{"id":44373,"date":"2024-09-03T09:01:15","date_gmt":"2024-09-03T07:01:15","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=44373"},"modified":"2024-10-01T10:14:51","modified_gmt":"2024-10-01T08:14:51","slug":"premiery-09-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-09-2024\/","title":{"rendered":"PREMIERY 09.2024"},"content":{"rendered":"\n
1<\/td>Ariel Kalma<\/td>Kalma Electronica<\/td><\/td><\/td><\/tr>
1<\/td>\u017byto\/Noon<\/td>Glitchy Praga<\/td>Nowe Nagrania<\/td><\/td><\/tr>
2<\/td>Simi Fyda<\/td>Yuri (the remix album)<\/td>Enjoy Life<\/td><\/td><\/tr>
3<\/td>Citron Citron<\/td>Mar\u200b\u00e9\u200beternelle<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
3<\/td>Masami Makino<\/td>Omoya: Houses for the Blue Meditation<\/td>Fort Evil Fruit<\/td><\/td><\/tr>
3<\/td>Ola Szmidt<\/td>Sensitive (B-Sides)<\/td><\/td><\/td><\/tr>
3<\/td>Shiroishi \/ Reviriego \/ Trilla<\/td>The Devil, Probably II<\/td>Fort Evil Fruit<\/td><\/td><\/tr>
4<\/td>Christopher Willits<\/td>Opening (Immersive)<\/td>Ghostly International<\/td>reed<\/td><\/tr>
4<\/td>Ibibio Sound Machine<\/td>Black Notes EP<\/td>Merge<\/td><\/td><\/tr>
4<\/td>Peel Dream Magazine<\/td>Rose Main Reading Room<\/td>Topshelf<\/td><\/td><\/tr>
5<\/td>Lumbago<\/td>Lumbago<\/td>Poli5<\/td><\/td><\/tr>
5<\/td>Rempis\/Adasiewicz\/Abrams\/Damon<\/td>Propulsion<\/td>Catalytic Sound<\/td><\/td><\/tr>
6<\/td>Ainon<\/td>Within<\/td><\/td><\/td><\/tr>
6<\/td>Allen Lowe & the Constant Sorrow Orchestra<\/td>Louis Armstrong’s America<\/td>ESP-Disk<\/td><\/td><\/tr>
6<\/td>Amadou & Mariam<\/td>La vie est belle<\/td>Universal<\/td>komp<\/td><\/tr>
6<\/td>Amy Allen<\/td>Amy Allen<\/td>AWAL<\/td><\/td><\/tr>
6<\/td>Angelo Paccagnini<\/td>Musica Elettronica allo Studio di Fonologia della RAI di Milano, 1969\u200b\/\u200b1971<\/td>Die Schachtel<\/td><\/td><\/tr>
6<\/td>Aquavoice<\/td>Flow (feat. Czajkowska, Jachna, Stasiuk, Sudnik, Trzaska)<\/td>Audio Cave<\/td><\/td><\/tr>
6<\/td>Arsenal Mikebe<\/td>Drum Machine<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
6<\/td>Basic<\/td>This Is Basic<\/td>No Quarter<\/td><\/td><\/tr>
6<\/td>Beth Anderson<\/td>I Can’t Stand It<\/td>Finders Keepers<\/td><\/td><\/tr>
6<\/td>Blink-182<\/td>One More Time… Part-2<\/td>Columbia<\/td><\/td><\/tr>
6<\/td>Bonnie \u201aPrince\u2019 Billy<\/td>High and High and Mighty<\/td>No Quarter<\/td>reed.<\/td><\/tr>
6<\/td>Chandra Shukla<\/td>\u00c4k\u200b\u00e4\u200bsh \u0906\u200b\u0915\u200b\u093e\u200b\u0936<\/td>Touch<\/td><\/td><\/tr>
6<\/td>Claude Fontaine<\/td>La Mer<\/td>Innovative Leisure<\/td><\/td><\/tr>
6<\/td>Dave Harrington, Max Jaffe & Patrick Shiroishi<\/td>Zebulon!<\/td><\/td><\/td><\/tr>
6<\/td>David Gilmour<\/td>Luck and Strange<\/td>Sony<\/td><\/td><\/tr>
6<\/td>Dummy<\/td>Free Energy<\/td>Trouble In Mind<\/td><\/td><\/tr>
6<\/td>Ezra<\/td>Earth to Ezra<\/td>Cantaloupe<\/td><\/td><\/tr>
6<\/td>Falter Bramnk<\/td>Music for Luminous Background<\/td>Sublime Retreat<\/td><\/td><\/tr>
6<\/td>Fat Dog<\/td>Woof.<\/td>Domino<\/td><\/td><\/tr>
6<\/td>Fcukers<\/td>Baggy$$ EP<\/td>Technicolour<\/td><\/td><\/tr>
6<\/td>Francine Thirteen<\/td>Psalm of Tiamat<\/td>FPE<\/td><\/td><\/tr>
