{"id":42866,"date":"2024-04-26T08:48:08","date_gmt":"2024-04-26T06:48:08","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?page_id=42866"},"modified":"2024-04-26T08:48:09","modified_gmt":"2024-04-26T06:48:09","slug":"premiery-05-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-05-2024\/","title":{"rendered":"PREMIERY 05.2024"},"content":{"rendered":"\n
1<\/td>Lisa Lerkenfeldt<\/td>Suite for the Drains<\/td><\/td><\/td><\/tr>
2<\/td>DMX Krew<\/td>Unlikely Seeming<\/td>Byrd Out<\/td><\/td><\/tr>
3<\/td>Amy Aileen Wood<\/td>The Heartening<\/td>Colorfield<\/td><\/td><\/tr>
3<\/td>Andrea Taeggi<\/td>Nattdett<\/td>Hands In the Dark<\/td><\/td><\/tr>
3<\/td>Broadcast<\/td>Spell Blanket – Collected Demos 2006-2009<\/td>Warp<\/td><\/td><\/tr>
3<\/td>Charlotte Day Wilson<\/td>Cyan Blue<\/td>XL<\/td><\/td><\/tr>
3<\/td>Dua Lipa<\/td>Radical Optimism<\/td>Warner<\/td><\/td><\/tr>
3<\/td>Goran Kajfe\u0161 Tropiques<\/td>Tell Us<\/td>We Jazz<\/td><\/td><\/tr>
3<\/td>Hana Vu<\/td>Romanticism<\/td>Ghostly<\/td><\/td><\/tr>
3<\/td>Ibelisse Guardia Ferragutti & Frank Rosaly<\/td>MESTIZX<\/td>International Anthem<\/td><\/td><\/tr>
3<\/td>Ibibio Sound Machine<\/td>Pull the Rope<\/td>Merge<\/td><\/td><\/tr>
3<\/td>Jan Jelinek<\/td>Social Engineering<\/td>Faitiche<\/td><\/td><\/tr>
3<\/td>Jasmine Myra<\/td>Rising<\/td>Gondwana<\/td><\/td><\/tr>
3<\/td>Jean-Emmanuel Rosnet<\/td>Les Alentours<\/td>Not Not Fun<\/td><\/td><\/tr>
3<\/td>Jessica Pratt<\/td>Here in the Pitch<\/td>City Slang<\/td><\/td><\/tr>
3<\/td>Kamasi Washington<\/td>Fearless Movement<\/td>Young<\/td><\/td><\/tr>
3<\/td>Kee Avil<\/td>Spine<\/td>Constellation<\/td><\/td><\/tr>
3<\/td>LA Priest<\/td>La Fusion<\/td>Domino<\/td><\/td><\/tr>
3<\/td>Latrala<\/td>Latrala<\/td>Otherly Love<\/td><\/td><\/tr>
3<\/td>Luke Stewart<\/td>Unknown Rivers<\/td>Pi Recordings<\/td><\/td><\/tr>
3<\/td>Mdou Moctar<\/td>Funeral for Justice<\/td>Matador<\/td><\/td><\/tr>
3<\/td>Milo Korbenski<\/td>When You Gonna Tell \u201aEm the Truth, Aaron?<\/td>Phantom Limb<\/td><\/td><\/tr>
3<\/td>Nsasi<\/td>Coinage<\/td>Hakuna Kulala<\/td><\/td><\/tr>
3<\/td>Nubiyan Twist<\/td>Find Your Flame<\/td>Strut<\/td><\/td><\/tr>
3<\/td>Rasco<\/td>Dmaot<\/td>Batov<\/td><\/td><\/tr>
3<\/td>Shakali<\/td>Rihmastossa<\/td>Not Not Fun<\/td><\/td><\/tr>
3<\/td>Steph Richards<\/td>Powervibe<\/td>Northern Spy<\/td><\/td><\/tr>
3<\/td>Stephan Crump<\/td>Slow Water<\/td><\/td><\/td><\/tr>
3<\/td>The Lemon Twigs<\/td>A Dream Is All We Know<\/td>Captured Tracks<\/td><\/td><\/tr>
3<\/td>Yayoba<\/td>A Maze of Glass<\/td>Not Not Fun<\/td><\/td><\/tr>
4<\/td>Zdroj<\/td>Koleiny<\/td>Fonoradar<\/td><\/td><\/tr>
