{"id":45770,"date":"2025-01-14T09:25:51","date_gmt":"2025-01-14T08:25:51","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=45770"},"modified":"2025-01-14T09:25:52","modified_gmt":"2025-01-14T08:25:52","slug":"premiery-12-2024","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-12-2024\/","title":{"rendered":"PREMIERY 12.2024"},"content":{"rendered":"\n
1<\/td>Joe Fonda feat. Michael Rabinowitz, Jeff Lederer, Harvey Sorgen<\/td>Joe Fonda & Bass of Operation<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
1<\/td>Jo\u00eblle L\u00e9andre \/ Lotte Anker \/ Kresten Osgood Trio<\/td>Worlds<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
1<\/td>Lotte Anker \/ Jacob Anderskov \/ Kamil Piotrowicz<\/td>Antiworld I<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
1<\/td>Muriel Grossmann<\/td>The Light of the Mind<\/td><\/td><\/td><\/tr>
1<\/td>Schlippenbach \/ Narvesen Duo<\/td>Kairos<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
2<\/td>Brenda i Funky<\/td>Fale<\/td>Syf Records<\/td><\/td><\/tr>
2<\/td>Maximiliano Bober + Notatki i Flores, Simi Fyda, Alina Dzi\u0119cio\u0142<\/td>Canti Spazializzati #18: Post\u200b-\u200boperas<\/td>Sound Art Forum \/ Canti Spazializzati<\/td><\/td><\/tr>
2<\/td>TV Girl & George Clanton<\/td>Fauxllennium<\/td>100% Electronica<\/td><\/td><\/tr>
3<\/td>Or Sobre Blau<\/td>Piri Piri Samplers + O Ter\u200b\u00e7\u200bo dos homens<\/td>Stroom.tv<\/a><\/td><\/td><\/tr>
4<\/td>Myrczek & Schmidt Quintet<\/td>M\u0142ynarski. Bynajmniej!<\/td>SJ Records<\/td><\/td><\/tr>
5<\/td>Cosimo Flaschi<\/td>Wunderkammer<\/td>Granny Records<\/td><\/td><\/tr>
5<\/td>Lu\u00eds Lopes Humanization 4tet<\/td>Saarbr\u200b\u200b\u200b\u00fc\u200b\u200b\u200bcken<\/td>Clean Feed<\/td><\/td><\/tr>
5<\/td>Marc Vernon<\/td>Otoconia<\/td>Granny Records<\/td><\/td><\/tr>
5<\/td>Work In Progress<\/td>Work In Progress<\/td><\/td><\/td><\/tr>
6<\/td>Ahmed Essyad<\/td>Moroccan Electroacoustic Music 1972\u200b-\u200b74<\/td>Sub Rosa<\/td><\/td><\/tr>
6<\/td>Aisha Vaughan<\/td>The Gate<\/td>Leaving<\/td><\/td><\/tr>
6<\/td>Alan Balcerowski Quintet<\/td>Looking Ahead<\/td>Multikulti Project<\/td><\/td><\/tr>
6<\/td>Alice Hebborn<\/td>Saisons<\/td>Western Vinyl<\/td><\/td><\/tr>
6<\/td>Alvin Curran<\/td>Archeology \/\/ Archeologia<\/td>Room40<\/td><\/td><\/tr>
6<\/td>Amami<\/td>Islands & Islands Dub Sessions<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
6<\/td>Angel Olsen<\/td>Cosmic Waves Volume 1<\/td>Jagjaguwar<\/td><\/td><\/tr>
6<\/td>Bill Orcutt<\/td>How to Rescue Things<\/td>Palilalia<\/td><\/td><\/tr>
6<\/td>Blawan<\/td>BouQ<\/td>XL Recordings<\/td>EP<\/td><\/tr>
6<\/td>Br\u00f6tzmann \/ Nilssen-Love<\/td>Butterfly Mushroom<\/td>Trost<\/td><\/td><\/tr>
