{"id":44375,"date":"2024-09-03T09:01:39","date_gmt":"2024-09-03T07:01:39","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=44375"},"modified":"2024-11-01T10:44:45","modified_gmt":"2024-11-01T09:44:45","slug":"premiery-10-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-10-2024\/","title":{"rendered":"PREMIERY 10.2024"},"content":{"rendered":"\n
1<\/td>Czere\u015bnie<\/td>Czere\u015bnie w mie\u015bcie<\/td>Karoryfer Lecolds<\/td><\/td><\/tr>
1<\/td>Milan W<\/td>Leave Another Day<\/td>Stroom.tv<\/a><\/td><\/td><\/tr>
2<\/td>SqrtSigil<\/td>Temporary Medicine<\/td>Antenna Non Grata<\/td><\/td><\/tr>
3<\/td>Giovanni Di Domenico<\/td>Kids On Air<\/td>Steamroom<\/td><\/td><\/tr>
3<\/td>Moo Latte<\/td>Mellomaniac<\/td>U Know Me<\/td><\/td><\/tr>
3<\/td>Opowie\u015b\u0107<\/td>Podr\u00f3\u017c<\/td>Zoharum<\/td><\/td><\/tr>
4<\/td>A Place To Bury Strangers<\/td>Synthesizer<\/td>Dedstrange<\/td><\/td><\/tr>
4<\/td>Abhorration<\/td>Demonolatry<\/td>Invictus Productions<\/td><\/td><\/tr>
4<\/td>Ada Lea<\/td>Notes<\/td>Saddle Creek<\/td><\/td><\/tr>
4<\/td>Adrian Younge and Ali Shaheed Muhammad<\/td>Jazz Is Dead 021<\/td><\/td><\/td><\/tr>
4<\/td>Alessandro Cortini<\/td>Nati Infiniti<\/td>Mute<\/td><\/td><\/tr>
4<\/td>Animal Collective<\/td>Sung Tongs Live at the Theatre at Ace Hotel<\/td>Domino<\/td><\/td><\/tr>
4<\/td>Anna Butterss<\/td>Mighty Vertebrate<\/td>International Anthem<\/td><\/td><\/tr>
4<\/td>Aphex Twin<\/td>Selected Ambient Works Volume II (Expanded Edition)<\/td>Warp<\/td><\/td><\/tr>
4<\/td>Balance and Composure<\/td>With You in Spirit<\/td>Memory Music<\/td><\/td><\/tr>
4<\/td>Blood Incantation<\/td>Absolute Elsewhere<\/td>Century Media<\/td><\/td><\/tr>
4<\/td>Blue Mysteries<\/td>Fragile<\/td>Hive Mind<\/td><\/td><\/tr>
4<\/td>Caribou<\/td>Honey<\/td>City Slang<\/td><\/td><\/tr>
4<\/td>Coldplay<\/td>Moon Music<\/td>Parlophone<\/td><\/td><\/tr>
4<\/td>Colin Andrew Sheffield<\/td>Moments Lost<\/td>Sublime Retreat<\/td><\/td><\/tr>
4<\/td>Colin Self<\/td>Lemniscate<\/td>RVNG Intl<\/td><\/td><\/tr>
4<\/td>Concepci\u00f3n Huerta \/ Hara Alonso<\/td>towards the melancholy of a future<\/td>Superpang<\/td><\/td><\/tr>
4<\/td>Conor<\/td>Conor<\/td>Digital in Berlin<\/td><\/td><\/tr>
4<\/td>Dal:um<\/td>Coexistence<\/td>Glitterbeat<\/td><\/td><\/tr>
4<\/td>Daniel Szwed<\/td>Sun’s Mother<\/td>Instant Classic<\/td><\/td><\/tr>
4<\/td>Darius Jones<\/td>Legend of e’Boi (The Hypervigilant Eye)<\/td>AUM Fidelity<\/td><\/td><\/tr>
4<\/td>Dawid Lubowicz<\/td>Human Fate<\/td><\/td><\/td><\/tr>
4<\/td>Dawn Richard and Spencer Zahn<\/td>Quiet in the Wrold Full of Noise<\/td>Merge<\/td><\/td><\/tr>
4<\/td>Dead Bob<\/td>Life Like<\/td>Antena Krzyku<\/td><\/td><\/tr>
4<\/td>Death Like Mass<\/td>The Lord Of Flies<\/td>Terratur Possessions<\/td><\/td><\/tr>
4<\/td>Der Dritte Stand<\/td>Spontaneous Live Series 015<\/td>Spontaneous Live Series<\/td><\/td><\/tr>
4<\/td>Dorian\u2019s Steaming Shadow<\/td>Frozen Nightmares<\/td>Antena Krzyku<\/td><\/td><\/tr>
4<\/td>Drasii<\/td>Spirito Celeste<\/td>FPE<\/td><\/td><\/tr>
4<\/td>Drug Church<\/td>Prud<\/td>Pure Noise<\/td><\/td><\/tr>
4<\/td>Eri Yamamoto Quadraphonic<\/td>Fly with the Wings<\/td>Mahakala<\/td><\/td><\/tr>
4<\/td>Estelle Schorpp<\/td>In My Ears (For Maryanne)<\/td>Line<\/td><\/td><\/tr>
