{"id":43694,"date":"2024-06-23T16:49:17","date_gmt":"2024-06-23T14:49:17","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=43694"},"modified":"2024-08-01T15:09:35","modified_gmt":"2024-08-01T13:09:35","slug":"premiery-07-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-07-2024\/","title":{"rendered":"PREMIERY 07.2024"},"content":{"rendered":"\n
1<\/td>STAYC<\/td>Metamorphic<\/td>High Up<\/td><\/td><\/tr>
2<\/td>Sun Kil Moon<\/td>The Great Meadow<\/td>Caldo Verde<\/td><\/td><\/tr>
4<\/td>High Fall<\/td>Letting Go<\/td>Aural Prism<\/td><\/td><\/tr>
4<\/td>Jesse Welles<\/td>Hells Welles<\/td><\/td><\/td><\/tr>
4<\/td>Kixnare<\/td>Asteria<\/td>U Know Me<\/td><\/td><\/tr>
4<\/td>Zach Bryan<\/td>The Great American Bar Scene<\/td>Warner<\/td><\/td><\/tr>
5<\/td>Abase<\/td>Awakening<\/td>Oshu<\/td><\/td><\/tr>
5<\/td>Alva Noto<\/td>HYbr:ID III<\/td>Noton<\/td><\/td><\/tr>
5<\/td>Antonina Nowacka<\/td>Sylphine Soporifera<\/td>Mondoj<\/td><\/td><\/tr>
5<\/td>Betamax Vs. Bell & Wong<\/td>I Am Curious (Indigo)<\/td>Byrd Out<\/td><\/td><\/tr>
5<\/td>Black Diamond<\/td>Furniture Of the Mind Rearranging<\/td>We Jazz<\/td><\/td><\/tr>
5<\/td>Charif Megarbane<\/td>Habibi Funk Limited 002: Hamra \/ Red<\/td>Habibi Funk<\/td><\/td><\/tr>
5<\/td>Fink<\/td>Beauty in Your Wake<\/td>R’Coup’d<\/td><\/td><\/tr>
5<\/td>Fire-Toolz<\/td>Breeze<\/td><\/td><\/td><\/tr>
5<\/td>Fotina Naumenko<\/td>Bespoke Songs<\/td>New Focus<\/td><\/td><\/tr>
5<\/td>Francesca Heart<\/td>Bird Bath<\/td>Leaving<\/td><\/td><\/tr>
5<\/td>Froid<\/td>O Queridinho de Deus<\/td><\/td><\/td><\/tr>
5<\/td>Jeff Mills<\/td>The Eyewitness<\/td>Axis<\/td><\/td><\/tr>
5<\/td>Kasabian<\/td>Happenings<\/td>Sony<\/td><\/td><\/tr>
5<\/td>Kiasmos<\/td>II<\/td>Erased Tapes<\/td><\/td><\/tr>
5<\/td>Kokoko!<\/td>Butu<\/td>Transgressive<\/td><\/td><\/tr>
5<\/td>La\u00edz & The New Love Experience<\/td>EP 1<\/td>Agogo<\/td><\/td><\/tr>
5<\/td>Mateusz Smoczy\u0144ski<\/td>Adam’s Apple<\/td>Warner<\/td><\/td><\/tr>
5<\/td>Oreglo<\/td>Not Real People<\/td>Brownswood<\/td><\/td><\/tr>
5<\/td>Qwalia<\/td>Abbreviations<\/td>Albert’s Favourite<\/td><\/td><\/tr>
5<\/td>Saluki<\/td>Beach Rock Hotel<\/td>Carnival Brothers<\/td><\/td><\/tr>
5<\/td>Scanner & Neil Leonard<\/td>The Berklee Sessions<\/td><\/td><\/td><\/tr>
5<\/td>The Black Dog<\/td>Isolation EP<\/td><\/td><\/td><\/tr>
5<\/td>Vulvodynia<\/td>Entabeni<\/td>Unique Leader<\/td><\/td><\/tr>
5<\/td>Wormed<\/td>Omegon<\/td>Season of Mist<\/td><\/td><\/tr>
