
{"id":16018,"date":"2018-01-03T09:23:27","date_gmt":"2018-01-03T08:23:27","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=16018"},"modified":"2018-01-03T13:15:09","modified_gmt":"2018-01-03T12:15:09","slug":"77-premier-plytowych-stycznia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2018\/01\/03\/77-premier-plytowych-stycznia\/","title":{"rendered":"98 premier p\u0142ytowych stycznia"},"content":{"rendered":"<p>Z lekkim noworocznym po\u015blizgiem oddaj\u0119 do u\u017cytku list\u0119 zapowiedzi p\u0142ytowych na stycze\u0144. Niezbyt mo\u017ce imponuj\u0105c\u0105, ale rok dopiero si\u0119 rozkr\u0119ca i na pewno b\u0119d\u0105 jakie\u015b niespodzianki i uzupe\u0142nienia. <strong>Tune-Yards<\/strong>, <strong>Ty Segall<\/strong>, <strong>Calexico<\/strong>, <strong>Panda Bear<\/strong>,\u00a0<strong>Fire!<\/strong> i <strong>Xylouris White<\/strong> to ju\u017c dobry pocz\u0105tek roku. Jest te\u017c sporo polskich zapowiedzi, z ukazuj\u0105cymi si\u0119 ju\u017c za moment p\u0142ytami <strong>Kapeli Ze Wsi Warszawa<\/strong>, <strong>Mazutu<\/strong> i tria <strong>Brzoska\/Marciniak\/Markiewicz<\/strong> oraz zapowiadan\u0105 od jakiego\u015b czasu now\u0105 epk\u0105 <strong>We Will Fail<\/strong>. Zach\u0119cam oczywi\u015bcie do dopisywania premierowych wydawnictw w komentarzach &#8211; tu albo na Facebooku. A na koniec za\u0142\u0105czam drobn\u0105 niespodziank\u0119, \u017ceby nie by\u0142o tak zupe\u0142nie bez wskazania jednej, konkretnej p\u0142yty.<!--more--><\/p>\n<p><strong>PREMIERY STYCZNIA 2018<\/strong><\/p>\n<p><strong>1.01 <\/strong><br \/>\n<strong>Evitceles<\/strong> Anucet, Seagrave MC, DL<br \/>\n<strong>S. Araw Trio XV<\/strong> Hot Tub in Tallinn!, Sun Araw DL BC<br \/>\n<strong>Scallops Hotel<\/strong>\u00a0Sovereign Nose of (Y)our Arrogant Face, Ruby Yacht mixtape<br \/>\n<strong>Tomasz Gwinci\u0144ski<\/strong> Concert at Cracow Music Academy, Tomasz Gwincinski BC DL<\/p>\n<p><strong>2.01<br \/>\n\u0430\u0458\u0441 \u0434\u043e\u0433<\/strong> \u0431\u0430\u0431\u0438\u043b\u043e\u043d \u0444\u0438\u0448, Bruta\u017c EP 12&#8243;<br \/>\n<strong>Mirt<\/strong> Songs and Prayers from the Kathmandu Valley, Saamleng<\/p>\n<p><strong>4.01 <\/strong><br \/>\n<strong>Dominik Strycharski and New Year Ensemble<\/strong>, Bandcamp<br \/>\n<strong>Keith Fullerton Whitman<\/strong> Amposta Generators b\u200b\/\u200bw Lleida Generators, Protracted View DL BC, MC<\/p>\n<p><strong>5.01 <\/strong><br \/>\n<strong>Kapela Ze Wsi Warszawa<\/strong> re:akcja Mazowiecka, Karrot Kommando<br \/>\n<strong>Mazut<\/strong> Atlas, BDTA<br \/>\n<strong>Tyler Childers<\/strong> Purgatory, Thirty Tigers<\/p>\n<p><strong>10.01 <\/strong><br \/>\n<strong>Bogus\u0142aw Schaeffer<\/strong> Monodram, Requiem Records<br \/>\n<strong>Brzoska\/Marciniak\/Markiewicz<\/strong> Brodzenie, Fundacja Kaisera S\u00f6ze CD, DL<br \/>\n<strong>Pornografia<\/strong> 1989-1990, Requiem Records<\/p>\n<p><strong>12.01 <\/strong><br \/>\n<strong>Atom\u2122 &amp; Lisokot<\/strong> Walzerzyklus, Raster-Noton EP<br \/>\n<strong>Big Star<\/strong> Live at Lafayette&#8217;s Music Room, Warner<br \/>\n<strong>Black Rebel Motorcycle Club<\/strong> Wrong Creatures, Abstract Dragon<br \/>\n<strong>Dean McPhee<\/strong> Four Stones, Hood Faire<br \/>\n<strong>Jaguwar<\/strong> Ringthing, Tapete<br \/>\n<strong>Joe Satriani<\/strong> What Happens Next, Sony<br \/>\n<strong>Johnny Dowd<\/strong> Twinkle, Twinkle, Mother Jinx<br \/>\n<strong>Kayak<\/strong> Seventeen, Sony<br \/>\n<strong>Panda Bear<\/strong> A Day with the Homies, Domino EP<br \/>\n<strong>Pola Rise<\/strong> Anywhere But Here, Warner<br \/>\n<strong>Rajada <\/strong>(Pedro Sousa, Miguel Mira &#038; Afonso Simoes), Multikulti Project\/Spontaneous Music Tribune Series<br \/>\n<strong>Shame<\/strong> Songs of Praise, Dead Oceans<\/p>\n<p><strong>15.01 <\/strong><br \/>\n<strong>Christian Kleine<\/strong> Electronic Music From The Lost World: 1998\u200b-\u200b2001, ASIP LP, DL<\/p>\n<p><strong>17.01<br \/>\nDrvg Cvltvre<\/strong> Everybody Cares Now, Pointless Geometry<br \/>\n<strong>Duy Gebord<\/strong> \u02a4, Pointless Geometry<br \/>\n<strong>Fischerle <\/strong>Beard &#038; Parachute, Pointless Geometry<\/p>\n<p><strong>18.01 <\/strong><br \/>\n<strong>Calineczka<\/strong> Wydatek neutron\u00f3w podczas pobudzonej wybuchowo kompresji deuter-tryt w uk\u0142adzie cylindrycznym z warstw\u0105 o du\u017cej inercji, Szara Reneta<br \/>\n<strong>M8N<\/strong> ULSSS, Sadki Records (Miron Grzegorkiewicz)<\/p>\n<p><strong>19.01 <\/strong><br \/>\n<strong>Aidan Baker + Gareth Davis<\/strong> Invisible Cities, Karlrecords<br \/>\n<strong>Bahamas<\/strong> Earthtones, Brushfire<br \/>\n<strong>Belle and Sebastian<\/strong> How to Solve Our Human Problems &#8211; Part 2, Matador EP<br \/>\n<strong>Black Label Society<\/strong> Grimmest Hits, Ada<br \/>\n<strong>Bobo Stenson Trio<\/strong> Contra La Indecision, ECM<br \/>\n<strong>Brona McVittie<\/strong> We Are the Wildlife, Pindrop<br \/>\n<strong>Charlie Puth<\/strong> Voicenotes, Warner<br \/>\n<strong>Fire!<\/strong> The Hands, Rune Grammofon<br \/>\n<strong>First Aid Kit<\/strong> Ruins, Columbia<br \/>\n<strong>Glen Hansard<\/strong> Between Two Shores, Anti-<br \/>\n<strong>Half Japanese<\/strong> Why Not?, Fire!<br \/>\n<strong>John Surman<\/strong> Invisible Threads, ECM<br \/>\n<strong>Jonny Greenwood<\/strong> Phantom Thread OST, Nonesuch<br \/>\n<strong>Kimbra<\/strong> Primal Heart, Warner<br \/>\n<strong>Laraaji<\/strong> Vision Songs vol. 1, Numero Group<br \/>\n<strong>Mika Vainio + Ryoji Ikeda + Alva Noto<\/strong> Live 2002, Raster-Noton<br \/>\n<strong>Nightmares On Wax<\/strong> Citizen Kane, Warp, EP 12&#8243;<br \/>\n<strong>Peter J. Birch<\/strong> Inner Anxiety, Gusstaff<br \/>\n<strong>Porches<\/strong> The House, Domino<br \/>\n<strong>ROME<\/strong> Hall of Thatch, Trisol<br \/>\n<strong>Rosalie<\/strong> Flashback, Agora<br \/>\n<strong>Schlammpeitziger<\/strong> Damenbartblick Auf Pregnant Hill, Bureau B<br \/>\n<strong>Sly &#038; Robbie Meets Dubmatix<\/strong> Overdubbed, Echo Beach<br \/>\n<strong>S\u00f3ley, Sin Fang, \u00d6rvar Sm\u00e1rason<\/strong> Team Dreams, Morr Music<br \/>\n<strong>Starclawler<\/strong> Starclawler, Rough Trade<br \/>\n<strong>The Go! Team<\/strong> Semicircle, Memphis Industries<br \/>\n<strong>The Liminanas<\/strong> Twisting the Shadow People, Because<br \/>\n<strong>Tom Rodgerson &amp; Brian Eno<\/strong> Finding Shore, Dead Oceans\/Mystic premiera PL!