{"id":14360,"date":"2017-07-31T09:30:36","date_gmt":"2017-07-31T07:30:36","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=14360"},"modified":"2017-07-31T18:43:54","modified_gmt":"2017-07-31T16:43:54","slug":"premiery-sierpnia-2017","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/07\/31\/premiery-sierpnia-2017\/","title":{"rendered":"Premiery sierpnia 2017"},"content":{"rendered":"

My\u015blenie o wakacjach w sierpniu wydaje si\u0119 troch\u0119 sp\u00f3\u017anione, szczeg\u00f3lnie je\u015bli kto\u015b si\u0119 interesuje muzyk\u0105. Nowe p\u0142yty Grizzly Bear<\/strong>, Oneohtrix Point Never<\/strong>, Thee Oh Sees<\/strong>, Ty Segalla<\/strong>, Vijaya Iyera<\/strong>, Stevena Wilsona<\/strong>,\u00a0Susanne Sundfor,<\/strong>\u00a0Unkle<\/strong>, Queens of the Stone Age,<\/strong>\u00a0The War On Drugs<\/strong> i Billa Orcutta<\/strong>. Ma\u0142o? To jeszcze ciekawa afrocentryczna kompilacja Soul of a Nation<\/em><\/strong>\u00a0(towarzyszy jej wystawa w Tate Modern). Martin Hannett<\/strong> oddaje ho\u0142d Delii Derbyshire<\/strong>. Reedycje Briana Eno<\/strong> i Bevis Frond<\/strong>. Wznowienia album\u00f3w Bruno Spoerriego<\/strong>. Remiksy Dungen<\/strong>. Muzyka filmowa Nicka Cave’a<\/strong> z Warrenem Ellisem<\/strong>. W Polsce – Zebry a Mit<\/strong> i Muzyka Ko\u0144ca Lata<\/strong>. Adam Ba\u0142dych<\/strong> na obczy\u017anie. Poni\u017cej link do stale aktualizowanej listy premier oraz lista sierpniowych premier p\u0142ytowych zamkni\u0119ta\u00a0dzi\u015b. Skracajcie urlopy, odwo\u0142ujcie czartery, odk\u0142adajcie pieni\u0105dze.<\/p>\n

PREMIERY SIERPNIA 2017<\/strong><\/a><\/p>\n

4.08\u00a0<\/strong>
\nBrian Eno<\/strong> Here Come the Warm Jets, Virgin EMI reed. LP
\nBrian Eno<\/strong> Taking Tiger Mountain (by Strategy), Virgin EMI reed. LP
\nBrian Eno<\/strong> Another Green World, Virgin EMI reed. LP
\nBrian Eno<\/strong> Before and After Science, Virgin EMI reed. LP
\nBriana Marela<\/strong> Call It Love, Jagjaguwar
\nCaroline Says<\/strong> 50,000,000 Elvis Fans Can’t Be Wrong, Western Vinyl
\nHieroglyphic Being, Sarathy Korwar & Shabaka Hutchings<\/strong> A.R.E. Projects, Technicolour EP DL
\nLal & Mike Waterson<\/strong> Bright Phoebus, Domino
\nMassimo Pupillo \/ Alexandre Babel \/ Caspar Br\u00f6tzmann<\/strong> Live at Candy Bomber Studios Vol. 1, Karlrecords LP
\nMonk Parker<\/strong> Crown of Sparrows, Grand Jury Music
\nNaomi Punk<\/strong> Yellow, Captured Tracks CD\/LP\/DL
\nNick Heyward<\/strong> Woodland Echoes, Gladsome Hawk
\nPhonophani<\/strong> Animal Imagination, Hubro CD\/LP
\nRandy Newman<\/strong> Dark Matter, Nonesuch
\nSoccer Mommy<\/strong> Collection, Fat Possum
\nSteve Adey<\/strong> Do Me a Kindness, Grand Harmonium
\nVA<\/strong> Soul of a Nation: Afro-Centric Visions in the Age of Black Power, Soul Jazz
\nWarm Digits<\/strong> Wireless World, Memphis Industries<\/p>\n

11.08<\/strong>
\nAnnea Lockwood<\/strong> Tiger Balm \/ Amazonia Dreaming \/ Immersion, Black Truffle LP
\nBlondes<\/strong> Warmth, R&S
\nCuranderos<\/strong> Curanderos, Fire
\nDave Rawlings<\/strong> Poor David’s Almanack, Acony
\nDowntown Boys<\/strong> Cost of Living, Sub Pop
\nGraham Reynolds<\/strong> A Scanner Darkly OST, Fire\/Lakeshore
\nJen Cloher<\/strong> Jen Cloher, Marathon Artists\/Mystic
\nKonami Kukeiha Club<\/strong> Super Castlevania IV Original Video Game Soundtrack, Mondo 2LP
\nMartin Hannett<\/strong> Homage to Delia Derbyshire, Ozit Dandelion CD, LP – 25.08
\nMilo<\/strong> Who Told You to Think\u200b?\u200b?\u200b!\u200b!\u200b?\u200b!\u200b?\u200b!\u200b?\u200b!, Ruby Yacht
\nNick Cave & Warren Ellis<\/strong> War Machine OST, Invada
\nOneohtrix Point Never<\/strong> Good Time Motion Picture Soundtrack, Warp
\nPan Daijing<\/strong> Lack, PAN LP
\nPaul Draper<\/strong> Spooky Action, KScope
\nRichard Thompson<\/strong> Acoustic Classics Vol. II, Beeswing
\nThe Districts<\/strong> Popular Manipulations, Fat Possum
\nVA<\/strong> Avocet Revisited, Earth
\nYasunao Tone<\/strong> All Deviation #1, #2, Editions Mego<\/p>\n

