{"id":46455,"date":"2025-03-13T09:00:51","date_gmt":"2025-03-13T08:00:51","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=46455"},"modified":"2025-03-13T09:00:51","modified_gmt":"2025-03-13T08:00:51","slug":"premiery-03-2025","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-03-2025\/","title":{"rendered":"PREMIERY 03.2025"},"content":{"rendered":"\n
1<\/td>Paulina Przybysz<\/td>Insides<\/td>Calm Courage<\/td><\/td><\/tr>
3<\/td>Baby Meelo<\/td>Bar\u0142\u00f3g TV<\/td>BAS<\/td><\/td><\/tr>
4<\/td>Gajek<\/td>Cutting Together Apart<\/td>Stroom TV<\/td><\/td><\/tr>
6<\/td>Ajla<\/td>Ala17 EP<\/td>Dyspensa<\/td><\/td><\/tr>
6<\/td>Mirt \u2022 Ter<\/td>Wat Chalermprakiat<\/td>Saamleng<\/td><\/td><\/tr>
7<\/td>Actress<\/td>Grey Interiors<\/td>Smalltwon Supersound<\/td>EP<\/td><\/tr>
7<\/td>Alabaster DePlume<\/td>A Blade Because A Blade Is Whole<\/td>International Anthem<\/td><\/td><\/tr>
7<\/td>Andrew Bernstein<\/td>Shadows and Windy Places<\/td><\/td><\/td><\/tr>
7<\/td>Bob Mould<\/td>Here We Go Crazy<\/td>BMG Records<\/td><\/td><\/tr>
7<\/td>Ci\u015bnienie<\/td>Live at Paul’s Boutique Record Store<\/td><\/td><\/td><\/tr>
7<\/td>Crack Rock<\/td>Crack Rock<\/td>Astigmatic<\/td><\/td><\/tr>
7<\/td>Discovery Zone<\/td>Quantum Web EXP<\/td>RVNG Intl<\/td><\/td><\/tr>
7<\/td>Divorce<\/td>Drive to Goldenhammer<\/td>Capitol<\/td><\/td><\/tr>
7<\/td>Eilis Frawley<\/td>Fall Forward<\/td><\/td><\/td><\/tr>
7<\/td>Franio Mucha<\/td>Fanga<\/td><\/td><\/td><\/tr>
7<\/td>Frederikke Hoffmeier (Puce Mary)<\/td>The Girl With The Needle OST<\/td>Oona<\/td><\/td><\/tr>
7<\/td>Grand River<\/td>Turning the Wind<\/td>Umor Rex<\/td><\/td><\/tr>
7<\/td>Hainbach & Ensemble Modern<\/td>Primer<\/td>Ensemble Modern<\/td><\/td><\/tr>
7<\/td>Hajda Banda \/ \u0413\u0430\u0439\u0434\u0430 \u0411\u0430\u043d\u0434\u0430<\/td>Niepraudzivaya<\/td><\/td><\/td><\/tr>
7<\/td>Hamilton Leithauser<\/td>This Side of the Island<\/td>Glassnote<\/td><\/td><\/tr>
7<\/td>Haroula Rose & Oliver Hill<\/td>Cycles<\/td>Ba Da Bing<\/td><\/td><\/tr>
7<\/td>Jason Isbell<\/td>Foxes in the Snow<\/td>Southeastern<\/td><\/td><\/tr>
7<\/td>JB Dunckel & Jonathan Fitoussi<\/td>Mirages II<\/td>Transversales<\/td><\/td><\/tr>
7<\/td>Jennie<\/td>Ruby<\/td>Columbia<\/td><\/td><\/tr>
7<\/td>Jerzy M\u0105czy\u0144ski<\/td>DO 555PS<\/td>Vibrasjon<\/td><\/td><\/tr>
7<\/td>Jethro Tull<\/td>Curious Ruminant<\/td>InsideOut<\/td><\/td><\/tr>
