{"id":12858,"date":"2017-03-01T09:06:18","date_gmt":"2017-03-01T08:06:18","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=12858"},"modified":"2017-03-01T14:40:09","modified_gmt":"2017-03-01T13:40:09","slug":"premiery-marca-2017","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/03\/01\/premiery-marca-2017\/","title":{"rendered":"Premiery marca 2017"},"content":{"rendered":"<p>Kilka p\u0142yt z marca ju\u017c zd\u0105\u017cy\u0142em przes\u0142ucha\u0107. I o ile ocen\u0119 <em>Nokturn\u00f3w<\/em><strong> Marcina Maseckiego <\/strong>musz\u0119 tym razem pozostawi\u0107 innym (porz\u0105dna, by nie powiedzie\u0107: prawilna p\u0142yta chopinowska &#8211; nawet pianino Marcina brzmi tu inaczej ni\u017c zwykle &#8211; koncert dzi\u015b na zako\u0144czenie jubileuszowej serii wyst\u0119p\u00f3w radiowej Dw\u00f3jki!), to w sprawie<strong> Mitch &#038; Mitch &#038; Kassin<\/strong> mog\u0119 \u015bmia\u0142o og\u0142osi\u0107, \u017ce jest na co czeka\u0107. Podobnie ze <strong>Sleaford Mods<\/strong>. Bez pewnych kontrowersji nie ob\u0119dzie si\u0119 przy<strong> Depeche Mode<\/strong> (teksty) i <strong>Voo Voo<\/strong> (muzyka &#8211; to bardzo skoncentrowany na warstwie instrumentalnej i zespo\u0142owym graniu album). Ciekaw jestem <strong>Grandaddy<\/strong>, <strong>The Magnetic Fields<\/strong>, <strong>Jarvisa Cockera<\/strong>, <strong>Pablopavo<\/strong> s\u0105siaduje z <strong>Dylanem<\/strong>, niewiele si\u0119 spodziewam po powrocie <strong>Jamiroquai<\/strong>, <strong>Tomasz Sta\u0144ko <\/strong>wydaje si\u0119 do\u015b\u0107 przewidywalny, na pewno bardziej ni\u017c album<strong> Kucharczyk\/Gazawat\/Czarny Latawiec<\/strong>. <strong>Mount Eerie<\/strong> mo\u017ce sprawi\u0107 niespodziank\u0119, <strong>Zeitkratzer<\/strong> poniek\u0105d ju\u017c j\u0105 sprawi\u0142, ale ten jest w dystrybucji ju\u017c od lutego, podobnie jak <strong>Lost Education<\/strong>. Zreszt\u0105 &#8211; nie b\u0119d\u0119 wymienia\u0142 wszystkiego, co mi si\u0119 uda\u0142o zebra\u0107 w sprawie marca, bo ju\u017c wymieni\u0142em poni\u017cej. Jest tego du\u017co, a w komentarzach prosz\u0119 dorzuci\u0107 dodatkowe informacje, je\u015bli ta setka okaza\u0142a si\u0119 niekompletna:<!--more--><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GQZN01Cqzek\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong><br \/>\n1.03<\/strong><br \/>\n<strong>Leepeck <\/strong>Borderline<br \/>\n<strong>Marcin Masecki<\/strong> Chopin. Nokturny, Lado ABC<br \/>\n<strong>Tadeusz Sudnik<\/strong> Tadeusz Sudnik &amp; His Friends In Art, Audio Cave<br \/>\n<strong><br \/>\n3.03<\/strong><br \/>\n<strong>Blanck Mass<\/strong> World Eater, Sacred Bones<br \/>\n<strong>Blonde Redhead<\/strong> 3 O&#8217;Clock, Charm Music EP<br \/>\n<strong>Chicano Batman<\/strong> Freedom Is Free, ATO<br \/>\n<strong>Czes\u0142aw \u015apiewa &amp; Arte dei Suonatori<\/strong> Czes\u0142aw \u015apiewa &amp; Arte dei Suonatori, Mystic<br \/>\n<strong>Daria Zawia\u0142ow<\/strong> A