{"id":45772,"date":"2025-01-14T09:26:11","date_gmt":"2025-01-14T08:26:11","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=45772"},"modified":"2025-02-28T12:44:03","modified_gmt":"2025-02-28T11:44:03","slug":"premiery-01-2025","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-01-2025\/","title":{"rendered":"PREMIERY 01.2025"},"content":{"rendered":"\n
1<\/td>||ALA|MEDA||<\/td>Spectra – Selection<\/td>Brutality Garden<\/td>arch LP<\/td><\/tr>
1<\/td>Dean Blunt<\/td>Lucre<\/td>World Music<\/td><\/td><\/tr>
1<\/td>DJ Rashad<\/td>6613 EP<\/td>Partisan<\/td>reed<\/td><\/tr>
1<\/td>Duwap Kaine<\/td>Nobody Is Coming to Save You<\/td>TAP<\/td><\/td><\/tr>
1<\/td>JAWAN.mp3<\/td>Reverie<\/td><\/td><\/td><\/tr>
1<\/td>Loraine James<\/td>New Year’s Substitution 3<\/td><\/td>EP<\/td><\/tr>
1<\/td>Matthew Tavares<\/td>I Once Prayed For This Life<\/td><\/td><\/td><\/tr>
1<\/td>Matthewdavid<\/td>100% Zithertronics<\/td>Leaving<\/td><\/td><\/tr>
1<\/td>Zach Phillips<\/td>True Music<\/td>La Loi<\/td><\/td><\/tr>
1<\/td>\u017deny<\/td>Smrt\u00ed vynech\u200b\u00e1\u200bn<\/td>Poli5<\/td>arch<\/td><\/tr>
2<\/td>Blanck Mass<\/td>The Rig: Season 2 (Prime Video Original Series Soundtrack)<\/td>Invada<\/td><\/td><\/tr>
2<\/td>Lloyd Miller<\/td>Jazz at the University of Utah<\/td>Now-Again<\/td><\/td><\/tr>
2<\/td>Lloyd Miller<\/td>Oriental Jazz<\/td>Now-Again<\/td><\/td><\/tr>
3<\/td>Ayumi Ishito Featuring Kevin Shea and George Draguns<\/td>Roboquarians vol. 2<\/td>577 Records<\/td><\/td><\/tr>
3<\/td>Boldy James & RichGains<\/td>Murder During Drug Traffic<\/td><\/td><\/td><\/tr>
3<\/td>Champa B & Tim Reaper<\/td>Pandemonium<\/td>Future Retro London<\/td>EP<\/td><\/tr>
3<\/td>Deepstaria Enigmatica<\/td>The Eternal Now Is the Heart of a New Tomorrow<\/td>ESP-Disk\u2019<\/td><\/td><\/tr>
3<\/td>Dope On Plastic<\/td>Life Energy<\/td>Future Retro London<\/td>EP<\/td><\/tr>
3<\/td>Ekotonika<\/td>Live at Kolonia Artyst\u00f3w<\/td>Antenna Non Grata<\/td><\/td><\/tr>
3<\/td>Ian Wellman<\/td>Can You Hear The Street Lights Glow<\/td>Room40<\/td><\/td><\/tr>
3<\/td>Kevin Drumm<\/td>Neither Here Nor There<\/td>Vaagner<\/td><\/td><\/tr>
4<\/td>Pawe\u0142 Szamburski, Aukso<\/td>D\u0142ugo, d\u0142ugo nic, a potem wszystko<\/td><\/td><\/td><\/tr>
5<\/td>Bad Bunny<\/td>Deb\u00ed Tirar M\u00e1s Fotos<\/td>Rimas<\/td><\/td><\/tr>
5<\/td>Ethel Cain<\/td>Perverts<\/td>Daughters of Cain<\/td><\/td><\/tr>
5<\/td>Wiley<\/td>Boom Bap Vol. 1 EP<\/td><\/td><\/td><\/tr>
7<\/td>Rats On Rafts<\/td>Deep Below<\/td>Fire<\/td><\/td><\/tr>
8<\/td>Laurence Pike<\/td>The Undreamt\u200b-\u200bof Centre (Live At Phoenix Central Park)<\/td>The Leaf Label<\/td><\/td><\/tr>
8<\/td>Mark William Lewis<\/td>Sparkles 22\u200b-\u200b24<\/td><\/td><\/td><\/tr>