7<\/td>Lady Gaga<\/td>Mayhem<\/td>Interscope<\/td><\/td><\/tr>
7<\/td>Lake<\/td>Bucolic Gone<\/td>Don Giovanni<\/td><\/td><\/tr>
7<\/td>Laura Cannell<\/td>A Compendium of Beasts Volume 2<\/td>Brawl<\/td><\/td><\/tr>
7<\/td>Los Pira\u00f1as<\/td>Una Oportunidad m\u00e1s de triunfar en la vida<\/td>Glitterbeat<\/td><\/td><\/tr>
7<\/td>Lust For Youth & Croatian Amor<\/td>All Worlds<\/td>Sacred Bones<\/td><\/td><\/tr>
7<\/td>Mats Gustafsson<\/td>Moanin\u2019<\/td>Bocian<\/td>5″<\/td><\/tr>
7<\/td>Mode UFO<\/td>Flamingo Tower<\/td>Fire<\/td><\/td><\/tr>
7<\/td>Neil Young<\/td>Oceanside Countryside<\/td>Reprise<\/td>arch<\/td><\/tr>
7<\/td>Patrick Shiroishi & Piotr Kurek<\/td>Greyhound Days<\/td>Mondoj<\/td><\/td><\/tr>
7<\/td>Rafael Toral<\/td>Spectral Evolution Live<\/td><\/td><\/td><\/tr>
7<\/td>Rave At Your Fictional Borders<\/td>Entanglement \/ Utopia<\/td><\/td><\/td><\/tr>
7<\/td>\u015eatellites<\/td>Aylar<\/td>Batov<\/td><\/td><\/tr>
7<\/td>Sonic Youth<\/td>Hold That Tiger<\/td>Sonic Youth Archive<\/td><\/td><\/tr>
7<\/td>Spinnen<\/td>Warmes Licht<\/td>Alien Transistor<\/td><\/td><\/tr>
7<\/td>Spiritbox<\/td>Tsunami Sea<\/td>Rise<\/td><\/td><\/tr>
7<\/td>Steve Roden<\/td>View<\/td>Room40<\/td><\/td><\/tr>
7<\/td>Szturomski, Mazzoll, Chamoun, Wo\u015bko, Szczyci\u0144ski<\/td>Ptaki Polski<\/td>Requiem<\/td><\/td><\/tr>
7<\/td>Takuro Okada<\/td>The Near End, The Dark Night, The County Line<\/td>Temporal Drift<\/td><\/td><\/tr>
7<\/td>The Tubs<\/td>Cotton Crown<\/td>Trouble In Mind<\/td><\/td><\/tr>
7<\/td>Tobacco City<\/td>Horses<\/td>Scissor Tail<\/td><\/td><\/tr>
7<\/td>VA<\/td>Great Lakes Gospel: Cleveland<\/td>Numero Group<\/td>arch<\/td><\/tr>
7<\/td>Violeta Garc\u00eda<\/td>In \/ Out<\/td>Les Disques Bongo Joe<\/td><\/td><\/tr>
7<\/td>Whitechapel<\/td>Hymns in Dissonance<\/td>Metal Blade<\/td><\/td><\/tr>
7<\/td>Will Stratton<\/td>Points of Origin<\/td>Bella Union<\/td><\/td><\/tr>
7<\/td>Wojciech Jachna Squad<\/td>Ad Astra<\/td>Audio Cave<\/td><\/td><\/tr>
8<\/td>Kevin Drumm<\/td>Sheer Hellish Miasma II<\/td>Erstwhile<\/td><\/td><\/tr>
11<\/td>Barbarelle<\/td>Celesta<\/td>Hidden Harmony<\/td><\/td><\/tr>
12<\/td>kIRk<\/td>Eon<\/td>Erototox Decodings Polska<\/td>SP<\/td><\/tr>
12<\/td>Leash Eye<\/td>Destination: 125<\/td>Leash Eye<\/td><\/td><\/tr>
12<\/td>Whatever The Weather<\/td>Whatever The Weather II<\/td>Ghostly International<\/td><\/td><\/tr>
