{"id":45032,"date":"2024-11-01T10:45:34","date_gmt":"2024-11-01T09:45:34","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=45032"},"modified":"2024-11-01T10:45:35","modified_gmt":"2024-11-01T09:45:35","slug":"premiery-11-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-11-2024\/","title":{"rendered":"PREMIERY 11.2024"},"content":{"rendered":"\n
1<\/td>Andy Loebs<\/td>Cercopithecoid<\/td>Orange Milk<\/td><\/td><\/tr>
1<\/td>Autre Ne Veut<\/td>Love, Guess Who??<\/td><\/td><\/td><\/tr>
1<\/td>Beatrice Dillon<\/td>Seven Reorganisations<\/td><\/td><\/td><\/tr>
1<\/td>Berke Can \u00d6zcan & Jonah Parzen-Johnson<\/td>It Was Always Time<\/td>We Jazz<\/td><\/td><\/tr>
1<\/td>Bernard Parmegiani & Fran\u00e7ois Bayle<\/td>Divinie Com\u200b\u00e9\u200bdie<\/td>Recollection GRM<\/td><\/td><\/tr>
1<\/td>Contour<\/td>Take off From Mercy<\/td>Mexican Summer<\/td><\/td><\/tr>
1<\/td>Current 93<\/td>Sketches of My Nightmares & Dreams Occurring<\/td>Cashen’s Gap<\/td><\/td><\/tr>
1<\/td>Cybotron<\/td>Parallel Shift EP<\/td>Tresor<\/td><\/td><\/tr>
1<\/td>Destroyyyyer<\/td>No Solace<\/td>D&W<\/td><\/td><\/tr>
1<\/td>Fionn Reagan<\/td>O Avalanche<\/td>Bella Union<\/td><\/td><\/tr>
1<\/td>Florian Hecker<\/td>Resynthese FAVN<\/td>Blank Forms<\/td><\/td><\/tr>
1<\/td>Fonogon<\/td>„408”<\/td><\/td><\/td><\/tr>
1<\/td>Freddie Gibbs<\/td>You Only Die 1nce<\/td>ESGN<\/td><\/td><\/tr>
1<\/td>Freysteinn<\/td>A\u00f0 einhverju\u200b\/\u200bTo Somewhere<\/td><\/td><\/td><\/tr>
1<\/td>Fucked Up<\/td>Someday<\/td>Fucked Up<\/td><\/td><\/tr>
1<\/td>Gaister<\/td>Gaister<\/td>AD 93<\/td><\/td><\/tr>
1<\/td>Haruomi Hosono<\/td>Hosono House Revisited<\/td>Stones Throw<\/td><\/td><\/tr>
1<\/td>J Spaceman & John Coxon<\/td>Music for William Eggleston’s Stranded in Canton<\/td>Fat Possum<\/td><\/td><\/tr>
1<\/td>Jennifer Castle<\/td>Camelot<\/td>Paradise of Bachelors<\/td><\/td><\/tr>
1<\/td>Jere Valkonen<\/td>Viimeist\u00e4 kertaa<\/td>Eclipse<\/td><\/td><\/tr>
1<\/td>Jon Mueller<\/td>Duality<\/td>Room40<\/td><\/td><\/tr>
1<\/td>Kokoroko<\/td>Get the Message EP<\/td>Brownswood<\/td><\/td><\/tr>
1<\/td>Lil Uzi Vert<\/td>Eternal Atake 2<\/td>Atlantic<\/td><\/td><\/tr>
1<\/td>Lykke Li<\/td>\u018eY\u018eY\u018e<\/td>PIAS<\/td><\/td><\/tr>
1<\/td>Market<\/td>Well I Asked You a Question<\/td>Western Vinyl<\/td><\/td><\/tr>
1<\/td>Mike Cooper<\/td>Slow Motion Lightining<\/td>Room40<\/td><\/td><\/tr>
1<\/td>Military Genius<\/td>Scarred for Life<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
1<\/td>Neon Nightmare<\/td>Faded Dream<\/td>20 Buck Spin<\/td><\/td><\/tr>
1<\/td>Orchestre Tout Puissant Marcel Duchamp<\/td>Ventre unique<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
1<\/td>Peter Perrett<\/td>The Cleansing<\/td>Domino<\/td><\/td><\/tr>