6<\/td>Cameron Winter<\/td>Heavy Metal<\/td>Partisan<\/td><\/td><\/tr>
6<\/td>Campus Christy<\/td>Campus Christy<\/td>Stones Throw<\/td><\/td><\/tr>
6<\/td>CEL<\/td>Five minutes to self\u200b-\u200bdestruct<\/td>Gagarin<\/td><\/td><\/tr>
6<\/td>Crystal Voyager & UFOm<\/td>Universe People<\/td>Moon Glyph<\/td><\/td><\/tr>
6<\/td>Dungen<\/td>Otis EP<\/td>Future Retro London<\/td><\/td><\/tr>
6<\/td>Earth Trax<\/td>Amnesia EP<\/td>Holding Hands<\/td><\/td><\/tr>
6<\/td>Eugene Carchesio<\/td>Taster’s Menu<\/td>Room40<\/td><\/td><\/tr>
6<\/td>Fennesz<\/td>Mosaic<\/td>Touch<\/td><\/td><\/tr>
6<\/td>Giovanni Di Domenico<\/td>Echolalia<\/td>W.E.R.F.<\/td><\/td><\/tr>
6<\/td>HTRK<\/td>String of Hearts EP<\/td>Ghostly International<\/td><\/td><\/tr>
6<\/td>IFS MA<\/td>REIFSMA Remixed<\/td>Outlines Label<\/td><\/td><\/tr>
6<\/td>Interpol<\/td>Live at Third Man Records<\/td>Third Man<\/td><\/td><\/tr>
6<\/td>Jason Molina<\/td>The Lamb and Flag<\/td>Secretly Canadian<\/td>arch<\/td><\/tr>
6<\/td>Joe Armon-Jones<\/td>Sorrow EP<\/td>Aquarii<\/td><\/td><\/tr>
6<\/td>Joe McPhee & Paal Nilssen-Love<\/td>I Love Noise<\/td>PNL<\/td><\/td><\/tr>
6<\/td>John Butcher, Phil Durrant & Mark Wastell<\/td>Around the Square, Above the Hill<\/td>Confront<\/td><\/td><\/tr>
6<\/td>John Zorn<\/td>Ou Phrontis<\/td>Tzadik<\/td><\/td><\/tr>
6<\/td>Kenny Segal & K-the-I???<\/td>Genuine Dexterity<\/td>Backwoodz<\/td><\/td><\/tr>
6<\/td>Kirszenbaum<\/td>Rave Macabre<\/td>Karrott Kommando<\/td><\/td><\/tr>
6<\/td>Kubi Producent<\/td>Sen, kt\u00f3rego nigdy nie mia\u0142em<\/td><\/td><\/td><\/tr>
6<\/td>Laufey<\/td>A Night At The Symphony: Hollywood Bowl<\/td><\/td><\/td><\/tr>
6<\/td>Lorena Alvarez & Alejandro Palacios<\/td>Perico Drone<\/td>Not Not Fun<\/td><\/td><\/tr>
6<\/td>Micha\u0142 Urbaniak Organator<\/td>D-Day in Tomasz\u00f3w<\/td>For Tune<\/td><\/td><\/tr>
6<\/td>Mustii<\/td>The Maze<\/td><\/td><\/td><\/tr>
6<\/td>Nahawa Doumbia<\/td>Vol 2<\/td>Awesome Tapes from Africa<\/td><\/td><\/tr>
6<\/td>Nat Birchall<\/td>Eastern Sounds & System EP<\/td><\/td><\/td><\/tr>
6<\/td>Nils Frahm<\/td>Paris<\/td>Leiter<\/td><\/td><\/tr>
6<\/td>Philip Samartzis and Michael Vorfeld<\/td>Air Pressure<\/td>Room40<\/td><\/td><\/tr>
6<\/td>Rose<\/td>Rosie<\/td>Atlantic<\/td><\/td><\/tr>
6<\/td>Ruby Rushton<\/td>Strapodia<\/td>22a<\/td>EP<\/td><\/tr>
6<\/td>Ruth Goller<\/td>Skylla<\/td>International Anthem<\/td><\/td><\/tr>
6<\/td>Shabaka<\/td>Possession EP<\/td>Verve<\/td><\/td><\/tr>
6<\/td>Suso S\u00e1iz<\/td>Distorted Clamor<\/td>Music From Memory<\/td><\/td><\/tr>
6<\/td>Tatsuya Yoshida & Risa Takeda<\/td>Kinsyu<\/td>Magaibutsu<\/td><\/td><\/tr>