kysz, Sony<br \/>\n<strong>Ed Sheeran<\/strong> \u00f7, Warner<br \/>\n<strong>Francois &amp; The Atlas Mountains<\/strong> Solide Mirage, Domino<br \/>\n<strong>Grandaddy<\/strong> Last Place, Pledge<br \/>\n<strong>Holly Macve<\/strong> Golden Eagle, Bella Union<br \/>\n<strong>Ibibio Sound Machine<\/strong> Uyai, Merge<br \/>\n<strong>Jerzy Ma\u0142ek <\/strong>Forevelle, Kayax<br \/>\n<strong>Kitchens of Distinction<\/strong> Watch Our Planet Circle, One Little Indian box 6CD<br \/>\n<strong>Methyl Ethel<\/strong> Everything Is Forgotten, 4AD<br \/>\n<strong>Nadia Reid<\/strong> Preservation, Basin Rock<br \/>\n<strong>Sleaford Mods<\/strong> English Tapas, Rough Trade<br \/>\n<strong>Stonkatank<\/strong> Totem, STNKTNK<br \/>\n<strong>Venn<\/strong> Runes, Full Time Hobby<br \/>\n<strong>Why?<\/strong> Moh Lhean, Joyful Noise<\/p>\n<p><strong>4.03\u00a0<\/strong><br \/>\n<strong>Bitamina<\/strong> Kawalerka<br \/>\n<strong>Katharina Grosse, Stefan Schneider<\/strong> Tiergarten, Morr winyl, DL<\/p>\n<p><strong>6.03\u00a0<\/strong><br \/>\n<strong>Artur Ma\u0107kowiak<\/strong> Iconic Rapture, Wet Music<\/p>\n<p><strong>7 .03<\/strong><br \/>\n<strong>OONDOOD<\/strong> QSTNS, Pointless Geometry<br \/>\n<strong>Voo Voo<\/strong>\u00a07, Agora<\/p>\n<p><strong>10.03\u00a0<\/strong><br \/>\n<strong>Byul-org<\/strong> Selected Tracks for Nacht Damonen, Alien Transistor<br \/>\n<strong>Dayme Arocena<\/strong> Cubafonia, Brownswood<br \/>\n<strong>Doctor Greg Graffin<\/strong> Millport, Anti<br \/>\n<strong>Fink<\/strong> Fink&#8217;s SundayNight Blues Club Vol. 1, R&#8217;Coup&#8217;d<br \/>\n<strong>Gnoomes<\/strong> Tschak!, Rocket<br \/>\n<strong>High Plains<\/strong> Cinderland, Kranky<br \/>\n<strong>Hurray For The Riff Raff<\/strong> The Navigator, ATO<br \/>\n<strong>Inna de Yard<\/strong> The Soul of Jamaica, Chapter Two<br \/>\n<strong>Jesse Harris<\/strong> Music for Chameleons, Sunnyside CD, DL<br \/>\n<strong>Laura Marling<\/strong> Semper femina, More Alarming\/Mystic<br \/>\n<strong>Norman Westberg<\/strong> Jasper Sits Out, Room40<br \/>\n<strong>Ondatropica<\/strong> Balle Bucanero, Soundway<br \/>\n<strong>Pere Ubu<\/strong> Drive, He Said 1994-2002, Fire! 4LP<br \/>\n<strong>Shobaleader One<\/strong> Elektrac, Warp<br \/>\n<strong>Sir Was<\/strong> Digging a Tunnel, City Slang<br \/>\n<strong>Spectres<\/strong> Condition, Sonic Cathedral<br \/>\n<strong>The Magnetic Fields<\/strong> 50 Song Memoir Warner, 5CD<br \/>\n<strong>The Shins<\/strong> Heartworms, Columbia<\/p>\n<p><strong>11.03<\/strong><br \/>\n<strong>Kucharczyk\/Gazawat\/Czarny Latawiec<\/strong> Chocolats Belges, BDTA CDr\/MC<br \/>\n<strong>Maciek Sienkiewicz<\/strong> Merry Me, BDTA CD<br \/>\n<strong>SFTW<\/strong> Songs For D., Centrum Badania Mo\u017cliwo\u015bci<\/p>\n<p><strong>12.03<\/strong><br \/>\n<strong>Guiding Lights<\/strong> New Ways to Feel Bad, Instant Classic<\/p>\n<p><strong>13.03<\/strong><br \/>\n<strong>Mr Yo So<\/strong> Delicious, Father and Son