1<\/td>Pierre Henry<\/td>Labirynthe!<\/td>Recollection GRM<\/td><\/td><\/tr>
1<\/td>Richard Swift<\/td>4 Hits & A Miss – The Essential Richard Swift<\/td>Secretly Canadian<\/td><\/td><\/tr>
1<\/td>Sam Blasucci<\/td>Real Life Thing<\/td>Innovative Leisure<\/td><\/td><\/tr>
1<\/td>Sam Gendel, Benny Bock, Hans Kjorstad<\/td>Dream Trio<\/td>Leaving<\/td><\/td><\/tr>
1<\/td>Sarah Blasko<\/td>I Just Need to Conquer This Mountain<\/td><\/td><\/td><\/tr>
1<\/td>Sarah Neufeld, Richard Reed Perry & Rebecca Foon<\/td>First Sounds<\/td>Envision<\/td><\/td><\/tr>
1<\/td>Scrimshire<\/td>Music for Autumn Leaves<\/td>Albert’s Favourites<\/td><\/td><\/tr>
1<\/td>SiP<\/td>Leos Ultras<\/td>Not Not Fun<\/td><\/td><\/tr>
1<\/td>Teleplasmiste<\/td>Of Nature & Electricity<\/td>The 51st State Conspiracy<\/td><\/td><\/tr>
1<\/td>The Arc of Teeth<\/td>Untitled<\/td>American Dreams<\/td><\/td><\/tr>
1<\/td>The Breath<\/td>Keep It Safe<\/td>Real World<\/td><\/td><\/tr>
1<\/td>The Cosmic Tones Research Trio<\/td>All is Sound<\/td>Mississippi<\/td><\/td><\/tr>
1<\/td>The Cure<\/td>Songs of a Lost World<\/td>Fiction<\/td><\/td><\/tr>
1<\/td>Thee Alcoholics<\/td>Bear Bites Horse Sessions<\/td>Rocket<\/td><\/td><\/tr>
1<\/td>Thus Love<\/td>All Pleasure<\/td>Captured Tracks<\/td><\/td><\/tr>
1<\/td>Tomin<\/td>A Willed and Conscious Balance<\/td>International Anthem<\/td><\/td><\/tr>
1<\/td>Westside Gunn & DJ Drama<\/td>Still Praying<\/td>Griselda<\/td><\/td><\/tr>
1<\/td>Willie Nelson<\/td>Last Leaf on the Tree<\/td>Sony<\/td><\/td><\/tr>
1<\/td>World Brain<\/td>Open Source<\/td>Mansions and Millions<\/td><\/td><\/tr>
4<\/td>Lamina<\/td>Sue\u200b\u00f1\u200bos acu\u200b\u00e1\u200bticos<\/td>Mappa<\/td><\/td><\/tr>
4<\/td>Miko\u0142aj Trzaska<\/td>Eternity for a While<\/td>Instant Classic<\/td><\/td><\/tr>
4<\/td>XWKSH<\/td>Pol-sen<\/td>Superkasety<\/td><\/td><\/tr>
5<\/td>Merope<\/td>V\u200b\u0117\u200bjula<\/td>Stroom.tv<\/a><\/td><\/td><\/tr>
5<\/td>Na\u010deva<\/td>Jdem temn\u200b\u00fd\u200bm dnem<\/td>Poli5<\/td><\/td><\/tr>
6<\/td>Claire Rousay<\/td>Sentiment Remix<\/td>Thrill Jockey<\/td><\/td><\/tr>
7<\/td>Jonathan Fitoussi<\/td>Mobilis<\/td>Transversales<\/td><\/td><\/tr>
8<\/td>Adrian Younge<\/td>Adrian Younge presents Linear Labs: S\u200b\u00e3\u200bo Paulo<\/td>Linear Labs<\/td><\/td><\/tr>
8<\/td>Antonina Car x Niczos<\/td>To\u0144<\/td>Coastlne Northern Cuts<\/td><\/td><\/tr>
8<\/td>Black Rain<\/td>Neuromancer<\/td>Room40<\/td><\/td><\/tr>
8<\/td>Bryan’s Magic Tears<\/td>Smoke and Mirrors<\/td>Born Bad<\/td><\/td><\/tr>
8<\/td>Cahill Costello<\/td>Cahill\u200b\/\u200b\/\u200bCostello II<\/td>Gearbox<\/td><\/td><\/tr>
8<\/td>Claire Rousay<\/td>The Bloody Lady<\/td>Viernulvier<\/td><\/td><\/tr>
