{"id":45774,"date":"2025-01-14T09:27:00","date_gmt":"2025-01-14T08:27:00","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=45774"},"modified":"2025-02-28T12:43:28","modified_gmt":"2025-02-28T11:43:28","slug":"premiery-02-2025","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-02-2025\/","title":{"rendered":"PREMIERY 02.2025"},"content":{"rendered":"\n
1<\/td>Les Rallizes D\u00e9nud\u00e9s<\/td>\u5c4b\u200b\u6839\u200b\u88cf YaneUra Sept. ’80<\/td>Temporal Drift<\/td><\/td><\/tr>
2<\/td>Tomasz Gwinci\u0144ski<\/td>Zaum<\/td>Syriusz<\/td><\/td><\/tr>
2<\/td>Tony Allen<\/td>LA BOA Meets Tony Allen<\/td>Planet Woo\/ Comet Records<\/td><\/td><\/tr>
4<\/td>Big Thief<\/td>Passional Relations<\/td><\/td>EP<\/td><\/tr>
4<\/td>Ivo Perelman & Tyshawn Sorey<\/td>Parallel Aesthetics<\/td>Fundacja S\u0142uchaj<\/td><\/td><\/tr>
4<\/td>Klein<\/td>Thirteen Sense<\/td><\/td><\/td><\/tr>
4<\/td>Surya Botofasina, Nate Mercereau, Carlos Ni\u00f1o<\/td>So Much Love<\/td>Leaving<\/td>EP<\/td><\/tr>
5<\/td>Blue Steel<\/td>Age of Bloom<\/td>BFF Music<\/td><\/td><\/tr>
5<\/td>Chris Corsano and Tim Daisy<\/td>Natural Clatter<\/td>Catalytic Sound<\/td><\/td><\/tr>
5<\/td>JHL<\/td>Concertina<\/td>BFF Music<\/td><\/td><\/tr>
5<\/td>Knower<\/td>Some Thingies EP<\/td><\/td><\/td><\/tr>
5<\/td>Noon<\/td>„04”<\/td>Nowe Nagrania<\/td><\/td><\/tr>
5<\/td>Otomo Yoshihide<\/td>\u5927\u304d\u306a\u7389\u306d\u304e\u306e\u4e0b\u3067 OST<\/td><\/td><\/td><\/tr>
5<\/td>Prettybwoy<\/td>Tokyo Ice Age<\/td>Svbkvlt<\/td><\/td><\/tr>
6<\/td>Lingchi<\/td>Lingchi<\/td>D.I.Y. Ko\u0142o Records<\/td><\/td><\/tr>
7<\/td>Ben Seretan<\/td>astral projecting into flavortown<\/td>Sound As Language<\/td><\/td><\/tr>
7<\/td>Biiig Piig<\/td>„11:11”<\/td>RCA<\/td><\/td><\/tr>
7<\/td>Chant 1450 Renaissance Ensemble + Sylvain Chauveau<\/td>Le Beau du Monde \/ A Modern View on Early Music<\/td>Sub Rosa<\/td><\/td><\/tr>
7<\/td>Confucius MC & Bastien Keb<\/td>Songs for the Lost Travellers<\/td>Native Rebels<\/td><\/td><\/tr>
7<\/td>dad\u00e1 Jo\u00e3ozinho<\/td>„1997”<\/td>Innovative Leisure<\/td><\/td><\/tr>
7<\/td>Dave De Rose<\/td>Rituals<\/td><\/td><\/td><\/tr>
7<\/td>Dream Theater<\/td>Parasomnia<\/td>InsideOut<\/td><\/td><\/tr>
7<\/td>Elliot Galvin<\/td>The Ruin<\/td>Gearbox<\/td><\/td><\/tr>
7<\/td>Fabiano do Nascimento<\/td>Solstice Concert<\/td>Leaving<\/td><\/td><\/tr>
7<\/td>FACS<\/td>Wish Defence<\/td>Trouble In Mind<\/td><\/td><\/tr>
7<\/td>Gyan Riley<\/td>Winter Sun<\/td><\/td><\/td><\/tr>
7<\/td>Heartworms<\/td>Glutton for Punishement<\/td>Speedy Wunderground<\/td><\/td><\/tr>
7<\/td>Helen Ganya<\/td>Share Your Care<\/td>Bella Union<\/td><\/td><\/tr>
7<\/td>Honesty<\/td>U R Here<\/td>Partisan<\/td><\/td><\/tr>