4<\/td>Finneas<\/td>For Cryin\u2019 Out Loud!<\/td>Interscope<\/td><\/td><\/tr>
4<\/td>Frunk29<\/td>Drifting Horses<\/td>Not Not Fun<\/td><\/td><\/tr>
4<\/td>Geordie Greep<\/td>The New Sound<\/td>Rough Trade<\/td><\/td><\/tr>
4<\/td>Godspeed You! Black Emperor<\/td>„NO\u200b\u2008\u200bTITLE AS OF 13 FEBRUARY 2024 28\u200b,\u200b340 DEAD”<\/td>Constellation<\/td><\/td><\/tr>
4<\/td>Gray\/Smith<\/td>Heels in the Aisle<\/td>Blank Forms<\/td><\/td><\/tr>
4<\/td>Half Waif<\/td>See You at the Maypole<\/td>Anti-<\/td><\/td><\/tr>
4<\/td>Jake Bugg<\/td>A Modern Day Distraction<\/td>RCA<\/td><\/td><\/tr>
4<\/td>James William Blades<\/td>Pare De Sufrir<\/td>AD93<\/td><\/td><\/tr>
4<\/td>Jib\u00f3ia<\/td>Salar<\/td>Discrepant<\/td><\/td><\/tr>
4<\/td>Joan Shelley<\/td>Mood Ring<\/td>No Quarter<\/td><\/td><\/tr>
4<\/td>Joaquin Phoenix, Lady Gaga & Cast of Joker: Folie \u00e0 Deux<\/td>Joker: Folie \u00e0 Deux OST<\/td>Interscope<\/td><\/td><\/tr>
4<\/td>Jonah Yano<\/td>Jonah Yano & The Heavy Loop<\/td>Innovative Leisure<\/td><\/td><\/tr>
4<\/td>Joni Mitchell<\/td>Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)<\/td>Rhino<\/td>box<\/td><\/tr>
4<\/td>Kaz Ba\u0142agane<\/td>A nie m\u00f3wi\u0142em?<\/td><\/td><\/td><\/tr>
4<\/td>Lara Jones<\/td>Dome<\/td>Lo Recordings<\/td><\/td><\/tr>
4<\/td>Leon Bridges<\/td>Leon<\/td>Columbia<\/td><\/td><\/tr>
4<\/td>Maral<\/td>Patience<\/td>PTP<\/td><\/td><\/tr>
4<\/td>Mariam the Believer<\/td>Breathing Techniques<\/td>Repeat Until Death<\/td><\/td><\/tr>
4<\/td>Marta Warelis, Florian Stoffner, Rudi Fischerlehner<\/td>Spontaneous Live Series 014<\/td>Spontaneous Live Series<\/td><\/td><\/tr>
4<\/td>mHz<\/td>Material Prosody<\/td>Room40<\/td><\/td><\/tr>
4<\/td>Michael Love Michael<\/td>Bruiser<\/td>Get Better<\/td><\/td><\/tr>
4<\/td>Micha\u0142 Pepol<\/td>Cellotapes<\/td>Polskie Radio<\/td><\/td><\/tr>
4<\/td>Midland<\/td>Fragments of Us<\/td>Graded<\/td><\/td><\/tr>
4<\/td>Objekt<\/td>Ganzfeld<\/td>Kapsela<\/td><\/td><\/tr>
4<\/td>Peni Candra Rini<\/td>Wani<\/td>New Amsterdam<\/td><\/td><\/tr>
4<\/td>Pharmakon<\/td>Maggot Mass<\/td>Sacred Bones<\/td><\/td><\/tr>
4<\/td>Samuel Reinhard<\/td>Movement<\/td>Hallow Ground<\/td><\/td><\/tr>
4<\/td>Teip Trio<\/td>Teip Trio II<\/td>Catalytic Sound<\/td><\/td><\/tr>
4<\/td>Temples<\/td>Other Structures EP<\/td>Heavenly<\/td><\/td><\/tr>
4<\/td>The Bug<\/td>Machine<\/td>Pressure<\/td><\/td><\/tr>
4<\/td>The Hard Quartet<\/td>The Hard Quartet<\/td>Matador<\/td><\/td><\/tr>
4<\/td>The Smile<\/td>Cutouts<\/td>XL<\/td><\/td><\/tr>
4<\/td>The Wickies<\/td>The Wickies<\/td>Ba Da Bing<\/td><\/td><\/tr>
4<\/td>Tony Iommi<\/td>Fused<\/td>BMG<\/td>reed<\/td><\/tr>
4<\/td>Tony Iommi<\/td>The 1996 Dep Sessions<\/td>BMG<\/td>reed<\/td><\/tr>
4<\/td>Tony Vaz<\/td>Pretty Side of the Ugly Life<\/td>Jubilee Gang<\/td><\/td><\/tr>
4<\/td>Undeath<\/td>More Insane<\/td>Prostetic<\/td><\/td><\/tr>
4<\/td>VA<\/td>Haunted Presence<\/td>Numero Group<\/td><\/td><\/tr>
4<\/td>Weird Of Mouth<\/td>Weird Of Mouth<\/td>Otherly Love<\/td><\/td><\/tr>
4<\/td>Wild PInk<\/td>Dulling the Horns<\/td>Fire Talk<\/td><\/td><\/tr>
4<\/td>Yasmin Williams<\/td>Acadia<\/td>Nonesuch<\/td><\/td><\/tr>
4<\/td>Zamilska<\/td>United Kingdom Of Anxiety<\/td>Untuned\/NoPaper<\/td><\/td><\/tr>