Records and Tapes<\/p>\n<p><strong> 16.03<\/strong><br \/>\n<strong>Miuosh<\/strong> Pop, Creative Music<\/p>\n<p><strong>17.03<\/strong><br \/>\n<strong>Adult<\/strong> Detroit House Guests, Mute<br \/>\n<strong>Anohni<\/strong> Paradise, Secretly Canadian EP<br \/>\n<strong>Bisquit <\/strong>Nagi kr\u00f3l, Muzyka Powi\u015ble<br \/>\n<strong>Conor Oberst<\/strong> Salutations, Nonesuch<br \/>\n<strong>Depeche Mode<\/strong> Spirit, Sony<br \/>\n<strong>Jacaszek<\/strong> Kwiaty, Requiem<br \/>\n<strong>Jarvis Cocker &amp; Chilly Gonzales<\/strong> Room 29, Deutsche Grammophon<br \/>\n<strong>Jazzpospolita<\/strong> Humanizm<br \/>\n<strong>Julien Baker<\/strong> Sprained Ankle Matador<br \/>\n<strong>My Baby<\/strong> Prehistoric Rhythm, Glitterhouse<br \/>\n<strong>Pulled Apart By Horses<\/strong> The Haze, Caroline<br \/>\n<strong>Real Estate<\/strong> In Mind, Domino<br \/>\n<strong>Spoon<\/strong> Hot Thoughts, Matador<br \/>\n<strong>Tamikrest<\/strong> Kida,l Glitterbeat<br \/>\n<strong>VA<\/strong> Vodou Drums in Haiti 2: The Living Gods of Haiti &#8211; 21st Century Ritual Drums and Spirit Possession, Soul Jazz<br \/>\n<strong>VA<\/strong> From Here: English Folk Field Recordings, From Here<\/p>\n<p><strong>18.03<br \/>\nGrupa Etyka Kurpina<\/strong> Revolutionnnaire MC<\/p>\n<p><strong>20.03<\/strong><br \/>\n<strong>Let The Boy Decide<\/strong> Elapsea, Music Is The Weapon<br \/>\n<strong>Mitch &amp; Mitch &amp; Kassin<\/strong> Visitantes Nordestinos, Lado ABC<\/p>\n<p><strong>21.03 <\/strong><br \/>\n<strong>Bipolar<\/strong> Loa Frida, Anka Musik EP<br \/>\n<strong>X-Navi:et<\/strong> Machina Nova, Beast Of Prey\/Eter<\/p>\n<p><strong>23.03<\/strong><br \/>\n<strong>Hatti Vatti<\/strong> Szum, MOST<\/p>\n<p><strong>24.03<\/strong><br \/>\n<strong>Anjou<\/strong> Epithymia, Kranky<br \/>\n<strong>Arbouretum<\/strong> Fall From An Eyrie<br \/>\n<strong>Craig Finn<\/strong> We All Want The Same Things, Partisan<br \/>\n<strong>Golden Disko<\/strong> Ship Imaginary Boys, Karlrecords<br \/>\n<strong>Grzegorz Bojanek<\/strong> Stories of an Old Man<br \/>\n<strong>Jakuzi <\/strong>Fantezi M\u00fczik, City Slang<br \/>\n<strong>Luc Ferrari<\/strong> H\u00e9t\u00e9rozygote \/ Petite symphonie&#8230;, Recollection GRM LP<br \/>\n<strong>Mount Eerie<\/strong> A Crow Looked At Me, PW Elverum and Sun<br \/>\n<strong>Samantha Grain<\/strong> You Had Me At Goodbye, Full Time Hobby<br \/>\n<strong>Spiral Stairs<\/strong> Doris &amp; The Daggers, Domino<br \/>\n<strong>The Jesus and Mary Chain<\/strong> Damage and Joy, EK OK<br \/>\n<strong>The Laetitia Sadier Source Ensemble<\/strong> Find Me Fining You, Drag City<br \/>\n<strong>The Moonlandingz<\/strong> Interplanetary Class Classics, Transgressive<br \/>\n<strong>The Residents<\/strong> The Ghost of Hope, Cherry Red<br \/>\n<strong>Torgeir Waldemar<\/strong> No Offending Borders, Jansen Platenproduksjon<br \/>\n<strong>Wolf Eyes<\/strong> Undertow, Lower Floor<br \/>\n<strong>Zeitkratzer<\/strong> Zeitkratzer