{"id":19469,"date":"2018-10-02T08:40:17","date_gmt":"2018-10-02T06:40:17","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=19469"},"modified":"2018-10-03T17:48:21","modified_gmt":"2018-10-03T15:48:21","slug":"161-premier-plytowych-pazdziernika","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2018\/10\/02\/161-premier-plytowych-pazdziernika\/","title":{"rendered":"164 premiery p\u0142ytowe pa\u017adziernika"},"content":{"rendered":"<p>Tysi\u0105c pi\u0119\u0107set sto dziewi\u0119\u0107set, nie waham si\u0119 powiedzie\u0107. Coraz wi\u0119cej czasu poch\u0142aniaj\u0105 te wyliczanki, ale taki jest klimat o tej porze roku, kiedy Anna Maria Jopek s\u0105siaduje z Behemothem, Bovska z Nosowsk\u0105, Male\u0144czuk z G\u00f3rczy\u0144skim, a Podsiad\u0142o z Nagrobkami. I trzeba z tym handlowa\u0107 &#8211; albo tym handlowa\u0107. Nie wiem, co jest bardziej przera\u017caj\u0105c\u0105 wizj\u0105. Poni\u017cej lista 164 premier pa\u017adziernika s\u0105siaduje z kr\u00f3tk\u0105 recenzj\u0105 jednej z tych p\u0142yt. Zostaje 163. <!--more--><\/p>\n<p>\u017bycie Chan Marshall &#8211; znanej lepiej jako <strong>Cat Power<\/strong> &#8211; mog\u0142oby by\u0107 pewnie materia\u0142em na dramat psychologiczny. I chyba bardziej serial ni\u017c film (co zreszt\u0105 przek\u0142ada si\u0119 na cz\u0119stotliwo\u015b\u0107, z jak\u0105 <a href=\"https:\/\/www.tunefind.com\/artist\/cat-power\">jej muzyka jest w serialach wykorzystywana<\/a>). Sama doczeka\u0142a si\u0119 gdzie\u015b w filmie jakiej\u015b drobnej r\u00f3lki, ale pewnie z powodzeniem zagra\u0142aby bez charakteryzacji kobiet\u0119 po przej\u015bciach. Czyli zagra\u0142aby z powodzeniem \u017cyciowe niepowodzenia. I te kr\u00f3tkie momenty, gdy o nich m\u00f3wi w piosenkach, ods\u0142aniaj\u0105c si\u0119 emocjonalnie, a rodzaj b\u00f3lu wynikaj\u0105cego z tych \u017cyciowych zmaga\u0144 odciska si\u0119 w jej ciep\u0142ym g\u0142osie jak znak wodny. Lubi\u0119 Cat Power, a w najlepszym okresie (uj\u0119tym stosownie na p\u0142ycie z napisem <em>The Greatest<\/em>) by\u0142a w czubie ca\u0142ego nowego folkowego i songwriterskiego grania w Ameryce. Gdzie jest teraz?<\/p>\n<p>Sam g\u0142os z pewno\u015bci\u0105 nie brzmi gorzej, cho\u0107 publiczno\u015b\u0107 dostaje teraz cz\u0119\u015bciej ni\u017c now\u0105 muzyk\u0119 informacje o tym, jak Marshall radzi sobie z depresj\u0105, alkoholem czy \u017ce przechodzi powa\u017cn\u0105 operacj\u0119. <em>Doktor mi m\u00f3wi\u0142, \u017ce nie jestem ju\u017c swoj\u0105 przesz\u0142o\u015bci\u0105, \u017ce w ko\u0144cu jestem wolna<\/em> \u2013 \u015bpiewa Marshall tu w <em>Woman<\/em>, jednej z ja\u015bniejszych w nastroju piosenek i jednej z najbardziej przebojowych, wykonanej w duecie z Lan\u0105 Del Rey przebojowym z za\u0142o\u017cenia. Ciekawe