7<\/td>Patryk Cannon<\/td>Live in Ignorantka club. \u0141\u200b\u00f3\u200bd\u017a 19 X 2024<\/td><\/td><\/td><\/tr>
9<\/td>Chino Amobi<\/td>Eroica<\/td><\/td><\/td><\/tr>
9<\/td>John Grzinich<\/td>Ice Tectonics<\/td>Saamleng<\/td>DL, CD<\/td><\/tr>
9<\/td>Mirt<\/td>Back to the Island<\/td>Saamleng<\/td>DL, CD<\/td><\/tr>
10<\/td>DJ Plead & rRoxymore<\/td>Read Round City EP<\/td>Smalltown Supersound<\/td><\/td><\/tr>
10<\/td>Father John Misty<\/td>Live at Pappy + Harriet’s, Pioneertown, CA 9\u200b\/\u200b25\u200b\/\u200b2024<\/td><\/td><\/td><\/tr>
10<\/td>Tomasz Mre\u0144ca<\/td>Man of the Light<\/td><\/td><\/td><\/tr>
11<\/td>B\u0142oto<\/td>Grzybnia<\/td>Astigmatic<\/td><\/td><\/tr>
11<\/td>Boycalledcrow<\/td>Eyetrees<\/td>Hive MInd<\/td><\/td><\/tr>
11<\/td>Caroline Says<\/td>The Lucky One<\/td>Western Vinyl<\/td><\/td><\/tr>
11<\/td>Charli XCX<\/td>Brat and It\u2019s Completely Different but Also Still Brat<\/td>Atlantic<\/td><\/td><\/tr>
11<\/td>Chat Pile<\/td>Cool World<\/td>The Flenser<\/td><\/td><\/tr>
11<\/td>Congratulations<\/td>Slap<\/td>Bella Union<\/td>EP<\/td><\/tr>
11<\/td>Current Joys<\/td>East My Love<\/td>Secretly Canadian<\/td><\/td><\/tr>
11<\/td>Deep Purple<\/td>Lazy Sod EP<\/td>Ear<\/td><\/td><\/tr>
11<\/td>Dj Znobia<\/td>Inventor vol. 2<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
11<\/td>Dua Saleh<\/td>I Should Call Them<\/td>Ghostly<\/td><\/td><\/tr>
11<\/td>Ekoplekz<\/td>Dirtbokz<\/td>Selvamancer<\/td><\/td><\/tr>
11<\/td>Elucid<\/td>Revelator<\/td>Fat Possum<\/td><\/td><\/tr>
11<\/td>Envy<\/td>Eunoia<\/td>Temporary Residence Ltd.<\/td><\/td><\/tr>
11<\/td>Forgetting You is Like Breathing Water<\/td>Forgetting You is Like Breathing Water<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
11<\/td>Giorgos Katsaros<\/td>Giorgos Katsaros<\/td>Mississippi<\/td><\/td><\/tr>
11<\/td>Glaive<\/td>May It Never Falter<\/td><\/td><\/td><\/tr>
11<\/td>Glorilla<\/td>Glorious<\/td>Interscope<\/td><\/td><\/tr>
11<\/td>Goat<\/td>Goat<\/td>Rocket<\/td><\/td><\/tr>
11<\/td>HMOT<\/td>There Will Come Gentle Rain<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
11<\/td>Hoszpital<\/td>Kowerkot<\/td>Thin Man Records<\/td><\/td><\/tr>
11<\/td>Hugo Race & Michelangelo Russo<\/td>100 Years<\/td>Gusstaff<\/td><\/td><\/tr>
11<\/td>Immanuel Wilkins<\/td>Blues Blood<\/td>Blue Note<\/td><\/td><\/tr>
11<\/td>La Femme<\/td>Rock Machine<\/td>Disque Pointu<\/td><\/td><\/tr>
11<\/td>Meemo Comma<\/td>Decimation of I<\/td>Planet Mu<\/td><\/td><\/tr>
11<\/td>Melos Kalpa<\/td>Melos Kalpa<\/td>Hands In The Dark<\/td><\/td><\/tr>
11<\/td>Molina<\/td>When You Wake Up<\/td>Escho<\/td><\/td><\/tr>
11<\/td>Mukqs<\/td>Eye Frame<\/td>Orange Milk<\/td><\/td><\/tr>
11<\/td>Myslovitz<\/td>Wieczorami ch\u0142opcy wychodz\u0105 na ulice. 25 lat Mi\u0142o\u015bci w czasach popkultury<\/td>Mystic<\/td><\/td><\/tr>
11<\/td>Nate Mercereau<\/td>Excellent Traveler<\/td>Third Man<\/td><\/td><\/tr>
11<\/td>Oranssi Pazuzu<\/td>Muuntautuja<\/td>Nuclear Blast<\/td><\/td><\/tr>
11<\/td>Paul White<\/td>Peace in Chaos<\/td><\/td><\/td><\/tr>
11<\/td>Pharrell Williams<\/td>Piece by Piece OST<\/td>Columbia<\/td><\/td><\/tr>
11<\/td>Popstar Benny<\/td>Oasis<\/td>True Panther<\/td><\/td><\/tr>
11<\/td>Rubens<\/td>Bez trzymanki<\/td>Sony<\/td><\/td><\/tr>