17.08\u00a0<\/strong>
\nUnkle<\/strong> The Road: Part 1, Songs For The Def<\/p>\n

18.08<\/strong>
\nDavid Barbe<\/strong> 10th of Seas, Orange Twin
\nDecosta Boyce<\/strong> Electrick Soul, Vintedge
\nEverything Everything<\/strong> A Fever Dream, RCA
\nGhostpoet<\/strong> Dark Days and Canapes, PIAS
\nGrizzly Bear<\/strong> Painted Ruins, RCA
\nJudy Dyble & Andy Lewis<\/strong> Summer Dancing, Acid Jazz
\nRon Pope<\/strong> Work, Brooklyn Basement
\nSteven Wilson<\/strong> To the Bone Universal
\nAdam Ba\u0142dych & Helge Lien Trio + Tore Brunborg<\/strong> Brothers, ACT
\nAlex Chilton<\/strong> A Man Called Destrucion, Omnivore reed. 1995
\nAngelo de Augustine<\/strong> Swim Inside the Moon, Asthmatic Kitty
\nBruno Spoerri<\/strong> Voice of Taurus, We Release Whatever the Fuck We Want reed. LP
\nBruno Spoerri & Reto Weber<\/strong> The Sound Of The Ufos ,We Release Whatever the Fuck We Want reed. LP
\nChris Forsyth & The Solar Motel Band<\/strong> Dreaming in the Non-Dream, No Quarter
\nDungen<\/strong> H\u00e4xan (Versions by Prins Thomas), Smalltown Supersound
\nEma<\/strong> Exile in the Outer Ring, Republic of Music
\nEmma Rusack<\/strong> Permanent Vacation, Spunk!
\nHa\u0144ba!<\/strong> B\u0119d\u0105 bi\u0107, Antena Krzyku CD\/LP\/DL
\nIron & Wine<\/strong> Beast Epic, Sub Pop
\nJoseph Shabason<\/strong> Aytche, Western Vinyl
\nKhalil<\/strong> The Water We Drink, Posh Isolation LP
\nMachine Woman<\/strong> When Lobster Comes Home, Technicolour
\nMerzbow<\/strong> Hyakki Echo, Dirter Promotions CD-LP ltd.
\nMuzyka Ko\u0144ca Lata<\/strong> Z\u0142oty kr\u0105\u017cek, Thin Man Records
\nNadine Shah<\/strong> Holiday Destinantion, 1965
\nOh Sees<\/strong> Orc, Castleface (Thee Oh Sees)
\nPessimist<\/strong> Pessimist, Blackest Ever Black
\nPortico Quartet<\/strong> Art in the Age of Automation, Gondwana
\nQueens of the Stone Age<\/strong> Villains, Matador
\nRadius<\/strong> Obsolete, Echospace
\nSeefeel \/ Scorn \/ Timothy Leary \/ Yanomami<\/strong> Ancient Lights And The Black Core, Sub Rosa LP
\nSusanne Sundfor<\/strong> Music for People in Trouble, Bella Union
\nThe Bevis Frond<\/strong> The Auntie Winnie Album, Fire reed.
\nThe Bevis Frond<\/strong> Bevis Through The Looking Glass, Fire reed.
\nThe Bevis Frond<\/strong> Triptych, Fire reed.
\nThe War On Drugs<\/strong> A Deeper Understanding, Atlantic
\nTy Segall<\/strong> Fried Shallots, Drag City EP\/12″
\nVA<\/strong> Avant Garde Is Happening Because Collaborations Are Happening, Dirter Promotions
\nVijay Iyer Sextet<\/strong> Far From Over, ECM<\/p>\n

31.08<\/strong>
\nZebry a Mit<\/strong> Laumes, Fundacja Kaisera S\u00f6ze<\/p>\n

Dzi\u0119ki dla korekty obywatelskiej<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

My\u015blenie o wakacjach w sierpniu wydaje si\u0119 troch\u0119 sp\u00f3\u017anione, szczeg\u00f3lnie je\u015bli kto\u015b si\u0119 interesuje muzyk\u0105. Nowe p\u0142yty Grizzly Bear, Oneohtrix Point Never, Thee Oh Sees, Ty Segalla, Vijaya Iyera, Stevena Wilsona,\u00a0Susanne Sundfor,\u00a0Unkle, Queens of the Stone Age,\u00a0The War On Drugs i Billa Orcutta. Ma\u0142o? To jeszcze ciekawa afrocentryczna kompilacja Soul of a Nation\u00a0(towarzyszy jej wystawa […]<\/p>\n","protected":false},"author":1,"featured_media":14364,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,1059,2695],"tags":[2916],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14360"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=14360"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14360\/revisions"}],"predecessor-version":[{"id":14370,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14360\/revisions\/14370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/14364"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=14360"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=14360"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=14360"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}