6<\/td>Tomasz Bednarczyk<\/td>cat face, cat place policy (slowed + reverb)<\/td>Somewhere Nowhere<\/td><\/td><\/tr>
6<\/td>Tori Amos<\/td>Diving Deep Live<\/td><\/td><\/td><\/tr>
6<\/td>Trent Reznor & Atticus Ross<\/td>Queer<\/td>Milan<\/td><\/td><\/tr>
6<\/td>Twine<\/td>New Old Horse<\/td><\/td><\/td><\/tr>
6<\/td>Unionen<\/td>Unionen<\/td>We Jazz<\/td><\/td><\/tr>
6<\/td>VA<\/td>Bliss Out For Days<\/td>Numero Group<\/td><\/td><\/tr>
6<\/td>VA<\/td>Future Sounds Of Kraut Vol. 3 – Compiled by Fred und Luna<\/td>Compost<\/td><\/td><\/tr>
6<\/td>Vincent Taeger & Le Jazz Kamasutra<\/td>OK Crooner<\/td>Born Bad<\/td><\/td><\/tr>
6<\/td>Walu\u015bKraksaKryzys<\/td>Sprawd\u017a to EP<\/td>Mystic<\/td><\/td><\/tr>
6<\/td>White Denim<\/td>„12”<\/td>Bella Union<\/td><\/td><\/tr>
8<\/td>Wojciech Kucharczyk<\/td>Don’t Call Me Wariat<\/td>Mik.Musik<\/td><\/td><\/tr>
9<\/td>PAUL DUNMALL QUARTET (P. Dunmall, L. Noble, J. Edwards, M. Edwards)<\/td>Here Today Gone Tomorrow<\/td>RogueArt<\/td><\/td><\/tr>
10<\/td>Amen Dunes<\/td>Death Jokes II<\/td>Sub Pop<\/td><\/td><\/tr>
10<\/td>Patrick Shiroishi<\/td>The Afterlife is Letting Go<\/td><\/td>EP<\/td><\/tr>
10<\/td>Sarmacja<\/td>Eyes On Mirrors<\/td>Diffuse Reality<\/td><\/td><\/tr>
10<\/td>Terra Utopia<\/td>Terra Utopia 2<\/td>Emotional Response<\/td><\/td><\/tr>
11<\/td>Bartek Mie\u017cy\u0144ski<\/td>Odruchy<\/td><\/td><\/td><\/tr>
11<\/td>Fabiano do Nascimento and Shin Sasakubo<\/td>Harm\u200b\u00f4\u200bnicos<\/td>Rings<\/td><\/td><\/tr>
11<\/td>Tom\u00e1\u0161 Niesner<\/td>Be\u200b\u010d\u200bvou – Resampled (Live at Luhovan\u00fd Vincent 2022)<\/td><\/td><\/td><\/tr>
11<\/td>Victoria Monet<\/td>A Jaguar II Christmas: The Orchestral Arrangements<\/td>Sony<\/td><\/td><\/tr>
11<\/td>Water Damage<\/td>Oorstof\u200b\/\u200bHet Bos 110624<\/td><\/td><\/td><\/tr>
12<\/td>A Certain Ratio<\/td>Christmasville UK<\/td>Mute<\/td>EP<\/td><\/tr>
12<\/td>Aksak Maboul<\/td>Before And After Bandits (documents 1977\u200b-\u200b1980, 2015)<\/td>Crammed Discs<\/td><\/td><\/tr>
12<\/td>Bezdech<\/td>Egzystencja chaosu<\/td>D.I.Y. Ko\u0142o<\/td><\/td><\/tr>
12<\/td>pq<\/td>Granuals<\/td>Odda<\/td><\/td><\/tr>
12<\/td>Stalinogr\u00f3d Youth Flower<\/td>Yesyesnono<\/td>Mik.Musik<\/td><\/td><\/tr>
13<\/td>Azymuth<\/td>Arabut\u00e3<\/td>Far Out<\/td><\/td><\/tr>
13<\/td>Ben Glas<\/td>Music for Listeners (2)<\/td>Room40<\/td><\/td><\/tr>
13<\/td>Daniel Blumberg<\/td>The Brutalist<\/td>Milan<\/td><\/td><\/tr>
13<\/td>David Lang & The Crossing<\/td>Poor Hymnal<\/td>Cantaloupe<\/td><\/td><\/tr>
13<\/td>Dizzee Rascal<\/td>I Invented Grime EP<\/td><\/td><\/td><\/tr>
13<\/td>Electric Wizard<\/td>Black Magic Rituals & Perversions Vol. 1<\/td>Spinefarm<\/td><\/td><\/tr>