11<\/td>Sam WIlkes<\/td>Iiyo Iiyo Iiyo<\/td><\/td><\/td><\/tr>
11<\/td>Shovel Dance Collective<\/td>The Shovel Dance<\/td>American Dreams<\/td><\/td><\/tr>
11<\/td>Smoke Bellow<\/td>Structurally Sound<\/td>Moon Glyph<\/td><\/td><\/tr>
11<\/td>Steve Roden<\/td>Transmission (Voices of Objects and Skies)<\/td>Room40<\/td><\/td><\/tr>
11<\/td>The Blessed Madonna<\/td>Godspeed<\/td>Warner<\/td><\/td><\/tr>
11<\/td>The Linda Lindas<\/td>No Obligation<\/td>Epitaph<\/td><\/td><\/tr>
11<\/td>Touch\u00e9 Amor\u00e9<\/td>Spiral in a Straight LIne<\/td>Rise<\/td><\/td><\/tr>
11<\/td>Tucker Zimmerman<\/td>Dance of Love<\/td>4AD<\/td><\/td><\/tr>
11<\/td>TVB & Guest Julka<\/td>Bar EP<\/td>U Know Me<\/td><\/td><\/tr>
11<\/td>Tyshawn Sorey<\/td>The Susceptible Now<\/td>Pi Recordings<\/td><\/td><\/tr>
11<\/td>VA<\/td>Cosmic American Music: Motel California<\/td>Numero Group<\/td><\/td><\/tr>
11<\/td>VA<\/td>1989 Musical<\/td>Universal<\/td><\/td><\/tr>
11<\/td>VA<\/td>TSE – Tr\u200b\u00f3\u200bjmiejska Scena Elektroakustyczna – Open Sessions 6\u200b\/\u200b8<\/td>Antenna Non Grata<\/td><\/td><\/tr>
11<\/td>Warm Human<\/td>Hamartia<\/td>Sooper<\/td><\/td><\/tr>
11<\/td>Wojtek Mazolewski Quintet<\/td>Beautiful People<\/td>!K7<\/td><\/td><\/tr>
11<\/td>Yara Asmar<\/td>home recordings 2018 – 2021 \/ synth waltzes & accordion laments (remastered)<\/td>Hive Mind<\/td><\/td><\/tr>
12<\/td>Eli Wewentxu<\/td>Narraciones de un Retorno<\/td>Other People<\/td><\/td><\/tr>
14<\/td>Jucho<\/td>„2”<\/td><\/td><\/td><\/tr>
14<\/td>Patrick The Pan<\/td>To nie jest najlepszy czas dla wra\u017cliwych ludzi<\/td>Agora<\/td><\/td><\/tr>
14<\/td>Water Damage<\/td>Reel Le<\/td>Longform Editions<\/td><\/td><\/tr>
15<\/td>Alabaster DePlume<\/td>Cremisan: Prologue To A Blade<\/td>International Anthem<\/td>EP<\/td><\/tr>
15<\/td>VA<\/td>Virtual Dreams II: Ambient Explorations In The House & Techno Age, Japan 1993\u200b-\u200b1999<\/td>Music From Memory<\/td><\/td><\/tr>
16<\/td>Eli Winter<\/td>Ghost Notes<\/td>Longform Editions<\/td><\/td><\/tr>
16<\/td>Songs: Ohia<\/td>Live: Vanquishers<\/td>Secretly Canadian<\/td><\/td><\/tr>
17<\/td>Jacek Doroszenko<\/td>Identity Values<\/td>Audiobulb<\/td><\/td><\/tr>
18<\/td>Andrew Bird & Madison Cunningham<\/td>Cunningham Bird<\/td>Loma Vista<\/td><\/td><\/tr>
18<\/td>ANNA WEBBER with Matt Mitchell and John Hollenbeck<\/td>simpletrio2000<\/td>Intakt<\/td><\/td><\/tr>
18<\/td>Avantdale Morning Club<\/td>„Live” II (Live)<\/td>Years Go By<\/td><\/td><\/tr>
18<\/td>Bancal<\/td>Abruti<\/td>Outlines<\/td><\/td><\/tr>
18<\/td>Black Pus<\/td>Terrestrial Seethings<\/td>Thrill Jockey<\/td><\/td><\/tr>
18<\/td>Bon Iver<\/td>Sable<\/td>Jagjaguwar<\/td>EP<\/td><\/tr>
18<\/td>Bronski Beat<\/td>The Age of Consent (40 Year Anniversary Deluxe Edition)<\/td>London<\/td>reed<\/td><\/tr>
18<\/td>Celer<\/td>Gems III<\/td>Room40<\/td><\/td><\/tr>
18<\/td>Chihei Hatakeyama & Shun Ishiwaka<\/td>Magnificent Little Dudes, Volume 02<\/td>Gearbox<\/td><\/td><\/tr>
18<\/td>Christopher Owens<\/td>I Wanna Run Barefoot Through Your Hair<\/td>True Panther<\/td><\/td><\/tr>
18<\/td>Daemonolith<\/td>The Monolithic Cult Of Death<\/td>Godz Ov War<\/td><\/td><\/tr>
18<\/td>Dennis Gonzalez Legacy Band<\/td>Live at the Texas Theatre<\/td>Astral Spirits<\/td><\/td><\/tr>