14<\/td>Alfah Femmes<\/td>Banned From Poland<\/td>Let\u2019s Hope Aliens Are Vegan Records<\/td>streaming od 28.03<\/td><\/tr>
14<\/td>Circuit Des Yeux<\/td>Halo On the Inside<\/td>Matador<\/td><\/td><\/tr>
14<\/td>Clipping.<\/td>Dead Channel Sky<\/td>Sub Pop<\/td><\/td><\/tr>
14<\/td>Curren$y & Harry Fraud<\/td>Never Catch Us<\/td>Jet Life<\/td><\/td><\/tr>
14<\/td>DJ Elmoe<\/td>Battle Zone<\/td>Planet Mu<\/td><\/td><\/tr>
14<\/td>Elmoe<\/td>Battle Zone<\/td>Planet Mu<\/td><\/td><\/tr>
14<\/td>Extensa<\/td>Noise Radio EP<\/td>Don’t Sit On My Vinyl!<\/td>10″<\/td><\/tr>
14<\/td>Golem Mecanique<\/td>Siamo tutti in pericolo<\/td>Ideologic Organ<\/td><\/td><\/tr>
14<\/td>Gregory Uhlmann, Josh Johnson, Sam Wilkes<\/td>Ulhmann, Johnson, Wilkes<\/td>International Anthem<\/td><\/td><\/tr>
14<\/td>Hekla<\/td>Turnar<\/td>Phantom Limb<\/td><\/td><\/tr>
14<\/td>Joni Void<\/td>Every Life Is a Light<\/td>Constellation<\/td><\/td><\/tr>
14<\/td>Judith Hamann<\/td>Aunes<\/td>Shelter Press<\/td><\/td><\/tr>
14<\/td>Kate Carr<\/td>Rubber Band Music<\/td>Flaming Pines<\/td><\/td><\/tr>
14<\/td>Mela Koteluk<\/td>Harmonia<\/td>Warner<\/td><\/td><\/tr>
14<\/td>Memotone<\/td>Pruning<\/td>Discrepant<\/td><\/td><\/tr>
14<\/td>Miko\u0142aj Trzaska<\/td>Overbisy<\/td>Don’t Sit On My Vinyl!<\/td>10″<\/td><\/tr>
14<\/td>Nels Cline<\/td>Consentrik Quartet<\/td>Blue Note<\/td><\/td><\/tr>
14<\/td>Owls<\/td>Rare Birds<\/td>New Amsterdam<\/td><\/td><\/tr>
14<\/td>Rizwan-Muazzam Qawwali<\/td>At the Feet of the Beloved<\/td>Real World<\/td><\/td><\/tr>
14<\/td>Rud\u017a & Wolski<\/td>Enchanted Lighthouse<\/td><\/td><\/td><\/tr>
14<\/td>Steven Wilson<\/td>The Overview<\/td>Fiction<\/td><\/td><\/tr>
14<\/td>Sylvie Courvoisier & Mary Halvorson<\/td>Bone Bells<\/td>Pyroclastics<\/td><\/td><\/tr>
14<\/td>T. Gowdy<\/td>Trill Scan<\/td>Constellation<\/td><\/td><\/tr>
14<\/td>The Waeve<\/td>Eternal EP<\/td>Transgressive<\/td><\/td><\/tr>
14<\/td>Throwing Muses<\/td>Midnight Concessions<\/td>Fire<\/td><\/td><\/tr>
14<\/td>Twin Shadow<\/td>Georgie<\/td>Dom Recs<\/td><\/td><\/tr>
14<\/td>VA<\/td>Mizik Maladi: Disques Debs International Vol. 3<\/td>Strut<\/td><\/td><\/tr>
14<\/td>Vazz<\/td>Your Lungs and Your Tongues<\/td>Numero Group<\/td><\/td><\/tr>
14<\/td>Weber i Tarwid \/I\\Pegazi<\/td>\/I\\Pegazi\/I\\<\/td>Lado ABC\/Tapes Webala<\/td><\/td><\/tr>
14<\/td>Zo\u00eb Mc Pherson<\/td>Upside Down<\/td>SFX<\/td><\/td><\/tr>
15<\/td>Happy Family<\/td>„4037”<\/td>Cuneiform<\/td><\/td><\/tr>
