{"id":43696,"date":"2024-06-23T16:49:42","date_gmt":"2024-06-23T14:49:42","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=43696"},"modified":"2024-08-01T15:10:21","modified_gmt":"2024-08-01T13:10:21","slug":"premiery-08-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-08-2024\/","title":{"rendered":"PREMIERY 08.2024"},"content":{"rendered":"\n
2<\/td>Angelica Sanchez, Barry Guy & Ram\u00f3n L\u00f3pez<\/td>Live at Jazzdoor<\/td>Maya<\/td><\/td><\/tr>
2<\/td>Bastien Keb<\/td>Songs from Lilla<\/td>Def Presse<\/td><\/td><\/tr>
2<\/td>Chrystabell & David Lynch<\/td>Cellophane Memories<\/td>Sacred Bones<\/td><\/td><\/tr>
2<\/td>Darian Donovan Thomas<\/td>A Room With Many Doors : Night<\/td>New Amsterdam<\/td><\/td><\/tr>
2<\/td>Eiko Ishibashi, Jim O’Rourke, Tatsuhisa Yamamoto, Kei Matsumaru & Giovanni Di Domenico<\/td>Sakuraza<\/td>Modern Obscure Music<\/td><\/td><\/tr>
2<\/td>J.R.C.G.<\/td>Grim Iconic\u200b.\u200b.\u200b.\u200b(\u200bSadistic Mantra)<\/td>Sub Pop<\/td><\/td><\/tr>
2<\/td>Jack White<\/td>No name<\/td>Third Man<\/td><\/td><\/tr>
2<\/td>Joe Ely<\/td>Driven to Drive<\/td>Rack \u2019Em\/Thirty Tigers<\/td><\/td><\/tr>
2<\/td>Kacey Musgraves<\/td>Deeper Well: Deeper Into the Well<\/td>Interscope<\/td><\/td><\/tr>
2<\/td>Loidis<\/td>One Day<\/td>Incienso<\/td><\/td><\/tr>
2<\/td>Meshell Ndegeocello<\/td>No More Water: The Gospel of James Baldwin<\/td>Blue Note<\/td><\/td><\/tr>
2<\/td>Moses Sumney<\/td>Sophcore EP<\/td>Tuntum<\/td><\/td><\/tr>
2<\/td>Navy Blue<\/td>Memoirs in Armour<\/td>Freedom Sounds<\/td><\/td><\/tr>
2<\/td>Nick Zanca<\/td>Hindsight<\/td>American Dreams<\/td><\/td><\/tr>
2<\/td>Orville Peck<\/td>Stampede<\/td>Warner<\/td><\/td><\/tr>
2<\/td>Personal Trainer<\/td>Still Willing<\/td>Bella Union<\/td><\/td><\/tr>
2<\/td>Polo G<\/td>Hood Poet<\/td>Columbia<\/td><\/td><\/tr>
2<\/td>Simon Fisher Turner<\/td>Instability of the Signal<\/td>Mute<\/td><\/td><\/tr>
2<\/td>Suzanne Ciani<\/td>Buchla Concert at Galeria Bonino New York April 1974<\/td>Finders Keepers<\/td>arch<\/td><\/tr>
2<\/td>The Smashing Pumpkins<\/td>Aghori Mhori Mei<\/td>Martha’s Music<\/td><\/td><\/tr>
2<\/td>Tomin<\/td>Flores para Verene \/ Cantos para Caramina<\/td>International Anthem<\/td><\/td><\/tr>
2<\/td>VA<\/td>Kampire Presents: A Dancefloor in Ndola<\/td>Strut<\/td><\/td><\/tr>
2<\/td>VA<\/td>\u00c1frica Negra – Antologia Vol. 2<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
2<\/td>Ween<\/td>Chocolate and Cheese (Deluxe Edition)<\/td>Rhino<\/td><\/td><\/tr>
2<\/td>Why?<\/td>The Well I Fell Into<\/td><\/td><\/td><\/tr>
2<\/td>X<\/td>Smoke & Fiction<\/td>Fat Possum<\/td><\/td><\/tr>
5<\/td>ehh hahah<\/td>Nigdy nie jest dobrze (Wojtek)<\/td>BFF Music<\/td><\/td><\/tr>
5<\/td>Google Earth<\/td>Street View<\/td>Dimplez<\/td><\/td><\/tr>
9<\/td>Accra Quartet<\/td>Gb\u200b\u025b\u200bfal\u200b\u0254\u200bi (Travelers)<\/td>FPE<\/td><\/td><\/tr>
9<\/td>Beabadoobee<\/td>This Is How Tomorrow Moves<\/td>Dirty Hit<\/td><\/td><\/tr>