18<\/td>DIMoN<\/td>Doskonale<\/td>Mystic<\/td><\/td><\/tr>
18<\/td>Dora Morelenbaum<\/td>Pique<\/td>Mr Bongo<\/td><\/td><\/tr>
18<\/td>Ella Raphael<\/td>Mad Sometimes<\/td>Fire<\/td><\/td><\/tr>
18<\/td>Flora Yin Wong<\/td>Trigram for Earth<\/td>Portraits GRM<\/td><\/td><\/tr>
18<\/td>Greg Mendez<\/td>First Time \/ Alone EP<\/td>Dead Oceans<\/td><\/td><\/tr>
18<\/td>Guenter Schlienz<\/td>Software<\/td>Muzan<\/td><\/td><\/tr>
18<\/td>Guy Blakeslee<\/td>Extravision<\/td>Leaving<\/td><\/td><\/tr>
18<\/td>High Vis<\/td>Fill the Gap<\/td>Dais<\/td><\/td><\/tr>
18<\/td>Jabu<\/td>A Soft and Gatherable Star<\/td><\/td><\/td><\/tr>
18<\/td>Japandroids<\/td>Fate & Alcohol<\/td>Anti-<\/td><\/td><\/tr>
18<\/td>Jean Dawson<\/td>Glimmer of God<\/td>P+<\/td><\/td><\/tr>
18<\/td>John Zorn<\/td>New Masada Quartet, Volume Three<\/td>Tzadik<\/td><\/td><\/tr>
18<\/td>Jordana<\/td>Lively Premonition<\/td>Grand Jury<\/td><\/td><\/tr>
18<\/td>Karate<\/td>Make It Fit<\/td>Numero Group<\/td><\/td><\/tr>
18<\/td>Karl Blau<\/td>Vultures of Love<\/td>Otherly Love<\/td><\/td><\/tr>
18<\/td>Katarzyna Golla, Weronika Troja\u0144ska<\/td>Canti Spazializzati #17: O wschodzie we Wschodnim<\/td>Sound Art Forum \/ Canti Spazializzati<\/td><\/td><\/tr>
18<\/td>Kelly Lee Owens<\/td>Dreamstate<\/td>DH2<\/td><\/td><\/tr>
18<\/td>King Pari<\/td>There It Goes<\/td>Stones Throw<\/td><\/td><\/tr>
18<\/td>Kurious<\/td>Majician<\/td>Metalface<\/td><\/td><\/tr>
18<\/td>Kylie Minogue<\/td>Tension II<\/td>BMG<\/td><\/td><\/tr>
18<\/td>Lin-Manuel Miranda & Eisa Davis<\/td>Warriors<\/td>Atlantic<\/td><\/td><\/tr>
18<\/td>Lisel<\/td>The Vanishing Point<\/td>Ba Da Bing<\/td><\/td><\/tr>
18<\/td>Marysia Osu<\/td>Harp, Beats & Dreams<\/td>Brownswood<\/td><\/td><\/tr>
18<\/td>MC5<\/td>Boys Who Play With Matches<\/td>BMG<\/td><\/td><\/tr>
18<\/td>Meek, Oh Why?<\/td>Wszystko w swoim czasie<\/td>Universal<\/td><\/td><\/tr>
18<\/td>Messiah In Glytch<\/td>Geisha in the Machine<\/td>FPE<\/td><\/td><\/tr>
18<\/td>MOMO.<\/td>Gira<\/td>Batov<\/td><\/td><\/tr>
18<\/td>Nap Eyes<\/td>The Neon Gate<\/td>Paradise of Bachelors<\/td><\/td><\/tr>
18<\/td>Natalia Szroeder<\/td>REM<\/td>Warner<\/td><\/td><\/tr>
18<\/td>Net Gala<\/td>Galapaggot<\/td>Hakuna Kulala<\/td><\/td><\/tr>
18<\/td>Net Gala<\/td>Galapaggot<\/td>Hakuna Kulala<\/td><\/td><\/tr>
18<\/td>Oliver Coates<\/td>Throb, Shiver, Arrow of Time<\/td>RVNG Intl<\/td><\/td><\/tr>
18<\/td>Paper Jays<\/td>Paper Jays<\/td>ESP-Disk<\/td><\/td><\/tr>
18<\/td>Paul Weller<\/td>Supplement: 66<\/td><\/td>EP<\/td><\/tr>
18<\/td>Porridge Radio<\/td>Clouds In The Sky They Will Always Be There For Me<\/td>Secretly Canadian<\/td><\/td><\/tr>
18<\/td>Robert Curgenven<\/td>Agenesis<\/td><\/td><\/td><\/tr>
18<\/td>Robert Curgenven<\/td>Agenesis<\/td><\/td><\/td><\/tr>
18<\/td>Roy Hargrove\u2019s Crisol<\/td>Grande-Terre<\/td>Verve<\/td><\/td><\/tr>
18<\/td>Saagara<\/td>„3”<\/td>Glitterbeat<\/td><\/td><\/tr>
18<\/td>S\u00e9bastien Roux<\/td>50 frequency and amplitude modulated sine waves describing a landscape<\/td>Portraits GRM<\/td><\/td><\/tr>
18<\/td>Skeggs<\/td>Pacific Highway Music<\/td>Loma Vista<\/td><\/td><\/tr>
18<\/td>Snowgoose<\/td>Descendant<\/td>Ba Da Bing<\/td><\/td><\/tr>