5<\/td>Xylitol<\/td>Anemones<\/td>Planet Mu<\/td><\/td><\/tr>
10<\/td>Agnieszka Wolny-Hamka\u0142o, Aleksandra Pop\u0142awska, Piotr Damasiewicz<\/td>Zerwane rozmowy<\/td><\/td><\/td><\/tr>
12<\/td>„Blue” Gene Tyranny<\/td>Real Life and The Movies: Volume 1<\/td>Unseen Worlds<\/td><\/td><\/tr>
12<\/td>Berwyn<\/td>Who Am I<\/td>Columbia<\/td><\/td><\/tr>
12<\/td>Brijean<\/td>Macro<\/td>Ghostly<\/td><\/td><\/tr>
12<\/td>Cassandra Jenkins<\/td>My Light, My Destroyer<\/td>Dead Oceans<\/td><\/td><\/tr>
12<\/td>Christopher Rountree with Wild Up | HOCKET | Nadia Sirota<\/td>3 BPM<\/td>Brassland<\/td><\/td><\/tr>
12<\/td>Cigarettes After Sex<\/td>X’s<\/td>Partisan<\/td><\/td><\/tr>
12<\/td>Clairo<\/td>Charm<\/td><\/td><\/td><\/tr>
12<\/td>Colin Fisher<\/td>Suns of the Heart<\/td>We Are Busy Bodies<\/td><\/td><\/tr>
12<\/td>Common<\/td>The Auditorium vol. 1<\/td>Loma Vista<\/td><\/td><\/tr>
12<\/td>Daedelus<\/td>Way Out!<\/td>Magical Properties<\/td><\/td><\/tr>
12<\/td>David Jackson<\/td>We Never Talk<\/td>Studio Barnhus<\/td><\/td><\/tr>
12<\/td>De Schuurman<\/td>Bubbling Forever<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
12<\/td>Dr. John<\/td>Frankie & Johnny<\/td>Sundazed<\/td><\/td><\/tr>
12<\/td>Eyal Maoz and Eugene Chadbourne<\/td>The Coincidence Matters<\/td><\/td><\/td><\/tr>
12<\/td>Griff<\/td>Vertigo<\/td><\/td><\/td><\/tr>
12<\/td>Hatti Vatti<\/td>Zeit<\/td>R&S<\/td><\/td><\/tr>
12<\/td>Jake Xerxes Fussell<\/td>When I’m Called<\/td>Fat Possum<\/td><\/td><\/tr>
12<\/td>Joe Goddard<\/td>Harmonics<\/td><\/td><\/td><\/tr>
12<\/td>Jordina Mill\u00e0 & Barry Guy<\/td>Live in Munich<\/td>ECM<\/td><\/td><\/tr>
12<\/td>Kessoncoda<\/td>Outerstate<\/td>Gondwana<\/td><\/td><\/tr>
12<\/td>Land Of Talk<\/td>The EPs<\/td>Saddle Creek<\/td><\/td><\/tr>
12<\/td>Laraaji<\/td>Glimpses of Infinity<\/td>Numero Group<\/td><\/td><\/tr>
12<\/td>Linda Sikhakhane<\/td>Iladi<\/td>Blue Note<\/td><\/td><\/tr>
12<\/td>Mas Aya<\/td>Coming and Going<\/td>Telephone Explosion<\/td><\/td><\/tr>
12<\/td>Matthew Bourne<\/td>This Is Not For You<\/td><\/td><\/td><\/tr>
12<\/td>Meridian Brothers<\/td>Mi Latinoam\u200b\u00e9\u200brica Sufre<\/td>Ansonia<\/td><\/td><\/tr>
12<\/td>Neil Luck<\/td>Eden Box<\/td>Accidental<\/td><\/td><\/tr>
12<\/td>Orquesta Akokan<\/td>Caracoles<\/td>Daptone<\/td><\/td><\/tr>
12<\/td>Owies<\/td>Pierwsze \u017cniwa<\/td>Ubocze<\/td><\/td><\/tr>
12<\/td>Patrick Higgins<\/td>Versus<\/td>Other People<\/td><\/td><\/tr>
