqinamba<\/td><td>Nyege Nyege Tapes<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Phosphorescent<\/td><td>Revelator<\/td><td>Verve<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Popsysze<\/td><td>ETR<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Project Gemini<\/td><td>Colours &amp; Light<\/td><td>Mr Bongo<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Pye Corner Audio<\/td><td>The Endless Echo<\/td><td>Ghost Box<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Rail Band<\/td><td>Rail Band<\/td><td>Mississippi<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Resonance<\/td><td>Valediction<\/td><td>Discrepant<\/td><td><\/td><\/tr><tr><td>5<\/td><td>RiTchie<\/td><td>Triple Digits [112]<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Saint Abdullah &amp; Eomac<\/td><td>Light Meteors Crashing Around You Will Not Confuse You<\/td><td>Drowned by Locals<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Sebastiaan Janssen, Hubert Kostkiewicz, Ken Vandermark &amp; Marta Warelis<\/td><td>Koniec<\/td><td>Catalytic Sound<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Shabason, Krgovich, Sage<\/td><td>Shabason, Krgovich, Sage<\/td><td>Idee Fixe<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Sinkane<\/td><td>We Belong<\/td><td>City Slang<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Still Corners<\/td><td>Dream Talk<\/td><td><\/td><td><\/td><\/tr><tr><td>5<\/td><td>Swanox<\/td><td>Rhodyrunner<\/td><td>Not Not Fun<\/td><td><\/td><\/tr><tr><td>5<\/td><td>The Black Keys<\/td><td>Ohio Players<\/td><td>Nonesuch<\/td><td><\/td><\/tr><tr><td>5<\/td><td>The Holy Family<\/td><td>Live Burning, Burning Live<\/td><td>Rocket<\/td><td><\/td><\/tr><tr><td>5<\/td><td>The Libertines<\/td><td>All Quiet on the Eastern Esplanade<\/td><td>Casablanca<\/td><td><\/td><\/tr><tr><td>5<\/td><td>VA<\/td><td>Congo Funk! &#8211; Sound Madness From The Shores Of The Mighty Congo River (Kinshasa\u200b\/\u200bBrazzaville 1969\u200b-\u200b1982) (Analog Africa No. 38)<\/td><td>Analog Africa<\/td><td><\/td><\/tr><tr><td>5<\/td><td>VA<\/td><td>Imaginational Anthem vol. XIII : Songs of Bruce Cockburn<\/td><td>Tompkins Square<\/td><td><\/td><\/tr><tr><td>5<\/td><td>VA<\/td><td>Excavated Shellac: An Alternate History of the World&#8217;s Music (Sampler Album from the Anthology)<\/td><td>Dust-to-Digital<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Valebol<\/td><td>Valebol<\/td><td>Otherly Love<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Vampire Weekend<\/td><td>Only God Was Above Us<\/td><td>Columbia<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Vegyn<\/td><td>The Road To Hell Is Paved With Good Intentions<\/td><td>PLZ Make It Ruins<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Wisp<\/td><td>Pandora EP<\/td><td>Interscope<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Young Miko<\/td><td>att.<\/td><td>Warner<\/td><td><\/td><\/tr><tr><td>5<\/td><td>Zdr\u00f3j<\/td><td>Koleiny<\/td><td>Fonoradar<\/td><td><\/td><\/tr><tr><td>6<\/td><td>Prurient<\/td><td>Electronic Storms<\/td><td>Hospital<\/td><td><\/td><\/tr><tr><td>7<\/td><td>Senjawazabawa<\/td><td>Ma\u0142y cz\u0142owiek &#8211; ko\u0142ysanki z przesz\u0142o\u015bci<\/td><td>Bart\u0142omiej Wozniak Baba Sound Studio<\/td><td><\/td><\/tr><tr><td>7<\/td><td>Weston Olencki<\/td><td>I Went to the Dance (feat. Jules Reidy)<\/td><td>Longform Editions<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Jozef van Wissem<\/td><td>Un Prince<\/td><td>Incunabulum<\/td><td><\/td><\/tr><tr><td>8<\/td><td>Use Knife<\/td><td>Peace Carnival<\/td><td>Morphine<\/td><td><\/td><\/tr><tr><td>9<\/td><td>Micha\u0142 Milczarek<\/td><td>Disorienting Music 1<\/td><td><\/td><td><\/td><\/tr><tr><td>9<\/td><td>Piotr