7<\/td>Horsebath<\/td>Another Farewell<\/td>Strolling Bones<\/td><\/td><\/tr>
7<\/td>Inhaler<\/td>Open Wide<\/td>Polydor<\/td><\/td><\/tr>
7<\/td>Jako Maron<\/td>Mahave\u200b\u0301\u200blouz<\/td>Nyege Nyege Tapes<\/td><\/td><\/tr>
7<\/td>James Brandon Lewis<\/td>Apple Cores<\/td>Anti-<\/td><\/td><\/tr>
7<\/td>Jinjer<\/td>Duel<\/td>Napalm<\/td><\/td><\/tr>
7<\/td>Ken Ikeda<\/td>Sacred Offering<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Larry June, 2 Chainz & The Alchemist<\/td>Life Is Beautiful<\/td>ALC<\/td><\/td><\/tr>
7<\/td>Maciek Polak<\/td>„1977”<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
7<\/td>Martin Circus<\/td>Evolution francaise<\/td>Born Bad<\/td><\/td><\/tr>
7<\/td>Mary Halvorson Quartet<\/td>The Bagatelles Vol. 1<\/td>Tzadik<\/td>reed<\/td><\/tr>
7<\/td>Michael Wertm\u00fcller<\/td>Shlimazl<\/td>Trost<\/td><\/td><\/tr>
7<\/td>New Orthodox<\/td>Bull Market on Corn<\/td>Joyful Noise<\/td><\/td><\/tr>
7<\/td>Oklou<\/td>Choke Enough<\/td>True Panther<\/td><\/td><\/tr>
7<\/td>Olly Alexander<\/td>Polari<\/td>Polydor<\/td><\/td><\/tr>
7<\/td>Onilu<\/td>Onilu<\/td>Eremite<\/td><\/td><\/tr>
7<\/td>Philip Jeck<\/td>The Classic: Live in T\u0101maki Makaurau Auckland 23.05.2008<\/td>Touch<\/td><\/td><\/tr>
7<\/td>Rats On Rafts<\/td>Deep Below<\/td>Fire<\/td><\/td><\/tr>
7<\/td>Sharon Van Etten<\/td>Sharon Van Etten & The Attachment Theory<\/td>Jagjaguwar<\/td><\/td><\/tr>
7<\/td>Sonic Youth<\/td>Hold That Tiger<\/td>Sonic Youth Archive<\/td><\/td><\/tr>
7<\/td>Squid<\/td>Cowards<\/td>Warp<\/td><\/td><\/tr>
7<\/td>That’s How I Fight<\/td>Movement Three – Continuum<\/td>Zoharum<\/td><\/td><\/tr>
7<\/td>Traxman<\/td>Da Mind Of Traxman Vol\u200b.\u200b3<\/td>Planet Mu<\/td><\/td><\/tr>
7<\/td>VA<\/td>The Original Sound of Mali 2<\/td>Mr Bongo<\/td><\/td><\/tr>
7<\/td>VA<\/td>Gnonnas Pedro & His Dadjes Band – Roi De L’Agbadja Moderne 1974\u200b-\u200b1983 (Analog Africa No\u200b.\u200b40)<\/td>Analog Africa<\/td><\/td><\/tr>
7<\/td>Zack Clarke & Chris Irvine<\/td>Stereotaxi<\/td>New Focus<\/td><\/td><\/tr>
7<\/td>Zenial<\/td>Foil Punk<\/td>Zoharum<\/td><\/td><\/tr>
8<\/td>Jacek Doroszenko<\/td>R_sin _io<\/td>Audiobulb<\/td><\/td><\/tr>
9<\/td>Whait<\/td>Close Quarters<\/td>Longform Editions<\/td>EP<\/td><\/tr>
10<\/td>Micha\u0142 Wolski<\/td>Stargaze<\/td>Southern Lights<\/td><\/td><\/tr>
10<\/td>Natalia Beylis<\/td>Coy-Koi<\/td>Longform Editions<\/td>EP<\/td><\/tr>
11<\/td>Kelela<\/td>In the Blue Light<\/td>Warp<\/td><\/td><\/tr>
11<\/td>Senyawa<\/td>Samudera<\/td><\/td>EP<\/td><\/tr>
11<\/td>Tujiko Noriko<\/td>Echoes on the Hem<\/td>Longform Editions<\/td>EP<\/td><\/tr>
12<\/td>Fennesz<\/td>The Last Days of May<\/td>Longform Editions<\/td>EP<\/td><\/tr>
14<\/td>Bambara<\/td>Birthmarks<\/td>Bella Union<\/td><\/td><\/tr>
