{"id":14591,"date":"2017-08-30T09:10:27","date_gmt":"2017-08-30T07:10:27","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=14591"},"modified":"2017-08-30T11:48:44","modified_gmt":"2017-08-30T09:48:44","slug":"132-premiery-plytowe-wrzesnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/08\/30\/132-premiery-plytowe-wrzesnia\/","title":{"rendered":"132 premiery p\u0142ytowe wrze\u015bnia"},"content":{"rendered":"

We wrze\u015bniu uka\u017ce si\u0119 wi\u0119cej p\u0142yt ni\u017c zd\u0105\u017cycie przes\u0142ucha\u0107. Zak\u0142ad? To sp\u00f3jrzcie na t\u0119 list\u0119 zebran\u0105 w du\u017cej mierze dzi\u0119ki pomocy czytelnik\u00f3w Polifonii*. Od LCD Soundsystem<\/strong> po Krystiana Zimermana<\/strong>, od The National<\/strong> po Maryl\u0119 Rodowicz<\/strong> i od Lee Gamble<\/strong> po Lee Ranaldo<\/strong>. Z The Stubs<\/strong> tu\u017c obok Kurws<\/strong>. Zola Jesus<\/strong> obok Tori Amos<\/strong>. I jeszcze Ariel Pink<\/strong>. Z uwzgl\u0119dnieniem Godspeed You! Black Emperor<\/strong> i Kamasim Washingtonem<\/strong> na dok\u0142adk\u0119.\u00a0Od najpopularniejszych do najmniej popularnych – na r\u00f3wnych prawach. W komplecie nie us\u0142yszycie tego zapewne w \u017cadnej audycji\u00a0– tym bardziej, \u017ce chwilowo nie nadaje HCH<\/a>. Przy okazji: bardzo dzi\u0119kuj\u0119 za wszystkie mi\u0142e sygna\u0142y, kt\u00f3re do mnie jako wsp\u00f3\u0142autora tej audycji sp\u0142yn\u0119\u0142y (gdyby\u015bmy wiedzieli, \u017ce to si\u0119 wi\u0105\u017ce z tak du\u017cym wsparciem, pewnie spadaliby\u015bmy z anteny cz\u0119\u015bciej). Ale wi\u0119cej czasu b\u0119d\u0119 m\u00f3g\u0142 po\u015bwi\u0119ci\u0107 na przygotowywanie tego typu wpis\u00f3w. Kopiujcie poni\u017csz\u0105 list\u0119, dzielcie si\u0119 ni\u0105 – wed\u0142ug uznania. Wasza ulubiona p\u0142yta miesi\u0105ca gdzie\u015b tu jest.<\/p>\n

PREMIERY P\u0141YTOWE WRZE\u015aNIA 2017<\/strong><\/p>\n

1 .09<\/strong>
\nActress x London Contemporary Orchestra<\/strong>\u00a0Audio Track 5, Ninja Tune 12″
\nAlameda Duo\u00a0<\/strong>The Luminous Guitar Craft of Alameda Duo, Instant Classic<\/span>
\nCharles Douglas<\/strong> Statecraft, Broken House reed. 2004
\nD\u00e4lek<\/strong>\u00a0Endangered Philosophies, Ipecac
\nEma<\/strong> Exile In The Outer Ring, City Slang LP
\nGrohman Orchestra & Krzysztof Herdzin<\/strong> Klasyka polskiej rozrywki, Q4Q CD
\nGuantanamo Party Program<\/strong> III, Antena Krzyku LP\/CD\/DL
\nHaco<\/strong> Qoosui, Someone Good
\nHelium<\/strong> The Magic City + No Guitars, Matador 2LP, reed.
\nHelium<\/strong> The Dirt of Luck, Matador LP, reed.
\nHelium<\/strong> Ends With And, Matador 2LP, reed.
\nHercules & Love Affair<\/strong> Omnion, Skint\/Mr Intr
\nLal & Mike Waterson<\/strong> Bright Phoebus, Domino CD, LP
\nLCD Soundsystem<\/strong> American Dream, DFA
\nLord Youth<\/strong> Gray Gardens, BB Island\/Shellshock
\nMAPA<\/strong> No automatu, Gusstaff CD, LP
\nMark Olson<\/strong> Spokeswoman of the Bright Sun, Glitterhouse
\nMary Epworth<\/strong> Elytral, Sunday Best
\nMogwai<\/strong> Every Country’s Sun, Rock Action
\nNatalia Przybysz<\/strong> \u015awiat\u0142o nocne, Warner
\nOrchestral Manouvers In The Dark<\/strong> The Punishment of Luxury, 100%
\nRobert Sotelo<\/strong> Cusp, Upset the Rhythm
\nSteve Winwood<\/strong> Greatest Hits Live, Wincraft\/Thirty Tigers
\nThe Rails<\/strong> Other People, Sony\/Red Essential
\nThe Surfing Magazines<\/strong> The Surfing Magazines, Moshi Moshi
\nTrailer Trash Tracys<\/strong> Althaea, Domino LP<\/p>\n

