{"id":12669,"date":"2017-02-06T09:00:33","date_gmt":"2017-02-06T08:00:33","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=12669"},"modified":"2017-02-06T22:20:57","modified_gmt":"2017-02-06T21:20:57","slug":"premiery-lutego-2017","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/02\/06\/premiery-lutego-2017\/","title":{"rendered":"Premiery lutego 2017"},"content":{"rendered":"<p>Najkr\u00f3tszy miesi\u0105c w roku &#8211; i tradycyjnie jeszcze stosunkowo biedny wydawniczo &#8211; w paru dziedzinach zapowiada si\u0119 zaskakuj\u0105co obficie. Przede wszystkich w okolicach rocka psychodelicznego. Ju\u017c jest nowa p\u0142yta <strong>Moon Duo<\/strong>, zreszt\u0105 <a href=\"https:\/\/moonduo.bandcamp.com\/album\/occult-architecture-vol-1\">ca\u0142kiem interesuj\u0105ca<\/a>. Za moment tak\u017ce nowe albumy <strong>Grails<\/strong>, <strong>Six Organs Of Admittance<\/strong> i <strong>Bardo Pond<\/strong> &#8211; cz\u0119\u015b\u0107 znam ju\u017c w ca\u0142o\u015bci, cz\u0119\u015b\u0107 we fragmentach i najwi\u0119cej sobie obiecuj\u0119 po tym pierwszym. Zgra\u0142y si\u0119 terminowo r\u00f3wnie\u017c dwie grupy z Nowego Jorku: <strong>CYHSY<\/strong> i <strong>Dirty Projectors<\/strong>. Dobrze zapowiada si\u0119 nowy album Roba Mazurka z Chadem Taylorem i brytyjskimi muzykami (Alexander Hawkins, John Edwards) pod szyldem <strong>Chicago\/London Underground<\/strong>. Z rzeczy polskich: nowo\u015bci Instant Classic  &#8211; split <strong>Arrm\/Lonker See<\/strong> oraz drugi album <strong>Saagary<\/strong> Wac\u0142awa Zimpla (<a href=\"http:\/\/www.nina.gov.pl\/wydarzenia\/saagara-awangarda-na-ucho\/\">premierowy koncert w NInA<\/a>), kt\u00f3rego ok\u0142adka ilustruje niniejsze zestawienie. Poza tym g\u0142o\u015bno b\u0119dzie wok\u00f3\u0142 nowych album\u00f3w <strong>Thundercata<\/strong>, <strong>The Necks<\/strong>, <strong>Sun Kil Moon<\/strong>, <strong>Tinariwen<\/strong>, <strong>Ryana Adamsa<\/strong>, mo\u017ce jeszcze wok\u00f3\u0142 nowego <strong>Jensa Lekmana<\/strong> i reedycji \u015bwietnej p\u0142yty <strong>Lift To Experience<\/strong>, kt\u00f3rej &#8211; ku mojemu zdziwieniu &#8211; stuknie za chwil\u0119 16 lat. Je\u015bli ten d\u017centelmen z <a href=\"https:\/\/youtu.be\/Ctr6wPf2hx8\">wideozapowiedzi<\/a> albumu <em>Say10<\/em> <strong>Marilyna Mansona<\/strong> to rzeczywi\u015bcie mia\u0142 by\u0107 Donald Trump, b\u0119d\u0105 pewnie kontrowersje wok\u00f3\u0142 tej p\u0142yty. Je\u015bli nie, dyskusja skupi si\u0119 wok\u00f3\u0142 tytu\u0142u. Poni\u017cej robocza lista zapowiedzi. Wkr\u00f3tce par\u0119 s\u0142\u00f3w wi\u0119cej o wybranych albumach.<!--more--><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/VwZG_jY9gFs\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><span style=\"color: #0000ff;\"><strong>PREMIERY LUTEGO 2017:<br \/>\n<\/strong>DATA \/ WYKONAWCA \/ TYTU\u0141 \/ LABEL<\/span><\/p>\n<p><strong>3.02<\/strong><br \/>\n<strong>Animals That Swim <\/strong>Workshy, One Little Indian\treed. bonus CD<br \/>\n<strong>Duke Garwood <\/strong>Garden of Ashes, Heavenly<br \/>\n<strong>Elbow <\/strong>Little Fictions, Polydor<br \/>\n<strong>Graeme Miller &#038; Steve Shill<\/strong> The Moomins, Finders Keepers\treed.<br \/>\n<strong>Lift To Experience <\/strong>The Texas-Jerusalem Crossroads, Mute\treed.