12<\/td>Peni Candra Rini<\/td>Wulansih<\/td>New Amsterdam<\/td><\/td><\/tr>
12<\/td>Remi Wolf<\/td>Big Ideas<\/td>Island<\/td><\/td><\/tr>
12<\/td>Sam Wilkes, Craig Weinrib, and Dylan Day<\/td>Sam Wilkes, Craig Weinrib, and Dylan Day<\/td>Leaving<\/td><\/td><\/tr>
12<\/td>Sote<\/td>Sound System Persepolis<\/td>Diagonal<\/td><\/td><\/tr>
12<\/td>Speed<\/td>Only One Mode<\/td>Flatspot<\/td><\/td><\/tr>
12<\/td>Spyros Polychronopoulos and Jannis Anastasakis<\/td>Nyfida<\/td>Room40<\/td><\/td><\/tr>
12<\/td>Sturgill Simpson & Johnny Blue Skies<\/td>Passage du Desir<\/td>High Top Mountain<\/td><\/td><\/tr>
12<\/td>Thom Yorke<\/td>Confidenza OST<\/td>XL<\/td><\/td><\/tr>
13<\/td>Henrik Meierkord<\/td>Visitors to Erinnerungen<\/td>Audiobulb<\/td><\/td><\/tr>
13<\/td>Natalie Beridze<\/td>Ancient Songs only (2006\u200b-\u200b2018)<\/td><\/td><\/td><\/tr>
13<\/td>Paul Dunmall \/ Tobias Delius \/ Olie Brice \/ Mark Sanders<\/td>No Better Than Butcher Bird<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
14<\/td>Mary Ocher<\/td>Your Guide to Revolution<\/td>Underground Institute<\/td><\/td><\/tr>
15<\/td>Bobby Bradford \/ Frode Gjerstad \/ William Roper \/ Alex Cline<\/td>Frice<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
15<\/td>Brad Barrett \/ Taylor Ho Bynum \/ Joe Morris<\/td>Geologic Time<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
15<\/td>Dominik Strycharski<\/td>Ecstasy<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
15<\/td>Henrique Vaz<\/td>De Silenti Natura<\/td>Mappa<\/td><\/td><\/tr>
15<\/td>Ivo Perelman \/ Aru\u00e1n Ortiz \/ Ram\u00f3n L\u00f3pez<\/td>Ephemeral Shapes<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
15<\/td>Jo\u00eblle L\u00e9andre<\/td>Lifetime Rebel<\/td>Rogue Art<\/td><\/td><\/tr>
15<\/td>Paulina Przybysz<\/td>Space EP2024<\/td>Calm Courage<\/td><\/td><\/tr>
15<\/td>Stone Music<\/td>July 15, 2022<\/td>Room40<\/td><\/td><\/tr>
15<\/td>Sun Ra<\/td>Excelsior Mill<\/td><\/td><\/td><\/tr>
15<\/td>Udo Schindler \/ Paul Rogers feat. Erik Zwang Eriksson<\/td>Ephemeral Locations<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
16<\/td>Agata Dyczko<\/td>Nieu\u200b\u017c\u200bytki. Brochowskie romanse d\u200b\u017a\u200bwi\u200b\u0119\u200bkowe<\/td>Sound Art Forum \/ Canti Spazializzati<\/td><\/td><\/tr>
16<\/td>Joe Armon-Jones<\/td>Ceasefire<\/td>Aquarii<\/td>EP<\/td><\/tr>
16<\/td>Malarze i \u017bo\u0142nierze<\/td>Piosenki dla pa\u0144 i pan\u00f3w<\/td>Thin Man<\/td><\/td><\/tr>