<br \/>\n<strong>Tomas Stronen<\/strong> Time Is a Blind Guide, ECM<br \/>\n<strong>Tune-Yards<\/strong> I Can Feel You Creep into My Private Life, 4AD<br \/>\n<strong>VA<\/strong> BoJack Horseman, Mystic<br \/>\n<strong>We Will Fail<\/strong> Shadenfreude EP, Refined Productions<br \/>\n<strong>Xylouris White<\/strong> Mother, Bella Union<\/p>\n<p><strong>20.01<br \/>\nLiN<\/strong> Rad, Czarna Korona CD<\/p>\n<p><strong>23.01<br \/>\nIfs<\/strong> Manifold Basketball, Cr\u00f3nica<\/p>\n<p><strong>25.01 <\/strong><br \/>\n<strong>Jakub Lemiszewski<\/strong> Bubblegum New Age, Trzy Sz\u00f3stki<br \/>\n<strong>Nightmares On Wax<\/strong> Shape the Future, Warp<\/p>\n<p><strong>26.01 <\/strong><br \/>\n<strong>********<\/strong>\u00a0The Drink, Weird World<br \/>\n<strong>Agrimonia <\/strong>Awaken, Southern Lord<br \/>\n<strong>Bert Jansch<\/strong> A Man I&#8217;d Rather Be (Part 1), Earth Records arch.<br \/>\n<strong>Beth Hart, Joe Bonamassa<\/strong> Black Coffee, Mystic<br \/>\n<strong>Calexico<\/strong> The Thread That Keeps Us, Anti-<br \/>\n<strong>Centuries <\/strong>The Lights Of This Earth Are Blinding, Southern Lord<br \/>\n<strong>Craig David<\/strong> The Time Is Now, Insanity<br \/>\n<strong>Dirtmusic <\/strong>Bu Bir Ruya, Glitterbeat<br \/>\n<strong>Django Django<\/strong> Marble Skies, Because<br \/>\n<strong>Dream Wife<\/strong> Dream Wife, Lucky Number<br \/>\n<strong>Francis MacDonald \/ Scottish Festival Orchestra<\/strong> Hamilton Mausoleum Suite, Republic of Music<br \/>\n<strong>HC McEntire<\/strong> Lionheart, Merge<br \/>\n<strong>Hollie Cook<\/strong> Vessel of Love, Merge<br \/>\n<strong>Jazz Q<\/strong> Pozorovatelna (2CD definitive edition), GAD arch.<br \/>\n<strong>Jim Ghedi<\/strong> A Hymn for Ancient Land, Basin Rock<br \/>\n<strong>John Zorn<\/strong> The Urmuz Epigrams, Tzadik<br \/>\n<strong>Khruangbin<\/strong> Con Todo El Mundo, Night Time Stories<br \/>\n<strong>Machine Head<\/strong> Catharsis Nuclear, Blast<br \/>\n<strong>Metrum<\/strong> Zielony dach, GAD arch.<br \/>\n<strong>Nadine<\/strong> Oh My, Memphis Industries<br \/>\n<strong>Nils Frahm<\/strong> All Melody, Erased Tapes<br \/>\n<strong>No Age<\/strong> Snares Like a Haircut, Drag City<br \/>\n<strong>ORM <\/strong>Discofil, GAD arch.<br \/>\n<strong>Rasmentalism<\/strong> Tango, Asfalt<br \/>\n<strong>Stick In The Wheel<\/strong> Follow Them, True, From Here<br \/>\n<strong>Television Personalities<\/strong> Beautiful Despair, Earth Records reed.<br \/>\n<strong>The Lost Brothers<\/strong> Halfway Towards the Healing, Bird Dog<br \/>\n<strong>Thelonious Monk<\/strong> The Complete Prestige 10&#8243; Lp, Craft arch.