
{"id":46457,"date":"2025-03-13T09:02:54","date_gmt":"2025-03-13T08:02:54","guid":{"rendered":"https:\/\/polifonia.blog.polityka.pl\/?page_id=46457"},"modified":"2025-03-13T09:02:54","modified_gmt":"2025-03-13T08:02:54","slug":"premiery-04-2025","status":"publish","type":"page","link":"https:\/\/blog.polityka.pl\/polifonia\/premiery-04-2025\/","title":{"rendered":"PREMIERY 04.2025"},"content":{"rendered":"\n<figure class=\"wp-block-table\"><table><tbody><tr><td>1<\/td><td>Dustin Wong<\/td><td>Gloria<\/td><td>Hausu Mountain<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Lea Bertucci + Olivia Block<\/td><td>I Know the Number of the Sand and the Measure of the Sea<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>1<\/td><td>Vadum<\/td><td>Nev\u011bdom\u00ed<\/td><td>D.I.Y. Ko\u0142o<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Anika<\/td><td>Abyss<\/td><td>Sacred Bones<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Black Country, New Road<\/td><td>Forever Howlong<\/td><td>Ninja Tune<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Blaq Bandana<\/td><td>Blaq Garden<\/td><td>Brutality Garden<\/td><td><\/td><\/tr><tr><td>4<\/td><td>David Longstreth \/ Dirty Projectors \/ s t a r g a z e<\/td><td>Song of the Earth<\/td><td>Transgressive<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Hiromi<\/td><td>Out There<\/td><td>Concord Jazz<\/td><td><\/td><\/tr><tr><td>4<\/td><td>H\u00dcMA UTKU<\/td><td>Dracones<\/td><td>Editions Mego<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Hyldon, Adrian Younge<\/td><td>Hyldon JID023<\/td><td>Jazz Is Dead<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Lawrence Hart<\/td><td>Come In Out Of The Rain<\/td><td>Domino<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Margo Guryan<\/td><td>28 Demos<\/td><td>Numero Group<\/td><td>arch<\/td><\/tr><tr><td>4<\/td><td>Mekons<\/td><td>Horror<\/td><td>Fire<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Miki Berenyi Trio<\/td><td>Tripla<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Nico Georis<\/td><td>Music Belongs To The Universe<\/td><td>Leaving<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Panchiko<\/td><td>Ginkgo<\/td><td>Nettwerk<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Pigs Pigs Pigs Pigs Pigs Pigs Pigs<\/td><td>Death Hilarious<\/td><td>Rocket<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Sissy Spacek<\/td><td>Entrance<\/td><td>Shelter Press<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Tamten<\/td><td>Wschodnia fala<\/td><td>The Very Polish Cut Outs<\/td><td><\/td><\/tr><tr><td>4<\/td><td>The Waterboys<\/td><td>Life, Death and Dennis Hopper<\/td><td>Sun Records<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Vangeance des Fleurs<\/td><td>Vangeance des Feurs<\/td><td>Not Not Fun<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Walt McClements<\/td><td>On a Painted Ocean<\/td><td>Western Vinyl<\/td><td><\/td><\/tr><tr><td>4<\/td><td>Yann Tiersen<\/td><td>Rathlin from a Distance | The Liquid Hour<\/td><td>Mute<\/td><td><\/td><\/tr><tr><td>4<\/td><td>\u03a3tella<\/td><td>Adagio<\/td><td>Sub Pop<\/td><td><\/td><\/tr><tr><td>7<\/td><td>Clara Mann<\/td><td>Rift<\/td><td>State51<\/td><td><\/td><\/tr><tr><td>9<\/td><td>Cold Specks<\/td><td>Lifght for the Midnight<\/td><td>Mute<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Arek Jakubik<\/td><td>Romeo i Julia \u017cyj\u0105<\/td><td>Mystic<\/td><td><\/td><\/tr><tr><td>11<\/td><td>CBZK<\/td><td>Dybuctwo<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Charif Megarbane<\/td><td>Habibi Funk 030: Hawalat<\/td><td>Habibi Funk<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Daughter of Swords<\/td><td>Alex<\/td><td>Psychic Hotline<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Ina West<\/td><td>Path Toward Everywhere<\/td><td><\/td><td><\/td><\/tr><tr><td>11<\/td><td>Kuunatic<\/td><td>Wheels of \u00d6mon<\/td><td>Glitterbeat<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Kwashibu Area Band<\/td><td>Love Warrior\u2019s Anthem<\/td><td>Soundway<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Neil Smith<\/td><td>Anxious<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Painting<\/td><td>Snapshot Of Pure Attention<\/td><td>Sinnbus<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Red Snapper<\/td><td>Barb and Feather<\/td><td>Lo Recordings<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Salif Keita<\/td><td>So Kono<\/td><td>No Format!