2.09<\/strong>
\n19 Wiosen<\/strong> Cesarstwo Zwierz\u0105t, Kosmopolitania Medjateka\/BDTA CD<\/p>\n

4.09<\/strong>
\nAylu<\/strong> Groove 4, Outlines MC
\nStarzy Singers<\/strong> Takie jest ces’t la vie, Antena Krzyku 2LP+DL reed.<\/p>\n

6.09\u00a0<\/strong>
\nMicha\u0142 B\u0105k Quartetto<\/strong> Micha\u0142 B\u0105k Quartetto, Alpaka Records CD<\/p>\n

8.09\u00a0<\/strong>
\nAlex Cameron<\/strong> Forced Witness, Secretly Canadian
\nAlvvays<\/strong> Antisocialites, Transgressive
\nAngelo Badalamenti<\/strong> Blue Velvet OST, Fire reed. 1986
\nBenoit Pioulard<\/strong> Lignin Poise, Beacon Sound
\nChad Vangaalen<\/strong> Light Information, Sub Pop
\nCobra Man<\/strong> New Driveaway OST, Goner
\nDavid Ramirez<\/strong> We’re Not Going Anywhere, Thirty Tigers
\nDeerhoof<\/strong> Mountain Moves, Joyful Noise
\nJack Johnson<\/strong> All the Light Above It Too, Brushfire\/Republic
\nKrystian Zimerman<\/strong> Franz Schubert – piano sonatas, Deutsche Grammophon
\nLali Puna<\/strong> Two Windows, Morr Music
\nMasha Qrella<\/strong> Keys, Jazzboy
\nMeeting By Chance<\/strong> Lines, Apollo
\nMeridian Brothers<\/strong> Donde Estas Maria?, Soundway LP\/CD\/DL
\nMicah P Hinson<\/strong> Micah P Hinson Presents The Holy Strangers, Full Time Hobby
\nMirt\/Ter<\/strong> Bacchus. Where are you?, Monotype LP, CD, DL
\nMount Kimbie<\/strong> Love What Survives, Warp CD, 2LP
\nNeil Young<\/strong> Hitchhiker, Reprise arch.
\nNick Mulvey<\/strong> Wake Up Now, Fiction
\nNosaj Thing<\/strong> Parallels, Innovative Leisure CD\/DL\/LP
\nPHICUS (Ferran Fages, Alex Reviriego, Vasco Trilla)<\/strong> Plom, Multikulti Project\/ Spontaneous Music Tribune CD
\nSparks<\/strong> Hippopotamus, BMG
\nThe Dream<\/strong> Syndicate How Did I Find Myself Here?, Anti-
\nThe Movers<\/strong> Kansas City, Soundway
\nThe National<\/strong> Sleep Well Beast, 4AD
\nThe Waterboys<\/strong> Out of All This Blue, BMG
\nThomas Dimuzio\/Alan Courtis<\/strong> Monk Style or Scream, Monotype LP, DL
\nTim Mislock<\/strong> Now Is the Last Best Time, Eraclea
\nTori Amos<\/strong> Native Invader, Decca
\nTubis Trio<\/strong> The Truth, Challenge Records CD
\nTyshawn Sorey<\/strong> Verisimilitude, Pi Recordings CD, DL
\nZola Jesus<\/strong> Okovi, Sacred Bones<\/p>\n