6<\/td>Fred Again…<\/td>Ten Days<\/td>Atlantic<\/td><\/td><\/tr>
6<\/td>Georgia Gets By<\/td>Split Lip EP<\/td>Luminelle<\/td><\/td><\/tr>
6<\/td>Happysad<\/td>Pierwsza prosta<\/td>Mokre Buty<\/td><\/td><\/tr>
6<\/td>Hayden Pedigo<\/td>Live in Amarillo, Texas<\/td>Mexican Summer<\/td><\/td><\/tr>
6<\/td>Hinds<\/td>Viva Hinds<\/td>Lucky Number<\/td><\/td><\/tr>
6<\/td>Isik Kural<\/td>Moon in Gemini<\/td>RVNG Intl<\/td><\/td><\/tr>
6<\/td>Jaubi<\/td>A Sound Heart<\/td>Astigmatic<\/td><\/td><\/tr>
6<\/td>Jesus Green<\/td>Jesus Green<\/td>Astral Spirits<\/td><\/td><\/tr>
6<\/td>Jody Stecher<\/td>Instant Lonesome and the Twinkle Brigade<\/td>Don Giovanni<\/td><\/td><\/tr>
6<\/td>Jon Spencer<\/td>Sick of Being Sick!<\/td>Bronze Rat<\/td><\/td><\/tr>
6<\/td>Komety<\/td>Ostatnie okr\u0105\u017cenie<\/td>Peleton<\/td><\/td><\/tr>
6<\/td>Laetitia Sonami \/ \u00c9liane Radigue<\/td>A Song For Two Mothers \/ OCCAM IX<\/td>Black Truffle<\/td><\/td><\/tr>
6<\/td>Laila<\/td>Gap Year!<\/td>IIIXL Studio<\/td><\/td><\/tr>
6<\/td>Laurence Pike<\/td>The Undreamt-of Centre<\/td>The Leaf Label<\/td><\/td><\/tr>
6<\/td>Lollise<\/td>I Hit the Water<\/td>Switch Hit<\/td><\/td><\/tr>
6<\/td>Los Bitchos<\/td>Walkie Talkie<\/td>City Slang<\/td><\/td><\/tr>
6<\/td>Lucas de Clerck<\/td>The Telescopic Aulos of Atlas<\/td>Ideologic Organ<\/td><\/td><\/tr>
6<\/td>Lukas De Clerck<\/td>The Telescopic Aulos of Atlas<\/td>Ideologic Organ<\/td><\/td><\/tr>
6<\/td>Masayoshi Fujita<\/td>Migratory<\/td>Erased Tapes<\/td><\/td><\/tr>
6<\/td>Mas\u0142o<\/td>Squizzy Radio<\/td>S7<\/td><\/td><\/tr>
6<\/td>Mateusz Tomczak<\/td>Niekt\u00f3re sekrety powinny pozosta\u0107 marzeniem<\/td>Opus Elefantum<\/td><\/td><\/tr>
6<\/td>Matthew Herbert<\/td>Starve Acre OST<\/td>Accidental<\/td><\/td><\/tr>
6<\/td>Max Richter<\/td>In a Landscape<\/td>Decca<\/td><\/td><\/tr>
6<\/td>Mercury Rev<\/td>Born Horses<\/td>Bella Union<\/td><\/td><\/tr>
6<\/td>Midwife<\/td>No Depression in Heaven<\/td>The Flenser<\/td><\/td><\/tr>
6<\/td>MJ Lenderman<\/td>Manning Fireworks<\/td>Anti-<\/td><\/td><\/tr>
6<\/td>Molchat Doma<\/td>Belaya Polosa<\/td>Sacred Bones<\/td><\/td><\/tr>
6<\/td>Monolake<\/td>Studio<\/td><\/td><\/td><\/tr>
6<\/td>Nala Sinephro<\/td>Endlessness<\/td>Warp<\/td><\/td><\/tr>
6<\/td>Neil Young<\/td>Neil Young Archives Vol. III (1976-1987)<\/td><\/td><\/td><\/tr>
6<\/td>Okay Kaya<\/td>Oh My God – That\u2019s So Me<\/td>OneRPM<\/td><\/td><\/tr>
6<\/td>Party Dozen<\/td>Crime in Australia<\/td>Temporary Residence Ltd.<\/td><\/td><\/tr>
6<\/td>Phi-Psonics<\/td>Morning Sun \/ Arrival<\/td>Gondwana<\/td><\/td><\/tr>
6<\/td>Rex Orange County<\/td>Yhe Alexander Technique<\/td>Sony<\/td><\/td><\/tr>
6<\/td>Silver Scrolls<\/td>Mind Lines<\/td>Three Lobed<\/td><\/td><\/tr>
6<\/td>Suuns<\/td>The Breaks<\/td>Joyful Noise<\/td><\/td><\/tr>
6<\/td>The Dare<\/td>What\u2019s Wrong With New York?<\/td>Republic<\/td><\/td><\/tr>
6<\/td>The Past Is a Black Hole<\/td>The Past Is a Black Hole<\/td>Gotta Let It Out<\/td><\/td><\/tr>
6<\/td>The The<\/td>Ensoulment<\/td>Cin\u00e9ola\/EarMusic<\/td><\/td><\/tr>
6<\/td>Timothy Archambault<\/td>Onimik\u200b\u00ec\u200bg<\/td>Ideologic Organ<\/td><\/td><\/tr>