7<\/td>Temir Alcy<\/td>Temir Alcy<\/td>Stroom.TV<\/a><\/td><\/td><\/tr>
10<\/td>Amen Dunes<\/td>Death Jokes<\/td>Sub Pop<\/td><\/td><\/tr>
10<\/td>Angus & Julia Stone<\/td>Cape Forestier<\/td>PIAS<\/td><\/td><\/tr>
10<\/td>Bab L\u2019 Bluz<\/td>Swaken<\/td>Real World<\/td><\/td><\/tr>
10<\/td>Ballak\u00e9 Sissoko & Derek Gripper<\/td>Ballak\u00e9 Sissoko & Derek Gripper<\/td>Matsuli Music<\/td><\/td><\/tr>
10<\/td>D\u00e4lek<\/td>Negro Necro Nekros<\/td>Ipecac<\/td><\/td><\/tr>
10<\/td>DEHD<\/td>Poetry<\/td>Fat Possum<\/td><\/td><\/tr>
10<\/td>Douglas Dare<\/td>Omni<\/td>Erased Tapes<\/td><\/td><\/tr>
10<\/td>EABS<\/td>Reflections of Purple Sun<\/td>Astigmatic<\/td><\/td><\/tr>
10<\/td>El Jard\u200b\u00ed\u200bn de las Matem\u200b\u00e1\u200bticas (The Garden of Mathematics)<\/td>El Jard\u200b\u00ed\u200bn de las Matem\u200b\u00e1\u200bticas (The Garden of Mathematics)<\/td>Penultimate Press<\/td><\/td><\/tr>
10<\/td>For Example John<\/td>Hello Stranger<\/td><\/td><\/td><\/tr>
10<\/td>France Jobin<\/td>Inifnite Probabilities (Particle 2)<\/td>Room40<\/td><\/td><\/tr>
10<\/td>Gentlebutterfly<\/td>Filmic EP<\/td>FPE<\/td><\/td><\/tr>
10<\/td>Gordan<\/td>Gordan<\/td>Glitterbeat<\/td><\/td><\/tr>
10<\/td>Heith<\/td>The Liars Tell…<\/td>PAN<\/td><\/td><\/tr>
10<\/td>I. Jordan<\/td>I Am Jordan<\/td>Ninja Tune<\/td><\/td><\/tr>
10<\/td>Jason Treuting<\/td>Go Placidly with Haste<\/td>Cantaloupe<\/td><\/td><\/tr>
10<\/td>Jordan Rakei<\/td>The Loop<\/td>Decca<\/td><\/td><\/tr>
10<\/td>Keeley Forsyth<\/td>The Hollow<\/td>FatCat<\/td><\/td><\/tr>
10<\/td>Kings Of Leon<\/td>Can We Please Have Fun<\/td><\/td><\/td><\/tr>
10<\/td>Lady Starlight<\/td>Capricorn Rising<\/td>Tresor<\/td><\/td><\/tr>
10<\/td>Luka Aron<\/td>XV XXVII III XXI IX: Variations & Coda<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
10<\/td>Mary Lattimore and Walt McClements<\/td>Rain on the Road<\/td>Thrill Jockey<\/td><\/td><\/tr>
10<\/td>Mick Harvey<\/td>Five Ways to Say Goodbye<\/td><\/td><\/td><\/tr>
10<\/td>Pokey LaFarge<\/td>Rhumba Country<\/td>New West<\/td><\/td><\/tr>
10<\/td>Sisso & Maiko<\/td>Singeli Ya Maajabu<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
10<\/td>The Day<\/td>The Kids Are Alright<\/td>Sinnbus<\/td><\/td><\/tr>
10<\/td>Tom Skinner<\/td>Voices of Bishara Live at „mu”<\/td>International Anthem<\/td><\/td><\/tr>
10<\/td>Transmission Towers<\/td>Transmission One<\/td>Mr Bongo<\/td><\/td><\/tr>
10<\/td>VA<\/td>Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980\u200b-\u200b93<\/td>Soundway<\/td><\/td><\/tr>
10<\/td>Villagers<\/td>That Golden Time<\/td><\/td><\/td><\/tr>
14<\/td>Larmo<\/td>Alarm<\/td>Zoharum<\/td><\/td><\/tr>