18<\/td>Song People<\/td>Like Somebody Calling Your Name<\/td>Don Giovanni<\/td><\/td><\/tr>
18<\/td>Suriya Botofasina<\/td>Ashram Sun<\/td>Spiritmuse<\/td><\/td><\/tr>
18<\/td>Svaneborg Kardyb<\/td>Superkilen<\/td>Gondwana<\/td><\/td><\/tr>
18<\/td>Sylvie Courvoisier<\/td>To Be Other-Wise<\/td>Intakt<\/td><\/td><\/tr>
18<\/td>Tarta Relena<\/td>\u00c9s pregunta<\/td>Latency<\/td><\/td><\/tr>
18<\/td>The Armed<\/td>Everlasting Gaze EP<\/td>Sargent House<\/td><\/td><\/tr>
18<\/td>The Necks<\/td>Bleed<\/td>Northern Spy<\/td><\/td><\/tr>
18<\/td>Thollem<\/td>Infinite-Sum Game<\/td>ESP-Disk<\/td><\/td><\/tr>
18<\/td>Tim Heidecker<\/td>Slipping Away<\/td>Bloodshot<\/td><\/td><\/tr>
18<\/td>VA<\/td>Even the Forest Hums: Ukrainian Sonic Archives 1971-1996<\/td>Light In The Attic<\/td><\/td><\/tr>
18<\/td>Yeat<\/td>Lyfestyle<\/td>Field Trip<\/td><\/td><\/tr>
19<\/td>Otomo Yoshihide’s New Jazz Quintet<\/td>Live in Poland<\/td>Pocket Flower<\/td>5LP Box<\/td><\/tr>
19<\/td>Ryley WAlker<\/td>Yankee Doodle Stuck A Feather In His Bucket Hat (Live In Manchester)<\/td>Husky Pants<\/td><\/td><\/tr>
21<\/td>Ginger Wizard<\/td>The Bathysburg Tales<\/td><\/td><\/td><\/tr>
21<\/td>Sarah Neufeld, Richard Reed Parry, Rebecca Foon<\/td>First Sounds<\/td><\/td><\/td><\/tr>
22<\/td>Ange Madame<\/td>Ange Madame<\/td><\/td><\/td><\/tr>
22<\/td>Micha\u0142 Ruda\u015b<\/td>P\u0142y\u0144<\/td><\/td><\/td><\/tr>
22<\/td>Pixies<\/td>The Night the Zombies Came<\/td>BMG<\/td><\/td><\/tr>
23<\/td>Jarzmo<\/td>Antropocen<\/td>Interstellar Smoke Records<\/td><\/td><\/tr>
23<\/td>Lulenga<\/td>Digital Indigenous 08: Aliyuyo Uyoo<\/td>Digital Indigenous<\/td><\/td><\/tr>
23<\/td>Tanz Mein Herz<\/td>Redux<\/td>Desastre<\/td><\/td><\/tr>
23<\/td>The National<\/td>Rome II<\/td>4AD<\/td>EP<\/td><\/tr>
23<\/td>Yana<\/td>Daydreamer<\/td>OPIA Community<\/td><\/td><\/tr>
24<\/td>Anne-Tina<\/td>Anne-TIna<\/td>Frederiksberg<\/td>reed<\/td><\/tr>
24<\/td>Manja Risti\u0107 & Tom\u00e1\u0161 \u0160enky\u0159\u00edk<\/td>Vstal<\/td>Skupina<\/td><\/td><\/tr>
24<\/td>NEAL<\/td>Sex Tapes<\/td><\/td><\/td><\/tr>
24<\/td>Unleashed Cooperation<\/td>Trust<\/td>Multikulti Project<\/td><\/td><\/tr>
25<\/td>2nd Grade<\/td>Scheduled Explosions<\/td>Double Double Whammy<\/td><\/td><\/tr>
25<\/td>Akai Solo<\/td>DreamDropDragon<\/td>Break All<\/td><\/td><\/tr>
25<\/td>Amyl and the Sniffers<\/td>Cartoon Darkness<\/td>Rough Trade<\/td><\/td><\/tr>
25<\/td>Anna McClellan<\/td>Electric Bouquet<\/td>Father\/Daughter<\/td><\/td><\/tr>
25<\/td>Anthony Moore<\/td>Home of the Demo<\/td>Drag City<\/td><\/td><\/tr>
25<\/td>BadBadNotGood<\/td>Mid Spiral<\/td>XL<\/td><\/td><\/tr>
25<\/td>Behemoth<\/td>XXX Years ov Blasphemy<\/td>Nuclear Blast<\/td><\/td><\/tr>
25<\/td>Better Lovers<\/td>Highly Irresponsible<\/td>SharpTone<\/td><\/td><\/tr>
25<\/td>Black Curse<\/td>Burning In Celestial Poison<\/td>Sepulchral Voice<\/td><\/td><\/tr>
25<\/td>Body Me\u03c0a<\/td>Prayer in Dub<\/td>Hausu Mountain<\/td><\/td><\/tr>
25<\/td>Bryan Ferry<\/td>Retrospective: Selected Recordings 1973-2023<\/td>BMG<\/td><\/td><\/tr>
25<\/td>Carmen Villain<\/td>Nutrition EP<\/td>Smalltown Supersound<\/td><\/td><\/tr>
25<\/td>Caroline Shaw<\/td>Leonardo da Vinci<\/td>Nonesuch<\/td>OST<\/td><\/tr>
25<\/td>Catherine Christer Hennix<\/td>Further Selections from the Electric Harpsichord<\/td>Blank Forms<\/td><\/td><\/tr>