<br \/>\n<strong>Matt Jencik<\/strong> Wierd Time\tHands In The Dark, LP ltd 300<br \/>\n<strong>Moon Duo<\/strong> Occult Architecture vol. 1, Sacred Bones<br \/>\n<strong>Nadine Khouri<\/strong> The Salted Air, One Flash<br \/>\n<strong>Sampha<\/strong> Precess, Young Turks<br \/>\n<strong>Surfer Blood<\/strong> Snowdonia, Joyful Noise\/Secretly Canadian<br \/>\n<strong>The Dears<\/strong> Times Infinity Volume One, Dangerbird<br \/>\n<strong><br \/>\n10.02<\/strong><br \/>\n<strong>Aquaserge<\/strong> Laisse ca etre, Crammed Discs<br \/>\n<strong>Blackfield<\/strong> V, Kscope<br \/>\n<strong>Chuck Prophet<\/strong> Bobby Fuller Died For Your Sins, Yep Roc<br \/>\n<strong>Hanni El Khatib<\/strong> Savage Times, Innovative Leisure<br \/>\n<strong>Heinali\t<\/strong>Anthem, Injazero<br \/>\n<strong>Howly <\/strong>Heba, Bella Union<br \/>\n<strong>Jesca Hoop<\/strong> Memories Are Now, Sub Pop<br \/>\n<strong>Lupe Fiasco <\/strong>DROGAS Light<br \/>\n<strong>Noveller <\/strong>A Pink Sunset For No One, Fire<br \/>\n<strong>Prawda <\/strong>Biologia z drugiej strony, Rockers<br \/>\n<strong>Sinkane<\/strong> Life &#038; Livin\u2019 It, City Slang<br \/>\n<strong>The Microscopic Septet<\/strong>\tBeen Up So Long It Looks Like Down to Me: The Micros Play the Blues, Cuneiform<br \/>\n<strong>The Necks <\/strong>Unfold, Ideological Organ<br \/>\n<strong>The Sadies <\/strong>Northern Passage, Yep Roc<br \/>\n<strong>Thievery Corporation<\/strong> The Temple of I &#038; I, ESL Music<br \/>\n<strong>Thinking Plague\t<\/strong>Hoping Against, Hope<br \/>\n<strong>Tinariwen <\/strong>Elwan, Wedge<br \/>\n<strong>Vermont<\/strong> II, Family<br \/>\n<strong>Vladimirska<\/strong> Paper Birds, Gusstaff\t<\/p>\n<p><strong>12.02<\/strong><br \/>\n<strong>Hollywoodfun Downstairs<\/strong> Tetris, Antena Krzyku\t<\/p>\n<p><strong>14.02<\/strong><br \/>\n<strong>Marilyn Manson<\/strong> SAY10, Hell Etc.<br \/>\n<strong>Poly Chain<\/strong> Music for Candy Shops, Transatlantyk\t<\/p>\n<p><strong>17.02<\/strong><br \/>\n<strong>Amy MacDonald <\/strong>Under Stars, Virgin<br \/>\n<strong>Arrm \/ Lonker See<\/strong> [split], Instant Classic<br \/>\n<strong>Bargou 08<\/strong> Targ,\tGlitterbeat<br \/>\n<strong>Bing &#038; Ruth<\/strong> No Home of the Mind, 4AD<br \/>\n<strong>Dutch Uncles <\/strong>Big Balloon, Memphis Industries<br \/>\n<strong>Earthen Sea<\/strong> An Act of Love, Kranky<br \/>\n<strong>Grails<\/strong> Chalice Hymnal, Temporary Residence<br \/>\n<strong>Irabagon\/Hegre\/Dronen <\/strong>Axis, Rune Grammofon<br \/>\n<strong>Jens Lekman<\/strong> Life Will See You Now, Secretly Canadian<br \/>\n<strong>Lawrence English<\/strong> Cruel Optimism, Room40<br \/>\n<strong>Le Ton Mite<\/strong> Passe compose futur conditionnel, Crammed Discs<br \/>\n<strong>Mind Over Mirrors<\/strong> Undying Color, Paradise Of Bachelors<br \/>\n<strong>Moire <\/strong>No Future, Ghostly<br \/>\n<strong>Molly Burch<\/strong> Please Be Mine, Captured Tracks<br \/>\n<strong>Nikki Lane<\/strong> Highway Queen, New West<br \/>\n<strong>Oliver Wilde <\/strong>Post-Frenz Container Buzz, Howling Owl<br \/>\n<strong>Olivier Alary <\/strong>Fiction\/Non-Fiction, 130701<br \/>\n<strong>Piano Wire <\/strong>Dream Underground, Hanging Houses<br \/>\n<strong>PVT <\/strong>New Spirit, Felte<br \/>\n<strong>Rafa\u0142 Gorzycki<\/strong> Syriusz, Requiem<br \/>\n<strong>Ryan Adams<\/strong> Prisoner, Pax Americana<br \/>\n<strong>Son Volt <\/strong>Notes of Blue, Thirty Tigers<br \/>\n<strong>Strand of Oaks <\/strong>Hard Love, Dead Oceans<br \/>\n<strong>Tim Bowness<\/strong> Lost In the Ghost Light, Sony 2CD<br \/>\n<strong>Tim Darcy <\/strong>Saturday Night, Jagjaguwar<br \/>\n<strong>VA<\/strong> New Order Presents Be Music, Factory Benelux box<br \/>\n<strong><br \/>\n24.02<\/strong><br \/>\n<strong>Bardo Pond<\/strong> Under the Pines, Fire<br \/>\n<strong>Bert Jansch <\/strong>Live in Australia, Earth\tlive, arch.