6<\/td>Toro y Moi<\/td>Hole Erth<\/td>Dead Oceans<\/td><\/td><\/tr>
6<\/td>Winter<\/td>The Adventures of Mr Piglet<\/td><\/td><\/td><\/tr>
6<\/td>Wsp\u00f3\u0142g\u0142osy, Marcel Bali\u0144ski<\/td>Wsp\u00f3\u0142g\u0142osy<\/td>Wsp\u00f3\u0142g\u0142osy\/Warner<\/td><\/td><\/tr>
6<\/td>Zimoun<\/td>Dust Resonance<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Cass McCombs<\/td>Seed Cake On Leap Year. Unreleased Songs 1999-2000<\/td>Domino<\/td><\/td><\/tr>
8<\/td>VA<\/td>Panorama<\/td>Transversales<\/td><\/td><\/tr>
9<\/td>The Bug<\/td>Machine<\/td>Relapse<\/td><\/td><\/tr>
10<\/td>El Khat<\/td>Mute<\/td>Glitterbeat<\/td><\/td><\/tr>
10<\/td>Marcin Masecki<\/td>Solo<\/td>SP Records<\/td><\/td><\/tr>
10<\/td>Phiik & Lungs<\/td>Carrot Season<\/td>POW<\/td><\/td><\/tr>
10<\/td>Swans<\/td>Live Rope<\/td>Young God<\/td><\/td><\/tr>
13<\/td>Aidan Baker & Dead Neanderthals<\/td>Cast Down and Haunted<\/td>Moving Furniture<\/td><\/td><\/tr>
13<\/td>Allegra Krieger<\/td>Art of the Unseen Infinity Machine<\/td>Double Double Whammy<\/td><\/td><\/tr>
13<\/td>Andrew Tuttle, Michael Chapman<\/td>Another Tide, Another Fish<\/td>Basin Rock<\/td><\/td><\/tr>
13<\/td>Arashi & Takeo Moriyama<\/td>Tokuzo<\/td>Trost<\/td><\/td><\/tr>
13<\/td>Bad Moves<\/td>Wearing Out the Refrain<\/td>Don Giovanni<\/td><\/td><\/tr>
13<\/td>Big Bend<\/td>Last Circle in a Slowdown<\/td>Shimmy Disc<\/td><\/td><\/tr>
13<\/td>Brandon<\/td>Blush<\/td>Secretly Canadian<\/td><\/td><\/tr>
13<\/td>Chilly Gonzales<\/td>Gonzo<\/td>Gentle Threat<\/td><\/td><\/tr>
13<\/td>Cicolas Repac<\/td>Gramophonie<\/td>No Format<\/td><\/td><\/tr>
13<\/td>Cochise<\/td>Cochise<\/td>Metal Mind<\/td><\/td><\/tr>
13<\/td>Colin Stetson<\/td>To Love It Took To Leave You<\/td>Invada<\/td><\/td><\/tr>
13<\/td>Dale Crover<\/td>Glossolalia<\/td>Joyful Noise<\/td><\/td><\/tr>
13<\/td>Dame Area<\/td>Toda la Verdad Sobre Dame Area<\/td>Humo Internacional<\/td><\/td><\/tr>
13<\/td>Etran de L’A\u00efr<\/td>100% Sahara Guitars<\/td>Sahel Sounds<\/td><\/td><\/tr>
13<\/td>Faust<\/td>Blickwinckel<\/td>Bureau B<\/td><\/td><\/tr>
13<\/td>Floating Points<\/td>Cascade<\/td>Ninja Tune<\/td><\/td><\/tr>
13<\/td>Foxing<\/td>Foxing<\/td>Grand Paradise<\/td><\/td><\/tr>
13<\/td>Ginger Root<\/td>Shinbangumi<\/td>Ghostly<\/td><\/td><\/tr>
13<\/td>Gurriers<\/td>Come and See<\/td>No Filter<\/td><\/td><\/tr>
13<\/td>Henry Fraser<\/td>Breath Line<\/td>Dinzu Artifacts<\/td><\/td><\/tr>
13<\/td>Jade Hairpins<\/td>Get Me the Good Stuff<\/td>Merge<\/td><\/td><\/tr>
13<\/td>Joba<\/td>Russell Boring<\/td>Worldsmile<\/td><\/td><\/tr>
13<\/td>John Zorn<\/td>The Hermetic Organ, Vol. 13: Biennale Musica Venezia<\/td>Tzadik<\/td><\/td><\/tr>
13<\/td>Julie<\/td>My Anti-Aircraft Friend<\/td>Atlantic<\/td><\/td><\/tr>
13<\/td>krajenski.<\/td>B-3 vol. 2<\/td>Agogo<\/td><\/td><\/tr>
13<\/td>Laiz & The New Love Experience<\/td>Ela Partiu<\/td>Agogo<\/td><\/td><\/tr>
13<\/td>Lea Bertucci<\/td>Hold Music<\/td>Dinzu Artifacts<\/td><\/td><\/tr>
13<\/td>Locus Asper Locus: Benjamin Bondonneau, Xavier Charles, Lionel Marchetti<\/td>3 \u00c2NES<\/td>Unsounds<\/td><\/td><\/tr>