25<\/td>Charlotte Jacobs<\/td>a t l a s<\/td>New Amsterdam<\/td><\/td><\/tr>
25<\/td>Clothilde<\/td>Cross Sections<\/td>Holuzam<\/td><\/td><\/tr>
25<\/td>Cochise<\/td>Why Always Me?<\/td>Columbia<\/td><\/td><\/tr>
25<\/td>Craven Faults<\/td>Bounds<\/td>The Leaf Label<\/td><\/td><\/tr>
25<\/td>Crosby, Stills, Nash & Young<\/td>Live at Fillmore East, 1969 (2024 Mix)<\/td>Rhino<\/td><\/td><\/tr>
25<\/td>Cruel Diagonals<\/td>Calcite<\/td>Beacon Sound<\/td><\/td><\/tr>
25<\/td>Dayoung<\/td>Latency<\/td>Chinabot<\/td><\/td><\/tr>
25<\/td>DJ Lycox<\/td>Guetto Star<\/td>Principe<\/td><\/td><\/tr>
25<\/td>Dorian\u2019s Steaming Shadow<\/td>Frozen Nightmares<\/td>Antena Krzyku<\/td><\/td><\/tr>
25<\/td>Ebo Taylor, Adrian Younge, Ali Shaheed Muhammad<\/td>Jazz Is Dead 022<\/td>Jazz Is Dead<\/td><\/td><\/tr>
25<\/td>Elias R\u00f8nnenfelt<\/td>Heavy Glory<\/td>Escho<\/td><\/td><\/tr>
25<\/td>Fashion Club<\/td>A Love You Cannot Shake<\/td>Felte<\/td><\/td><\/tr>
25<\/td>F\u00e9licia Atkinson<\/td>Space as an Instrument<\/td>Shelter Press<\/td><\/td><\/tr>
25<\/td>Fievel Is Glauque<\/td>Rong Weicknes<\/td>Fat Possum<\/td><\/td><\/tr>
25<\/td>Fit For An Autopsy<\/td>The Nothing That Is<\/td>Nuclear Blast<\/td><\/td><\/tr>
25<\/td>Flock<\/td>Flock II<\/td>Strut<\/td><\/td><\/tr>
25<\/td>Foudre!<\/td>Volt\u00e6<\/td>Chthulucene<\/td><\/td><\/tr>
25<\/td>Gnod + MC Sissi<\/td>Inner Fucking Peace<\/td>Rocket<\/td><\/td><\/tr>
25<\/td>Halsey<\/td>The Great Impersonator<\/td>Columbia<\/td><\/td><\/tr>
25<\/td>Kapela Ze Wsi Warszawa + BASSa\u0142yki<\/td>Sploty<\/td>Karrot Kommando<\/td><\/td><\/tr>
25<\/td>Katie Gavin<\/td>What a Relief<\/td>Saddest Factory<\/td><\/td><\/tr>
25<\/td>Koki Nakano<\/td>Ulul\u014d<\/td>No Format!<\/td><\/td><\/tr>
25<\/td>Laura Marling<\/td>Patterns in Repeat<\/td>Partisan<\/td><\/td><\/tr>
25<\/td>Little Moon<\/td>Dear Divine<\/td>Joyful Noise<\/td><\/td><\/tr>
25<\/td>Living Gate<\/td>Suffer As One<\/td>Relapse<\/td><\/td><\/tr>
25<\/td>Maja Miro & Krzysztof Topolski<\/td>Sygna\u0142y<\/td><\/td><\/td><\/tr>
25<\/td>Maniucha Bikont<\/td>Porz\u0105dki<\/td>Requiem<\/td><\/td><\/tr>
25<\/td>Megan Thee Stallion<\/td>Megan: Act II<\/td><\/td><\/td><\/tr>
25<\/td>Moin<\/td>You Never End<\/td>AD93<\/td><\/td><\/tr>
25<\/td>more eaze & Kaho Matsui<\/td>Computer and Recording Works for Girls<\/td>Full Spectrum<\/td><\/td><\/tr>
25<\/td>Mouse On Mars<\/td>Herzog Sessions<\/td><\/td><\/td><\/tr>
25<\/td>Nero<\/td>LP3.14<\/td>Temporary Residence Ltd.<\/td>arch<\/td><\/tr>
25<\/td>Oceanic & Greetje Bijma<\/td>Sykheljende L\u200b\u00fb\u200bden<\/td>Yeyeh Ninih<\/td><\/td><\/tr>
25<\/td>One True Pairing<\/td>Endless Rain<\/td>Domino<\/td><\/td><\/tr>
25<\/td>Onsloow<\/td>Full Speed Anywhere Else<\/td>Tiny Engines<\/td><\/td><\/tr>
25<\/td>Peter Evans<\/td>Extra<\/td>We Jazz<\/td><\/td><\/tr>
25<\/td>Pixies<\/td>The Night the Zombies Came<\/td>BMG<\/td><\/td><\/tr>
25<\/td>Pom Pom Squad<\/td>Mirror Starts Moving Without Me<\/td>City Slang<\/td><\/td><\/tr>
25<\/td>Radio Massacre International<\/td>Galactic Furnace<\/td>Cuneiform<\/td><\/td><\/tr>
25<\/td>Robert Schwarz<\/td>Stridulations 1-14<\/td>Superpang<\/td><\/td><\/tr>
25<\/td>Ruthven<\/td>Rough & Ready<\/td>XL<\/td><\/td><\/tr>