8<\/td>Dan Melchior<\/td>Hill Country Piano<\/td>Penultimate Press<\/td><\/td><\/tr>
8<\/td>Man\/Woman\/Chainsaw<\/td>Eazy Peazy<\/td>Fat Possum<\/td><\/td><\/tr>
8<\/td>Matt Elliott<\/td>Drinking Songs Live 20 Years On<\/td>Ici d’Ailleurs<\/td><\/td><\/tr>
8<\/td>Mount Eerie<\/td>Night Palace<\/td>P.W. Elverum & Suns<\/td><\/td><\/tr>
8<\/td>Mulatu Astatke & Hoodna Orchestra<\/td>Tension<\/td>Batov<\/td><\/td><\/tr>
8<\/td>Our Girl<\/td>The Good Kind<\/td>Bella Union<\/td><\/td><\/tr>
8<\/td>Pancrace<\/td>Papotier<\/td>Penultimate Press<\/td><\/td><\/tr>
8<\/td>Perila<\/td>Intrinsic Rhythm<\/td>Smalltown Supersound<\/td><\/td><\/tr>
8<\/td>Primal Scream<\/td>Come Ahead<\/td>BMG<\/td><\/td><\/tr>
8<\/td>SABIWA, Queimada, Nathan L.<\/td>Sons of _<\/td>Phantom Limb<\/td><\/td><\/tr>
8<\/td>Sarah Davachi and Dicky Bahto<\/td>Music For A Bellowing Room<\/td>Late Music<\/td><\/td><\/tr>
8<\/td>Soft As Snow<\/td>Metal.wet<\/td>Beacon Sound<\/td><\/td><\/tr>
8<\/td>Sussan Deyhim & Richard Horowitz<\/td>The Invisible Road: Original Recordings, 1985\u200b\u2013\u200b1990<\/td>RVNG Intl<\/td><\/td><\/tr>
8<\/td>The Body<\/td>The Crying Out of Things<\/td>Thrill Jockey<\/td><\/td><\/tr>
8<\/td>VA<\/td>Like Someone I Know: A Celebration of Margo Guryan<\/td>Sub Pop<\/td><\/td><\/tr>
8<\/td>Zane Trow<\/td>Landscape<\/td>Room40<\/td><\/td><\/tr>
11<\/td>ROB MAZUREK QUARTET (Rob Mazurek, Angelica Sanchez, Tomeka Reid, Chad Taylor)<\/td>Color Systems<\/td>Rogue Art<\/td><\/td><\/tr>
11<\/td>Wild Classical Music Ensemble<\/td>Confined<\/td>Born Bad<\/td><\/td><\/tr>
15<\/td>Actress<\/td>\u0414\u200b\u0430\u200b\u0440\u200b\u0435\u200b\u043d \u0414\u200b\u0436\u200b. \u041a\u200b\u0430\u200b\u043d\u200b\u043d\u200b\u0456\u200b\u043d\u200b\u0433\u200b\u0435\u200b\u043c<\/td>Smalltown Supersound<\/td><\/td><\/tr>
15<\/td>Albert Karch & Gareth Quinn Redmond<\/td>Warszawa<\/td>WRWTFWW<\/td><\/td><\/tr>
15<\/td>Anna Niestatek<\/td>Cz\u0105stki – specer \u015bcie\u017ckami kobiet<\/td>Oficyna Lo\u017ca<\/td><\/td><\/tr>
15<\/td>Baby Berserk<\/td>Slightly Hysterical Girls With Pearls<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
15<\/td>Caixa Cubo<\/td>Modo Avi\u200b\u00e3\u200bo<\/td>Far Out<\/td><\/td><\/tr>
15<\/td>Chelsea Wolfe<\/td>Unbound EP<\/td>Loma Vista<\/td><\/td><\/tr>
15<\/td>Dorothea Paas<\/td>Think of Myst<\/td>Telephone Explosion<\/td><\/td><\/tr>
15<\/td>Elori Saxl<\/td>Earth Focus<\/td>Western Vinyl<\/td><\/td><\/tr>
15<\/td>Gavin Vanaelst<\/td>Takeaway Loops<\/td>Edicoes CN<\/td><\/td><\/tr>
15<\/td>GMM<\/td>Wesele<\/td>Gusstaff<\/td><\/td><\/tr>
15<\/td>Houssam Gania<\/td>\u062c\u200b\u0648\u200b\u0641 \u0627\u200b\u0644\u200b\u0644\u200b\u064a\u200b\u0644 – Dead of Night<\/td>Hive Mind<\/td><\/td><\/tr>