11.09<\/strong>
\nVA<\/strong> Shattered, Flattered & Covered – A Tribute to Unsane, Antena Krzyku 2LP, 2CD<\/p>\n

12.09\u00a0<\/strong>
\nGenetic Transmission \/ Moan<\/strong> Collaboration nr 1, Zoharum CD
\nHybryds<\/strong> The Ritual of the Rave, Zoharum CD
\nJarl<\/strong> Negative Rotation \/ Intensive Fracture, Zoharum 2CD
\nManinkari<\/strong> L’Oc\u00e9an Reve Dans Sa Loisivet\u00e9 II, Zoharum CD
\nMoan \/ Genetic Transmission<\/strong> Dedicated to Luigi Russolo, Zoharum CD
\n14.09 <\/strong>
\nUr Jorge<\/strong> Ko\u0144c\u00f3wki serii, Wyd. w\u0142asne CD<\/p>\n

15.09<\/strong>
\n Alters<\/strong> Dawn, Musea Records CD
\nAntibalas<\/strong> Where the Gods Are In Peace, Daptone
\nAriel Pink<\/strong> Dedicated to Bobby Jameson, Mexican Summer
\nBark Psychosis<\/strong> Hex, Fire reed.
\nBenjamin Clementine<\/strong> I Tell a Fly, Virgin
\nDeer Tick<\/strong> Deer Tick vol. 1\/ Deer Tick vol. 2, Partisan
\nFink<\/strong> Resurgam, R’coup’d\/NoPaper
\nFoo Fighters<\/strong> Concrete and Gold, Sony
\nGeinoh Yamashirogumi<\/strong> Akira Symphonic Suite OST, Milan
\nKiran Leonard<\/strong> Derevaun Seraun, Moshi Moshi
\nKrzysztof Herdzin<\/strong> Look Inward. Solo Piano by Krzysztof Herdzin, Strefa 101
\nLarry Campbell & Teresa Williams<\/strong> Contraband Live, Red House
\nLee Gamble<\/strong> Mnestic Pressure, Hyperdub
\nLee Ranaldo<\/strong> Electric Trim, Mute
\nLegumina<\/strong> Something Pasty And Probably Yellow, Not That
\nLukas Nelson & Promise of the Real<\/strong> Lukas Nelson & Promise of the Real, Fantasy
\nMaryla Rodowicz<\/strong> Ach, \u015bwiecie, Sony
\nProphets Of Rage<\/strong> Prophets of Rage, Caroline
\nRostam<\/strong> Half-Light, Nonesuch
\nS\u0142awek Jasku\u0142ke<\/strong> Jaskulke Tokyo Solo Concert, SEA Label CD
\nszymonm\u00f3wi<\/strong> Co\u015b si\u0119 zepsu\u0142o EP DL
\nWillie Watson<\/strong> Folksinger vol. 2, Acony<\/p>\n

17.09<\/strong>
\nSindre Bjerga & Hubert Heathertoes<\/strong> Double Exposure, Astipalea MC<\/p>\n

22.09 <\/strong>
\nBrix & The Extricated<\/strong> Part Two, Blang
\nChelsea Wolfe<\/strong> Hiss Spun, Sargent House
\nChris Hillman<\/strong> Bidin\u2019 My Time, Rounder
\nCristobal And The Sea<\/strong> Exotica, City Slang CD, LP
\nGodspeed You! Black Emperor<\/strong> Luciferian Towers, Constellation
\nHelatone<\/strong> Concrete Cave, Electric Eye CD (po 20.09)
\nHiss Golden Messenger<\/strong> Hallelujah Anyhow, Merge
\nMarc Almond<\/strong> Shadows and Reflections, BMG
\nMaryam Saleh\/Maurice Louca\/Tamer Abu <\/strong>Ghazaleh Lekhfa, Moskatell CD, DL, LP
\nMetz<\/strong> Strange Peace, Sub Pop
\nMoses Sumney<\/strong> Aromanticism, Jagjaguwar
\nNormal Echo<\/strong> Kaskady, Latarnia CD
\nPhoebe Bridgers<\/strong> Stranger in the Alps, Dead Oceans
\nThe Clientele<\/strong> Music for the Age of Miracles, Tapete
\nThe Horrors<\/strong> V, Caroline
\nTricky<\/strong> ununiform, NoPaper\/False Idols\/K7
\nVA<\/strong> Woody Guthrie: The Tribute Concerts, Bear Family arch.
\nVan Morrison<\/strong> Roll With the Punches, Caroline
\nWand<\/strong> Plum, Drag City [ok\u0142adka na zdj\u0119ciu]<\/span>
\nWolves in the Throne Room<\/strong> Thrice Woven, Artemisia<\/p>\n