13<\/td>Evigt M\u00f6rker<\/td>Ett vilt ljus<\/td>Northern Electronics<\/td><\/td><\/tr>
13<\/td>Fred again…<\/td>Two More Days<\/td>Atlantic<\/td>EP<\/td><\/tr>
13<\/td>Hawkwind<\/td>Live at the Royal Albert Hall<\/td>Cherry Red<\/td><\/td><\/tr>
13<\/td>Himalaya Collective<\/td>Parantele pt\u200b.\u200b1 LP<\/td>U Know Me<\/td><\/td><\/tr>
13<\/td>K. Curtis Lyle, Jaap Blonk, Alex Cunningham, Damon Smith and Kevin Cheli<\/td>A Radio of the Body<\/td>Catalytic Sound<\/td><\/td><\/tr>
13<\/td>Kafka’s Ibiki (Jim O\u2019Rourke, Eiko Ishibashi, Tatsuhisa Yamamoto)<\/td>Shiminkai \/ \u55dc\u200b\u7720\u200b\u4f1a<\/td>Newhere<\/td><\/td><\/tr>
13<\/td>Koza, Kuba Wi\u0119cek<\/td>Noc \u017cywych trup\u00f3w<\/td><\/td><\/td><\/tr>
13<\/td>Laibach<\/td>Opus Dei Revisited<\/td>Mute<\/td><\/td><\/tr>
13<\/td>R\u00f6yksopp<\/td>Nebulous Nights – An Ambient Excursion into Profound Mysteries<\/td>Dog Triumph<\/td><\/td><\/tr>
13<\/td>Saint Etienne<\/td>The Night<\/td>Heavenly<\/td><\/td><\/tr>
13<\/td>Shinichi Atobe<\/td>Discipline<\/td><\/td><\/td><\/tr>
13<\/td>Siwek Karski<\/td>Instructions How To Get Here<\/td>Antenna Non Grata<\/td><\/td><\/tr>
13<\/td>Snoop Dogg, Dr. Dre<\/td>Missionary<\/td>Death Row\/Interscope<\/td><\/td><\/tr>
13<\/td>Soci\u00e9t\u00e9 \u00c9trange<\/td>Au revoir<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
13<\/td>Spencer Zahn<\/td>Statues Live<\/td>Leaving<\/td><\/td><\/tr>
13<\/td>\u015amier\u0107<\/td>Op\u00f3r<\/td>Nikt Nic Nie Wie<\/td><\/td><\/tr>
13<\/td>The Cure<\/td>Songs Of A Live World: Troxy London MMXXIV<\/td>Universal<\/td><\/td><\/tr>
13<\/td>VA<\/td>Soon I’ll Run Out of Air: A Colourful Storm 2024<\/td>A Colourful Storm<\/td><\/td><\/tr>
13<\/td>Varg<\/td>Skaeliptom<\/td>Northern Electronics<\/td><\/td><\/tr>
14<\/td>Bart\u0142omiej Talaga<\/td>Impulse Response \/ Odtruwanie Studni<\/td>Nasze Nagrania<\/td><\/td><\/tr>
14<\/td>Marc Neys<\/td>Tides<\/td>Audiobulb<\/td><\/td><\/tr>
14<\/td>Pepo Gal\u00e1n<\/td>Simple<\/td>Facture<\/td><\/td><\/tr>
15<\/td>Adriano Zanni<\/td>Sequenze di Fabbrica<\/td>Boring Machines<\/td><\/td><\/tr>
15<\/td>V\/Z (Valentina Magaletti & Susumu Mukai)<\/td>It Is Cold In Baltimore<\/td>Offen<\/td><\/td><\/tr>
16<\/td>Georg Graewe & Sonic Fiction Orchestra<\/td>In Concert, Bochum 2022<\/td>Trost<\/td><\/td><\/tr>
16<\/td>Jessica<\/td>Rotting Twenties<\/td>Syf Records<\/td><\/td><\/tr>
16<\/td>Reggie Watts<\/td>Reggie Sings: Your Favorite Christmas Classics, Volume 1<\/td>Brainfeeder<\/td>EP<\/td><\/tr>
17<\/td>Aphex Twin<\/td>Music From the Merch Desk (2016 – 2023)<\/td>Warp<\/td>arch<\/td><\/tr>
17<\/td>Fungaa<\/td>Fungaa<\/td>Syf Records<\/td><\/td><\/tr>