jest to, \u017ce prawie jednocze\u015bnie z tym singlem pojawi\u0142y si\u0119 doniesienia (od samej artystki), \u017ce Matador nie chcia\u0142 wyda\u0107 jej nowej p\u0142yty, bo brzmia\u0142a <em>za ma\u0142o w stylu Adele<\/em>. Dziwna jest ta opowie\u015b\u0107 &#8211; i wewn\u0119trznie sprzeczna. Bo z jednej strony Adele to producencko rzecz do\u015b\u0107 daleka od elektronicznej konfekcji, od kt\u00f3rej Cat Power chcia\u0142a uciec, a zarazem Marshall demonstracyjnie odrzuca tu nowoczesno\u015b\u0107 i wraca do charakterystycznego dla siebie oszcz\u0119dnego folku &#8211; sympatycy tego\u017c s\u0105 proszeni o dos\u0142uchanie do ko\u0144ca &#8211; ALE zarazem wykonuje ten ruch z Lan\u0105, zarazem te\u017c korzysta z Auto-tune&#8217;a w <em>Horizon<\/em> (wycieczka tropem Bon Iver), a wreszcie wykonuje ballad\u0119 <em>Stay <\/em>z repertuaru Rihanny. Tak jakby chcia\u0142a powiedzie\u0107, \u017ce je\u015bli ju\u017c i\u015b\u0107 w pop, to na ca\u0142o\u015b\u0107. I przy tym wszystkim &#8211; powiedzmy szczerze &#8211; w tym wykonaniu <em>Stay <\/em>jest chwilami barwowo ca\u0142kiem bliska Adele. Cho\u0107 zarazem naturalna, intymna, z pokiereszowanym akompaniamentem lekko rozklekotanego fortepianu.<\/p>\n<p>No i jeszcze, tak ju\u017c na koniec: ucieka\u0107 z Matadora do Domino to troch\u0119 jak z deszczu pod rynn\u0119, bior\u0105c pod uwag\u0119 pozycj\u0119 w powa\u017cnym, komercyjnym biznesie p\u0142ytowym. Jakie\u015b to wszystko pogubione, cho\u0107 efekt bywa momentami \u0142adny. A ja jestem pe\u0142en sympatii do Cat Power i czasem wola\u0142bym ju\u017c, \u017ceby by\u0142o odwrotnie.<br \/>\n<strong><br \/>\nCAT POWER <em>Wanderer<\/em><\/strong>, Domino 2018, <strong>6-7\/10<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/f-Tsk-cPXxI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"color: #ff0000;\"><strong>PREMIERY P\u0141YTOWE PA\u0179DZIERNIKA 2018<\/strong><\/span><\/p>\n<p><strong>1.10<\/strong><br \/>\n<strong>8rolek<\/strong> 78_4-1-8)time_bending, Mik.Musik miniCD-R, DL<br \/>\n<strong>Joe McPhee<\/strong> Joe McPhee: One Day\u200b\u200b.\u200b\u200b\u200b.\u200b\u200b\u200b.\u200b\u200bA Lightning Storm, Catalytic Sound<br \/>\n<strong>M\u00d3W<\/strong> Historie zebrane, Hevhetia<br \/>\n<strong>VA<\/strong> Survival 16. Sound Art Forum, Canti Illuminati\/Sound Art Forum<\/p>\n<p><strong>4.10<\/strong><br \/>\n<strong>The Spouds<\/strong> Now or whenever, Trzy Sz\u00f3stki CD, LP<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Dhfy9TPga-c\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>5.10<\/strong><br \/>\n<strong>1000 Kings<\/strong> Raw Cause, Jazz Re:freshed<br \/>\n<strong>Adrianne Lenker<\/strong> abysskiss, Saddle Creek<br \/>\n<strong>Advance Base<\/strong> Animal Companionship, Run For Cover<br \/>\n<strong>Alec K. Redfearn and The Eyesores<\/strong> The Opposite, Cuneiform<br \/>\n<strong>Anna Maria Jopek &amp; Branford Marsalis<\/strong> Ulotne, Musicom<br \/>\n<strong>Behemoth<\/strong> I Loved You At Your Darkest, Mystic<br \/>\n<strong>Bored!