Kurek<\/td><td>The night we slept under an overhanging cliff<\/td><td>Longform Editions<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Chuck Johnson<\/td><td>Cypress Suite<\/td><td>Longform Editions<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Lay Llamas<\/td><td>Sunburned Dreamlike Safari<\/td><td>Black Sweat <\/td><td><\/td><\/tr><tr><td>10<\/td><td>Minoyimn<\/td><td>Broken Pendant<\/td><td>BFF Music<\/td><td><\/td><\/tr><tr><td>10<\/td><td>Teiku<\/td><td>Teiku<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Franek Warzywa i M\u0142ody Budda<\/td><td>Komputer EP<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Matt Lavelle and the 12 Houses<\/td><td>The Crop Circles Suite Part One<\/td><td>Mahakala <\/td><td><\/td><\/tr><tr><td>11<\/td><td>Po\u0142oz<\/td><td>What Kind of Flower Are You?<\/td><td>Mik.Musik<\/td><td><\/td><\/tr><tr><td>12<\/td><td>[ahmed]<\/td><td>Wood Blues<\/td><td>Astral Spirits<\/td><td><\/td><\/tr><tr><td>12<\/td><td>8 Minute Agony<\/td><td>8 Minute Agony<\/td><td>Antena Krzyku<\/td><td><\/td><\/tr><tr><td>12<\/td><td>9T Antiope<\/td><td>Horror Vacui<\/td><td>American Dreams<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Abacothozi<\/td><td>Thema Maboneng<\/td><td>Jazz Room<\/td><td>arch<\/td><\/tr><tr><td>12<\/td><td>Amatorski<\/td><td>Curves and Bends, Things Veer<\/td><td>Crammed Discs<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Avalanche Kaito<\/td><td>Talitakum<\/td><td>Glitterbeat<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Baby Rose (w\/ BADBADNOTGOOD)<\/td><td>Slow Burn<\/td><td>Secretly Canadian<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Bad Bad Hats<\/td><td>Bad Bad Hats<\/td><td>Don Giovanni<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Bela<\/td><td>Noise and Cries (\u200b\u200b\u200b\uad49\u200b\u200b\u200b\uc74c\u200b\u200b\u200b\uacfc \uc6b8\u200b\u200b\u200b\uc74c\u200b\u200b\u200b)<\/td><td>Unsound<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Blue Bendy<\/td><td>So Medieval<\/td><td>The State51 Conspiracy<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Caroline Davis &amp; Wendy Eisenberg<\/td><td>Accept When<\/td><td>Astral Spirits<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Clarissa Connelly<\/td><td>World of Work<\/td><td>Warp<\/td><td><\/td><\/tr><tr><td>12<\/td><td>daoud<\/td><td>Good Boy<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Dave Douglas Quartet<\/td><td>Gifts<\/td><td>Greenleaf<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Eidola<\/td><td>Eviscerate<\/td><td>Blue Swan<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Elsa Hewitt<\/td><td>Chaos Emeralds<\/td><td>Tompkins Square<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Elyanna<\/td><td>Woledto<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>12<\/td><td>English Teacher<\/td><td>This Could Be Texas<\/td><td>Island<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Future &amp; Metro Boomin<\/td><td>We Still Don&#8217;t Trust You<\/td><td>Wilburn Holding Co.<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Giant Sand<\/td><td>Chore Of Enchantment<\/td><td>Fire<\/td><td>reed<\/td><\/tr><tr><td>12<\/td><td>Girl In Red<\/td><td>I\u2019m Doing It Again Baby! <\/td><td>Columbia<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Greyhaven<\/td><td>Stereo Grief<\/td><td>Solid State<\/td><td>EP<\/td><\/tr><tr><td>12<\/td><td>Griffure<\/td><td>Paratonnerre<\/td><td>Umlaut<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Imminence<\/td><td>The Black<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Jacek Sienkiewicz <\/td><td>Pivot EP<\/td><td>International Day Off<\/td><td><\/td><\/tr><tr><td>12<\/td><td>James Elkington and Nathan