25<\/td>Sandro Mussida & Francesco Fabris<\/td>Still\u200b~\u200bAaolian<\/td>Room40<\/td><\/td><\/tr>
25<\/td>SBB<\/td>O\u0142owica<\/td>GAD<\/td>arch<\/td><\/tr>
25<\/td>Shigeto<\/td>Cherry Blossom Baby<\/td>Gostly<\/td><\/td><\/tr>
25<\/td>Snowdrops<\/td>Singing Stones (Volume 1)<\/td><\/td><\/td><\/tr>
25<\/td>Soccer Mommy<\/td>Evergreen<\/td>Loma Vista<\/td><\/td><\/tr>
25<\/td>Sonic Wasteland<\/td>Tales from the Wasteland<\/td>Jimmy Jazz<\/td><\/td><\/tr>
25<\/td>Squint<\/td>Big Hand<\/td>Sunday Drive<\/td><\/td><\/tr>
25<\/td>Steve Coleman<\/td>PolyTropos \/ Of Many Turns<\/td>Pi recordings<\/td><\/td><\/tr>
25<\/td>Steve Coleman<\/td>Poly Tropos \/ Of Many Turns<\/td>Pi Recordings<\/td><\/td><\/tr>
25<\/td>Tachycardie<\/td>Musique pour structures sonores Baschet<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
25<\/td>Take Three<\/td>Music and Time 1983-1985<\/td>Freestyle<\/td>arch<\/td><\/tr>
25<\/td>Tears For Fears<\/td>Songs for a Nervous Planet<\/td>Concord<\/td><\/td><\/tr>
25<\/td>tp Dutchkiss<\/td>High Functioning<\/td>Leaving<\/td><\/td><\/tr>
25<\/td>Transmission Towers<\/td>Crooked Transmissions<\/td>Mr Bongo<\/td><\/td><\/tr>
25<\/td>Two Shell<\/td>Two Shell<\/td>Young<\/td><\/td><\/tr>
25<\/td>Underworld<\/td>Strawberry Hotel<\/td>Virgin<\/td><\/td><\/tr>
25<\/td>Village Of The Sun<\/td>Village of The Sun, Live in Tokyo<\/td>Gearbox<\/td><\/td><\/tr>
25<\/td>Wand<\/td>Help Desk \/ Goldfish<\/td>Drag City<\/td><\/td><\/tr>
25<\/td>William Tyler<\/td>Future Myths<\/td><\/td><\/td><\/tr>
25<\/td>Yaryu<\/td>For Damage<\/td>Ramble<\/td><\/td><\/tr>
25<\/td>Yatta<\/td>Palm Wine<\/td>PTP<\/td><\/td><\/tr>
25<\/td>\u0e04\u0e13\u0e30 \u0e40\u0e1a\u0e35\u0e22\u0e23\u0e4c\u0e1a\u0e39\u0e14\/Khana Bierbood<\/td>Monolam<\/td>Guruguru Brain<\/td><\/td><\/tr>
26<\/td>RZWD<\/td>GAPS<\/td>Gusstaff<\/td><\/td><\/tr>
26<\/td>Vogellicht<\/td>El p\u200b\u00e1\u200bjaro y la casa ver\u200b.\u200bII<\/td>Nasze Nagrania<\/td><\/td><\/tr>
28<\/td>Alessandro Bosetti<\/td>Coniugazioni<\/td>Canti Magnetici<\/td><\/td><\/tr>
28<\/td>Tyler The Creator<\/td>Chromakopia<\/td>Columbia<\/td><\/td><\/tr>
29<\/td>Ben Bertrand & Manah Depauw<\/td>Black Zodiac<\/td>Stroom.tv<\/a><\/td><\/td><\/tr>
29<\/td>Wahid<\/td>They All Go Mad!<\/td>Innovative Leisure<\/td><\/td><\/tr>
31<\/td>Escape From Warsaw<\/td>Transit The Specter of War<\/td>Zoharum<\/td><\/td><\/tr>
31<\/td>Gaap Kvlt<\/td>Lhute<\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Czere\u015bnie Czere\u015bnie w mie\u015bcie Karoryfer Lecolds 1 Milan W Leave Another Day Stroom.tv 2 SqrtSigil Temporary Medicine Antenna Non Grata 3 Giovanni Di Domenico Kids On Air Steamroom 3 Moo Latte Mellomaniac U Know Me 3 Opowie\u015b\u0107 Podr\u00f3\u017c Zoharum 4 A Place To Bury Strangers Synthesizer Dedstrange 4 Abhorration Demonolatry Invictus Productions 4 Ada […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44375"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=44375"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44375\/revisions"}],"predecessor-version":[{"id":45031,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/44375\/revisions\/45031"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=44375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}