19<\/td>Shepherrd Of Cats & VJ Pietrushka<\/td>Live at Bemma Bar<\/td>Antenna Non Grata<\/td><\/td><\/tr>
19<\/td>Weatherday<\/td>Hornet Disaster<\/td>Topshelf<\/td><\/td><\/tr>
20<\/td>Florence Cats<\/td>Shell I<\/td>Edioces CN<\/td><\/td><\/tr>
20<\/td>Hiroshi Yoshimura<\/td>Flora<\/td>Temporal Drift<\/td><\/td><\/tr>
21<\/td>Antoine Bellanger & Sammy Stein<\/td>Depuis les cimes<\/td>Unjenesaisquoi<\/td><\/td><\/tr>
21<\/td>Arvo P\u00e4rt<\/td>Silentium<\/td>Mississippi<\/td><\/td><\/tr>
21<\/td>Benefits<\/td>Constant Noise<\/td>Invada<\/td><\/td><\/tr>
21<\/td>Bluszcz<\/td>Hobby<\/td><\/td><\/td><\/tr>
21<\/td>Celer<\/td>Gems IV<\/td>Room40<\/td><\/td><\/tr>
21<\/td>Clikatat Ikatowi<\/td>The Trials And Tribulations Of…<\/td>Numero Group<\/td><\/td><\/tr>
21<\/td>Cross Record<\/td>Crush Me<\/td>Ba Da Bing<\/td><\/td><\/tr>
21<\/td>Daniel Brandt<\/td>Without Us<\/td>Erased Tapes<\/td><\/td><\/tr>
21<\/td>Ed Kuepper & Jim White<\/td>After The Flood<\/td><\/td><\/td><\/tr>
21<\/td>Eliza Niemi<\/td>Progress Bakery<\/td>TAR \/ MM \/ UOH<\/td><\/td><\/tr>
21<\/td>Fran\u00e7ois J. Bonnet<\/td>Banshee<\/td>Portraits GRM<\/td><\/td><\/tr>
21<\/td>Gnod & White Hills<\/td>Drop Out III<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Goya Gumbani<\/td>Warlord of the Weejuns<\/td>Ghostly International<\/td><\/td><\/tr>
21<\/td>Japanese Breakfast<\/td>For Melancholy Brunettes (& sad women)<\/td>Dead Ocean<\/td><\/td><\/tr>
21<\/td>Jefre Cantu-Ledesma<\/td>Gift Songs<\/td>Mexican Summer<\/td>EP<\/td><\/tr>
21<\/td>Lonnie Holley<\/td>Tonky<\/td>Jagjaguwar<\/td><\/td><\/tr>
21<\/td>Loradeniz<\/td>Sun Shone<\/td>Music From Memory<\/td><\/td><\/tr>
21<\/td>Lucy Liyou<\/td>Every Video Without Your Face, Every Sound Without Your Name<\/td>Orange Milk Records<\/td><\/td><\/tr>
21<\/td>Macie Stewart<\/td>When The Distance Is Blue<\/td>International Anthem<\/td><\/td><\/tr>
21<\/td>More Eaze & Claire Rousay<\/td>No Floor<\/td>Thrill Jockey<\/td><\/td><\/tr>
21<\/td>Nat Birchall<\/td>Drums in Dub<\/td><\/td><\/td><\/tr>
21<\/td>Ora The Molecule<\/td>Dance Therapy<\/td>Mute<\/td><\/td><\/tr>
21<\/td>Phil Cook<\/td>Appalachia Borealis<\/td>Psychic Hotline<\/td><\/td><\/tr>
21<\/td>Placebo Domingo<\/td>First Crash<\/td><\/td><\/td><\/tr>
21<\/td>PremRock<\/td>Did You Enjoy Your Time Here\u2026?<\/td>Backwoodz<\/td><\/td><\/tr>
21<\/td>Rivet aka Grovskopa<\/td>Peck Glamour<\/td>Editions Mego<\/td><\/td><\/tr>