9<\/td>Belong<\/td>Realistic IX<\/td>Kranky<\/td><\/td><\/tr>
9<\/td>Bolbec<\/td>Victime de l’Aube<\/td>Batov<\/td><\/td><\/tr>
9<\/td>Chico Mello, Helinho Brand\u00e3o<\/td>Chico Mello, Helinho Brand\u00e3o<\/td>Black Truffle<\/td><\/td><\/tr>
9<\/td>Connor D\u2019Netto x Yvette Ofa Agapow<\/td>Material<\/td>Room40<\/td><\/td><\/tr>
9<\/td>Fucked Up<\/td>Another Day<\/td>Fucked Up<\/td><\/td><\/tr>
9<\/td>galen tipton & Holly Waxwing<\/td>keepsakeFM<\/td>Orange Milk<\/td><\/td><\/tr>
9<\/td>Gwenna\u00eblle Roulleau & Reinhold Friedl<\/td>Strata & Spheres<\/td>Room40<\/td><\/td><\/tr>
9<\/td>Jasik<\/td>Ibowo<\/td>Stones Throw<\/td><\/td><\/tr>
9<\/td>Justin Townes Earle<\/td>All In: Unreleased & Rarities (The New West Years)<\/td>New West<\/td><\/td><\/tr>
9<\/td>KeiyaA<\/td>Forever, Ya Girl<\/td>XL<\/td><\/td><\/tr>
9<\/td>King Gizzard & The Lizard Wizard<\/td>Flight b741<\/td>p(doom)<\/td><\/td><\/tr>
9<\/td>Louis Cole (with Metropole Orkest & Jules Buckley)<\/td>Nothing<\/td>Brainfeeder<\/td><\/td><\/tr>
9<\/td>Malediwy<\/td>Eden<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
9<\/td>Mari Kvien Brunvoll & Stein Urheim with Moskus<\/td>Barefoot in Bryophyte<\/td>Hubro<\/td><\/td><\/tr>
9<\/td>Mavi<\/td>Shadowbox<\/td><\/td><\/td><\/tr>
9<\/td>Milton Nascimento & Esperanza Spalding<\/td>Milton + esperanza<\/td>Concord Jazz<\/td><\/td><\/tr>
9<\/td>Oso Oso<\/td>Life Till Bones<\/td>Yunahon<\/td><\/td><\/tr>
9<\/td>Quivers<\/td>Oyster Cuts<\/td>Merge<\/td><\/td><\/tr>
9<\/td>Ravyn Lenae<\/td>Bird’s Eye<\/td>Atlantic<\/td><\/td><\/tr>
9<\/td>Ryuichi Sakamoto<\/td>Opus<\/td>Milan<\/td><\/td><\/tr>
9<\/td>TORRES & Fruit Bats<\/td>A Decoration<\/td>Merge<\/td><\/td><\/tr>
16<\/td>Bill Charlap Trio<\/td>And Then Again<\/td>Blue Note<\/td><\/td><\/tr>
16<\/td>Charly Bliss<\/td>Forever<\/td>Lucky Number<\/td><\/td><\/tr>
16<\/td>Chuck Johnson<\/td>Sun Glories<\/td>Western Vinyl<\/td><\/td><\/tr>
16<\/td>Delicate Steve<\/td>Delicate Steve Sings<\/td>Anti-<\/td><\/td><\/tr>
16<\/td>Etelin<\/td>Patio User Manual<\/td>Beacon Sound<\/td><\/td><\/tr>
16<\/td>Foster The People<\/td>Paradise State of Mind<\/td>Atlantic<\/td><\/td><\/tr>
16<\/td>Gerald Cleaver<\/td>The Process<\/td>Positive Elevation\/577 Records<\/td><\/td><\/tr>
16<\/td>Horse Jumper of Love<\/td>Disaster trick<\/td>Run For Cover<\/td><\/td><\/tr>
16<\/td>K. Yoshimatsu<\/td>Fossil Cocoon: The Music of K. Yoshimatsu<\/td>Phantom Limb<\/td><\/td><\/tr>
16<\/td>Laura Cannell<\/td>The Rituals of Hildegard Reimagined<\/td>Brawl<\/td><\/td><\/tr>
16<\/td>Les Rallizes D\u00e9nud\u00e9s<\/td>\u5c4b\u200b\u6839\u200b\u88cf YaneUra Oct. ’80<\/td>Temporal Drift<\/td><\/td><\/tr>
16<\/td>Matthew Tavares<\/td>Pops<\/td>Lex<\/td><\/td><\/tr>
16<\/td>Melinda Sullivan & Larry Goldings<\/td>Big Foot<\/td>Colorfield<\/td><\/td><\/tr>
16<\/td>Pom Poko<\/td>Champion<\/td>Bella Union<\/td><\/td><\/tr>
16<\/td>Post Malone<\/td>F-1 Trillion<\/td>Mercury<\/td><\/td><\/tr>
16<\/td>Rosie Lowe<\/td>Love, Other<\/td>PIAS<\/td><\/td><\/tr>
