{"id":15388,"date":"2017-10-30T09:35:34","date_gmt":"2017-10-30T08:35:34","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=15388"},"modified":"2017-11-09T12:27:15","modified_gmt":"2017-11-09T11:27:15","slug":"113-premier-plytowych-listopada","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2017\/10\/30\/113-premier-plytowych-listopada\/","title":{"rendered":"113 premier p\u0142ytowych listopada"},"content":{"rendered":"<p>Nie mog\u0142em si\u0119 powstrzyma\u0107 przed zaproszeniem do lektury ok\u0142adk\u0105 <strong>Taylor Swift<\/strong>. To pewnie jedyna taka okazja. Gdyby ok\u0142adka p\u0142yty by\u0142a ju\u017c znana, pewnie zaproponowa\u0142bym raczej <strong>Bj\u00f6rk.<\/strong>\u00a0Zestaw premier listopada 2017 obejmuje poza tym innych wykonawc\u00f3w, kt\u00f3rych p\u0142yty ludzie kupuj\u0105 (<strong>Sam Smith<\/strong>, <strong>Krzysztof Krawczyk<\/strong>) i ca\u0142\u0105 ciekawsz\u0105 reszt\u0119, bo karuzela przed\u015bwi\u0105tecznego handlu zaczyna powoli wyhamowywa\u0107 &#8211; nie wszystko to, co si\u0119 uka\u017ce w listopadzie, uda si\u0119 wypromowa\u0107 przed Gwiazdk\u0105. Jest po\u017cegnalna p\u0142yta <strong>Sharon Jones &amp; The Dap-Kings, <\/strong>du\u017co muzyki filmowej<strong>\u00a0<\/strong>oraz\u00a0kilka polskich album\u00f3w, na kt\u00f3re z pewno\u015bci\u0105 warto czeka\u0107 (<strong>Jazz Band M\u0142ynarski Masecki, Lotto<\/strong>), premiera kolejnego naszego jazzmana w barwach ECM\u00a0(<strong>Maciej Obara Quartet<\/strong>), sporo rzeczy z okolic muzyki ludowej (<strong>Adam Strug<\/strong>, <strong>Kapela Malisz\u00f3w<\/strong>), a tak\u017ce retrospektywne wydawnictwa pod choink\u0119 (do wyboru &#8211; <strong>Black Sabbath<\/strong>,\u00a0<strong>H\u00fcsker D\u00fc<\/strong>).<!--more--><\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ipynkBxtMOc\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p><strong>PREMIERY\u00a0LISTOPADA 2017<\/strong><\/p>\n<p>(<a href=\"http:\/\/polifonia.blog.polityka.pl\/premiery-plytowe-2017\/11-2017\/\">tutaj<\/a> lista uzupe\u0142niana na bie\u017c\u0105co)<\/p>\n<p><strong>3.11\u00a0<\/strong><br \/>\n<strong>Annihilator<\/strong> For the Demented, Silver Lining<br \/>\n<strong>Artur Rojek<\/strong> Koncert w NOSPR, Kayax<br \/>\n<strong>Belbury Circle<\/strong> Outward Journeys, Ghost Box LP<br \/>\n<strong>Bibio<\/strong> Phantom Brickworks, Warp CD, 2LP<br \/>\n<strong>Blitzen Trapper<\/strong> Wild and Reckless, Lidkercow<br \/>\n<strong>Bob Dylan<\/strong> The Bootleg Series Vol. 13: Trouble No More 1979-1981, Legacy arch.<br \/>\n<strong>Cannibal Corpse<\/strong> Red Before Black, Metal Blade<br \/>\n<strong>Django Bates\u2019 Beloved<\/strong> The Study of Touch, ECM<br \/>\n<strong>Eera<\/strong> Reflection of Youth, Big Dada<br \/>\n<strong>James Holden &amp; The Animal Spirits<\/strong> The Animal Spirits, Border Community<br \/>\n<strong>Kortez<\/strong> M\u00f3j dom, Jazzboy<br \/>\n<strong>Liima<\/strong> 1982, City Slang CD, LP<br \/>\n<strong>Lost Horizons (Simon Raymonde &amp; Richie Thomas)<\/strong> Ojala, Bella Union<br \/>\n<strong>Maciej Obara Quartet<\/strong> Unloved, ECM<br \/>\n<strong>Maroon 