8<\/td>Soft Machine<\/td>Drop (remastered)<\/td>MoonJune<\/td>arch<\/td><\/tr>
9<\/td>Explosions In The Sky<\/td>American Primeval OST<\/td>Netflix<\/td><\/td><\/tr>
9<\/td>Jeff Arnal \/ Dietrich Eichmann<\/td>Tides of Unrest \/ Berlin 2023<\/td>No Business<\/td><\/td><\/tr>
9<\/td>Robert Turman<\/td>A Day in the Life<\/td>Hanson<\/td><\/td><\/tr>
9<\/td>Twoosty Mayonez<\/td>Niez\u0142e bagno<\/td>U Jazz Me<\/td><\/td><\/tr>
10<\/td>Blue Sands<\/td>For You<\/td>Zennez<\/td><\/td><\/tr>
10<\/td>Bridget Hayden and The Apparitions<\/td>Cold Blows the Rain<\/td>Basin Rock<\/td><\/td><\/tr>
10<\/td>Cl\u00e9ment Vercelletto<\/td>L’Engoulevent<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
10<\/td>doseone & Steel Tipped Dove<\/td>All Portrait, No Chorus<\/td>Backwoodz Studios<\/td><\/td><\/tr>
10<\/td>Franz Ferdinand<\/td>The Human Fear<\/td>Domino<\/td><\/td><\/tr>
10<\/td>Lambrini Girls<\/td>Who Let the Dogs Out<\/td>City Slang<\/td><\/td><\/tr>
10<\/td>Nate Wooley<\/td>Henry House<\/td>Ideologic Organ<\/td><\/td><\/tr>
10<\/td>Ringo Starr<\/td>Look Up<\/td>Lost Highway<\/td><\/td><\/tr>
10<\/td>Skinner<\/td>New Wave Vaudeville<\/td><\/td><\/td><\/tr>
10<\/td>Stick To Your Guns<\/td>Keep Planting Flowers<\/td>SharpTone<\/td><\/td><\/tr>
10<\/td>The Halo Effect<\/td>March Of The Unheard<\/td>Nuclear Blast<\/td><\/td><\/tr>
10<\/td>zzzahara<\/td>Spiral Your Way Out<\/td>Lex<\/td><\/td><\/tr>
12<\/td>Tartine de clous<\/td>Compter les dents<\/td>Okraina<\/td><\/td><\/tr>
13<\/td>Ewa Sad<\/td>Lolopianko<\/td>BFF Music<\/td><\/td><\/tr>
13<\/td>Ken Vandermark & Terrie Ex<\/td>This Is Not a Holiday!<\/td>Catalytic Sound<\/td><\/td><\/tr>
14<\/td>Voice Actor, Squu<\/td>Lust (1)<\/td>Stroom.tv<\/a><\/td><\/td><\/tr>
16<\/td>RAUT<\/td>III<\/td>Syf Records<\/td><\/td><\/tr>
16<\/td>Tiago Sousa<\/td>Organic Music Tapes, vol. 4<\/td>Discrepant<\/td><\/td><\/tr>
17<\/td>Aleksandra S\u0142y\u017c<\/td>Tonarium Live<\/td>Superpang<\/td><\/td><\/tr>
17<\/td>Billy Nomates \/ Tor<\/td>Mary and the Hyenas OST<\/td>Invada<\/td><\/td><\/tr>
17<\/td>Blacksea N\u00e3o Maya<\/td>Despertar<\/td>Principe<\/td><\/td><\/tr>
17<\/td>Blue Lake<\/td>Weft<\/td>Tonal Union<\/td><\/td><\/tr>
17<\/td>Delivery<\/td>Force Majeure<\/td>Heavenly<\/td><\/td><\/tr>
17<\/td>Edition Redux<\/td>Broadcast Transformer<\/td>Catalytic Sound<\/td><\/td><\/tr>
17<\/td>Ela Minus<\/td>Dia<\/td>Domino<\/td><\/td><\/tr>
17<\/td>Hasco Enjoyments<\/td>Wow!<\/td>Rope Worm<\/td><\/td><\/tr>
17<\/td>Heavy Cruiser<\/td>Lucky Dog<\/td>Guerssen<\/td>reed<\/td><\/tr>
17<\/td>jasmine.4.t<\/td>You Are The Morning<\/td>Saddest Factory<\/td><\/td><\/tr>
17<\/td>Konrad Sprenger<\/td>Set<\/td>Black Truffle<\/td><\/td><\/tr>