14<\/td>Sutcliffe No More<\/td>Cute<\/td>Zoharum<\/td><\/td><\/tr>
17<\/td>Ackley-Chen-Centazzo-DeGruttola-Kaiser-Manring<\/td>Two Views of Steve Lacy\u200b\u2019\u200bs The Wire<\/td>Don Giovanni<\/td><\/td><\/tr>
17<\/td>Al Kakihira<\/td>In <\/td>Gearbox<\/td><\/td><\/tr>
17<\/td>Beth Gibbons<\/td>Lives Outgrown<\/td>Domino<\/td><\/td><\/tr>
17<\/td>Cymande<\/td>Promised Heights<\/td>Partisan<\/td>reed<\/td><\/tr>
17<\/td>Daniel Brouns<\/td>Stock Music For The Cosmos<\/td>Anxiety Blanket<\/td><\/td><\/tr>
17<\/td>Ex-Easter Island Head<\/td>Norther<\/td>Rocket<\/td><\/td><\/tr>
17<\/td>Jonathan B\u00e4ckstr\u00f6m Quartet<\/td>Jonathan B\u00e4ckstr\u00f6m Quartet<\/td>We Jazz<\/td><\/td><\/tr>
17<\/td>Lip Critic <\/td>Hex Dealer<\/td>Partisan<\/td><\/td><\/tr>
17<\/td>Skalpel<\/td>Cut Outs EP<\/td>The Very Polish Cut-Outs<\/td><\/td><\/tr>
17<\/td>Slash<\/td>Orgy of the Damned<\/td><\/td><\/td><\/tr>
17<\/td>SQ\u00dcRL<\/td>Music for Man Ray<\/td>Sacred Bones<\/td><\/td><\/tr>
17<\/td>Steve Roden<\/td>splint (the soul of wood)<\/td>Room40<\/td><\/td><\/tr>
17<\/td>Tidiane Thiam<\/td>Africa Yontii<\/td>Sahel Sounds<\/td><\/td><\/tr>
17<\/td>Twenty One Pilots<\/td>Clancy<\/td>Warner<\/td><\/td><\/tr>
20<\/td>Dawid Chrapla<\/td>Steelworks on the Edge of the Forest<\/td>Saamleng<\/td><\/td><\/tr>
20<\/td>Mirt \/ Ter<\/td>Sounds of Cambodian Speakers<\/td>Saamleng<\/td><\/td><\/tr>
21<\/td>NikNak<\/td>Ireti<\/td>Accidental<\/td><\/td><\/tr>
24<\/td>Andrew Bird<\/td>Sunday Morning Put\u200b-\u200bOn<\/td>Loma Vista<\/td><\/td><\/tr>
24<\/td>Aquaserge<\/td>La Fin de l’Economie<\/td>Crammed Discs<\/td><\/td><\/tr>
24<\/td>Bill MacKay<\/td>Locust Land<\/td>Drag City<\/td><\/td><\/tr>
24<\/td>Caoilfhionn Rose<\/td>Constellation<\/td>Gondwana<\/td><\/td><\/tr>
24<\/td>Carlos Ni\u00f1o & Friends<\/td>Placenta<\/td>International Anthem<\/td><\/td><\/tr>
24<\/td>Chihei Hatakeyama & Shun Ishiwaka<\/td>Magnificent Little Dudes vol. 1<\/td>Gearbox<\/td><\/td><\/tr>
24<\/td>Finom<\/td>Not God<\/td>Joyful Noise<\/td><\/td><\/tr>
24<\/td>Fr\u00e9d\u00e9ric D. Oberland \/ Gr\u00e9gory Dargent \/ Tony Elieh \/ Wassim Halal<\/td>Sihr<\/td>Sub Rosa<\/td><\/td><\/tr>
24<\/td>Gastr Del Sol<\/td>We Have Dozens of Titles<\/td>Drag City<\/td><\/td><\/tr>
24<\/td>Girl And Girl<\/td>Call a Doctor<\/td>Sub Pop<\/td><\/td><\/tr>
24<\/td>Guzior<\/td>„G”<\/td>Sony<\/td><\/td><\/tr>
24<\/td>Interior \/ NILS-UDO<\/td>Sculpture of Time (Apocalypse)<\/td>WRWTFWW<\/td><\/td><\/tr>
24<\/td>Jennifer Walshe & Tony Conrad<\/td>Jennifer Walshe & Tony Conrad<\/td>Blue Chopsticks<\/td><\/td><\/tr>
24<\/td>Kamil Pivot <\/td>Kam-Rap-Pol<\/td>Kam-Disc<\/td><\/td><\/tr>