14<\/td>Be Safe<\/td>Unwell<\/td>Fonoradar<\/td><\/td><\/tr>
14<\/td>Civilistj\u00e4vel!<\/td>F\u00f6ljd<\/td>Felt<\/td><\/td><\/tr>
14<\/td>Danny Scott Lane<\/td>Songs for Sex<\/td>WRWTFWW<\/td><\/td><\/tr>
14<\/td>Either\/Or<\/td>Richard Carrick: The Atlas<\/td>New Focus<\/td><\/td><\/tr>
14<\/td>Fisz Emade Tworzywo<\/td>„25”<\/td>Mystic<\/td><\/td><\/tr>
14<\/td>Giant Claw & Holly Waxwing<\/td>Together, Out Thing<\/td><\/td><\/td><\/tr>
14<\/td>Horsegirl<\/td>Phonetics On and On<\/td>Matador<\/td><\/td><\/tr>
14<\/td>Immersion & SUSS<\/td>Nanocluster Vol. 3<\/td>Swim<\/td><\/td><\/tr>
14<\/td>John Glacier<\/td>Like a Ribbon<\/td>Young<\/td><\/td><\/tr>
14<\/td>Lacuna Coil<\/td>Sleepless Empire<\/td>Century Media<\/td><\/td><\/tr>
14<\/td>Los Gigantes Dormidos<\/td>En Los Jardines De Mis Abuelos<\/td>Akuphone<\/td><\/td><\/tr>
14<\/td>Manic Street Preachers<\/td>Critical Thinking<\/td>Columbia<\/td><\/td><\/tr>
14<\/td>Marshall Allen<\/td>New Dawn<\/td>Week-End<\/td><\/td><\/tr>
14<\/td>Mereba<\/td>The Breeze Grew a Fire<\/td>Secretly Canadian<\/td><\/td><\/tr>
14<\/td>Michael Gordon &Theatre of Voices<\/td>A Western<\/td>Cantaloupe<\/td><\/td><\/tr>
14<\/td>My Jazzy Child<\/td>Extrac\u200b\u00f8\u200bntinent<\/td>Akuphone<\/td><\/td><\/tr>
14<\/td>Park Jiha<\/td>All Living Things<\/td>Glitterbeat<\/td><\/td><\/tr>
14<\/td>PARTYNEXTDOOR & Drake<\/td>$ome $exy $ongs 4 U<\/td>OVO Sound<\/td><\/td><\/tr>
14<\/td>Piers Faccini & Ballak\u00e9 Sissoko<\/td>Our Calling<\/td>No Format!<\/td><\/td><\/tr>
14<\/td>Richard Dawson<\/td>End of the Middle<\/td>Weird World<\/td><\/td><\/tr>
14<\/td>Soko\u0142owski \/ Stasiewicz \/ Leszoski<\/td>Manna<\/td>Antenna Non Grata<\/td><\/td><\/tr>
14<\/td>Tadeusz Prejzner<\/td>Uliczka zamy\u015blenia<\/td>GAD<\/td><\/td><\/tr>
14<\/td>Teo Olter Quintet<\/td>The Heart EP<\/td><\/td><\/td><\/tr>
14<\/td>Thala<\/td>Avalanche<\/td>Fire<\/td><\/td><\/tr>
14<\/td>The Delines<\/td>Mr. Luck & Ms. Doom<\/td>Decor<\/td><\/td><\/tr>
14<\/td>TO\u0143 & Weedcraft<\/td>Ksi\u0119gi wieczyste<\/td><\/td>EP<\/td><\/tr>
14<\/td>VA<\/td>Barnyard Beehive<\/td>Numero Group<\/td><\/td><\/tr>
14<\/td>Venturing<\/td>Ghostholding<\/td>DeadAir<\/td><\/td><\/tr>
14<\/td>Wojciech Waglewski<\/td>MTV Unplugged<\/td><\/td><\/td><\/tr>
15<\/td>Jacek Doroszenko<\/td>Environmental Practice: Resin Arpeggio<\/td>Audiobulb<\/td><\/td><\/tr>
15<\/td>Stephans<\/td>Semi<\/td>D.I.Y. Ko\u0142o<\/td><\/td><\/tr>
16<\/td>Seu Jorge<\/td>Baile \u00e0 la Baiana<\/td><\/td><\/td><\/tr>
17<\/td>Bartosz Dziadosz<\/td>Theme<\/td>Dronarivm<\/td>EP<\/td><\/tr>
17<\/td>Sophia Djebel Rose<\/td>S\u200b\u200b\u200b\u00e9\u200b\u200b\u200bcheresse<\/td>Ramble<\/td><\/td><\/tr>
20<\/td>Julek Ploski<\/td>Give Up Channel<\/td>Mappa<\/td><\/td><\/tr>