21<\/td>Sarah Davachi<\/td>Basse Brevis<\/td>Portraits GRM<\/td><\/td><\/tr>
21<\/td>Schatterau<\/td>\u00dcbers Jahr<\/td>Hands in the Dark<\/td><\/td><\/tr>
21<\/td>The Orchestra of Futurist Noise Intoners<\/td>The Orchestra of Futurist Noise Intoners directed by Luciano Chessa plays music by Mariam Gviniashvili, Aleksandra S\u0142y\u017c, Gerard Lebik, Luigi Russolo, John Hegre<\/td>Sanatorium of Sound<\/td><\/td><\/tr>
21<\/td>Utena Kobayashi & Motion Graphics<\/td>Glossolalia<\/td>Domino<\/td>EP<\/td><\/tr>
21<\/td>VA<\/td>Emerald: New Sounds from Moon Glyph Records<\/td>Moon Glyph<\/td><\/td><\/tr>
21<\/td>Wiktoria Zwoli\u0144ska<\/td>Przeb\u0142yski<\/td>Magic Records<\/td><\/td><\/tr>
21<\/td>YHWH Nailgun<\/td>45 Pounds<\/td>AD 93<\/td><\/td><\/tr>
21<\/td>Yoko Ono \/ The Great Learning Orchestra<\/td>Selected Recordings From Grapefruit<\/td>Karlrecords<\/td><\/td><\/tr>
21<\/td>Young Widows<\/td>Power Sucker<\/td>Temporary Residence Ltd.<\/td><\/td><\/tr>
28<\/td>Alberto Novello & Rob Mazurek<\/td>Sun Eaters<\/td>Hive Mind<\/td><\/td><\/tr>
28<\/td>Aya<\/td>Hexed!<\/td>Hyperdub<\/td><\/td><\/tr>
28<\/td>Bag People<\/td>Bag People<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Bria Salmena<\/td>Big Dog<\/td>Sub Pop<\/td><\/td><\/tr>
28<\/td>Butcher Brown<\/td>Letters From the Atlantic<\/td>Concord Jazz<\/td><\/td><\/tr>
28<\/td>Cactus Lee<\/td>Cactus Lee<\/td>Western Vinyl<\/td><\/td><\/tr>
28<\/td>Chris Cochrane \/ Collapsible Shoulder Big Band<\/td>Live 2019: A Map Of Books<\/td>Cuneiform<\/td><\/td><\/tr>
28<\/td>Clothing<\/td>La Muerte En Realidad no Existe<\/td>Tin Angel<\/td><\/td><\/tr>
28<\/td>CocoRosie<\/td>Little Death Wishes<\/td>Joyful Noise<\/td><\/td><\/tr>
28<\/td>Dean Wareham<\/td>That’s The Price of Loving Me<\/td>Carpark<\/td><\/td><\/tr>
28<\/td>Destroyer<\/td>Dan’s Boogie<\/td>Merge<\/td><\/td><\/tr>
28<\/td>Edison Machado<\/td>Edison Machado & Boa Nova<\/td>Far Out<\/td><\/td><\/tr>
28<\/td>Eiko Ishibashi<\/td>Antigone<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Elizabeth Davis<\/td>There’s Always a Strawberry Hut<\/td>Superpang<\/td><\/td><\/tr>
28<\/td>Hannah Cohen<\/td>Earthstar Mountain<\/td>Bella Union<\/td><\/td><\/tr>
28<\/td>Holger Czukay<\/td>Gvoon – Brennung 1<\/td>Gr\u00f6nland<\/td><\/td><\/tr>
28<\/td>Ivo Shandor & The Gozer Worshipers<\/td>Ivo Shandor & The Gozer Worshipers<\/td>Antena Krzyku<\/td><\/td><\/tr>