24<\/td>La Luz<\/td>News of the Universe<\/td>Sub Pop<\/td><\/td><\/tr>
24<\/td>Lenny Kravitz<\/td>Blue Electric Light<\/td>BMG<\/td><\/td><\/tr>
24<\/td>Low Leaf<\/td>Red Moon<\/td>Leaving<\/td><\/td><\/tr>
24<\/td>Nathaniel Russell<\/td>Songs Of<\/td>Psychic Hotline<\/td><\/td><\/tr>
24<\/td>Nightports w\/ Matthew Bourne<\/td>Dulcitone 1804<\/td>The Leaf Label<\/td><\/td><\/tr>
24<\/td>Rami Gabriel<\/td>That’s what I been sayin\u2019<\/td>Sooper<\/td><\/td><\/tr>
24<\/td>Richard Chartier<\/td>On Leaving<\/td>Touch<\/td><\/td><\/tr>
24<\/td>Splashgirl & Robert Aiki Aubrey Lowe<\/td>More Human<\/td>Hubro<\/td><\/td><\/tr>
24<\/td>The Janitors<\/td>An Error Has Occurred<\/td>Rocket<\/td><\/td><\/tr>
24<\/td>Yea Big and Tatsu Aoki<\/td>The Hand and The Moon, Part One<\/td>FPE<\/td><\/td><\/tr>
24<\/td>Young Jesus<\/td>The Fool<\/td>Saddle Creek<\/td><\/td><\/tr>
31<\/td>Anastasia Coope<\/td>Darning Women<\/td>Jagjaguwar<\/td><\/td><\/tr>
31<\/td>Arooj Aftab<\/td>Bight Reign<\/td>Verve<\/td><\/td><\/tr>
31<\/td>Basile3<\/td>43\u00b0C<\/td>InFine<\/td><\/td><\/tr>
31<\/td>Black Sabbath<\/td>Anno Domini 1989-95<\/td>BMG<\/td><\/td><\/tr>
31<\/td>Can<\/td>Live in Aston 1977<\/td>Spoon\/Mute<\/td>arch<\/td><\/tr>
31<\/td>Eric Chenaux Trio<\/td>Delights Of My Life<\/td>Constellation<\/td><\/td><\/tr>
31<\/td>FIN<\/td>Cleats<\/td>Hausu Mountain<\/td><\/td><\/tr>
31<\/td>Final<\/td>What We Don’t See<\/td>Room40<\/td><\/td><\/tr>
31<\/td>Finn Rees<\/td>Dawn Is a Melody<\/td>Mr Bongo<\/td><\/td><\/tr>
31<\/td>Lau Ro<\/td>Cabana<\/td>Far Out<\/td><\/td><\/tr>
31<\/td>Martha Rose<\/td>Close to Close<\/td>Mansions and Millions<\/td><\/td><\/tr>
31<\/td>R\u0259hman M\u0259mm\u0259dli<\/td>Azerbaijani Gitara volume 2<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
31<\/td>Thou<\/td>Umbilical<\/td>Sacred Bones<\/td><\/td><\/tr><\/tbody><\/table>\n","protected":false},"excerpt":{"rendered":"

1 Lisa Lerkenfeldt Suite for the Drains 2 DMX Krew Unlikely Seeming Byrd Out 3 Amy Aileen Wood The Heartening Colorfield 3 Andrea Taeggi Nattdett Hands In the Dark 3 Broadcast Spell Blanket – Collected Demos 2006-2009 Warp 3 Charlotte Day Wilson Cyan Blue XL 3 Dua Lipa Radical Optimism Warner 3 Goran Kajfe\u0161 Tropiques […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42866"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=42866"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42866\/revisions"}],"predecessor-version":[{"id":43003,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/42866\/revisions\/43003"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=42866"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}