17<\/td>Lando Maguszka<\/td>Duch jest blisko<\/td>Plexus of Infinity<\/td><\/td><\/tr>
17<\/td>Niloufar Shiri + Isaac Otto Hayes<\/td>Oshi<\/td>Infrequent Seams<\/td><\/td><\/tr>
18<\/td>Mouse On Mars<\/td>BBC Radio Sessions<\/td><\/td><\/td><\/tr>
19<\/td>Agusti Fernandez & Guy \/ Malfon \/ Butcher \/ Mill\u00e0 \/ Mock\u016bnas \/ Mart\u00ednez \/ Snekkestad \/ Kau\u010di\u010d<\/td>Aesthetic of Prisms<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
19<\/td>Bernard Parmegiani<\/td>Bernard Parmegiani<\/td><\/td>arch<\/td><\/tr>
19<\/td>Brandt Brauer Frick<\/td>de-escalate<\/td>Because<\/td><\/td><\/tr>
19<\/td>Jack White<\/td>No Name…..Tour, Dallas, TX, Trees…11.13.2024<\/td>Third Man<\/td><\/td><\/tr>
19<\/td>LXMP with Per-\u00c5ke Holmlander<\/td>The Last Tuba<\/td>LXMP<\/td><\/td><\/tr>
19<\/td>Prurient<\/td>Retaliation<\/td>Hospital<\/td><\/td><\/tr>
20<\/td>Baldini\/Dafeldecker\/Str\u00fcver<\/td>Prismatic<\/td>Room40<\/td><\/td><\/tr>
20<\/td>Boldy James & WhoTheHellIsCarlo<\/td>Hidden in Plain Sight<\/td>Westside Bike Club<\/td><\/td><\/tr>
20<\/td>Brigid Mae Power<\/td>Songs for You<\/td>Watusi<\/td><\/td><\/tr>
20<\/td>Gazelle Twin<\/td>The Visitor OST<\/td><\/td><\/td><\/tr>
20<\/td>Iancu Dumitrescu<\/td>Ansamblul Hyperion<\/td>Corbett vs. Dempsey<\/td><\/td><\/tr>
20<\/td>Liam Benzvi<\/td>Covers EP<\/td>Fat Possum<\/td><\/td><\/tr>
20<\/td>Mozzy & Kalan.FrFr<\/td>Lucky Her<\/td>Mozzy<\/td><\/td><\/tr>
20<\/td>Pantha Du Prince<\/td>The Creation Dream EP<\/td><\/td><\/td><\/tr>
20<\/td>Plastelina<\/td>Anielewicza Sampler<\/td><\/td><\/td><\/tr>
20<\/td>R.A.P. Ferreira<\/td>Outstanding Understanding<\/td>Ruby Yacht<\/td><\/td><\/tr>
20<\/td>SahBabii<\/td>Saaheem (A Lu Bit More)<\/td>Stream Cut<\/td><\/td><\/tr>
20<\/td>Sea + I<\/td>Heart Eclipses Forest<\/td>Home Normal<\/td><\/td><\/tr>
20<\/td>SZA<\/td>SOS (Deluxe)<\/td>Top Dawg<\/td><\/td><\/tr>
20<\/td>Terry Riley<\/td>In C – 60th \u30d0\u30fc\u30b9\u30c7\u30fc\u30fb\u30d5\u30eb\u30e0\u30fc\u30f3\u30fb\u30bb\u30ec\u30d6\u30ec\u30fc\u30b7\u30e7\u30f3\u30fb\u30a2\u30c3\u30c8\u30fb\u6e05\u6c34\u5bfa (In C – 60th Birthday Birthday Full Moon Celebration at Temple Kiyomizu-dera Temple)<\/td><\/td><\/td><\/tr>
20<\/td>Timoth\u00e9e Chalamet<\/td>A Complete Unknown OST<\/td>Columbia<\/td><\/td><\/tr>
20<\/td>Ueno Takashi<\/td>More ARMS<\/td>Room40<\/td><\/td><\/tr>
20<\/td>Wall Matthews<\/td>Flights of Fancy: Home Recordings 2020\u200b-\u200b2023<\/td>Tompkins Square<\/td><\/td><\/tr>
21<\/td>Charlatan<\/td>Thought Factory<\/td>Beacon Sound<\/td><\/td><\/tr>
21<\/td>Fendoap & Atsuko Hatano<\/td>Aether & Brew<\/td>Superpang<\/td><\/td><\/tr>
21<\/td>Motion Sickness of Time Travel<\/td>Zodiac<\/td><\/td><\/td><\/tr>