17<\/td>Kris & Jerry<\/td>A Sunny Day<\/td>Frederiksberg<\/td><\/td><\/tr>
17<\/td>Legendary Pink Dots<\/td>So Lonely In Heaven<\/td>Metropolis<\/td><\/td><\/tr>
17<\/td>Les Rallizes D\u00e9nud\u00e9s<\/td>Mars Studio – The First Session<\/td>Temporal Drift<\/td><\/td><\/tr>
17<\/td>Mac Miller<\/td>Balloonerism<\/td>Warner<\/td><\/td><\/tr>
17<\/td>Parchman Prison Prayer<\/td>Another Mississippi Sunday Morning<\/td>Glitterbeat<\/td><\/td><\/tr>
17<\/td>Prepared<\/td>Module<\/td>Compost<\/td><\/td><\/tr>
17<\/td>Robert Farrugia<\/td>Natura Maltija OST<\/td>Phantom Limb<\/td><\/td><\/tr>
17<\/td>Saba Alizadeh<\/td>Temple of Hope<\/td>30M<\/td><\/td><\/tr>
17<\/td>Songhoy Blues<\/td>Heritage<\/td>Transgressive<\/td><\/td><\/tr>
17<\/td>Sophie Jamieson<\/td>I Still Want to Share<\/td>Bella Union<\/td><\/td><\/tr>
17<\/td>STEMESEDER LILLINGER + Craig Taborn<\/td>Umbra III<\/td>Intakt<\/td><\/td><\/tr>
17<\/td>Television Personalities<\/td>Tune In, Turn On, Drop Out – Radio Sessions 1980-1993<\/td>Fire<\/td>arch<\/td><\/tr>
17<\/td>The Weather Station<\/td>Humanhood<\/td>Fat Possum<\/td><\/td><\/tr>
17<\/td>VA<\/td>Spiritual Jazz 17: SABA \/ MPS<\/td>Jazzman<\/td><\/td><\/tr>
17<\/td>VA<\/td>Come Around to the Backdoor : Blues, Country, Jazz & Gospel from 1924<\/td>Tompkins Square<\/td><\/td><\/tr>
17<\/td>Victoria Canal<\/td>Slowly, It Dawns<\/td>Parlophone<\/td><\/td><\/tr>
17<\/td>Yola<\/td>My Way<\/td>S-curve<\/td>EP<\/td><\/tr>
19<\/td>Bisk<\/td>Moonstruck Parade<\/td>Sub Rosa<\/td><\/td><\/tr>
20<\/td>Cinamen Ensemble<\/td>Alphabets<\/td><\/td><\/td><\/tr>
20<\/td>Daniel Bachman<\/td>Where The Tide Ebbs And Flows<\/td><\/td><\/td><\/tr>
20<\/td>Khadija Al Hanafi<\/td>!OK!<\/td>Fada<\/td><\/td><\/tr>
21<\/td>Graham Reynolds Music<\/td>Mountain<\/td><\/td><\/td><\/tr>
22<\/td>Makiko Hirabayashi<\/td>Gifts<\/td>Enja & Yellowbirds<\/td><\/td><\/tr>
23<\/td>Enrique Ram\u00edrez & Matthias Puech<\/td>From the Other Side of a Landscape<\/td><\/td><\/td><\/tr>
23<\/td>No Turns<\/td>One Way<\/td>No Turns<\/td><\/td><\/tr>
24<\/td>400 Lonely Things<\/td>Children of Eidolon<\/td>Room40<\/td><\/td><\/tr>
24<\/td>Ale Hop & Titi Bakorta<\/td>Mapambazuko<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
24<\/td>Alexandra Grimal & Giovanni Di Domenico<\/td>Shakkei<\/td><\/td><\/td><\/tr>
24<\/td>Anna B Savage<\/td>You & I Are Earth<\/td>City Slang<\/td><\/td><\/tr>
24<\/td>Armia<\/td>Wojna i pok\u00f3j<\/td>Stage Diving Club<\/td><\/td><\/tr>
24<\/td>Babinski<\/td>Szczerze?<\/td>S7<\/td><\/td><\/tr>
24<\/td>Bazgro\u0142ki<\/td>Brudnopis<\/td>Koty<\/td><\/td><\/tr>
24<\/td>Benjamin Booker<\/td>Lower<\/td>Fire Next Time<\/td><\/td><\/tr>
24<\/td>Black Taffy<\/td>Out Moon<\/td>Leaving<\/td><\/td><\/tr>