Salsburg<\/td><td>All Gist<\/td><td>Paradise of Bachelors<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Laura Veirs and Her Band<\/td><td>Live in Brooklyn<\/td><td>Raven Marching Band<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Leyla McCalla<\/td><td>Sun Without the Heat<\/td><td>Anti-<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Linkin Park<\/td><td>Papercuts<\/td><td>Warner<\/td><td>komp<\/td><\/tr><tr><td>12<\/td><td>Lis Wessberg<\/td><td>Twain Walking<\/td><td>April<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Lizz Wright<\/td><td>Shadow<\/td><td>Blues &amp; Greens<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Lynks<\/td><td>Abomination<\/td><td>Heavenly<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Madeleine Cocolas<\/td><td>Bodies<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Maggie Rogers<\/td><td>Don\u2019t Forget Me<\/td><td>Capitol<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Mark Knopfler<\/td><td>One Deep River<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Mathias Landaeus<\/td><td>Path<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Metz<\/td><td>Up On Gravity Hill<\/td><td>Sub Pop<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Morwell<\/td><td>Into the Light<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Nia Archives<\/td><td>Silence Is Loud <\/td><td>Island<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Nick Cave and Warren Ellis<\/td><td>Back to Black OST<\/td><td>Back Lot<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Nicolas Cueille<\/td><td>Curiositi<\/td><td>Unjenesaisquoi<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Obe Calvaire<\/td><td>150 Million Gold Francs<\/td><td>Ropedope<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Olivia Block<\/td><td>The Mountains Pass<\/td><td>Black Truffle<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Oxford Drama<\/td><td>The World Is Louder<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Patrick Shiroishi<\/td><td>A Sparrow in a Swallow\u200b\u2019\u200bs Nest<\/td><td>Sub Pop<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Phill Niblock \/ Anna Clementi \/ Thomas Stern<\/td><td>Zound Delta 2<\/td><td>Karlrecords<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Pinkcourtesyphone<\/td><td>Arise in Sinking Feelings<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Quadro Nuevo<\/td><td>Happy Deluxe<\/td><td>GLM<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Randi Pontoppidan &amp; Martin Fabricius<\/td><td>Clouds<\/td><td><\/td><td><\/td><\/tr><tr><td>12<\/td><td>Red Hot Org &amp; Meshell Ndegeocello<\/td><td>Red Hot &amp; Ra: The Magic City<\/td><td>Red Hot Organization<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Rejoicer<\/td><td>This Is Reasonable<\/td><td>Circus Company<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Replicant<\/td><td>Infinite Mortality <\/td><td>Transcending Obscurity<\/td><td><\/td><\/tr><tr><td>12<\/td><td>SG, Salenta + Topu, Jamie Hodge<\/td><td>Rain Revisited<\/td><td>Faitiche<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Shabaka<\/td><td>Perceive Its Beauty, Acknowledge Its Grace<\/td><td>Impulse!<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Sonniku<\/td><td>Whirlwind Of Malevolence<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Still House Plants<\/td><td>If I Don\u2019t Make It, I Love U<\/td><td>Bison<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Sunburned Hand Of The Man<\/td><td>Nimbus<\/td><td>Three Lobed<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Tekla Goldman<\/td><td>Grzybnia Pierwsza &#8211; leczenie zimn\u0105 wod\u0105<\/td><td>Antena Krzyku<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Tusks<\/td><td>Gold<\/td><td>One Little Indian<\/td><td><\/td><\/tr><tr><td>12<\/td><td>Vermona Kids<\/td><td>keepsake.