<br \/>\n<strong>Ty Segall<\/strong> Freedom&#8217;s Goblin, Drag City<\/p>\n<p><strong>28.01<br \/>\nYOY<\/strong> Glutton, Audile Snow<\/p>\n<p><strong>30.01<br \/>\nMech<\/strong>, Pawlacz Perski<\/p>\n<p>Zapowiadana niespodzianka to p\u0142yta chicagowskiego\u00a0<strong>Galactic Unity Ensemble<\/strong> wydana dok\u0142adnie w Bo\u017ce Narodzenie, wi\u0119c praktycznie bez szans na jakiekolwiek om\u00f3wienia i rankingi starego roku. S\u0142ucham jej w\u0142a\u015bnie z przyjemno\u015bci\u0105,\u00a0kt\u00f3r\u0105 w du\u017cym stopniu gwarantuje sam sk\u0142ad formacji &#8211; z m.in. Joshu\u0105 Abramsem, Michaelem Zerangiem i Jaimie Branch, graj\u0105cymi tu trzy kompozycje (kolejno: Michaela Hartmana,\u00a0Brentza Gutzeita i Todda Cartera) inspirowane tw\u00f3rczo\u015bci\u0105 Sun Ra. Jeszcze jeden ho\u0142d, ale niebanalny, napisany gestem do\u015b\u0107 bliskim kompozycji wsp\u00f3\u0142czesnej, a przy tym wyciskaj\u0105cy ze spu\u015bcizny wielkiego ameryka\u0144skiego lidera wi\u0119cej kosmosu ni\u017c inne ho\u0142dy. Z mocnym akcentem na rozbudowane partie instrument\u00f3w perkusyjnych &#8211; z wyj\u0105tkiem mo\u017ce fina\u0142owego Multihuman,opartego na wsp\u00f3\u0142brzmieniach gitar elektrycznych, organ\u00f3w i basu, z parti\u0105 wokaln\u0105 Tiny Howell &#8211; bardzo w duchu Arkestry. Chicago pami\u0119ta.<\/p>\n<p><strong>GALACTIC UNITY ENSEMBLE <em>We Have Always Been Here<\/em><\/strong>, JMY 2017, <strong>7\/10<\/strong><\/p>\n<p><iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2145364112\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless><a href=\"http:\/\/jmymusic.bandcamp.com\/album\/we-have-always-been-here\">We Have Always Been Here by Galactic Unity Ensemble<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Z lekkim noworocznym po\u015blizgiem oddaj\u0119 do u\u017cytku list\u0119 zapowiedzi p\u0142ytowych na stycze\u0144. Niezbyt mo\u017ce imponuj\u0105c\u0105, ale rok dopiero si\u0119 rozkr\u0119ca i na pewno b\u0119d\u0105 jakie\u015b niespodzianki i uzupe\u0142nienia. Tune-Yards, Ty Segall, Calexico, Panda Bear,\u00a0Fire! i Xylouris White to ju\u017c dobry pocz\u0105tek roku. Jest te\u017c sporo polskich zapowiedzi, z ukazuj\u0105cymi si\u0119 ju\u017c za moment p\u0142ytami Kapeli [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16022,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,582,3,312,120,2696,3219,4],"tags":[3221,3223,3220,3222],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/16018"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=16018"}],"version-history":[{"count":23,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/16018\/revisions"}],"predecessor-version":[{"id":16043,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/16018\/revisions\/16043"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/16022"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=16018"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=16018"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=16018"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}