24<\/td>Boilermaker<\/td>Not Enough Time To Get Anything Halfway Done<\/td>Numero Group<\/td><\/td><\/tr>
24<\/td>Brueder Selke & Midori Hirano<\/td>Split Scale<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>C Duncan<\/td>It’s Only a Love Song<\/td>Bella Union<\/td><\/td><\/tr>
24<\/td>Central Cee<\/td>Can\u2019t Rush Greatness<\/td>Columbia<\/td><\/td><\/tr>
24<\/td>Chihei Hatakeyama<\/td>Lucid Dreams<\/td>First Terrace<\/td><\/td><\/tr>
24<\/td>Chris Eckman<\/td>The Land We Knew The Best<\/td>Glitterhouse<\/td><\/td><\/tr>
24<\/td>Clemens Kuratle Ydivide<\/td>The Default<\/td>Intakt<\/td><\/td><\/tr>
24<\/td>DITZ<\/td>Never Exhale<\/td>Republic of Music<\/td><\/td><\/tr>
24<\/td>FKA twigs<\/td>Eusexua<\/td>Young<\/td><\/td><\/tr>
24<\/td>Georg Zichy + Reinhold Freidl<\/td>Vleisch<\/td>Opal<\/td><\/td><\/tr>
24<\/td>Ghais Guevara<\/td>Goyard Ibn Said<\/td>Fat Possum<\/td><\/td><\/tr>
24<\/td>Green Cosmos<\/td>Abendmusiken<\/td>Frederiksberg<\/td><\/td><\/tr>
24<\/td>Hanozje<\/td>Webs<\/td>Eyes in the Wall<\/td><\/td><\/tr>
24<\/td>Harakiri For The Sky<\/td>Scorched Earth<\/td>AOP<\/td><\/td><\/tr>
24<\/td>Hautzinger \/ Schick \/ Johansson<\/td>Rotations+<\/td>Trost<\/td><\/td><\/tr>
24<\/td>horsegiirL<\/td>VIP EP<\/td>Three Seix Zero<\/td><\/td><\/tr>
24<\/td>IHIH<\/td>Mia\u0142o przyj\u015b\u0107, a nie przysz\u0142o<\/td>Opus Elefantum\/Iskra Tapes<\/td><\/td><\/tr>
24<\/td>IHIH<\/td>Mia\u0142o nie przyj\u015b\u0107, a przysz\u0142o<\/td>Opus Elefantum\/Iskra Tapes<\/td><\/td><\/tr>
24<\/td>Kagami Smile<\/td>Lifeless<\/td>Opal<\/td><\/td><\/tr>
24<\/td>Kathryn Mohr<\/td>Waiting Room<\/td>The Flenser<\/td><\/td><\/tr>
24<\/td>Lasy<\/td>„999”<\/td>S7<\/td><\/td><\/tr>
24<\/td>Mars Williams and Vasco Trilla<\/td>Awakening Nature From Her Dream<\/td><\/td><\/td><\/tr>
24<\/td>Mikromusic<\/td>Nie umiem ta\u0144czy\u0107<\/td>Agora<\/td><\/td><\/tr>
24<\/td>Mogwai<\/td>The Bad Fire<\/td>Rock Action<\/td><\/td><\/tr>
24<\/td>Pod\u0142oga<\/td>Zimne ognie<\/td><\/td><\/td><\/tr>
24<\/td>R. Iwanski<\/td>Transformations II<\/td>Antenna Non Grata<\/td><\/td><\/tr>
24<\/td>Rob Brown<\/td>Walkabout<\/td>Mahakala<\/td><\/td><\/tr>
24<\/td>Rob Mazurek<\/td>Nestor’s Nest<\/td>Discrepant<\/td><\/td><\/tr>
24<\/td>Rose City Band<\/td>Sol Y Sombra<\/td>Thrill Jockey<\/td><\/td><\/tr>
24<\/td>Sam Amidon<\/td>Salt River<\/td>River Lea<\/td><\/td><\/tr>
24<\/td>Samba Tour\u00e9<\/td>Baarakelaw<\/td>Glitterbeat<\/td><\/td><\/tr>
24<\/td>Studio<\/td>West Coast<\/td>Ghostly International<\/td><\/td><\/tr>
24<\/td>Sven-Ake Johansson Quintet<\/td>Stumps<\/td>Trost<\/td><\/td><\/tr>
24<\/td>Trinka<\/td>EP<\/td>Agogo<\/td><\/td><\/tr>