5<\/strong> Red Pill Blues, Polydor<br \/>\n<strong>Max Richter<\/strong> Disconnect OST, Milan<br \/>\n<strong>niXes<\/strong> niXes, Agora<br \/>\n<strong>Null + Void<\/strong> Cryosleep, HFN\/NoPaper<br \/>\n<strong>Padam<\/strong> Live at Na Siano Sunrise, Na Siano Records CD-R, DL<br \/>\n<strong>Pinkcourtesyphone<\/strong> Indelicate Slices, Room40<br \/>\n<strong>Sam Smith<\/strong> The Thrill of It All, Capitol<br \/>\n<strong>Shamir<\/strong> Revelations, Father\/Daughter<br \/>\n<strong>Stereophonics<\/strong> Scream Above the Sounds, PLG<br \/>\n<strong>SURVIVE<\/strong> RR7387 Remixes, Relapse<br \/>\n<strong>Sven Laux<\/strong> Paper Streets, Dronarium<br \/>\n<strong>Ueno Takashi<\/strong> Smoke Under the Water, Room40<\/p>\n<p><strong>4.11\u00a0<\/strong><br \/>\n<strong>So Flow<\/strong> Parallels, Audio Cave CD, LP<\/p>\n<p><strong>5.11\u00a0<\/strong><br \/>\n<strong>Serge Gainsbourg &amp; Jean-Claude Vannier<\/strong> Les Chemins de Katmandou, Finders Keepers reed.<\/p>\n<p><strong>6.11\u00a0<\/strong><br \/>\n<strong>Miuosh<\/strong> Wujek &#8217;81. Czarna ballada, MTJ<br \/>\n<strong>Sztywny Pal Azji<\/strong> Szara, MTJ<\/p>\n<p><strong>7.11\u00a0<\/strong><br \/>\n<strong>Piotr Wojtasik<\/strong> Tribute to Akwarium, JazzSound<\/p>\n<p><strong>8.11\u00a0<\/strong><br \/>\n<strong>Lasy<\/strong> Little Giant LP<\/p>\n<p><strong>10.11\u00a0<\/strong><br \/>\n<strong>Aidan Baker, Simon Goff &amp; Thor Harris<\/strong> Noplace, Gizeh LP<br \/>\n<strong>Angel Olsen<\/strong> Phases, Jagjaguwar<br \/>\n<strong>ART. Obliterans<\/strong> Szukam ciebie noc\u0105 w t\u0119tnicach moich sn\u00f3w, Arteria\/Gusstaff<br \/>\n<strong>Arteria<\/strong> Spowied\u017a d\u017awi\u0119k\u00f3w, Arteria\/Gusstaff<br \/>\n<strong>Asaf Avidan<\/strong> The Study of Falling, Universal<br \/>\n<strong>Dan Deacon<\/strong> Rat Film OST, Domino LP<br \/>\n<strong>Dick4Dick<\/strong> Dick4Dick Is A Woo!Man, Mystic<br \/>\n<strong>Electric Wizard<\/strong> Wizard Bloody Wizard, Spinefarm<br \/>\n<strong>Escape-ism<\/strong> Introduction to Escape-ism, Merge<br \/>\n<strong>Gun Outfit<\/strong> Out of Range, Paradise of Bachelors<br \/>\n<strong>Hanne Hukkelberg<\/strong> Trust, Propeller<br \/>\n<strong>Hiroshi Yoshimura<\/strong> Music for Nine Postcards, Empire of Signs reed. 1982<br \/>\n<strong>H\u00fcsker D\u00fc<\/strong> Savage Young D\u00fc, Numero 3CD, 4LP, arch.<br \/>\n<strong>Jim White<\/strong> Waffles, Triangles &amp; Jesus, Loose<br \/>\n<strong>Jozef van Wissem<\/strong> Nobody Living Can Ever Make Me Turn Back, Consouling Sounds<br \/>\n<strong>Kamil Pawelski<\/strong> Granice, Formusic\/Agora<br \/>\n<strong>Keiji Haino, Jim O&#8217;Rourke &amp; Oren Ambarchi<\/strong> \u71e6\u71e6\u3068\u8f1d\u304f \u8aa0\u306e \u300c\u9f3b\u306a\u308b\u3053\u3068\u300d \u3055\u3066 \u4f55\u51e6\u30d8\u96b7\u30e9\u304f (This Dazzling, Genuine &#8222;Difference&#8221; Now Where Shall It Go?), Black Truffle LP<br \/>\n<strong>Krzysztof Krawczyk<\/strong> Wiecznie m\u0142ody. Piosenki Boba Dylana, Sony<br \/>\n<strong>Merkabah<\/strong> Million miles, Instant Classic<br \/>\n<strong>Peter Oren<\/strong> Anthropocene, Western Vinyl<br \/>\n<strong>Pjus<\/strong> S\u0142owowt\u00f3ry, Asfalt<br \/>\n<strong>Princess Nokia<\/strong> 1992 deluxe, Rough Trade CD, 2LP<br \/>\n<strong>Seal<\/strong> Standards, Universal<br \/>\n<strong>Seamus Fogarty<\/strong> The Curious Hand, Domino LP<br \/>\n<strong>Sleigh Bells<\/strong> Kid Krushev, Lucky Numbers EP<br \/>\n<strong>Spinning Coin<\/strong> Permo, Domino CD, LP, LP ltd.<br \/>\n<strong>Spirit Fest<\/strong> Spirit Fest, Morr Music<br \/>\n<strong>Suzanne Ciani<\/strong> Help, Help, the Globolinks!, Finders Keepers DL, arch.<br \/>\n<strong>Taylor Swift<\/strong> Reputation, Universal<br \/>\n<strong>VA<\/strong> Lift It Up vol. 3, Gutfeeling<br \/>\n<strong>Yeah But No<\/strong> Yeah But No, Sinnbus<br \/>\n<strong>Yung Lean<\/strong> Stranger, Year0001\/Mystic<\/p>\n<p><strong>16.11\u00a0<\/strong><br \/>\n<strong>Ortalion<\/strong> O2, Audio Cave CD, LP<\/p>\n<p><strong>17.11\u00a0<\/strong><br \/>\n<strong>Adam Strug<\/strong> Le\u015bny Bo\u017cek, Unzipped Fly<br \/>\n<strong>Anita Lipnicka &amp; The Hats<\/strong> Mi\u00f3d i dym, Warner<br \/>\n<strong>Barnaked Ladies<\/strong> Fake Nudes, Universal<br \/>\n<strong>Baths<\/strong> Romaplasm, Anticon<br \/>\n<strong>Bear McCreary<\/strong> The Walking Dead OST, Lakeshore 2LP<br \/>\n<strong>Bitchin Bajas<\/strong> Bajas Fresh, Drag City<br \/>\n<strong>Black Sabbath<\/strong> The End, Eagle box, arch.<br \/>\n<strong>Charlotte Gainsbourg<\/strong> Rest, Warner<br \/>\n<strong>Chris Gantry<\/strong> At the House of Cash, Drag City<br \/>\n<strong>GBH<\/strong>\u00a0Momentum, Epitaph CD, LP, 2LP<br \/>\n<strong>Godflesh<\/strong> Post Self, Avalanche<br \/>\n<strong>Hans Zimmer, Benjamin Wallfisch<\/strong> Blade Runner 2049 OST, Sony<br \/>\n<strong>Harry Bertoia<\/strong> Sonambients: The Sound Sculpture Of Harry Bertoia, Sonambient CD+DVD<br \/>\n<strong>Hopek Quirin and Hubert Heathertoes<\/strong> Travelling and its outgrowing motives, Astipalea MC, DL<br \/>\n<strong>Jaromir Nohavica<\/strong> Poruba, Universal<br \/>\n<strong>Jazz Band M\u0142ynarski Masecki<\/strong> Noc w wielkim mie\u015bcie, Agora<br \/>\n<strong>Joel Gion<\/strong> Joel Gion, Bandcamp<br \/>\n<strong>Karl Blau<\/strong> Out Her Space, Bella Union<br \/>\n<strong>Kurupt FM<\/strong> Kurupt FM Present The Lost Tape, XL Recordings CD<br \/>\n<strong>Mavis Staples<\/strong> If All I Was Was Black, Anti-<br \/>\n<strong>Micha\u0142 So\u0142tan<\/strong> Malogranie, ArtHorse CD<br \/>\n<strong>Morrissey<\/strong> Low in High-School, Etienne\/BMG<br \/>\n<strong>Paloma Faith<\/strong> The Architect, Sony<br \/>\n<strong>Peter Broderick<\/strong> All Together Again, Erased Tapes<br \/>\n<strong>Peter Hammill<\/strong> From the Trees, Fie!