17<\/td>Kaukolampi<\/td>BS\/BF<\/td>Om<\/td><\/td><\/tr>
18<\/td>JakoJako<\/td>Segmente EP<\/td>Mute<\/td><\/td><\/tr>
19<\/td>Alberto Boccardi<\/td>Apnea<\/td>Room40<\/td><\/td><\/tr>
19<\/td>Anders Enge & Stefan Tcherepnin<\/td>Return of the SAD 1024, Vol. I<\/td>Blank Forms<\/td><\/td><\/tr>
19<\/td>Anders Enge & Stefan Tcherepnin<\/td>Return of the SAD 1024, Vol. II<\/td>Blank Forms<\/td><\/td><\/tr>
19<\/td>Bizhiki<\/td>Unbound<\/td>Jagjaguwar<\/td><\/td><\/tr>
19<\/td>Carson McHone<\/td>Odes<\/td>Merge<\/td>EP<\/td><\/tr>
19<\/td>Childish Gambino<\/td>Bando Stone and the New World<\/td>RCA<\/td><\/td><\/tr>
19<\/td>CLAMM<\/td>Disembodiment<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
19<\/td>Deep Purple<\/td>„=1”<\/td>earMusic<\/td><\/td><\/tr>
19<\/td>Denzel Curry<\/td>King Of The Mischievous South Vol. 2<\/td>Loma Vista<\/td><\/td><\/tr>
19<\/td>Dr. Dog<\/td>Dr. Dog<\/td><\/td><\/td><\/tr>
19<\/td>Elori Saxl<\/td>Drifts and Surfaces<\/td>Western Vinyl<\/td><\/td><\/tr>
19<\/td>Emile Mosseri & Sam Gendel<\/td>Hardy Boys<\/td><\/td><\/td><\/tr>
19<\/td>Estle<\/td>It’s Always Been You<\/td>Orange Milk<\/td><\/td><\/tr>
19<\/td>Glass Animals<\/td>I Love You So F***ing Much<\/td>Polydor<\/td><\/td><\/tr>
19<\/td>GUM, Ambrose Kenny-Smith<\/td>Ill Times<\/td>p(doom)<\/td><\/td><\/tr>
19<\/td>John Zorn<\/td>Hannigan Sings Zorn Volume One<\/td>Tzadik<\/td><\/td><\/tr>
19<\/td>John Zorn<\/td>Ballades<\/td>Tzadik<\/td><\/td><\/tr>
19<\/td>Lilacs & Champagne<\/td>Fantasy World<\/td>Temporary Residence<\/td><\/td><\/tr>
19<\/td>Lol K<\/td>Climbing\/Holding\/Falling<\/td>Halcyon Veil<\/td><\/td><\/tr>
19<\/td>Los Campesinos!<\/td>All Hell<\/td>Heart Swells<\/td><\/td><\/tr>
19<\/td>Luke Temple and The Cascading Moms<\/td>Certain Limitations<\/td>Western Vinyl<\/td><\/td><\/tr>
19<\/td>Mourning [A] BLKstar<\/td>Ancient\/Future<\/td>Don Giovanni<\/td><\/td><\/tr>
19<\/td>Multi-Surface<\/td>NAP<\/td>Not Not Fun<\/td><\/td><\/tr>
19<\/td>Oneida<\/td>Expensive Air<\/td>Joyful Noise<\/td><\/td><\/tr>
19<\/td>Orcas<\/td>How to Color a Thousand Mistakes<\/td>Morr Music<\/td><\/td><\/tr>
19<\/td>Soft Play<\/td>Heavy Jelly<\/td>BMG<\/td><\/td><\/tr>
19<\/td>Superposition<\/td>II<\/td>We Jazz<\/td><\/td><\/tr>
19<\/td>Sweatson Klank & Kondi Band<\/td>Money Face<\/td>FoF<\/td>EP<\/td><\/tr>
19<\/td>Total Blue<\/td>Total Blue<\/td>Music From Memory<\/td><\/td><\/tr>
