
{"id":1127,"date":"2011-07-14T14:17:08","date_gmt":"2011-07-14T12:17:08","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=1127"},"modified":"2011-07-14T14:17:08","modified_gmt":"2011-07-14T12:17:08","slug":"perpetuum-mobile","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2011\/07\/14\/perpetuum-mobile\/","title":{"rendered":"Perpetuum mobile"},"content":{"rendered":"<p>Je\u015bli zasada zachowania energii obowi\u0105zuje w muzyce, to ci dwaj ludzie w\u0142a\u015bnie j\u0105 z\u0142amali. Od pocz\u0105tku to nie mia\u0142o prawa zachowa\u0107 energii, nie mia\u0142o prawa nie ocieka\u0107 kiczem, nie pod\u0105\u017ca\u0107 w \u015blep\u0105 uliczk\u0119, nie mia\u0142o prawa wytrzyma\u0107 pr\u00f3by drugiej, trzeciej, a co dopiero czwartej p\u0142yty. Duet, kt\u00f3rego <a href=\"http:\/\/www.musicclub.it\/foto\/al\/big\/ALVA_NOTO___RYUICHI_SAKAMOTO.col.tif.big.jpg.big.jpg\">dynamika pracy<\/a> przypomina wysy\u0142anie maili. Muzycy, kt\u00f3rzy graj\u0105 muzyk\u0119 tak oszcz\u0119dn\u0105 i minimalistyczn\u0105, \u017ce mi\u0119dzy jednym a drugim akordem mo\u017cna i\u015b\u0107 po kaw\u0119 i nie rozla\u0107 tej kawy w po\u015bpiechu, wracaj\u0105c na kolejny. Dw\u00f3ch spec\u00f3w od gry cisz\u0105, w kt\u00f3rych nagraniach paradoksalnie nie ma ciszy, a ju\u017c na pewno d\u0142u\u017cyzn, ba, jest napi\u0119cie stworzone przez dyskretne (w prawie ka\u017cdym znaczeniu tego s\u0142owa) d\u017awi\u0119ki emitowane przez laptop <strong>Alvy Noto<\/strong> pomi\u0119dzy akordami fortepianu granymi przez <strong>Ryuichiego Sakamoto<\/strong>. Przedstawi\u0142em ich i mam wra\u017cenie, \u017ce tyle wystarczy. <\/p>\n<p><a href=\"\/wp-content\/uploads\/2011\/07\/alva_noto_ryuichi_sakamoto_summvs.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"\/wp-content\/uploads\/2011\/07\/alva_noto_ryuichi_sakamoto_summvs-150x150.jpg\" alt=\"\" title=\"alva_noto_ryuichi_sakamoto_summvs\" width=\"150\" height=\"150\" class=\"alignleft size-thumbnail wp-image-1130\" srcset=\"\/polifonia\/wp-content\/uploads\/2011\/07\/alva_noto_ryuichi_sakamoto_summvs-150x150.jpg 150w, \/polifonia\/wp-content\/uploads\/2011\/07\/alva_noto_ryuichi_sakamoto_summvs-300x300.jpg 300w, \/polifonia\/wp-content\/uploads\/2011\/07\/alva_noto_ryuichi_sakamoto_summvs.jpg 333w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><strong>ALVA NOTO + RYUICHI SAKAMOTO &#8222;Summvs&#8221;<\/strong><br \/>\nRaster-Noton 2011<br \/>\n<strong>8\/10<br \/>\nTrzeba pos\u0142ucha\u0107:<\/strong> &#8222;Pionier IOO&#8221;, &#8222;By This River&#8221; (kompozycja Eno, Roedeliusa i Moebiusa &#8211; co s\u0142ycha\u0107), &#8222;Reverso&#8221;.<\/p>\n<p><object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15241514\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F15241514\" type=\"application\/x-shockwave-flash\" width=\"100%\"><\/embed><\/object>  <span><a href=\"http:\/\/soundcloud.com\/kyrixtitanix\/alva-noto-ryuichi-sakamoto\">Alva Noto + Ryuichi Sakamoto &#8211; Pionier IOO<\/a> by <a href=\"http:\/\/soundcloud.com\/kyrixtitanix\">Kyrix Titan Ix<\/a><\/span> <\/p>\n<p><object height=\"81\" width=\"100%\"><param name=\"movie\" value=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18614480\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><embed allowscriptaccess=\"always\" height=\"81\" src=\"http:\/\/player.soundcloud.com\/player.swf?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F18614480\" type=\"application\/x-shockwave-flash\" width=\"100%\"><\/embed><\/object>  <span><a href=\"http:\/\/soundcloud.com\/experimedia\/alva-noto-ryuichi-sakamoto\">alva noto + ryuichi sakamoto &#8211; summvs (album preview)<\/a> by <a href=\"http:\/\/soundcloud.com\/experimedia\">experimedia<\/a><\/span> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Je\u015bli zasada zachowania energii obowi\u0105zuje w muzyce, to ci dwaj ludzie w\u0142a\u015bnie j\u0105 z\u0142amali. Od pocz\u0105tku to nie mia\u0142o prawa zachowa\u0107 energii, nie mia\u0142o prawa nie ocieka\u0107 kiczem, nie pod\u0105\u017ca\u0107 w \u015blep\u0105 uliczk\u0119, nie mia\u0142o prawa wytrzyma\u0107 pr\u00f3by drugiej, trzeciej, a co dopiero czwartej p\u0142yty. Duet, kt\u00f3rego dynamika pracy przypomina wysy\u0142anie maili. Muzycy, kt\u00f3rzy graj\u0105 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,3,120,7,435,106],"tags":[341,652],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/1127"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=1127"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/1127\/revisions"}],"predecessor-version":[{"id":1131,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/1127\/revisions\/1131"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=1127"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=1127"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=1127"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}