28<\/td>James Elkington<\/td>Pastel de Nada<\/td>No Quarter<\/td><\/td><\/tr>
28<\/td>Klawo<\/td>2 bobry i zach\u00f3d s\u0142o\u0144ca<\/td>Coastline Northern Cuts<\/td><\/td><\/tr>
28<\/td>Knats<\/td>Knats<\/td>Gearbox<\/td><\/td><\/tr>
28<\/td>Loren Kramar<\/td>Living Legend<\/td>Secretly Canadian<\/td><\/td><\/tr>
28<\/td>Mess Esque<\/td>Jay Marie, Comfort Me<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>MYRA MELFORD with Michael Formanek and Ches Smith<\/td>Myra Melford Splash<\/td>Intakt<\/td><\/td><\/tr>
28<\/td>NYX<\/td>NYX<\/td>State51<\/td><\/td><\/tr>
28<\/td>Perfume Genius<\/td>Glory<\/td>Matador<\/td><\/td><\/tr>
28<\/td>Pierce Warnecke<\/td>Music From Airports<\/td>Room40<\/td><\/td><\/tr>
28<\/td>Sam Akpro<\/td>Evenfall<\/td>Anti-<\/td><\/td><\/tr>
28<\/td>Serebii<\/td>Dime<\/td>Innovative Leisure<\/td><\/td><\/tr>
28<\/td>Sexbomba<\/td>Melodie z musztard\u0105<\/td>Mystic<\/td><\/td><\/tr>
28<\/td>Snapped Ankles<\/td>Hard Times Furious Dancing<\/td>The Leaf Label<\/td><\/td><\/tr>
28<\/td>Spellling<\/td>Potrait of My Heart<\/td>Sacred Bones<\/td><\/td><\/tr>
28<\/td>Unknown Mortal Orchestra<\/td>IC-02 Bogot\u00e1<\/td>Jagjaguwar<\/td><\/td><\/tr>
28<\/td>Vega Trails<\/td>Sierra Tracks<\/td>Gondwana<\/td><\/td><\/tr>
28<\/td>Whitney Johnson and Lia Kohl<\/td>For Translucence<\/td>Drag City<\/td><\/td><\/tr>
28<\/td>Zola Marcelle<\/td>Home<\/td>Jazz Re”Freshed<\/td><\/td><\/tr>
29<\/td>Mi\u0142osz K\u0119dra<\/td>Their Internal Diapasons<\/td><\/td><\/td><\/tr>
30<\/td>Ha\u0144ba!<\/td>10:10.Piosenki Warszawskiej Jesieni<\/td>Antena Krzyku<\/td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

1 Paulina Przybysz Insides Calm Courage 3 Baby Meelo Bar\u0142\u00f3g TV BAS 4 Gajek Cutting Together Apart Stroom TV 6 Ajla Ala17 EP Dyspensa 6 Mirt \u2022 Ter Wat Chalermprakiat Saamleng 7 Actress Grey Interiors Smalltwon Supersound EP 7 Alabaster DePlume A Blade Because A Blade Is Whole International Anthem 7 Andrew Bernstein Shadows and […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46455"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=46455"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46455\/revisions"}],"predecessor-version":[{"id":46456,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46455\/revisions\/46456"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=46455"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}