<br \/>\n<strong>Chicago\/London Underground<\/strong> A Night Walking Through Mirrors, Cuneiform<br \/>\n<strong>Children of Alice <\/strong>Children of Alice, Warp<br \/>\n<strong>Clap Your Hands Say Yeah <\/strong>The Tourist, CYHSY<br \/>\n<strong>Dear Reader <\/strong>Day Fever, City Slang<br \/>\n<strong>Dirty Projectors <\/strong>Dirty Projectors, Domino<br \/>\n<strong>Entrance <\/strong>Bookof Changes, Thrill Jockey<br \/>\n<strong>Jambinai <\/strong>Differrance reedycja<br \/>\n<strong>Jose James<\/strong> A Love in a Time of Madness, Blue Note<br \/>\n<strong>Justin Carter <\/strong>The Leaves Fall, Mister Saturday Night<br \/>\n<strong>Modern English<\/strong> Take Me To The Trees, Kartel<br \/>\n<strong>Peter Silberman<\/strong> Impermanence, Transgressive (The Antlers)<br \/>\n<strong>Pissed Jeans <\/strong>Why Love Now, Sub Pop<br \/>\n<strong>Polish Jazz Quartet <\/strong>Meets Studio M2, GAD Records<br \/>\n<strong>Rhiannon Giddens<\/strong> Freedom Highway, Nonesuch<br \/>\n<strong>Shadow Band <\/strong>Wilderness of Love, Mexican Summer<br \/>\n<strong>Six Organs of Admittance <\/strong>Burning the Threshold, Drag City<br \/>\n<strong>The Ed Palermo Big Band\t<\/strong>The Great Un\u200b-\u200bAmerican Songbook: Volumes I &#038; II, Cuneiform<br \/>\n<strong>The Feelies <\/strong>In Between, Bar\/None<br \/>\n<strong>Thundercat <\/strong>Drunk, Brainfeeder<br \/>\n<strong>Wesley Stace <\/strong>Wesley Stace&#8217;s John Wesley Harding, Yep Roc<br \/>\n<strong>Xiu Xiu\t<\/strong>Forget, Upset the Rhythm<br \/>\n<strong><br \/>\n26.02<\/strong><br \/>\n<strong>Brokeback <\/strong>Illinois River Valley Blues, Thrill Jockey\t<\/p>\n<p><strong>27.02<\/strong><br \/>\n<strong>Saagara <\/strong>2, Instant Classic<br \/>\n<strong><br \/>\n28.02<\/strong><br \/>\n<strong>Sun Kil Moon<\/strong> Common As Light And Love Are Red Valleys Of Blood, Caldo Verde\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Najkr\u00f3tszy miesi\u0105c w roku &#8211; i tradycyjnie jeszcze stosunkowo biedny wydawniczo &#8211; w paru dziedzinach zapowiada si\u0119 zaskakuj\u0105co obficie. Przede wszystkich w okolicach rocka psychodelicznego. Ju\u017c jest nowa p\u0142yta Moon Duo, zreszt\u0105 ca\u0142kiem interesuj\u0105ca. Za moment tak\u017ce nowe albumy Grails, Six Organs Of Admittance i Bardo Pond &#8211; cz\u0119\u015b\u0107 znam ju\u017c w ca\u0142o\u015bci, cz\u0119\u015b\u0107 we [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12684,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2696,2695],"tags":[2633,1080,2717,2718,1050,507,2722,2720,2428,2715,1931,627,2523,2716,350,2721,2217,506,234,1543,2124,705],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12669"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=12669"}],"version-history":[{"count":18,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12669\/revisions"}],"predecessor-version":[{"id":12705,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12669\/revisions\/12705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/12684"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=12669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=12669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=12669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}