23.09 <\/strong>
\nPrawatt <\/strong>2.0, Nasiono MC
\nVA<\/strong> \u0179wier\u015bciad\u0142o – Slavic Mirror, In crudo\/Requiem CD<\/p>\n

25.09 <\/strong>
\n3moonboys<\/strong> Zawsze jest za kr\u00f3tko, 3mbp CD
\nIgorilla<\/strong> Wbrew, Kalejdoskop CD<\/p>\n

27.09 <\/strong>
\nWoda<\/strong> Woda, thisisnotarecord CD<\/p>\n

29.09 <\/strong>
\nAndrzej Korzy\u0144ski<\/strong> Wielki Szu, GAD Records arch.
\nDAF<\/strong> Das Ist DAF, Gronland arch,
\nDavid Gilmour<\/strong> Live at Pompeii, Sony
\nGiulio Aldinucci<\/strong> Borders and Ruins, Karlrecords DL\/LP
\nKamasi Washington<\/strong> Harmony of Difference, Young Turks CD EP, 12″
\nKrzysztof Komeda<\/strong> People Meet and Sweet Music Fills the Heart, GAD Records arch.
\nKurws<\/strong> Alarm, Gusstaff Records CD
\nLord Echo<\/strong> The Sweetest Meditation Remixes, Soundway
\nPearl Jam<\/strong> Live at Wrigley Field. Let’s Play Two, Universal
\nPentangle<\/strong> The Albums: 1968-72, Cherry Red arch. box
\nProtomartyr<\/strong> Relatives In Descent, Domino CD, LP, LP ltd.
\nPure Phase Ensemble ft Anton Newcombe<\/strong> Live at Space Fest, Nasiono
\nRemo<\/strong> Przed siebie, MyMusic CD, DL
\nThe Stubs<\/strong> Let’s Die, Instant Classic CD, LP
\nTorres<\/strong> Three Futures, 4AD
\nW\u0142adys\u0142aw Komendarek<\/strong> Hibernacja nr 1, GAD Records reed. 1990, CD
\nW\u0142adys\u0142aw Komendarek<\/strong> Fruwaj\u0105ca lalka, GAD Records reed. 1991, CD
\nZara McFarlane<\/strong> Arise, Brownswood
\n
\n*Lista p\u0142yt mo\u017ce nie odpowiada\u0107 liczbie umieszczonej w tytule notki. Kilka tytu\u0142\u00f3w zosta\u0142o dopisanych po publikacji. A niekt\u00f3rzy jeszcze pewnie ko\u0144cz\u0105 nagrywa\u0107 wrze\u015bniowe premiery…<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

We wrze\u015bniu uka\u017ce si\u0119 wi\u0119cej p\u0142yt ni\u017c zd\u0105\u017cycie przes\u0142ucha\u0107. Zak\u0142ad? To sp\u00f3jrzcie na t\u0119 list\u0119 zebran\u0105 w du\u017cej mierze dzi\u0119ki pomocy czytelnik\u00f3w Polifonii*. Od LCD Soundsystem po Krystiana Zimermana, od The National po Maryl\u0119 Rodowicz i od Lee Gamble po Lee Ranaldo. Z The Stubs tu\u017c obok Kurws. Zola Jesus obok Tori Amos. I jeszcze […]<\/p>\n","protected":false},"author":1,"featured_media":14618,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,583,2696,1059,2695,557],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14591"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=14591"}],"version-history":[{"count":16,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14591\/revisions"}],"predecessor-version":[{"id":14630,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/14591\/revisions\/14630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/14618"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=14591"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=14591"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=14591"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}