<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Scrounge<\/td><td>Almost Like You Could<\/td><td>Ba Da Bing<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Tekamolo<\/td><td>Best Tunes for Your Answering Machine<\/td><td>Hidden Harmony<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Theresa Wong<\/td><td>Journey to the Cave of Guanyin<\/td><td>Room40<\/td><td><\/td><\/tr><tr><td>11<\/td><td>Westberg \/ Udupa \/ Mazurkiewicz<\/td><td>Everyday Life Activities<\/td><td>Gusstaff<\/td><td><\/td><\/tr><tr><td>13<\/td><td>Valentina Magaletti &amp; Fanny Chiarello<\/td><td>Gym Douce<\/td><td><\/td><td><\/td><\/tr><tr><td>18<\/td><td>Adrian Younge<\/td><td>Something About April III<\/td><td>Linear Labs<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Divide and Dissolve<\/td><td>Insatiable<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Julien Baker &amp; TORRES<\/td><td>Send a Prayer My Way<\/td><td>Matador<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Quade<\/td><td>The Foel Tower<\/td><td>AD93<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Quickly, Quickly<\/td><td>I Heard That Noise<\/td><td>Ghostly International<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Rindert Lammers<\/td><td>Thank You Kirin Kiki<\/td><td>Western Vinyl<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Tunde Adebimpe<\/td><td>Thee Black Boltz<\/td><td>Sub Pop<\/td><td><\/td><\/tr><tr><td>18<\/td><td>Ursula Sereghy<\/td><td>Cordial<\/td><td>Mondoj<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Anz\u00fb Quartet<\/td><td>Adjust<\/td><td>Cantaloupe<\/td><td><\/td><\/tr><tr><td>25<\/td><td>BIG|BRAVE<\/td><td>OST<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Crispell\/Andersson\/\u00d8stergaard<\/td><td>The Gate<\/td><td>ILK Music<\/td><td><\/td><\/tr><tr><td>25<\/td><td>David Eugene Edwards<\/td><td>Pillar of Fire \/ Capernaum<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Eliana Glass<\/td><td>E<\/td><td>Shelter Press<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Emma-Jean Thackray<\/td><td>Weirdo<\/td><td>Brownswood<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Femi Kuti<\/td><td>Journey Through Life<\/td><td>Partisan<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Fly Anakin<\/td><td>(The) Forever Dream<\/td><td>Lex<\/td><td><\/td><\/tr><tr><td>25<\/td><td>JakoJako<\/td><td>T\u1ebft 41<\/td><td>Mute<\/td><td><\/td><\/tr><tr><td>25<\/td><td>M\u00e0iri Morrison, Alasdair Roberts and Pete Johnston<\/td><td>Remembered in Exile: Songs and Ballads from Nova Scotia<\/td><td>Drag City<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Maria Somerville<\/td><td>Luster<\/td><td>4AD<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Nazar<\/td><td>Demilitarize<\/td><td>Hyperdub<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Newest Zealand<\/td><td>Harmony Attack<\/td><td>NoPaper<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Rebekka Karijord<\/td><td>The Bell Tower<\/td><td>Bella Union<\/td><td><\/td><\/tr><tr><td>25<\/td><td>salami rose joe louis<\/td><td>Lorings<\/td><td>Brainfeeder<\/td><td><\/td><\/tr><tr><td>25<\/td><td>Satomimagae<\/td><td>Taba<\/td><td>RVNG Intl<\/td><td><\/td><\/tr><tr><td>25<\/td><td>SUMAC and Moor Mother<\/td><td>The Film<\/td><td>Thrill Jockey<\/td><td><\/td><\/tr><tr><td>25<\/td><td>William Tyler<\/td><td>Time Indefinite<\/td><td>Psychic Hotline<\/td><td><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>1 Dustin Wong Gloria Hausu Mountain 1 Lea Bertucci + Olivia Block I Know the Number of the Sand and the Measure of the Sea Room40 1 Vadum Nev\u011bdom\u00ed D.I.Y. Ko\u0142o 4 Anika Abyss Sacred Bones 4 Black Country, New Road Forever Howlong Ninja Tune 4 Blaq Bandana Blaq Garden Brutality Garden 4 David Longstreth [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46457"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=46457"}],"version-history":[{"count":1,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46457\/revisions"}],"predecessor-version":[{"id":46458,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/pages\/46457\/revisions\/46458"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=46457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}