15<\/td>Johnny Coley<\/td>Mister Sweet Whisper<\/td>Mississippi<\/td><\/td><\/tr>
15<\/td>Juli\u00e1n Mayorga<\/td>Chak Chak Chak Chak<\/td>Glitterbeat<\/td><\/td><\/tr>
15<\/td>Ka Baird<\/td>Ictum Exercises (Polyrhythmic Studies)<\/td>Astral Spirits<\/td><\/td><\/tr>
15<\/td>Lynn Avery & Cole Pulice<\/td>Phantasy & Reality<\/td>Moon Glyph<\/td><\/td><\/tr>
15<\/td>Manja Risti\u0107<\/td>Dew<\/td>Okla<\/td><\/td><\/tr>
15<\/td>Mauricio Moquillaza<\/td>Mauricio Moquillaza<\/td>Buh<\/td><\/td><\/tr>
15<\/td>Natalia Kukulska<\/td>Dobrostan<\/td>Agora<\/td><\/td><\/tr>
15<\/td>Oaagaada<\/td>Music Of<\/td>We Jazz<\/td><\/td><\/tr>
15<\/td>Okokon<\/td>Offering<\/td>Other People<\/td><\/td><\/tr>
15<\/td>Philip Jeck<\/td>rpm<\/td>Touch<\/td><\/td><\/tr>
15<\/td>Pink Warm Belly of A Dying Sun<\/td>Pink Warm Belly of A Dying Sun<\/td><\/td><\/td><\/tr>
15<\/td>Scott Gilmore<\/td>Volume 1<\/td>Crammed Discs<\/td><\/td><\/tr>
15<\/td>Skalpel<\/td>Recut<\/td>NoPaper<\/td><\/td><\/tr>
15<\/td>Sofie Royer<\/td>Young Girl Forever<\/td>Stones Throw<\/td><\/td><\/tr>
15<\/td>Synthezaur<\/td>Birth of the Synthezaur<\/td>Kxntrst<\/td><\/td><\/tr>
15<\/td>VA<\/td>Super Disco Pirata – De Tepito Para El Mundo 1965\u200b-\u200b1980 (Analog Africa No\u200b.\u200b39)<\/td>Analog Africa<\/td><\/td><\/tr>
15<\/td>Zaumne<\/td>Only Good Dreams for Me<\/td>Warm Winters Ltd.<\/td><\/td><\/tr>
18<\/td>Michaela Turcerov\u00e1<\/td>Alene Et<\/td>Mappa<\/td><\/td><\/tr>
21<\/td>Kim Deal<\/td>Nobody Loves You More<\/td>4AD<\/td><\/td><\/tr>
22<\/td>Bill Callahan and Smog<\/td>The Holy Grail: Bill Callahan\u200b\u2019\u200bs „Smog” Dec. 10, 2001 Peel Session<\/td>Darg City<\/td>arch<\/td><\/tr>
22<\/td>BZDB<\/td>Jump Ship, Sit Lean, Be Still, Stand Tall<\/td>AD93<\/td><\/td><\/tr>
22<\/td>Camilla Battaglia<\/td>ELEkTRA<\/td>Ropedope<\/td><\/td><\/tr>
22<\/td>Can<\/td>Live in Keele 1977<\/td>Mute<\/td>arch<\/td><\/tr>
22<\/td>Celia Hollander<\/td>Perfect Conditions<\/td><\/td><\/td><\/tr>
22<\/td>Cistern<\/td>New Standard<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
22<\/td>Daisuke Hinata<\/td>Tarzanland<\/td>WRWTFWW<\/td>reed<\/td><\/tr>
22<\/td>Dean & Britta & Sonic Boom<\/td>A Peace of Us<\/td>Carpark<\/td><\/td><\/tr>
22<\/td>Denman Maroney<\/td>Nits Musica<\/td>Cuneiform<\/td><\/td><\/tr>
22<\/td>Father John Misty<\/td>Mahashmashana<\/td>Bella Union<\/td><\/td><\/tr>
22<\/td>Human Error<\/td>Human Error<\/td>Astral Spirits<\/td><\/td><\/tr>
22<\/td>Jeff Parker ETA IVtet<\/td>The Way Out Of Easy<\/td>International Anthem<\/td><\/td><\/tr>
22<\/td>Kaitlyn Aurelia Smith & Joe Goddard<\/td>Neptunes EP<\/td><\/td><\/td><\/tr>
22<\/td>Papa M<\/td>Ballads of Harry Houdini<\/td>Drag City<\/td><\/td><\/tr>
22<\/td>Sonic Interventions<\/td>Do You Remember?<\/td>Agogo<\/td><\/td><\/tr>