21<\/td>Alfredo De La Fe<\/td>Alfredo<\/td>Mr Bongo<\/td>reed<\/td><\/tr>
21<\/td>Amulets<\/td>Not Around But Through<\/td>Beacon Sound<\/td><\/td><\/tr>
21<\/td>Anxious<\/td>Bambi<\/td>Run For Cover<\/td><\/td><\/tr>
21<\/td>Basia Bulat<\/td>Basia’s Palace<\/td>Secret City<\/td><\/td><\/tr>
21<\/td>Baths<\/td>Gut<\/td>Basement’s Basement<\/td><\/td><\/tr>
21<\/td>Califone<\/td>The Villager’s Companion<\/td>Jealous Butcher<\/td><\/td><\/tr>
21<\/td>Cici Arthur<\/td>Way Through<\/td>Western Vinyl<\/td><\/td><\/tr>
21<\/td>Colin Self<\/td>respite \u221e levity for the nameless ghost in crisis<\/td>RVNG Intl<\/td><\/td><\/tr>
21<\/td>Dominik Strycharski Core<\/td>Alert<\/td>Audio Cave<\/td><\/td><\/tr>
21<\/td>Enxin\/Onyx<\/td>In Rupture<\/td>Other People<\/td><\/td><\/tr>
21<\/td>Jim Ghedi<\/td>Wasteland<\/td>Basin Rock<\/td><\/td><\/tr>
21<\/td>Joost<\/td>Unity<\/td><\/td><\/td><\/tr>
21<\/td>Jules Reidy<\/td>Ghost\/Spirit<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Katarina Gryvul, Sinfonietta Cracovia, Lilianna Krych<\/td>Uhtceare<\/td><\/td><\/td><\/tr>
21<\/td>Killswitch Engage<\/td>This Consquence<\/td>Metal Blade<\/td>EP<\/td><\/tr>
21<\/td>Martina Bertoni<\/td>Electroacoustic Works For Halldorophone<\/td>Karlrecords<\/td><\/td><\/tr>
21<\/td>Maruja<\/td>Tir na n\u00d3g<\/td>Music For Nations<\/td>EP<\/td><\/tr>
21<\/td>Nina Garcia<\/td>Bye Bye Bird<\/td>Ideologic Organ<\/td><\/td><\/tr>
21<\/td>Oksana Linde<\/td>Traves\u200b\u00ed\u200bas<\/td>Buh<\/td><\/td><\/tr>
21<\/td>Oren Ambarchi & Eric Thielemans<\/td>Kind Regards<\/td>AD 93<\/td><\/td><\/tr>
21<\/td>Oruam<\/td>Liberdade<\/td><\/td><\/td><\/tr>
21<\/td>Paris Texas<\/td>They Left Me with the Sword<\/td><\/td>EP<\/td><\/tr>
21<\/td>Patterson Hood<\/td>Exploding Trees & Airplane Screams<\/td>ATO<\/td><\/td><\/tr>
21<\/td>Pissgrave<\/td>Malignant Worthlessness<\/td>Profound Lore<\/td><\/td><\/tr>
21<\/td>Porridge Radio<\/td>The Machine Starts to Sing<\/td>Secretly Canadian<\/td>EP<\/td><\/tr>
21<\/td>Q Lazzarus<\/td>Goodbye Horses: The Many Lives of Q Lazzarus (Music From The Motion Picture)<\/td>Sacred Bones<\/td><\/td><\/tr>
21<\/td>Rafiq Bhatia<\/td>Each Dream, A Melting Door<\/td>Anti-<\/td><\/td><\/tr>
21<\/td>Roy Of The Ravers<\/td>White Line Sunrise III (Part 2)<\/td>Emotional Response<\/td><\/td><\/tr>
21<\/td>Roy Of The Ravers<\/td>White Line Sunrise III (Part 1)<\/td>Emotional Response<\/td><\/td><\/tr>
21<\/td>Sam Fender<\/td>People Watching<\/td>Polydor<\/td><\/td><\/tr>
21<\/td>Sam Gendel<\/td>Live at Union Station<\/td>Leaving<\/td><\/td><\/tr>
21<\/td>Saya Gray<\/td>Saya<\/td>Dirty Hit<\/td><\/td><\/tr>
21<\/td>Silverstein<\/td>Antibloom<\/td>UNFD<\/td><\/td><\/tr>