23<\/td>Tetsu Umehara<\/td>Ephemeral<\/td>Metron<\/td><\/td><\/tr>
24<\/td>Atom\u2122 & tobias.<\/td>Mostra 2024<\/td><\/td><\/td><\/tr>
25<\/td>Andrea Centazzo<\/td>ICTUS@45 Out Off Nights<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
25<\/td>Ian Hawgood & David Cordero<\/td>memory blossom \/ never too late<\/td>Home Normal<\/td><\/td><\/tr>
25<\/td>Kevin Drumm<\/td>Winter<\/td><\/td><\/td><\/tr>
25<\/td>Mono<\/td>Heaven vol. 3<\/td><\/td><\/td><\/tr>
25<\/td>Sault<\/td>Acts of Faith<\/td>Forever Living Originals<\/td>streaming \/ LP – 2025<\/td><\/tr>
25<\/td>VA<\/td>Tradycje muzyczne Puszczy Bia\u200b\u0142\u200bej. Antologia<\/td>In Crudo<\/td><\/td><\/tr>
25<\/td>Zlatko Kau\u010di\u010d@70<\/td>Inklings<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
26<\/td>Dylan Henner<\/td>X\u200b-\u200bFiles: Covers, Compositions, and Copyrighted Material<\/td>AD93<\/td><\/td><\/tr>
26<\/td>Pawe\u0142 Szamburski, Aukso<\/td>D\u200b\u0142\u200bugo, d\u200b\u0142\u200bugo nic, a potem wszystko<\/td><\/td><\/td><\/tr>
27<\/td>Laura Cannell<\/td>Winterlore<\/td>Brawl<\/td><\/td><\/tr>
27<\/td>VA<\/td>Glitterbeat_tak\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b:\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200b\u200btil_2024<\/td>Glitterbeat<\/td><\/td><\/tr>
29<\/td>Big Blood<\/td>Electric Voyeur<\/td>Dontrustheruin<\/td><\/td><\/tr>
29<\/td>Keith Fullerton Whitman<\/td>Never, Forever<\/td><\/td>EP<\/td><\/tr>
30<\/td>ELUCID<\/td>Interference Pattern<\/td><\/td><\/td><\/tr>
31<\/td>Claire Rousay<\/td>„2024”<\/td><\/td><\/td><\/tr>
31<\/td>Dead Neanderthals<\/td>Other Worlds<\/td><\/td><\/td><\/tr>
31<\/td>Kevin Drumm<\/td>Better Ways to Break the Ice<\/td><\/td><\/td><\/tr>
31<\/td>Micha\u0142 Milczarek<\/td>Demos<\/td><\/td><\/td><\/tr>
31<\/td>Przyzwoito\u015b\u0107<\/td>Eryk, m\u00f3wi\u0105cy banan<\/td><\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Joe Fonda feat. Michael Rabinowitz, Jeff Lederer, Harvey Sorgen Joe Fonda & Bass of Operation Fundacja S\u0142uchaj 1 Jo\u00eblle L\u00e9andre \/ Lotte Anker \/ Kresten Osgood Trio Worlds Fundacja S\u0142uchaj 1 Lotte Anker \/ Jacob Anderskov \/ Kamil Piotrowicz Antiworld I Fundacja S\u0142uchaj 1 Muriel Grossmann The Light of the Mind 1 Schlippenbach \/ […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45770"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=45770"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45770\/revisions"}],"predecessor-version":[{"id":45771,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45770\/revisions\/45771"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=45770"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}