13<\/td>Lunar Vacation<\/td>Everything Matters, Everything\u2019s Fire<\/td>Keeled Scales<\/td><\/td><\/tr>
13<\/td>M. Ward<\/td>For Beginners: The Best of M. Ward<\/td>Merge<\/td><\/td><\/tr>
13<\/td>Maciej Maci\u0105gowski<\/td>Urban Balafon<\/td>Brutality Garden<\/td><\/td><\/tr>
13<\/td>Marco Baldini<\/td>Fuochi<\/td>Dinzu Artifacts<\/td><\/td><\/tr>
13<\/td>Mermaid Chunky<\/td>slif slaf slof<\/td><\/td><\/td><\/tr>
13<\/td>Micha\u0142 Wolski<\/td>Cosmos<\/td>Polyend Rec.<\/td><\/td><\/tr>
13<\/td>My Brightest Diamond<\/td>Fight the Real Terror<\/td>Western Vinyl<\/td><\/td><\/tr>
13<\/td>Nemahsis<\/td>Verbathim<\/td><\/td><\/td><\/tr>
13<\/td>N\u00eddia & Valentina<\/td>Estradas<\/td>Latency<\/td><\/td><\/tr>
13<\/td>Nil\u00fcfer Yanya<\/td>My Method Actor<\/td>Ninja Tune<\/td><\/td><\/tr>
13<\/td>Paradise Cinema<\/td>Returning, Dream<\/td>Gondwana<\/td><\/td><\/tr>
13<\/td>Porches<\/td>Shirt<\/td><\/td><\/td><\/tr>
13<\/td>Saint Sadrill<\/td>Frater Crater<\/td>Dur & Doux<\/td><\/td><\/tr>
13<\/td>Sarah Davachi<\/td>The Head As Form\u200b\u2019\u200bd In The Crier\u200b\u2019\u200bs Choir<\/td>Late Music<\/td><\/td><\/tr>
13<\/td>Sealionwoman<\/td>Nothing Will Grow In The Soil<\/td>The State51 Conspiracy<\/td><\/td><\/tr>
13<\/td>Snow Patrol<\/td>The Forest Is the Path<\/td>Polydor<\/td><\/td><\/tr>
13<\/td>Suki Waterhouse<\/td>Memoir of a Sparklemuffin<\/td>Sub Pop<\/td><\/td><\/tr>
13<\/td>Talib Kweli & J. Rawls<\/td>The Confidence of Knowing<\/td>Fat Beats<\/td><\/td><\/tr>
13<\/td>Terrace Martin<\/td>Nintindo Soul<\/td><\/td><\/td><\/tr>
13<\/td>The Jesus Lizard<\/td>Rack<\/td>Ipecac<\/td><\/td><\/tr>
13<\/td>The War On Drugs<\/td>Live Drugs Again<\/td>Super High Quality<\/td><\/td><\/tr>
13<\/td>Tindersticks<\/td>Soft Tissue<\/td>City Slang<\/td><\/td><\/tr>
13<\/td>TR\/ST<\/td>Performance<\/td>Dais<\/td><\/td><\/tr>
13<\/td>Tulpas<\/td>Atisbo<\/td>Astral Spirits<\/td><\/td><\/tr>
13<\/td>We Are Winter’s Blue and Radiant Children<\/td>No More Apocalypse Father<\/td>Constellation<\/td><\/td><\/tr>
13<\/td>Wendy Eisenberg<\/td>Viewfinder<\/td>American Dreams<\/td><\/td><\/tr>
13<\/td>Wysteria<\/td>Lycoris<\/td>Ici d’ailleurs<\/td><\/td><\/tr>
13<\/td>Yon Loader<\/td>Yon Loader<\/td>Tiny Engines<\/td><\/td><\/tr>
14<\/td>Nied\u017awied\u017a i Koty z Ksi\u0119\u017cyca<\/td>Murmuracje<\/td><\/td><\/td><\/tr>
14<\/td>Pictish Trail<\/td>Follow Footsteps EP<\/td>Fire<\/td><\/td><\/tr>
15<\/td>Lumbago<\/td>Prvok<\/td>Poli5<\/td><\/td><\/tr>
17<\/td>Oneohtrix Point Never & Daniel Lopatin<\/td>Oneohtrix Point Never – Collaborations<\/td><\/td>EP<\/td><\/tr>
17<\/td>R.E.M.<\/td>We Are Hope Despite the Times<\/td>Universal<\/td>komp<\/td><\/tr>
17<\/td>S\u00fd\u010dek<\/td>IV<\/td>Poli5<\/td><\/td><\/tr>
18<\/td>Dan Deacon<\/td>What’s Next? The Future With Bill Gates OST<\/td>Netflix<\/td><\/td><\/tr>
19<\/td>Albert Ayler Reawakened<\/td>Albert Ayler Reawakened<\/td>Eclipse<\/td><\/td><\/tr>
20<\/td>Alan Licht<\/td>Havens<\/td>VDSQ<\/td><\/td><\/tr>
20<\/td>Asha Parkinson<\/td>Possession<\/td>Ubuntu Music<\/td><\/td><\/tr>
20<\/td>Axel Boman<\/td>Space Drag<\/td>Studio Barnhus<\/td><\/td><\/tr>
20<\/td>Baasch<\/td>Juanelo<\/td>PIAS<\/td><\/td><\/tr>