<\/td><td>Peleton<\/td><td><\/td><\/tr><tr><td>16<\/td><td>15 15<\/td><td>Saplin<\/td><td>XL<\/td><td><\/td><\/tr><tr><td>16<\/td><td>Menomena<\/td><td>The Insulation EP<\/td><td><\/td><td><\/td><\/tr><tr><td>16<\/td><td>Silvia Bolognesi \/ Dud\u00fa Kouate \/ Griffin Rodriguez<\/td><td>Timing Birds<\/td><td>Astral Spirits<\/td><td><\/td><\/tr><tr><td>16<\/td><td>Tropic Of Coldness<\/td><td>These Were Failed Assumptions<\/td><td>Facture<\/td><td><\/td><\/tr><tr><td>17<\/td><td>Ulla &amp; Ultrafog<\/td><td>It Means a Lot<\/td><td>Motion Ward<\/td><td><\/td><\/tr><tr><td>18<\/td><td>FUJI||||||||||TA<\/td><td>Mmm<\/td><td>Hallow Ground<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Osheyack &amp; Nahash<\/td><td>Bait<\/td><td>Svbkvlt<\/td><td><\/td><\/tr><tr><td>19<\/td><td>||ALA|MEDA||<\/td><td>Spectra 2<\/td><td>Brutality Garden<\/td><td><\/td><\/tr><tr><td>19<\/td><td>A Certain Ratio<\/td><td>It All Comes Down To This<\/td><td>Mute<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Addict Ameba<\/td><td>Caosmosi<\/td><td>Black Sweat<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Aleksander D\u0119bicz<\/td><td>Magnolia<\/td><td>Warner<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Alex Sopp<\/td><td>The Hem &amp; The Haw<\/td><td>New Amsterdam<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Alexander Hawkins, Sofia Jernberg <\/td><td>Musho<\/td><td>Intakt<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Asher Tuil<\/td><td>Opus<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Atr\u00e1s del Cosmos<\/td><td>Cold Drinks, Hot Dreams<\/td><td>Blank Forms<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Bbymutha<\/td><td>Sleep Paralysis<\/td><td>True Panther<\/td><td><\/td><\/tr><tr><td>19<\/td><td>BIG|BRAVE<\/td><td>A Chaos of Flowers<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Blunt Chunks<\/td><td>The Butterfly Myth<\/td><td>Telephone Explosion<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Brian Eno<\/td><td>Eno<\/td><td>Universal<\/td><td>komp<\/td><\/tr><tr><td>19<\/td><td>Cadence Weapon<\/td><td>Rollercoaster<\/td><td>MNRK<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Camila Nebbia &amp; Patrick Shiroishi<\/td><td>We Speak in Rivers<\/td><td>Superpang<\/td><td><\/td><\/tr><tr><td>19<\/td><td>CatchUp<\/td><td>Kuku na muniu<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>Chanel Beads<\/td><td>Your Day Will Come<\/td><td>Jagjaguwar<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Claire Rousay<\/td><td>Sentiment<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>Cloud Nothings<\/td><td>Final Summer<\/td><td>Pure Noise<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Domenico Lancellotti x Ricardo Dias Gomes<\/td><td>Remixes<\/td><td>Mais Um<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Elephant9<\/td><td>Mythical River<\/td><td>Rune Grammofon<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Ensemble Modern \/ David Niemann \/ David Fennessy \/ Garth Knox \/ Megumi Kasakawa \/ Michel Maurer<\/td><td>Caruso<\/td><td>Unsounds<\/td><td><\/td><\/tr><tr><td>19<\/td><td>H.R. Giger&#8217;s Studiolo<\/td><td>H.R. Giger&#8217;s Studiolo vol. 1 &amp; vol. 2<\/td><td>Discrepant<\/td><td><\/td><\/tr><tr><td>19<\/td><td>High On Fire<\/td><td>Cometh the Storm<\/td><td>MNRK<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Innode<\/td><td>Grain<\/td><td>Editions Mego<\/td><td><\/td><\/tr><tr><td>19<\/td><td>James D\u00edaz &amp; Julia Jung Un Suh<\/td><td>[speking in a foreign language] <\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>19<\/td><td>John Zorn<\/td><td>The Hermetic Organ Volume 12 &#8211; The Bosch Requiem<\/td><td>Tzadik<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Jonny Drop \u2022 Andrew Ashong<\/td><td>Puzzle Dust<\/td><td>Albert&#8217;s Favourites<\/td><td><\/td><\/tr><tr><td>19<\/td><td>K\u00e6lan Mikla &amp; Bar\u00f0i J\u00f3hannsson<\/td><td>The Phantom Carriage<\/td><td>Artoffact<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Local Natives<\/td><td>But I&#8217;ll Wait for You<\/td><td>Loma Vista<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Lucy Rose<\/td><td>This Ain\u2019t the Way You Go Out <\/td><td>Communion<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Manja Risti\u0107<\/td><td>Ma  <\/td><td>L-ne<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Manuel Troller<\/td><td>Halcyon Future<\/td><td>Three:four<\/td><td><\/td><\/tr><tr><td>19<\/td><td>MARTA SANCHEZ TRIO with Chris Tordini and Savannah Harris<\/td><td>Perpetual Void<\/td><td>Intakt<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Melvins<\/td><td>Tarantula Heart<\/td><td>Ipecac<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Memeshift<\/td><td>Echoes  <\/td><td>Chinabot<\/td><td><\/td><\/tr><tr><td>19<\/td><td>My Dying Bride<\/td><td>A Mortal Binding<\/td><td>Nuclear Blast<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Nuclear Tomb<\/td><td>Terror Labyrinthian<\/td><td>Everlasting Spew<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Olli Ahvenlahti<\/td><td>Mirror Mirror<\/td><td>We Jazz<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Pearl Jam<\/td><td>Dark Matter<\/td><td>Monkeywrench<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Polski Piach <\/td><td>Anomalia<\/td><td>Gusstaff<\/td><td>CD\/LP\/LP+7&#8243;<\/td><\/tr><tr><td>19<\/td><td>Rasmussen \/ Sakata \/ O&#8217;Rourke \/ Corsano<\/td><td>Live at SuperDeluxe &#8211; Volume 1<\/td><td>Trost<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Shards<\/td><td>Byrd Song<\/td><td>Erased Tapes<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Taylor Swift<\/td><td>Tortured Poets Departement<\/td><td><\/td><td><\/td><\/tr><tr><td>19<\/td><td>The Ghost Inside<\/td><td>Searching for Solace<\/td><td>Epitaph<\/td><td><\/td><\/tr><tr><td>19<\/td><td>VA<\/td><td>Live on Mountain Stage: Outlaws &amp; Outliers<\/td><td>Oh Boy<\/td><td><\/td><\/tr><tr><td>19<\/td><td>Vasilis Xenopoulos &amp; Paul Edis Quartet<\/td><td>Feels Like Home<\/td><td>Ubuntu<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Fleet Foxes<\/td><td>Live on Boston Harbour<\/td><td>Anti-<\/td><td>RSD<\/td><\/tr><tr><td>20<\/td><td>RG Rough &amp; Richard Pinhas<\/td><td>End of the Line<\/td><td>Bam Balam<\/td><td><\/td><\/tr><tr><td>20<\/td><td>Sparks \/ No\u00ebl<\/td><td>No. 1 in Heaven \/ Is There More To Life Than Dancing?<\/td><td>Lil\u2019 Beethoven<\/td><td>RSD<\/td><\/tr><tr><td>20<\/td><td>Steven Wilson<\/td><td>Harmonic Divergence<\/td><td>Spinefarm<\/td><td>RSD<\/td><\/tr><tr><td>20<\/td><td>The Residents<\/td><td>Leftovers Again!? Again!?!?!<\/td><td>Cherry Red<\/td><td>RSD<\/td><\/tr><tr><td>20<\/td><td>VA<\/td><td>The Power of the Heart: A Tribute to Lou Reed <\/td><td>Light in the Attic<\/td><td><\/td><\/tr><tr><td>20<\/td><td>VA<\/td><td>Pale Shades Of Grey: Heavy Psychedelic Ballads and Dirges 1969\u200b-\u200b1976<\/td><td>Now-Again<\/td><td><\/td><\/tr><tr><td>23<\/td><td>Contours<\/td><td>Elevations<\/td><td>Music From Memory<\/td><td><\/td><\/tr><tr><td>23<\/td><td>Z\u0142e Oko<\/td><td>Xenos<\/td><td>Zoharum<\/td><td><\/td><\/tr><tr><td>24<\/td><td>Francisco Mela featuring Leo Genovese and William Parker<\/td><td>Music Frees Our Souls, vol. 3<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>24<\/td><td>Francisco Mela, Shinya Lin<\/td><td>Motions vol. 