
{"id":12337,"date":"2017-01-05T22:00:05","date_gmt":"2017-01-05T21:00:05","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=12337"},"modified":"2017-01-08T10:39:23","modified_gmt":"2017-01-08T09:39:23","slug":"premiery-stycznia-2017","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/01\/05\/premiery-stycznia-2017\/","title":{"rendered":"Premiery stycznia 2017"},"content":{"rendered":"<p>Ten wpis mo\u017cna potraktowa\u0107 jako znacznik. Remanent w zestawieniach zapowiedzi noworocznych album\u00f3w zawsze oznacza, \u017ce powoli wypada si\u0119 zainteresowa\u0107 tym, jakie p\u0142yty przed, a nie za nami. Wkr\u00f3tce jeszcze troch\u0119 informacji i drobnych zmian (dobrych, mam nadziej\u0119) zwi\u0105zanych z prezentacj\u0105 nowo\u015bci na Polifonii. A na razie gar\u015b\u0107 styczniowych zapowiedzi &#8211; tych, kt\u00f3re uda\u0142o mi si\u0119 tu i \u00f3wdzie wynotowa\u0107. Kilka spo\u015br\u00f3d tych p\u0142yt ju\u017c zd\u0105\u017cy\u0142o si\u0119 ukaza\u0107. Cho\u0107 <strong>Brian Eno<\/strong> brzmi, jak gdyby wyszed\u0142 ju\u017c dawno temu &#8211; nawet nie w ubieg\u0142ym roku, tylko w ubieg\u0142ym wieku.<!--more--><\/p>\n<p>http:\/\/polifonia.blog.polityka.pl\/premiery-plytowe-2017\/<\/p>\n<p><span style=\"color: #0000ff;\"><strong>PREMIERY STYCZNIA 2017:<br \/>\n<\/strong>DATA \/ WYKONAWCA \/ TYTU\u0141 \/ LABEL<\/span><\/p>\n<p>1 <strong>Brian Eno<\/strong> Reflection, Warp<br \/>\n1 <strong>Micromelancoli\u00e9\u00a0<\/strong>External Sources, Wounded Knife (w\u0142a\u015bc. 31.12.2016)<\/p>\n<p>3 <strong>Amadou Binta Kont\u00e9 and Tidiane Thiam<\/strong> Waande Kadde, Sahel Sounds<br \/>\n3 <strong>Jeich Ould Badu and Ahmedou Ahmed Lewla<\/strong> Top WZN, Sahel Sounds<br \/>\n3 <strong>Tutti Harp<\/strong> T\u0142a II, Dym, MC\/DL<\/p>\n<p>6 <strong>Dropkick Murphys<\/strong> 11 Short Stories of Pain &amp; Glory, PIAS<br \/>\n6 <strong>Invisible Boy<\/strong> Invisible Boy, Totally Gross National Product<br \/>\n6 <strong>Soft Error<\/strong> Mechanism, Village Green<\/p>\n<p>8 <strong>Gazawat<\/strong> Wampir, BDTA\/Mozdok<br \/>\n8 <strong>Sophie Barker<\/strong> Break the Habit, Disco Gecko<\/p>\n<p>9 <strong>Istota Ss\u0105ca <\/strong>Kooky Nuts Pop (10th anniversary compilation), Darling Dada<br \/>\n9\u00a0<strong>Mchy i Porosty<\/strong>, Hypnagogic Polish Music For Teenage Mutants, Recognition<\/p>\n<p>13 <strong>A Projection<\/strong> Framework, Tapete<br \/>\n13 <strong>A Winged Victory For The Sullen<\/strong> Iris, Erased Tapes<br \/>\n13 <strong>Bonobo<\/strong> Migration, Ninja Tune<br \/>\n13 <strong>Flo Morrissey + Matthew E. White<\/strong> Gentlewoman, Ruby Man Glassnote<br \/>\n13 <strong>Half Japanese<\/strong> Hear the Lions, Roar Fire<br \/>\n13 <strong>Julie Byrne<\/strong> Not Even Happiness, Basin Rock<br \/>\n13 <strong>Marek Bili\u0144ski<\/strong> Life Is Music, Sonic<br \/>\n13 <strong>Miss Tara<\/strong> Let&#8217;s Live!, Bonnies<br \/>\n13 <strong>Moebius<\/strong> Musik fur Metropolis, Bureau B<br \/>\n13 <strong>Run The Jewels<\/strong> Run the Jewels 3, Mass Appeal<br \/>\n13 <strong>Sohn<\/strong> Rennen, 4AD<br \/>\n13 <strong>Sepultura<\/strong> Machine Messiah, Nuclear Blast<br \/>\n13 <strong>Stanley Brinks &amp; The Old Time Kaniks<\/strong> Vieilles caniques et nouvelles caniques, Fika<br \/>\n13 <strong>The Flaming Lips<\/strong> Oczy Mlody, Bella Union<br \/>\n13 <strong>The Molochs<\/strong> America&#8217;s Velvet Glory, Innovative Leisure<br \/>\n13 <strong>The XX<\/strong> I See You, Young Turks<\/p>\n<p>15 <strong>Mats Gustafsson &#038; Joachim Nordwall<\/strong> Map of Guilt, Bocian, LP, ltd 300<\/p>\n<p>20 <strong>Alejandro Escovedo<\/strong> Burn Something Beautiful, Fantasy\/Proper<br \/>\n20 <strong>Anomie Belle<\/strong> Flux, Diving Bell Recording<br \/>\n20 <strong>Austra<\/strong> Future Politics, Domino<br \/>\n20 <strong>Cherry Glazerr<\/strong> Apocalipstick, Secretly Canadian<br \/>\n20 <strong>Christine Owman<\/strong> When On Fire, Glitterhouse<br \/>\n20 <strong>Coldharbourstores<\/strong> Wilderness, Enraptured<br \/>\n20 <strong>Courtney Marie Andrews<\/strong> Honest Life, Loose<br \/>\n20 <strong>Eskelin-Weber-Griener<\/strong> Sensations