20<\/td>Ballak\u00e9 Sissoko & Lorenzo Bianchi Hoesch<\/td>Radicants<\/td><\/td><\/td><\/tr>
20<\/td>Bill Thompson<\/td>And the Sky Breaks Open<\/td>Ash International<\/td><\/td><\/tr>
20<\/td>Bob Dylan & The Band<\/td>The 1974 Live Recordings<\/td>Columbia<\/td><\/td><\/tr>
20<\/td>Bright Eyes<\/td>Five Dice, All Threes<\/td>Dead Oceans<\/td><\/td><\/tr>
20<\/td>CAROLINE DAVIS with Marquis Hill, Julian Shore, Chris Tordini, Allan Mednard and Guests<\/td>Portals, Volume 2 : Returning<\/td>Intakt<\/td><\/td><\/tr>
20<\/td>Crys Cole<\/td>Making Conversation<\/td>Black Truffle<\/td><\/td><\/tr>
20<\/td>Dialect<\/td>Atlas of Green<\/td>RVNG Intl<\/td><\/td><\/tr>
20<\/td>Ensemble Modern \/ Ensemble Modern Orchestra \/ Sir George Benjamin \/ Anna Prohaska<\/td>Palimpsets; A Mind of Winter; At First Light; Canon & Fugue<\/td>Ensemble Modern Media<\/td><\/td><\/tr>
20<\/td>Ezekiel Honig<\/td>Unmapping The Distance Keeps Getting Closer<\/td>12k<\/td><\/td><\/tr>
20<\/td>Fleetwood Mac<\/td>Mirage Tour ’82<\/td>Warner<\/td><\/td><\/tr>
20<\/td>Future<\/td>Mixtape Pluto<\/td>Epic<\/td><\/td><\/tr>
20<\/td>Galaxie 500<\/td>Uncollected Noise New York ’88-’90<\/td>20-20-20<\/td>arch.<\/td><\/tr>
20<\/td>Gates\/Hirsh\/Carter<\/td>Phosphene<\/td>Mahakala<\/td><\/td><\/tr>
20<\/td>Hippo Campus<\/td>Flood<\/td>Psychic Hotline<\/td><\/td><\/tr>
20<\/td>Honeyglaze<\/td>Real Deal<\/td>Fat Possum<\/td><\/td><\/tr>
20<\/td>Ibukun Sunday<\/td>Harmony \/ Balance<\/td>Phantom Limb<\/td><\/td><\/tr>
20<\/td>Iksy<\/td>Wida\u0107 po nas<\/td>33 Records<\/td><\/td><\/tr>
20<\/td>Iksy<\/td>Ostatni raz, kiedy umar\u0142am, mia\u0142am na sobie letnie ubrania<\/td>33 records<\/td><\/td><\/tr>
20<\/td>Indigo De Souza<\/td>Wholesome Evil Fantasy<\/td>Loma Vista<\/td>EP<\/td><\/tr>
20<\/td>Jake Bugg<\/td>A Modern Day Distraction<\/td>Sony<\/td><\/td><\/tr>
20<\/td>Jamie XX<\/td>In Waves<\/td>Young<\/td><\/td><\/tr>
20<\/td>Jesse Malin<\/td>Silver Patron Saints<\/td>Glassnote<\/td><\/td><\/tr>
20<\/td>Joan As Police Woman<\/td>Lemons, Limes and Orchids<\/td>PIAS<\/td><\/td><\/tr>
20<\/td>John Zorn<\/td>Hannigan Sings Zorn Volume Two<\/td>Tzadik<\/td><\/td><\/tr>
20<\/td>Katy J Pearson<\/td>Someday, Now<\/td>Heavenly<\/td><\/td><\/tr>
20<\/td>Katy Perry<\/td>„143”<\/td>Columbia<\/td><\/td><\/tr>
20<\/td>Kr\u00f3l S\u0142o\u0144ce<\/td>Wsch\u00f3d Zach\u00f3d<\/td>Thin Man<\/td>CD, LP<\/td><\/tr>
20<\/td>Krzysztof Cugowski<\/td>Wiek to tylko liczba<\/td>Mystic<\/td><\/td><\/tr>
20<\/td>Lampen<\/td>Halogen<\/td>We Jazz<\/td><\/td><\/tr>
20<\/td>Liberski \/ Yoshida<\/td>\u6c34\u3001\u6efe\u308b<\/td>Totalism<\/td><\/td><\/tr>
20<\/td>Lice<\/td>Third Time on the Beach<\/td>AD93<\/td><\/td><\/tr>
20<\/td>Malcolm Pardon<\/td>The Abyss<\/td>The Leaf Label<\/td><\/td><\/tr>
20<\/td>Mamman Sani & Tropikal Camel<\/td>Nijerusalem<\/td>Batov<\/td><\/td><\/tr>
20<\/td>Manu Chao<\/td>Viva Tu<\/td>Radio Bemba<\/td><\/td><\/tr>
20<\/td>Marcos Valle<\/td>T\u200b\u00fa\u200bnel Acustico<\/td>Far Out<\/td><\/td><\/tr>
20<\/td>Mazza Vision<\/td>Ohm Spectrum<\/td>Sub Rosa<\/td><\/td><\/tr>
20<\/td>Miuosh \/ Zesp\u00f3\u0142 „\u015al\u0105sk”<\/td>Pie\u015bni Wsp\u00f3\u0142czesne. Tom II<\/td><\/td><\/td><\/tr>