19<\/td>Unknown Me<\/td>Bitokagaku<\/td>Not Not Fun<\/td><\/td><\/tr>
19<\/td>Vian and Merzbow<\/td>Inside Richard Serra Sculptures<\/td>Modern Obscure Music<\/td><\/td><\/tr>
19<\/td>Zeamsone<\/td>Wirtuoz<\/td><\/td><\/td><\/tr>
19<\/td>Zelienople<\/td>Everything Is Simple<\/td>Shelter Press<\/td><\/td><\/tr>
20<\/td>Nat Birchall<\/td>Dimensions of the Drums – Roots Reggae Instrumentals<\/td><\/td><\/td><\/tr>
22<\/td>Jacek Sienkiewicz<\/td>Directions: Meaning & Truth<\/td>Recognition<\/td><\/td><\/tr>
23<\/td>Samara Lubelski – Bill Nace Duo<\/td>43\/80<\/td>Three Lobed<\/td><\/td><\/tr>
24<\/td>Hakushi Hasegawa<\/td>Mah\u200b\u014d\u200bgakk\u014d<\/td>Brainfeeder<\/td><\/td><\/tr>
25<\/td>Martyna Basta<\/td>Flame After Flame<\/td>Stroom TV<\/td>SP<\/td><\/tr>
26<\/td>A Wake In Providence<\/td>I Write To You, My Darling Decay<\/td>Unique Leader<\/td><\/td><\/tr>
26<\/td>Alex Izenberg<\/td>Alex Izenberg & The Exiles<\/td>Domino<\/td><\/td><\/tr>
26<\/td>Armen Nalbandian & Chris Corsano<\/td>A Spontaneous Breaking of Symmetry III<\/td><\/td><\/td><\/tr>
26<\/td>Artur Gotz<\/td>Litania piwnic 1944<\/td><\/td><\/td><\/tr>
26<\/td>Ayumi Ishito<\/td>Wondercult Club<\/td>577 Records<\/td><\/td><\/tr>
26<\/td>Ben Seretan<\/td>Allora<\/td>Tiny Engines<\/td><\/td><\/tr>
26<\/td>Bill Callahan<\/td>Resuscitate!<\/td>Drag City<\/td><\/td><\/tr>
26<\/td>Blur<\/td>Live at Wembley Stadium<\/td>Parlophone<\/td><\/td><\/tr>
26<\/td>Brodka<\/td>WAWA<\/td>Muzeum Powstania Warszawskiego<\/td><\/td><\/tr>
26<\/td>Bruce Springsteen & The E Street Band<\/td>The Reunion Tour ’99<\/td>Columbia<\/td><\/td><\/tr>
26<\/td>Crack Cloud<\/td>Red Mile<\/td>Jagjaguwar<\/td><\/td><\/tr>
26<\/td>Cults<\/td>To the Ghosts<\/td>Imperial<\/td><\/td><\/tr>
26<\/td>Daniel Casimir<\/td>Balance<\/td>Jazz Re:Freshed<\/td><\/td><\/tr>
26<\/td>Empire of the Sun<\/td>Ask That God<\/td>Capitol<\/td><\/td><\/tr>
26<\/td>Ghost<\/td>Rite Here Rite Now<\/td>Loma Vista<\/td><\/td><\/tr>
26<\/td>Holy Tongue & Shackleton<\/td>The Tumbling Psychic Joy of Now<\/td>AD93<\/td><\/td><\/tr>
26<\/td>ice Spice<\/td>Y2K!<\/td>Capitol<\/td><\/td><\/tr>
26<\/td>Ignacy Pu\u015bledzki<\/td>Proste piosenki<\/td><\/td><\/td><\/tr>
26<\/td>Isabell Gustafsson-Ny<\/td>Rosenhagtorn<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
26<\/td>Joshua Bassett<\/td>The Golden Years<\/td>Warner<\/td><\/td><\/tr>
26<\/td>Julia-Sophie<\/td>Forgive Too Slow<\/td>Ba Da Bing<\/td><\/td><\/tr>