Performs Songs from &#8222;Kraftwerk&#8221; and &#8222;Kraftwerk 2&#8221;, Karlrecords<\/p>\n<p><strong>25.03 <\/strong><br \/>\n<strong>Daniel Spaleniak<\/strong> Back Home, Antena Krzyku LP+CD<\/p>\n<p><strong>28.03<\/strong><br \/>\n<strong> Lost Education<\/strong> Book of Dreams, Lado ABC faktycznie ju\u017c jest DL<\/p>\n<p><strong>30.03 <\/strong><br \/>\n<strong>Pablopavo<\/strong> Ladinola, Karrot Kommando<\/p>\n<p><strong>31.03 <\/strong><br \/>\n<strong>Agim <\/strong>Votulia, Agora<br \/>\n<strong>Bob Dylan<\/strong> Triplicate, Columbia box<br \/>\n<strong>British Sea Power<\/strong> Let The Dancers Inherit The Party, Golden Chariot<br \/>\n<strong>Chaz Bundick &amp; The Mattson<\/strong> 2 Star Stuff, Company<br \/>\n<strong>Coco Hames<\/strong> Coco Hames, Merge<br \/>\n<strong>Gruppo di contruzione \/ Ma\u0142e Instrumenty<\/strong> Samor\u00f3bka, Fundacja Pozytywka<br \/>\n<strong>Hauschka<\/strong> What If, Temporary Residence<br \/>\n<strong>Jamiroquai<\/strong> Automaton, Universal<br \/>\n<strong>Julia Holter<\/strong> In the Same Room, Domino<br \/>\n<strong>Nelly Furtado<\/strong> The Ride<br \/>\n<strong>Rodney Crowell<\/strong> Close Ties, New West<br \/>\n<strong>Nines <\/strong>One Foot Out, XL<br \/>\n<strong>Tomasz Sta\u0144ko New York Quartet<\/strong> December Avenue, ECM<br \/>\n<strong>Zu<\/strong> Jhator, House of Mitology<\/p>\n<p><strong>tba <\/strong><br \/>\n<strong>Electro-Acoustic Beat Sessions<\/strong> Repetitions, Astigmatic<br \/>\n<strong>Fischerle<\/strong> Postfunctional Dub Objects, Czaszka<br \/>\n<strong>Krzycz<\/strong> Trauma, Instant Classic 2CD<br \/>\n<strong>Technidolor<\/strong> Strach, Brazztwo<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kilka p\u0142yt z marca ju\u017c zd\u0105\u017cy\u0142em przes\u0142ucha\u0107. I o ile ocen\u0119 Nokturn\u00f3w Marcina Maseckiego musz\u0119 tym razem pozostawi\u0107 innym (porz\u0105dna, by nie powiedzie\u0107: prawilna p\u0142yta chopinowska &#8211; nawet pianino Marcina brzmi tu inaczej ni\u017c zwykle &#8211; koncert dzi\u015b na zako\u0144czenie jubileuszowej serii wyst\u0119p\u00f3w radiowej Dw\u00f3jki!), to w sprawie Mitch &#038; Mitch &#038; Kassin mog\u0119 \u015bmia\u0142o [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":12861,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2696,1139,1059],"tags":[2697],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12858"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=12858"}],"version-history":[{"count":13,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12858\/revisions"}],"predecessor-version":[{"id":12878,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/12858\/revisions\/12878"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/12861"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=12858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=12858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=12858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}