24<\/td>Tunng<\/td>Love You All Over Again<\/td>Full Time Hobby<\/td><\/td><\/tr>
24<\/td>TV Dust<\/td>Transition<\/td>Maple Death<\/td><\/td><\/tr>
24<\/td>Vanessa Amara<\/td>Cafe Life<\/td>Posh Isolation<\/td><\/td><\/tr>
24<\/td>Wardruna<\/td>Birna<\/td>Music For Nations<\/td><\/td><\/tr>
28<\/td>Sun Kil Moon<\/td>All the Artists<\/td>Caldo Verde<\/td><\/td><\/tr>
30<\/td>Hybryds<\/td>In the Wake of the Witch<\/td>Zoharum<\/td><\/td><\/tr>
30<\/td>Piotr Komosi\u0144ski \/ Jerzy Mazzoll<\/td>Pory…<\/td>Vintage Records<\/td><\/td><\/tr>
30<\/td>Ural Thomas<\/td>Nat-Ural<\/td>Mississippi<\/td><\/td><\/tr>
31<\/td>[something’s happening]<\/td>Buzz<\/td>Flaming Pines<\/td><\/td><\/tr>
31<\/td>Adam Ba\u0142dych<\/td>Portraits<\/td>ACT<\/td><\/td><\/tr>
31<\/td>Adam Golebiewski, Dave Brown<\/td>Dogs Light<\/td>Instant Classic<\/td><\/td><\/tr>
31<\/td>BearCloud<\/td>Faves<\/td>Poli5<\/td><\/td><\/tr>
31<\/td>Billy Malm<\/td>Spatzle<\/td>Strategic Tape Reserve<\/td><\/td><\/tr>
31<\/td>Bonnie „Prince” Billy<\/td>The Purple Bird<\/td>Drag City<\/td><\/td><\/tr>
31<\/td>Cymande<\/td>Renascence<\/td>BMG<\/td><\/td><\/tr>
31<\/td>Damon Locks<\/td>List of Demands<\/td>International Anthem<\/td><\/td><\/tr>
31<\/td>Decius<\/td>Decius Vol. II (Splendour & Obedience)<\/td>The Leaf Label<\/td><\/td><\/tr>
31<\/td>Dynasonic<\/td>End of High Hopes<\/td>Don’t Sit On My Vinyl<\/td>7″<\/td><\/tr>
31<\/td>Eddie Chacon<\/td>Lay Low<\/td>Stones Throw<\/td><\/td><\/tr>
31<\/td>Eduardo Polonio<\/td>Eduardo Polonio: Obra electroac\u00fastica 1969-1981<\/td>Buh<\/td><\/td><\/tr>
31<\/td>Fadi Tabbal<\/td>I Recognize You from My Sketches<\/td>Ruptured<\/td><\/td><\/tr>
31<\/td>France<\/td>Destino Scifosi<\/td>Standard In-Fi<\/td><\/td><\/tr>
31<\/td>Freckle<\/td>Freckle<\/td>God?<\/td><\/td><\/tr>
31<\/td>Gary Kemp<\/td>This Destination<\/td>Warner<\/td><\/td><\/tr>
31<\/td>General Magic<\/td>Bosko<\/td>Editions Mego<\/td><\/td><\/tr>
31<\/td>Geologist and D.S.<\/td>A Shaw Deal<\/td>Drag City<\/td><\/td><\/tr>
31<\/td>Joachim Kuhn<\/td>\u00c9chapp\u200b\u00e9\u200be<\/td>Intakt<\/td><\/td><\/tr>
31<\/td>Joana Gama & Lu\u00eds Fernandes<\/td>Strata<\/td>Holuzam<\/td><\/td><\/tr>
31<\/td>Joe McPhee<\/td>I’m Just Say’n<\/td>Smalltown Supersound<\/td><\/td><\/tr>
31<\/td>John Surman<\/td>Flashpoints and Undercurrents<\/td>Cuneiform<\/td>arch<\/td><\/tr>
31<\/td>Joona Toivanen Trio<\/td>Gravity<\/td>We Jazz<\/td><\/td><\/tr>
31<\/td>Jupiter & Okwess<\/td>Ekoya<\/td>Zamora & Studio Gouv<\/td><\/td><\/tr>
31<\/td>Kowboje<\/td>Kowboje II<\/td>Syf Records<\/td><\/td><\/tr>
31<\/td>L.S. Dunes<\/td>Violet<\/td>Fantasy<\/td><\/td><\/tr>
31<\/td>Last Train<\/td>III<\/td>PIAS<\/td><\/td><\/tr>
31<\/td>Laura Agnusdei<\/td>Flowers Are Blooming In Antarctica<\/td>Maple Death<\/td><\/td><\/tr>