2<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Pianohooligan<\/td><td>Critique of Swing in Two Parts<\/td><td>Decca<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Piernikowski<\/td><td>Beyond Echo of Time<\/td><td>Piernikowski<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Angles &amp; Elle-Kari with Strings<\/td><td>The Death of Kalypso<\/td><td>Thanatosis<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Anitta<\/td><td>Funk Generation<\/td><td>Republic<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Anycia<\/td><td>Princess Pop That<\/td><td>United Masters<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Arild Andersen \/ Daniel Sommer \/ Rob Luft<\/td><td>As Time Passes<\/td><td>April Artwork<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Art Tatum<\/td><td>Jewels in the Treasure Box<\/td><td>Resonance<\/td><td>arch<\/td><\/tr><tr><td>26<\/td><td>Aura Safari \u2022 Jimi Tenor<\/td><td>Sensory Blending<\/td><td>Hell Yeah<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Bullion<\/td><td>Affection<\/td><td>Ghostly<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Carlos Giffoni<\/td><td>Dream Walker<\/td><td>Ideologic Organ<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Catherine Graindorge<\/td><td>Songs for the Dead<\/td><td>Glitterbeat<\/td><td><\/td><\/tr><tr><td>26<\/td><td>C\u00e9u<\/td><td>Novela<\/td><td>Urban Jungle<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Cyril Cyril<\/td><td>Le Futur \u00c7a Marche Pas<\/td><td>Les Disques Bongo Joe<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Fat White Family<\/td><td>Forgiveness Is Yours<\/td><td>Domino<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Full Of Hell<\/td><td>Coagulated Bliss<\/td><td>Closed Casket Activities<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Greg Saunier<\/td><td>We Sang, Therefore We Were<\/td><td>Joyful Noise<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Herandu<\/td><td>Ocher Red<\/td><td>Hive Mind<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Hinode Tapes<\/td><td>Kiki Mori<\/td><td>Instant Classic<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Hovvdy<\/td><td>Hovvdy<\/td><td>Arts &amp; Crafts<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Hovvdy<\/td><td>Hovvdy<\/td><td>Arts &amp; Crafts<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Howie Lee<\/td><td>At The Drolma Wesel\u200b-\u200bLing Monastery<\/td><td>Mais Um<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Irnini Mons<\/td><td>Une habitante touch\u200b\u00e9\u200be par une m\u200b\u00e9\u200bt\u200b\u00e9\u200borite<\/td><td>Dur &amp; Doux<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Iron &amp; Wine<\/td><td>Light Verse<\/td><td>Sub Pop<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Justice<\/td><td>Hyperdrama<\/td><td>Ed Banger<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Lainie Fefferman<\/td><td>Here I Am<\/td><td>New Focus<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Lanark Artefax<\/td><td>Metallur<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Laufey<\/td><td>Bewitched: The Goddess Edition<\/td><td>AWAL<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Lawrence Rothman<\/td><td>The Plow That Broke the Plains<\/td><td>KRO<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Leaving<\/td><td>Hidden View<\/td><td>Moon Glyph<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Leo Genovese, John Lockwood, Nat Mugavero<\/td><td>The Art of Not Playing<\/td><td>577 Records<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Loren Kramar<\/td><td>Glovemaker<\/td><td>Secretly Canadian<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Ludwig A.F.