20<\/td>More Eaze<\/td>Lacuna and Parlor<\/td>Mondoj<\/td><\/td><\/tr>
20<\/td>Nightwish<\/td>Yesterwynde<\/td><\/td><\/td><\/tr>
20<\/td>Noga Erez<\/td>The Vandalist<\/td>City Slang<\/td><\/td><\/tr>
20<\/td>Nosowska \/ Kr\u00f3l<\/td>Kasia i B\u0142a\u017cej<\/td>Kayax<\/td><\/td><\/tr>
20<\/td>Nubya Garcia<\/td>Odyssey<\/td>Concord Jazz<\/td><\/td><\/tr>
20<\/td>Nusrat Fateh Ali Khan & Party<\/td>Chain of Life<\/td>Real World<\/td><\/td><\/tr>
20<\/td>Odetta Hartman<\/td>Restoration EP<\/td>Transgressive<\/td><\/td><\/tr>
20<\/td>Panglossian<\/td>Traces de pas<\/td>Oficyna Lo\u017ca<\/td><\/td><\/tr>
20<\/td>Patrick Shiroishi<\/td>Glass House<\/td>Otherly Love<\/td><\/td><\/tr>
20<\/td>Pearl & The Oysters<\/td>Planet Pearl<\/td>Stones Throw<\/td><\/td><\/tr>
20<\/td>Photay<\/td>Windswept<\/td>Mexican Summer<\/td><\/td><\/tr>
20<\/td>Regional Justice Center<\/td>Freedom Sweet Freedom<\/td>Closed Casket Activities<\/td><\/td><\/tr>
20<\/td>Seaworthy & Matt R\u00f6sner<\/td>Deep Valley<\/td>12k<\/td><\/td><\/tr>
20<\/td>Soft Violet<\/td>Sterner Stuff<\/td>Alien Transistor<\/td><\/td><\/tr>
20<\/td>Sunset Rubdown<\/td>Always Happy to Explode<\/td>Pronounced Kroog<\/td><\/td><\/tr>
20<\/td>Tasha<\/td>All This and So Much More<\/td>Bayonet<\/td><\/td><\/tr>
20<\/td>Terry Gross<\/td>Huge Improvement<\/td>Thrill Jockey<\/td><\/td><\/tr>
20<\/td>The Alchemist<\/td>The Genuine Articulate<\/td><\/td><\/td><\/tr>
20<\/td>The Voidz<\/td>Like All Before You<\/td>Cult<\/td><\/td><\/tr>
20<\/td>The Waeve, Graham Coxon & Rose Elinor Dougall<\/td>City Lights<\/td>Transgressive<\/td><\/td><\/tr>
20<\/td>Thurston Moore<\/td>Flow Critical Lucidity<\/td>The Daydream Library<\/td><\/td><\/tr>
20<\/td>Tim Reaper, Kloke<\/td>In Full Effect<\/td>Hyperdub<\/td><\/td><\/tr>
20<\/td>Tymon Tyma\u0144ski<\/td>Republikacje<\/td>S7<\/td><\/td><\/tr>
20<\/td>Unto Others<\/td>Never, Neverland<\/td>Century Media<\/td><\/td><\/tr>
20<\/td>White Poppy<\/td>Ataraxia<\/td>Not Not Fun<\/td><\/td><\/tr>
20<\/td>Wiktoria Poniatowska<\/td>Niemi\u0142a<\/td>Father and Son Records and Tapes<\/td><\/td><\/tr>
20<\/td>Wolfheart<\/td>Draconian Darkness<\/td>Reigning Phoenix<\/td><\/td><\/tr>
23<\/td>Vogellicht<\/td>El p\u200b\u00e1\u200bjaro y la casa<\/td>Nasze Nagrania<\/td><\/td><\/tr>
23<\/td>William Basinski<\/td>September 23rd<\/td>Temporary Residence<\/td><\/td><\/tr>
24<\/td>Foudre!<\/td>Volt\u00e6 (Chthulucene)<\/td>Nahal<\/td><\/td><\/tr>
25<\/td>Abadir & Nahash<\/td>Marchadair \u0645\u200b\u0631\u200b\u0634\u200b\u062f\u200b\u064a\u200b\u0631<\/td>Svbkvlt<\/td><\/td><\/tr>
25<\/td>Katya Yonder<\/td>Cure<\/td>Metron<\/td><\/td><\/tr>
25<\/td>Kimbra<\/td>Idols & Vices, Vol. 1<\/td><\/td><\/td><\/tr>
27<\/td>Adeline Hotel<\/td>Whodunnit<\/td>Ruination<\/td><\/td><\/tr>
27<\/td>Alan Sparhawk<\/td>White Roses, My God<\/td>Sub Pop<\/td><\/td><\/tr>
27<\/td>Aliza<\/td>Aliza<\/td>Kutiman<\/td><\/td><\/tr>
27<\/td>Andre Ethier<\/td>Cold Spaghetti<\/td>Telephone Explosion<\/td><\/td><\/tr>
27<\/td>Arianna Casellas y Kau\u00ea<\/td>Suenan las Campanas<\/td>Lovers & Lollypops<\/td><\/td><\/tr>
27<\/td>Being Dead<\/td>Eels<\/td>Bayonet<\/td><\/td><\/tr>