22<\/td>Supersigil<\/td>Spectres<\/td><\/td><\/td><\/tr>
22<\/td>Talking Heads<\/td>Talking Heads: 77 (Super Deluxe Edition)<\/td>Sire<\/td>reed<\/td><\/tr>
22<\/td>Tashi Dorji<\/td>we will be wherever the fires are lit<\/td>Drag City<\/td><\/td><\/tr>
22<\/td>VA<\/td>TRA\u200b\u0418\u200b\u01a7\u200bA<\/td>Red Hot Org<\/td><\/td><\/tr>
22<\/td>VA<\/td>Nigeria Special Volume 3: Electronic Innovation Meets Culture And Tradition 1978\u200b-\u200b93<\/td>Soundway<\/td><\/td><\/tr>
22<\/td>Volap\u00fck<\/td>Where Is Tamashii?<\/td>Cuneiform<\/td><\/td><\/tr>
22<\/td>Warhaus<\/td>Karaoke Moon<\/td>PIAS<\/td><\/td><\/tr>
22<\/td>Woodleigh Research Facility<\/td>Vous Du Music<\/td>Byrd Out<\/td><\/td><\/tr>
22<\/td>Work Money Death<\/td>People Of The Fast Flowing River<\/td>ATA Records<\/td><\/td><\/tr>
24<\/td>Ben Lukas Boysen<\/td>Alta Ripa<\/td>Erased Tapes<\/td><\/td><\/tr>
27<\/td>96 Back<\/td>Tender, Exit<\/td>Svbkvlt<\/td><\/td><\/tr>
29<\/td>Ak’chamel<\/td>Rawskulled<\/td>Akuphone<\/td><\/td><\/tr>
29<\/td>Faraway Ghost & Sunken Cages<\/td>Ashk Haye Moghavemat<\/td>Akuphone<\/td><\/td><\/tr>
29<\/td>Inkswel & Andre Espeut<\/td>Synchronicities<\/td>Compost<\/td><\/td><\/tr>
29<\/td>Katharina Ernst & Schne<\/td>Kranetude<\/td>Trost<\/td><\/td><\/tr>
29<\/td>Marek Pospieszalski Octet featuring Zoh Amba<\/td>Now!<\/td>Instant Classic<\/td><\/td><\/tr>
29<\/td>Nordsn\u00f8 Ensemble<\/td>ett omaka par<\/td>sts sts<\/td><\/td><\/tr>
29<\/td>Norman McLaren<\/td>Rythmetic: The Compositions of Norman McLaren<\/td>Phantom Limb<\/td><\/td><\/tr>
29<\/td>Organi<\/td>Babylonia<\/td>Alien Transistor<\/td><\/td><\/tr>
29<\/td>Shinichiro Yokota<\/td>Pitstop Box<\/td>WRWTFWW<\/td>reed<\/td><\/tr>
29<\/td>Tenderlonious<\/td>Underworld<\/td>22a<\/td>EP<\/td><\/tr>
29<\/td>Thelonious Monk<\/td>Live in Paris (1966)<\/td>Transversales<\/td>arch<\/td><\/tr>
30<\/td>Shelters<\/td>Checkmates in Dub<\/td>Emotional Response<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Andy Loebs Cercopithecoid Orange Milk 1 Autre Ne Veut Love, Guess Who?? 1 Beatrice Dillon Seven Reorganisations 1 Berke Can \u00d6zcan & Jonah Parzen-Johnson It Was Always Time We Jazz 1 Bernard Parmegiani & Fran\u00e7ois Bayle Divinie Com\u200b\u00e9\u200bdie Recollection GRM 1 Contour Take off From Mercy Mexican Summer 1 Current 93 Sketches of My […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45032"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=45032"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45032\/revisions"}],"predecessor-version":[{"id":45033,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45032\/revisions\/45033"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=45032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}