16<\/td>Tinashe<\/td>Quantum Baby<\/td>Nice Life<\/td><\/td><\/tr>
16<\/td>Yea Big & Tatsu Aoki<\/td>The Hand and The Moon, Part Two<\/td>FPE<\/td><\/td><\/tr>
21<\/td>John Blum Quartet feat. Marshall Allen<\/td>Deep Space<\/td>Astral Spirits<\/td><\/td><\/tr>
22<\/td>Upau<\/td>The Creatures Within<\/td>U Know Me<\/td><\/td><\/tr>
23<\/td>Body Meat<\/td>Starchris<\/td>Partisan<\/td><\/td><\/tr>
23<\/td>Brian Gibson<\/td>Thrasher<\/td>Thrill Jockey<\/td><\/td><\/tr>
23<\/td>Closebye<\/td>Hammer of My Own<\/td>Closebye Music<\/td><\/td><\/tr>
23<\/td>Cocteau Twins & Harold Budd<\/td>The Moon and the Melodies (2024 Remaster)<\/td>4AD<\/td><\/td><\/tr>
23<\/td>Endon<\/td>Fall of Spring<\/td>Thrill Jockey<\/td><\/td><\/tr>
23<\/td>Fontaines D.C.<\/td>Romance<\/td>XL<\/td><\/td><\/tr>
23<\/td>Gift<\/td>Illuminator<\/td>Captured Tracks<\/td><\/td><\/tr>
23<\/td>Gillian Welch & David Rawlings<\/td>Woodland<\/td>Acony<\/td><\/td><\/tr>
23<\/td>Holy Tongue meets Shackleton<\/td>The Tumbling Psychic Joy of Now<\/td><\/td><\/td><\/tr>
23<\/td>Illuminati Hotties<\/td>Power<\/td>Hopeless<\/td><\/td><\/tr>
23<\/td>Joe P<\/td>Garden State Vampire<\/td>Atlantic<\/td><\/td><\/tr>
23<\/td>Kankawa Nagarra<\/td>Wirlmarni<\/td>Mississippi<\/td><\/td><\/tr>
23<\/td>Kishi Bashi<\/td>Kantos<\/td>Joyful Noise<\/td><\/td><\/tr>
23<\/td>Laura Cannell and Lori Goldston<\/td>The Deer Are Small And The Rabbits Are Big<\/td>Brawl<\/td><\/td><\/tr>
23<\/td>Magdalena Bay<\/td>Imaginal Disk<\/td>Mom+Pop<\/td><\/td><\/tr>
23<\/td>Malice K<\/td>Avanti<\/td>Jagjaguwar<\/td><\/td><\/tr>
23<\/td>Margo Guryan<\/td>Take a Picture<\/td>Numero Group<\/td><\/td><\/tr>
23<\/td>Nicole Miglis<\/td>Myopia<\/td>Sargent House<\/td><\/td><\/tr>
23<\/td>Nicole Mitchell and Ballak\u00e9 Sissoko<\/td>Bamako\u200b*\u200bChicago Sound System<\/td>FPE<\/td><\/td><\/tr>
23<\/td>Sabina Carpenter<\/td>Short n\u2019 Sweet<\/td>Island<\/td><\/td><\/tr>
23<\/td>Sandy Bull<\/td>Still Valentine’s Day 1969<\/td>No Quarter<\/td><\/td><\/tr>
23<\/td>Smote<\/td>A Great Stream<\/td>Rocket<\/td><\/td><\/tr>
23<\/td>S\u00f8ren Skov<\/td>Adrift0<\/td>Frederiksberg<\/td><\/td><\/tr>
23<\/td>Spirit Of The Beehive<\/td>We Have to Lose Something<\/td>Saddle Creek<\/td><\/td><\/tr>
23<\/td>The Softies<\/td>The Bed I Made<\/td>Father\/Daughter<\/td><\/td><\/tr>
23<\/td>Throbbing Gristle<\/td>TGCD1<\/td>Mute<\/td>reed<\/td><\/tr>
23<\/td>Throbbing Gristle<\/td>The Third Mind Movements<\/td>Mute<\/td><\/td><\/tr>
23<\/td>Umberto<\/td>Black Bile<\/td>Thrill Jockey<\/td><\/td><\/tr>
23<\/td>Uniform<\/td>American Standard<\/td>Sacred Bones<\/td><\/td><\/tr>
23<\/td>Wayne Shorter<\/td>Celebration, vol. 1<\/td>Blue Note<\/td><\/td><\/tr>
30<\/td>A$AP Rocky<\/td>Don’t Be Dumb<\/td>A$AP Worldwide<\/td><\/td><\/tr>
30<\/td>Aerial M<\/td>The Peel Sessions<\/td>Drag City<\/td><\/td><\/tr>
30<\/td>Asher Gamedze & The Black Lungs<\/td>Constitution<\/td>International Anthem<\/td><\/td><\/tr>