21<\/td>Sopa Boba (featuring Pavel Tchikov\/Ogives and G.W. Sok\/The Ex, Oiseaux-Temp\u00eate)<\/td>That Moment<\/td>Sub Rosa<\/td><\/td><\/tr>
21<\/td>Space Blanket<\/td>Sonic Balms For Soothing Souls<\/td>Byrd Out<\/td><\/td><\/tr>
21<\/td>Sunny War<\/td>Armageddon in a Summer Dress<\/td>New West<\/td><\/td><\/tr>
21<\/td>Tate McRae<\/td>So Close To What<\/td>RCA<\/td><\/td><\/tr>
21<\/td>The Limi\u00f1anas<\/td>Faded<\/td>Berreto<\/td><\/td><\/tr>
21<\/td>The Murder Capital<\/td>Blindness<\/td>Human Season<\/td><\/td><\/tr>
21<\/td>The Young Mothers<\/td>Better If You Let It<\/td>Catalytic Sound<\/td><\/td><\/tr>
21<\/td>Tim Hecker<\/td>Shards<\/td>Kranky<\/td>EP<\/td><\/tr>
21<\/td>Trupa Trupa<\/td>Mourners<\/td>Glitterbeat<\/td>EP<\/td><\/tr>
21<\/td>Turmeric Acid y Bardo Todol<\/td>Sonop\u00e6dia<\/td>Strategic Tape Reserve<\/td><\/td><\/tr>
21<\/td>Wrekmeister Harmonies<\/td>Flowers in the Spring<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Wrong Way Up<\/td>Totally Right<\/td><\/td><\/td><\/tr>
21<\/td>Youth Lagoon<\/td>Rarely Do I Dream<\/td>Fat Possum<\/td><\/td><\/tr>
23<\/td>Roman Bromboszcz<\/td>Play at Once<\/td>Antenna Non Grata<\/td><\/td><\/tr>
25<\/td>Cheekface<\/td>Middle Spoon<\/td><\/td><\/td><\/tr>
25<\/td>Nervous Verbs<\/td>Pony Coughing<\/td>Don Giovanni<\/td><\/td><\/tr>
25<\/td>Philippe Petit<\/td>Emperor Tomato Ketchup<\/td>Sublime Retreat<\/td><\/td><\/tr>
28<\/td>Allexa Nava<\/td>No Language<\/td>Jazz Re:Freshed<\/td><\/td><\/tr>
28<\/td>Andreas Schaerer<\/td>Anthem For No Man’s Land<\/td>ACT<\/td><\/td><\/tr>
28<\/td>Andy Bell<\/td>Pinball Wanderer<\/td>Sonic Cathedral<\/td><\/td><\/tr>
28<\/td>Architects<\/td>The Sky, The Earth & All Between<\/td>Epitaph<\/td><\/td><\/tr>
28<\/td>Banks<\/td>Off With Her Head<\/td>Her Name Is Banks Inc.<\/td><\/td><\/tr>
28<\/td>bdrmm<\/td>Microtonic<\/td>Rock Action<\/td><\/td><\/tr>
28<\/td>Billy Hart Quartet<\/td>Just<\/td>ECM<\/td><\/td><\/tr>
28<\/td>Daniel Bachman<\/td>Moving Through Light<\/td><\/td><\/td><\/tr>
28<\/td>Darkside<\/td>Nothing<\/td>Matador<\/td><\/td><\/tr>
28<\/td>David Grubbs<\/td>Whistle from Above<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Dawid Tyszkowski<\/td>Mam szcz\u0119\u015bcie<\/td>Fonobo<\/td><\/td><\/tr>
28<\/td>Deep Sea Diver<\/td>Billboard Heart<\/td>Sub Pop<\/td><\/td><\/tr>
28<\/td>Edith Frost<\/td>In Space<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Everything Is Recorded<\/td>Temporary<\/td>XL Recordings<\/td><\/td><\/tr>
28<\/td>G\u0142upi Komputer<\/td>Jazz Not Found<\/td>Antena Krzyku<\/td><\/td><\/tr>
28<\/td>Grup Ses & Go\u200b\u0308\u200bkalp K<\/td>Grup Ses & Go\u200b\u0308\u200bkalp K<\/td>Discrepant<\/td><\/td><\/tr>
28<\/td>Gunn – Truscinski Duo<\/td>Flam<\/td>Three Lobed<\/td><\/td><\/tr>