27<\/td>Boulanger Trio \/ Ensemble Modern \/ Ensemble Recherche \/ Ludwig Chamber Players \/ Stefan Asbury \/ Sebastian Manz \/ Christine Whittlesey<\/td>Chamber Music<\/td>NEOS<\/td><\/td><\/tr>
27<\/td>Christian Lee Hutson<\/td>Paradise Pop. 10<\/td>Anti-<\/td><\/td><\/tr>
27<\/td>Cinnamon Gum<\/td>The Cinnamon Show<\/td>Seagull Ross<\/td><\/td><\/tr>
27<\/td>Cleared<\/td>HExa<\/td>Touch<\/td><\/td><\/tr>
27<\/td>Colin Stetson<\/td>Uzumaki OST<\/td>Milan<\/td><\/td><\/tr>
27<\/td>Dar Disku<\/td>Dar Disku<\/td>Soundway<\/td><\/td><\/tr>
27<\/td>Dead Sound<\/td>Into the Void<\/td>Music From Memory<\/td><\/td><\/tr>
27<\/td>DJ Juanny<\/td>Petrolhead EP<\/td>Basy Tropikalne<\/td><\/td><\/tr>
27<\/td>El Hardwick<\/td>Process of Elimination<\/td>AD93<\/td><\/td><\/tr>
27<\/td>Eli & Fur<\/td>Dreamscapes<\/td>PIAS<\/td><\/td><\/tr>
27<\/td>Ezra Collective<\/td>Dance, No One’s Watching<\/td>Partisan<\/td><\/td><\/tr>
27<\/td>Hania Rani<\/td>Nostalgia<\/td>Gondwana<\/td><\/td><\/tr>
27<\/td>Hayden Thorpe<\/td>Ness<\/td>Domino<\/td><\/td><\/tr>
27<\/td>Herbert<\/td>Part 9<\/td>Accidental<\/td><\/td><\/tr>
27<\/td>Hildur Gu\u00f0nad\u00f3ttir<\/td>Joker: Folie \u00e0 deux<\/td><\/td><\/td><\/tr>
27<\/td>His Name Is Alive<\/td>How Ghosts Affect Relationships 1990-1993<\/td>4AD<\/td>arch.<\/td><\/tr>
27<\/td>Jakub J\u00f3zef Orli\u0144ski i Aleksander D\u0119bicz<\/td>#LetsBaRock<\/td>Warner<\/td><\/td><\/tr>
27<\/td>Jakub Skorupa<\/td>Zeszyt drugi<\/td>Def Jam Poland<\/td><\/td><\/tr>
27<\/td>JAVVA<\/td>Picaros<\/td>Mystic<\/td><\/td><\/tr>
27<\/td>Jerry Paper<\/td>Inbetweezer<\/td>Stones Throw<\/td><\/td><\/tr>
27<\/td>Jill Fraser<\/td>Earthly Pleasures<\/td>Drag City<\/td><\/td><\/tr>
27<\/td>wr\u00e6\u017cliv\u00f8\u015b\u0107<\/strong><\/td>wr\u00e6\u017cliv\u00f8\u015b\u0107<\/td>Laaude<\/td><\/td><\/tr>
27<\/td>Kate Bollinger<\/td>Songs From A Thousand Frames Of Mind<\/td>Ghostly International<\/td><\/td><\/tr>
27<\/td>Kazik i Kwartet ProForma<\/td>Po moim trupie<\/td>SP Records<\/td><\/td><\/tr>
27<\/td>Kit Sebastian<\/td>New Internationale<\/td>Brainfeeder<\/td><\/td><\/tr>
27<\/td>Klara Lewis<\/td>Thankful<\/td>Editions Mego<\/td><\/td><\/tr>
27<\/td>Krzysztof Zalewski<\/td>Zg\u0142owy<\/td>Kayax<\/td><\/td><\/tr>
27<\/td>Liam Benzvi<\/td>…and His Splash Band<\/td>Fat Possum<\/td><\/td><\/tr>
27<\/td>Lou Reed<\/td>Why Don\u2019t You Smile Now: Lou Reed at Pickwick Records 1964-65<\/td>Light In The Attic<\/td><\/td><\/tr>
27<\/td>Mark Templeton<\/td>Two Verses<\/td>Faitiche<\/td><\/td><\/tr>
27<\/td>Matchess<\/td>Stena<\/td>Drag City<\/td><\/td><\/tr>
27<\/td>Merce Lemon<\/td>Watch Me Drive Them Dogs Wild<\/td>Darling<\/td><\/td><\/tr>
27<\/td>M\u00f6rk<\/td>Still Dreamin\u2019<\/td>Albert’s Favourites<\/td><\/td><\/tr>
27<\/td>Mu Tate<\/td>Wanting Less<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
27<\/td>Mustafa The Poet<\/td>Dunya<\/td>Jagjaguwar<\/td><\/td><\/tr>
27<\/td>Naima Bock<\/td>Below a Massive Dark Land<\/td>Sub Pop<\/td><\/td><\/tr>
27<\/td>Neva Dinova<\/td>Canary<\/td>Saddle Creek<\/td><\/td><\/tr>
27<\/td>Origami Angel<\/td>Feeling Not Found<\/td>Counter Intuitive<\/td><\/td><\/tr>