<\/td><td>Halo<\/td><td>Ghostly<\/td><td><\/td><\/tr><tr><td>26<\/td><td>LustSickPuppy<\/td><td>Carousel From Hell<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Mal Waldron &amp; Steve Lacy<\/td><td>Mal Waldron &amp; Steve Lacy: The Mighty Warriors Live in Antwerp<\/td><td>Elemental<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Margaret<\/td><td>Siniaki i cekiny<\/td><td>Universal<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Maria Chiara Argir\u00f2<\/td><td>Closer<\/td><td>Innovative Leisure<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Neil Young &amp; Crazy Horse<\/td><td>Fu##in\u2019 Up<\/td><td>Reprise<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Oren Ambarchi \/ Johan Berthling \/ Andreas Werliin<\/td><td>Ghosted II<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>26<\/td><td>PartyNextDoor<\/td><td>PartyNextDoor Four<\/td><td>OVO<\/td><td><\/td><\/tr><tr><td>26<\/td><td>PartyNextDoor<\/td><td>PartyNextDoor 4<\/td><td>Ovo Sound<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Pet Shop Boys<\/td><td>Nonetheless<\/td><td>Warner<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Peter Hammill<\/td><td>Been Alone So Long: The Naked Songs &#8211; Tour, Bremen 1985<\/td><td>Made In Germany<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Pola Chobot &amp; Adam Baran<\/td><td>Burza<\/td><td>Fonobo<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Sega Bodega<\/td><td>Dennis<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Shit and Shine<\/td><td>You Were Very High<\/td><td>Rocket<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Six Organs of Admittance<\/td><td>Time Is Glass<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>26<\/td><td>S\u0142o\u0144<\/td><td>Zero absolutne EP<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>St. Vincent<\/td><td>All Born Screaming<\/td><td>Virgin<\/td><td><\/td><\/tr><tr><td>26<\/td><td>The Yass Big Band<\/td><td>inMATHEMatic<\/td><td>GSJD<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Thom Yorke<\/td><td>Confidenza OST<\/td><td>XL<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Tomeka Reid Quartet<\/td><td>3+3<\/td><td>Cuneiform<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Trent Reznor &amp; Atticus Ross<\/td><td>Challengers OST<\/td><td><\/td><td><\/td><\/tr><tr><td>26<\/td><td>Tuleje<\/td><td>Puste ulice<\/td><td>Gusstaff \/ Don&#8217;t Sit On My Vinyl<\/td><td>CD \/ LP<\/td><\/tr><tr><td>26<\/td><td>VA<\/td><td>Prah<\/td><td>Warm Winters Ltd.<\/td><td><\/td><\/tr><tr><td>26<\/td><td>Wukir Suryadi<\/td><td>Siklus dan Doa<\/td><td>Discrepant<\/td><td><\/td><\/tr><tr><td>29<\/td><td>Dawno Temu<\/td><td>Sacralia<\/td><td>Pointless Geometry<\/td><td><\/td><\/tr><tr><td>29<\/td><td>SSRI<\/td><td>SSRI<\/td><td>Pointless Geometry<\/td><td><\/td><\/tr><tr><td>30<\/td><td>Jerome Deupree \/ Matthew Shipp \/ Joe Morris<\/td><td>Travelogue<\/td><td>Fundacja S\u0142uchaj<\/td><td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"<p>1 Bobi Peru Subliminal Perception SoulCraft 1 Goodly Goodly 1 Izumi Kimura \/ Barry Guy \/ Gerry Hemingway Six Hands Open as One Fundacja S\u0142uchaj 1 Kamil Piotrowicz \/ Erik Kimestad \/ Simon Albertsen The President Fundacja S\u0142uchaj 1 Runforrest Rytua\u0142 1 Simon Nabatov Raging Bulgakov Fundacja S\u0142uchaj 2 Alain Goraguer Rare Soundtracks &amp; Lost [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42680"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=42680"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42680\/revisions"}],"predecessor-version":[{"id":43002,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42680\/revisions\/43002"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=42680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}