of Tone, Intakt<br \/>\n20 <strong>Foxygen<\/strong> Hang, Jagjaguwar<br \/>\n20 <strong>Frank Carter &amp; The Rattlesnakes<\/strong> Modern Ruin, International Death Cult<br \/>\n20 <strong>Jim Black<\/strong> Malamute, Intakt<br \/>\n20 <strong>Kid Koala &amp; Emiliana Torrini<\/strong> Music To Draw To: Satellite, Arts &amp; Crafts<br \/>\n20 <strong>Menace Beach<\/strong> Lemon Memory, Memphis Industries<br \/>\n20 <strong>Michael Chapman<\/strong> &#8222;50&#8221;, Paradise of Bachelors<br \/>\n20 <strong>Mick Harvey<\/strong> Intoxicated Women, Mute<br \/>\n20 <strong>Mike Oldfield<\/strong> Return to Ommadawn, Virgin<br \/>\n20 <strong>Piano Magic<\/strong> Closure, Second Language<br \/>\n20 <strong>Reflections In Cosmo<\/strong> Reflections In Cosmo, Rarenoise<br \/>\n20 <strong>Ronika<\/strong> Lose My Cool, Recordshop<br \/>\n20 <strong>The Proper Ornaments<\/strong> Foxhole, Tough Love<br \/>\n20 <strong>Throwing Snow<\/strong> Embers, Houndstooth<br \/>\n20 <strong>Tim Cohen<\/strong> Luck Man, Sinderlyn<br \/>\n20 <strong>Tycho<\/strong> Epoch, Ghostly International<br \/>\n20 <strong>Vitalic<\/strong> Voyager, Caroline International<br \/>\n20 <strong>William Basinski<\/strong> A Shadow In Time, Temporary Residence<\/p>\n<p>27 <strong>Babe, Terror<\/strong> Ancient M&#8217;Ocean, Phantasy<br \/>\n27 <strong>Brent Cash<\/strong> The New High, Marina<br \/>\n27 <strong>Cloud Nothings<\/strong> Life Without Sound, Wichita<br \/>\n27 <strong>Cobalt Chapel<\/strong> Cobalt Chapel, Klove<br \/>\n27 <strong>Delbert McClinton &amp; Self-Made Men<\/strong> Prick of the Litter, Hot Shot<br \/>\n27 <strong>Delicate Steve<\/strong> This Is Steve, Anti-<br \/>\n27 <strong>Elinor Rose Dougall<\/strong> Stellular, Vermillion<br \/>\n27 <strong>Emptyset<\/strong> Borders, Thrill Jockey<br \/>\n27 <strong>Horse Thief<\/strong> Trials and Truths, Bella Union<br \/>\n27 <strong>Japandroids<\/strong> Near To the Wild Heart of Life, Anti-<br \/>\n27 <strong>Leopold &amp; His Fiction Darling<\/strong> Destroyer Native, Fiction<br \/>\n27 <strong>Leroy<\/strong> Bambadea, Schamoni Musik<br \/>\n27 <strong>Mark Eitzel<\/strong> Hey Mr Ferryman, Decor<br \/>\n27 <strong>Mateusz \u015awi\u0119cicki <\/strong>Halo Wenus, GAD<br \/>\n27 <strong>Matthew Dear<\/strong> DJ-Kicks, K7<br \/>\n27 <strong>Miko\u0142aj Hertel<\/strong> D\u017awi\u0119ki dalekiego \u015bwiata, GAD<br \/>\n27 <strong>Omar<\/strong> Love in, Beats Freestyle<br \/>\n27 <strong>Rebekka Karijord<\/strong> Mother Tongue, Control Freak Kitten<br \/>\n27 <strong>Richard Pinhas<\/strong> Reverse, Bureau B<br \/>\n27 <strong>Tift Merritt<\/strong> Stitch of the World, Yep Roc<br \/>\n27 <strong>Ty Segall<\/strong> Ty Segall, Drag City<\/p>\n<p>31 <strong>Rafa\u0142 Gorzycki<\/strong> Syriusz, Requiem<br \/>\n31 <strong>The Dobie\/Madry Project<\/strong> Body Up, Requiem<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ten wpis mo\u017cna potraktowa\u0107 jako znacznik. Remanent w zestawieniach zapowiedzi noworocznych album\u00f3w zawsze oznacza, \u017ce powoli wypada si\u0119 zainteresowa\u0107 tym, jakie p\u0142yty przed, a nie za nami. Wkr\u00f3tce jeszcze troch\u0119 informacji i drobnych zmian (dobrych, mam nadziej\u0119) zwi\u0105zanych z prezentacj\u0105 nowo\u015bci na Polifonii. A na razie gar\u015b\u0107 styczniowych zapowiedzi &#8211; tych, kt\u00f3re uda\u0142o mi si\u0119 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12345,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,2696,2695],"tags":[303,2698,2697],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12337"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=12337"}],"version-history":[{"count":21,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12337\/revisions"}],"predecessor-version":[{"id":12363,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12337\/revisions\/12363"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/12345"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=12337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=12337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=12337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}