27<\/td>Polotronic<\/td>Marzenia<\/td>The Very Polish Cut Outs<\/td><\/td><\/tr>
27<\/td>PremRock & Willie Green<\/td>Through Lines<\/td>Backwoodz<\/td><\/td><\/tr>
27<\/td>Rahim C Redcar<\/td>Hopecore<\/td>Because<\/td><\/td><\/tr>
27<\/td>Raphael Rogi\u0144ski<\/td>Plays John Coltrane and Langston Hughes<\/td>Unsound<\/td>reed<\/td><\/tr>
27<\/td>Rob Mazurek \/ Exploding Star Orchestra<\/td>Live at the Adler Planetarium<\/td>International Anthem<\/td><\/td><\/tr>
27<\/td>Rolo Tomassi<\/td>Live at Electric Ballroom<\/td>MNRK Heavy<\/td><\/td><\/tr>
27<\/td>Sandy Denny<\/td>Early Home Recordings<\/td>Earth<\/td>arch<\/td><\/tr>
27<\/td>SARAH BUECHI \u2013 FRANZ HELLM\u00dcLLER \u2013 RAFAEL JERJEN<\/td>Pink Mountain Sagas<\/td>Intakt<\/td><\/td><\/tr>
27<\/td>Sean Hamilton<\/td>Days of Impermanence<\/td>Gotta Let It Out<\/td><\/td><\/tr>
27<\/td>Sharada Shashidhar<\/td>Soft Echoes<\/td>Leaving<\/td><\/td><\/tr>
27<\/td>Snakeskin<\/td>They Kept Our Photographs<\/td>Mais Um<\/td><\/td><\/tr>
27<\/td>Solo Gemini<\/td>Everything’s Zamiast<\/td>Father and Son Records and Tapes<\/td><\/td><\/tr>
27<\/td>Sophie<\/td>Sophie<\/td>Transgressive<\/td><\/td><\/tr>
27<\/td>Sun Araw<\/td>Lifetime<\/td>Drag City<\/td><\/td><\/tr>
27<\/td>Sunflower Bean<\/td>Shake EP<\/td>Lucky Number<\/td><\/td><\/tr>
27<\/td>TFS<\/td>Tropical Fuck Storm’s Inflatable Graveyard<\/td>Three Lobed<\/td><\/td><\/tr>
27<\/td>Thumbscrew<\/td>Wingbeats<\/td>Cuneiform<\/td><\/td><\/tr>
27<\/td>Tiago Sousa<\/td>A Thousand Strings<\/td>Discrepant<\/td><\/td><\/tr>
27<\/td>Tommy Richman<\/td>Coyote<\/td>Pulse<\/td><\/td><\/tr>
27<\/td>Tropical Fuck Storm<\/td>Tropical Fuck Storm’s Inflatable Graveyard<\/td>Three Lobed<\/td><\/td><\/tr>
27<\/td>VA<\/td>Why Don\u2019t You Smile Now: Lou Reed at Pickwick Records 1964-65<\/td>Pickwick\/Light In The Attic<\/td><\/td><\/tr>
27<\/td>Van Morrison<\/td>New Arrangements and Duets<\/td><\/td><\/td><\/tr>
27<\/td>Whitney Johnson<\/td>Hav<\/td>Drag City<\/td><\/td><\/tr>
27<\/td>Xiu Xiu<\/td>13″ Frank Beltrame Italian Stiletto with Bison Horn Grips<\/td>Polyvinyl<\/td><\/td><\/tr>
28<\/td>Broadcast<\/td>Distant Call: Collected Demos 2000-2006<\/td>Warp<\/td>arch.<\/td><\/tr>
30<\/td>Alles<\/td>Now<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Sarine<\/td>Assas Terrenas<\/td>Lovers & Lollypops<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Ariel Kalma Kalma Electronica 1 \u017byto\/Noon Glitchy Praga Nowe Nagrania 2 Simi Fyda Yuri (the remix album) Enjoy Life 3 Citron Citron Mar\u200b\u00e9\u200beternelle Les Disques Bongo Joe 3 Masami Makino Omoya: Houses for the Blue Meditation Fort Evil Fruit 3 Ola Szmidt Sensitive (B-Sides) 3 Shiroishi \/ Reviriego \/ Trilla The Devil, Probably II […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44373"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=44373"}],"version-history":[{"count":4,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44373\/revisions"}],"predecessor-version":[{"id":44725,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44373\/revisions\/44725"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=44373"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}