<br \/>\n<strong>Sharon Jones &amp; The Dap-Kings<\/strong> Soul of a Woman, Daptone<br \/>\n<strong>The Body &amp; Full of Hell<\/strong> Ascending a Mountain of Heavy Light, Thrill Jockey<br \/>\n<strong>VA<\/strong> Pop Ambient 2018, Kompakt<br \/>\n<strong>Wild Beasts<\/strong> Punk Drunk and Trembling, Domino EP<\/p>\n<p><strong>18.11\u00a0<\/strong><br \/>\n<strong>Synopterus (Blevin Blectum)<\/strong> All Day I Dream About Singularity, Darling Dada<\/p>\n<p><strong>20.11\u00a0<\/strong><br \/>\n<strong>Jachna\/Chojnacki<\/strong> JaCho, Mellow Yellow CD<br \/>\n<strong>Pleq &amp; Tomasz Mre\u0144ca<\/strong> Black Lake, Requiem CD<br \/>\n<strong>Tomasz Bednarczyk New Rome<\/strong> Elsewhere, Requiem CD<\/p>\n<p><strong>21.11\u00a0<\/strong><br \/>\n<strong>Yedo Gibson and Vasco Trilla<\/strong> Antenna, Multikulti\/Spontaneous Music Tribune Series CD<\/p>\n<p><strong>23.11\u00a0<\/strong><br \/>\n<strong>Jaz\u0105bu (Wojciech Jachna, Marek K\u0105dziela, Tomasz Glazik, Jacek Buhl)<\/strong> \u0141\u00f3d\u017a kosmiczna, Audio Cave CD, LP<br \/>\n<strong>Lotto<\/strong> VV, Instant Classic<\/p>\n<p><strong>24.11\u00a0<\/strong><br \/>\n<strong>Bj\u00f6rk<\/strong> Utopia, One Little Indian<br \/>\n<strong>Fleet Foxes<\/strong> The Electric Lady Session, Nonesuch EP, 10&#8243;<br \/>\n<strong>Ian Dury<\/strong> New Boots and Panties!!, Edsel reed. 1977<br \/>\n<strong>Kapela Malisz\u00f3w<\/strong> Wiejski d\u017cez, Uzipped Fly<br \/>\n<strong>Marek A\u0142aszewski \/ Klan <\/strong>Chmura nad miastem, GAD<br \/>\n<strong>Noel Gallagher&#8217;s High Flying Birds<\/strong> Holy Mountain, Universal<br \/>\n<strong>Prins Thomas<\/strong> Prins Thomas 5, Prins Thomas Musikk<br \/>\n<strong>ROME<\/strong> Stillwell, Trisol EP<br \/>\n<strong>Spisek <\/strong>Spisek, GAD<br \/>\n<strong>Sufjan Stevens<\/strong> Blue Bucket of Gold \/ Hotline Bling, Asthmatic Kitty 12&#8243;<br \/>\n<strong>TER<\/strong> Remains, Jasie\u0144 LP<br \/>\n<strong>Xenoula<\/strong> Xenoula, Domino CD, LP<br \/>\n<strong>Zbigniew G\u00f3rny<\/strong> Muzyka filmowa, GAD<\/p>\n<p><strong>25.11\u00a0<\/strong><br \/>\n<strong>30 kilo s\u0142o\u0144ca<\/strong> Zamach, Pla\u017ca Zachodnia CD<\/p>\n<p><iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RIGgn1s3AvI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nie mog\u0142em si\u0119 powstrzyma\u0107 przed zaproszeniem do lektury ok\u0142adk\u0105 Taylor Swift. To pewnie jedyna taka okazja. Gdyby ok\u0142adka p\u0142yty by\u0142a ju\u017c znana, pewnie zaproponowa\u0142bym raczej Bj\u00f6rk.\u00a0Zestaw premier listopada 2017 obejmuje poza tym innych wykonawc\u00f3w, kt\u00f3rych p\u0142yty ludzie kupuj\u0105 (Sam Smith, Krzysztof Krawczyk) i ca\u0142\u0105 ciekawsz\u0105 reszt\u0119, bo karuzela przed\u015bwi\u0105tecznego handlu zaczyna powoli wyhamowywa\u0107 &#8211; nie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":15394,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,558,2696,4,2695,557],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/15388"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=15388"}],"version-history":[{"count":10,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/15388\/revisions"}],"predecessor-version":[{"id":15483,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/15388\/revisions\/15483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/15394"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=15388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=15388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=15388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}