26<\/td>KMRU<\/td>Natur<\/td>Touch<\/td><\/td><\/tr>
26<\/td>Laura Cannell<\/td>Mammothlore<\/td>Brawl<\/td><\/td><\/tr>
26<\/td>Moor Mother<\/td>The Great Bailout (Deluxe)<\/td>Anti-<\/td><\/td><\/tr>
26<\/td>Nathan Bowles Trio<\/td>Are Possible<\/td>Drag City<\/td><\/td><\/tr>
26<\/td>Nudo<\/td>Alma Blindada<\/td>Halcyon Veil<\/td><\/td><\/tr>
26<\/td>Oval Angle<\/td>Figures of Speech<\/td>Moon Glyph<\/td><\/td><\/tr>
26<\/td>Pat Metheny<\/td>MoonDial<\/td>BMG<\/td><\/td><\/tr>
26<\/td>Porter Robinson<\/td>Smile!<\/td>Mom+Pop<\/td><\/td><\/tr>
26<\/td>Powerwolf<\/td>Wake Up the Wicked<\/td>Napalm<\/td><\/td><\/tr>
26<\/td>Rakim<\/td>G.O.D.\u2019s Network (Reb7rth)<\/td>Holy Toledo Productions<\/td><\/td><\/tr>
26<\/td>Raphael Rogi\u0144ski<\/td>\u017daltys<\/td>Unsound<\/td><\/td><\/tr>
26<\/td>VA<\/td>Monaural Poetry vol.1 (Gadt, Rzepka, Dymny, Pospieszalski, Kryszk, Mazurkiewicz)<\/td>Monaural Poetry<\/td>10″ clear ltd<\/td><\/tr>
26<\/td>Wand<\/td>Vertigo<\/td>Drag City<\/td><\/td><\/tr>
26<\/td>WaqWaqKingdom<\/td>Mind Onsen<\/td>Phantom Limb<\/td><\/td><\/tr>
26<\/td>Yang<\/td>Rejoice!<\/td>Cuneiform<\/td><\/td><\/tr>
26<\/td>Yann Novak<\/td>The Voices of Theseus<\/td>Room40<\/td><\/td><\/tr>
27<\/td>Nat Birchall<\/td>Drums of Meditation\u200b\/\u200bDimension of the Drums<\/td><\/td>SP<\/td><\/tr>
29<\/td>04 AM Service<\/td>Service 1<\/td>Posh Isolation<\/td><\/td><\/tr>
29<\/td>ehh hahah<\/td>Nigdy nie jest dobrze (Wojtek)<\/td>BFF Music<\/td><\/td><\/tr>
29<\/td>Tomasz Bednarczyk<\/td>NFTBH EP (slowed)<\/td>Somewhere Nowhere<\/td><\/td><\/tr>
30<\/td>Boys Cry<\/td>we’ve managed to release our new album before the tour in Poland<\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 STAYC Metamorphic High Up 2 Sun Kil Moon The Great Meadow Caldo Verde 4 High Fall Letting Go Aural Prism 4 Jesse Welles Hells Welles 4 Kixnare Asteria U Know Me 4 Zach Bryan The Great American Bar Scene Warner 5 Abase Awakening Oshu 5 Alva Noto HYbr:ID III Noton 5 Antonina Nowacka Sylphine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43694"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=43694"}],"version-history":[{"count":2,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43694\/revisions"}],"predecessor-version":[{"id":44005,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43694\/revisions\/44005"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=43694"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}