28<\/td>Ichiko Aoba<\/td>Luminescent Creatures<\/td>Psychic Hotline<\/td><\/td><\/tr>
28<\/td>J.WLSN<\/td>The Rush<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Jairus Sharif<\/td>Basis of Unity<\/td>Telephone Explosion<\/td><\/td><\/tr>
28<\/td>Loveworms<\/td>Loveworms<\/td>Antena Krzyku<\/td><\/td><\/tr>
28<\/td>Lucrecia Dalt<\/td>Cosa rara<\/td>RVNG Intl<\/td>7″<\/td><\/tr>
28<\/td>Marie Davidson<\/td>City of Clowns<\/td>Deewee<\/td><\/td><\/tr>
28<\/td>Mdou Moctar<\/td>Tears of Injustice<\/td>Matador<\/td><\/td><\/tr>
28<\/td>Michi<\/td>Dirty Talk<\/td>Stones Throw<\/td><\/td><\/tr>
28<\/td>Niech\u0119\u0107<\/td>Reckless Things<\/td>Audio Cave<\/td><\/td><\/tr>
28<\/td>Panda Bear<\/td>Sinister Grift<\/td>Domino<\/td><\/td><\/tr>
28<\/td>Roger Clark Miller<\/td>Curiosity for Solo Electric Guitar Ensemble<\/td>Cuneiform<\/td><\/td><\/tr>
28<\/td>RSC<\/td>Cienie 1987<\/td>GAD<\/td>arch<\/td><\/tr>
28<\/td>serpentwithfeet<\/td>Grip Sequel<\/td>Secretly Canadian<\/td><\/td><\/tr>
28<\/td>Shygirl<\/td>Club Shy Room 2<\/td>Because<\/td>EP<\/td><\/tr>
28<\/td>Spyros Polychronopoulos<\/td>Void<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Steve Lehman Trio & Mark Turner<\/td>The Music of Anthony Braxton<\/td>Pi Recordings<\/td><\/td><\/tr>
28<\/td>The Breath<\/td>Fresh New Bone<\/td>Real World<\/td><\/td><\/tr>
28<\/td>The Chills<\/td>Spring Board: The Early Unrecorded Songs<\/td>Fire<\/td><\/td><\/tr>
28<\/td>The Residents<\/td>Doctor Dark<\/td>Cryptic<\/td><\/td><\/tr>
28<\/td>Tori Amos<\/td>The Music of Tori and the Muses<\/td>Universal<\/td><\/td><\/tr>
28<\/td>VA<\/td>Composed with Sound pt.1<\/td>Accidental<\/td><\/td><\/tr>
28<\/td>Yazz Ahmed<\/td>A Paradies in the Hold<\/td>Night Time Stories<\/td><\/td><\/tr>
28<\/td>Yes Deer<\/td>Everything That Shines, Everything That Hurts<\/td>Superpang<\/td><\/td><\/tr>
28<\/td>Yo La Tengo<\/td>Old Joy (Official Soundtrack)<\/td>Mississippi<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Les Rallizes D\u00e9nud\u00e9s \u5c4b\u200b\u6839\u200b\u88cf YaneUra Sept. ’80 Temporal Drift 2 Tomasz Gwinci\u0144ski Zaum Syriusz 2 Tony Allen LA BOA Meets Tony Allen Planet Woo\/ Comet Records 4 Big Thief Passional Relations EP 4 Ivo Perelman & Tyshawn Sorey Parallel Aesthetics Fundacja S\u0142uchaj 4 Klein Thirteen Sense 4 Surya Botofasina, Nate Mercereau, Carlos Ni\u00f1o So […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45774"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=45774"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45774\/revisions"}],"predecessor-version":[{"id":46281,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/45774\/revisions\/46281"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=45774"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}