30<\/td>Buzz\u2019 Ayaz<\/td>Buzz\u2019 Ayaz<\/td>Glitterbeat<\/td><\/td><\/tr>
30<\/td>C6Fe2RN6<\/td>C6Fe2RN6<\/td>Astralk Spirits<\/td><\/td><\/tr>
30<\/td>Dorothy Carter<\/td>Troubadour<\/td>Drag City<\/td><\/td><\/tr>
30<\/td>Ellen Reid<\/td>Big Majestic<\/td>New Amsterdam<\/td><\/td><\/tr>
30<\/td>Galliano<\/td>Halfway Somewhere<\/td>Brownswood<\/td><\/td><\/tr>
30<\/td>Gon\u00e7alo F. Cardoso<\/td>Exotic Immensity<\/td>Discrepant<\/td><\/td><\/tr>
30<\/td>Jan Esbra<\/td>Suspended in a Breath<\/td>Phantom Limb<\/td><\/td><\/tr>
30<\/td>Jon Hopkins<\/td>Ritual<\/td>Domino<\/td><\/td><\/tr>
30<\/td>J\u00f3nsi<\/td>First Light<\/td>Lakeshore<\/td><\/td><\/tr>
30<\/td>Keanu Nelson<\/td>Wilurarrakutu<\/td>Mississippi<\/td><\/td><\/tr>
30<\/td>Laurie Anderson<\/td>Amelia<\/td>Nonesuch<\/td><\/td><\/tr>
30<\/td>Lia Kohl<\/td>Normal Sounds<\/td>Moon Glyph<\/td><\/td><\/tr>
30<\/td>Loren Connors & David Grubbs<\/td>Evening Air<\/td>Room40<\/td><\/td><\/tr>
30<\/td>Maya Ongaku<\/td>Electronic Phantoms<\/td>Guruguru Brain<\/td><\/td><\/tr>
30<\/td>Nick Cave & The Bad Seeds<\/td>Wild God<\/td>PIAS<\/td><\/td><\/tr>
30<\/td>Oasis<\/td>Definitely Maybe (30th Anniversary Deluxe Edition)<\/td>Big Brother<\/td><\/td><\/tr>
30<\/td>Paris Paloma<\/td>Cacophony<\/td>Nettwerk<\/td><\/td><\/tr>
30<\/td>Seefeel<\/td>Everything Squared<\/td>Warp<\/td><\/td><\/tr>
30<\/td>Steve Wynn<\/td>Make It Right<\/td>Fire<\/td><\/td><\/tr>
30<\/td>That’s How I Fight<\/td>Movement Three<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>The Bug Club<\/td>On the Intricate Inner Workings of the System<\/td>Sub Pop<\/td><\/td><\/tr>
30<\/td>Ty Segall<\/td>Love Rudiments<\/td>Drag City<\/td><\/td><\/tr>
30<\/td>VA<\/td>Synthesizing the Silk Roads: Uzbek Disco, Tajik Folktronica, Uyghur Rock & Tatar Jazz from 1980s Soviet Central Asia<\/td>Ostinato<\/td><\/td><\/tr>
30<\/td>Vasco Trilla<\/td>The Bell Slept Long In Its Tower<\/td>Thanatosis<\/td><\/td><\/tr>
30<\/td>Wunderhorse<\/td>Midas<\/td>Communion<\/td><\/td><\/tr>
30<\/td>Yannis & The Yaw<\/td>Lagos Paris London<\/td>Transgressive<\/td><\/td><\/tr>
30<\/td>Yuko Araki<\/td>Zenjitsutan \u524d\u200b\u65e5\u200b\u8b5a<\/td>Room40<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

2 Angelica Sanchez, Barry Guy & Ram\u00f3n L\u00f3pez Live at Jazzdoor Maya 2 Bastien Keb Songs from Lilla Def Presse 2 Chrystabell & David Lynch Cellophane Memories Sacred Bones 2 Darian Donovan Thomas A Room With Many Doors : Night New Amsterdam 2 Eiko Ishibashi, Jim O’Rourke, Tatsuhisa Yamamoto, Kei Matsumaru & Giovanni Di Domenico […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43696"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=43696"}],"version-history":[{"count":2,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43696\/revisions"}],"predecessor-version":[{"id":44006,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/43696\/revisions\/44006"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=43696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}