31<\/td>Laura Cannell<\/td>A Compendium of Beasts – Volume 1<\/td>Brawl<\/td><\/td><\/tr>
31<\/td>Lawrence English<\/td>Even The Horizon Knows Its Bounds<\/td>Room40<\/td><\/td><\/tr>
31<\/td>Lilly Hiatt<\/td>Forever<\/td>New West<\/td><\/td><\/tr>
31<\/td>Liza Lo<\/td>Familiar<\/td>Gearbox<\/td><\/td><\/tr>
31<\/td>Madvillain<\/td>Madvillainy Demos<\/td>Stones Throw<\/td><\/td><\/tr>
31<\/td>Marek Pospieszalski<\/td>Live At Gusstaff Records vol.1<\/td>Gusstaff\/Don’t Sit On My Vinyl<\/td>10″<\/td><\/tr>
31<\/td>Mike<\/td>Showbiz!<\/td>10k<\/td><\/td><\/tr>
31<\/td>Nyron Higor<\/td>Nyron Higor<\/td>Far Out<\/td><\/td><\/tr>
31<\/td>Ocean Moon<\/td>Ways to the Deep Meadow<\/td>Music From Memory<\/td><\/td><\/tr>
31<\/td>Olga Anna Markowska<\/td>Iskra<\/td>Miasmah<\/td><\/td><\/tr>
31<\/td>Peter Rehberg<\/td>Liminal States<\/td>Editions Mego<\/td><\/td><\/tr>
31<\/td>Prison<\/td>Downstate<\/td>Drag City<\/td><\/td><\/tr>
31<\/td>Rien Virgule<\/td>Berceuses des deux mondes<\/td>Murailles<\/td><\/td><\/tr>
31<\/td>Shackleton & Wac\u0142aw Zimpel & Siddhartha Belmannu<\/td>In The Cell of Dreams (Live Version)<\/td>7K!<\/td><\/td><\/tr>
31<\/td>Stein Urheim<\/td>Speilstillevariasjoner<\/td>Hubro<\/td><\/td><\/tr>
31<\/td>Terence Etc.<\/td>V O R T E X +<\/td>Brainfeeder<\/td><\/td><\/tr>
31<\/td>The Ancients<\/td>The Ancients<\/td>Eremite<\/td><\/td><\/tr>
31<\/td>The Hellacopters<\/td>Overdrivers<\/td>Nuclear Blast<\/td><\/td><\/tr>
31<\/td>The Lemonheads<\/td>Car Button Cloth<\/td>Fire<\/td>arch<\/td><\/tr>
31<\/td>The Veils<\/td>Asphodel<\/td>V2<\/td><\/td><\/tr>
31<\/td>The Weeknd<\/td>Hurry Up Tomorrow<\/td>Republic<\/td><\/td><\/tr>
31<\/td>VA<\/td>Eccentric Soul: The Cobra Label<\/td>Numero Group<\/td><\/td><\/tr>
31<\/td>Wojciech Rusin<\/td>Honey for the Ants<\/td>AD93<\/td><\/td><\/tr>
31<\/td>Wolf Eyes x Anthony Braxton<\/td>Live at Pioneer Works, 26 October 2023<\/td>ESP Disk<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 ||ALA|MEDA|| Spectra – Selection Brutality Garden arch LP 1 Dean Blunt Lucre World Music 1 DJ Rashad 6613 EP Partisan reed 1 Duwap Kaine Nobody Is Coming to Save You TAP 1 JAWAN.mp3 Reverie 1 Loraine James New Year’s Substitution 3 EP 1 Matthew Tavares I Once Prayed For This Life 1 Matthewdavid 100% […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45772"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=45772"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45772\/revisions"}],"predecessor-version":[{"id":46282,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45772\/revisions\/46282"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=45772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}