<\/strong> Get Off My Wah-wah And&#8230; Suck This!, Bang<br \/>\n<strong>Bovska<\/strong> K\u0119sy, Agora<br \/>\n<strong>BROM<\/strong> Sunstroke, Trost<br \/>\n<strong>Cat Power<\/strong> Wanderer, Domino<br \/>\n<strong>Echo &amp; The Bunnymen<\/strong> The Stars, the Oceans and the Moon, BMG<br \/>\n<strong>Fucked Up<\/strong> Dose Your Dreams, Merge 2LP<br \/>\n<strong>HATI &amp; Zdzis\u0142aw Piernik<\/strong> Avant-garde Out Of Poland, Requiem\/FINA CD, DL<br \/>\n<strong>Hugh Cornwell<\/strong> Monster, Sony<br \/>\n<strong>Jerusalem In My Heart<\/strong> Daqa&#8217;iq Tudaiq, Constellation<br \/>\n<strong>Kikagaku Moyo\/\u5e7e\u4f55\u5b66\u6a21\u69d8<\/strong> Masana Temples, Guruguru Brain<br \/>\n<strong>Kristin Hersh<\/strong> Possible Dust Clouds, Fire<br \/>\n<strong>Lany<\/strong> Malibu Nights, Universal<br \/>\n<strong>Maciej Male\u0144czuk<\/strong> The Ant, Sony<br \/>\n<strong>Made In Poland<\/strong> Kult, Antena Krzyku LP, CD, DL<br \/>\n<strong>Madeline Kenney<\/strong> Bad Idea, Carpark<br \/>\n<strong>Many Voices Speak<\/strong> Tank Town, Strangers Candy<br \/>\n<strong>Matt Berry<\/strong> Television Themes, Acid Jazz<br \/>\n<strong>Mike Cooper<\/strong> Tropical Gothic, Discrepant<br \/>\n<strong>Molly Burch<\/strong> First Flower, Captured Tracks<br \/>\n<strong>Mueller-Roedelius<\/strong> Imagori Ii, Groenland<br \/>\n<strong>Nathan Bowles<\/strong> Plainly Mistaken, Paradise of Bachelors<br \/>\n<strong>Olga Boczar<\/strong> T\u0119skno mi, t\u0119skno, For Tune<br \/>\n<strong>P.Unity<\/strong> Pulp, U Know Me<br \/>\n<strong>Phosphorescent<\/strong> C&#8217;est la vie, Dead Oceans<br \/>\n<strong>Puce Mary<\/strong> The Drought, PAN<br \/>\n<strong>Remek Hanaj<\/strong> Wysiadywanie g\u00f3ry, Requiem<br \/>\n<strong>Ru\u017caw<\/strong> Wybrane utwory otaczaj\u0105ce, Mik.Musik miniCD-R ltd, DL<br \/>\n<strong>Sundays &amp; Cybele<\/strong> On the Grass, Guruguru Brain<br \/>\n<strong>Swearin\u2019 <\/strong>Fall Into the Sun, Merge<br \/>\n<strong>The Other Years<\/strong> The Other Years, No Quarter<br \/>\n<strong>Todd Barton<\/strong> Multum in Parvo, Blue Tapes<br \/>\n<strong>Tuomas J. Trio feat. Manuel Dunkel<\/strong> Megetme, Eclipse<br \/>\n<strong>Twenty One Pilots<\/strong> Trench, Warner<br \/>\n<strong>Wolfgang Muthspiel<\/strong> Where The River Goes, ECM<br \/>\n<strong>Wolfman<\/strong> Mad Woman, Irascible<br \/>\n<strong>Yellow Teeth<\/strong> Stella, Vitesse<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/5KIS9gxBZWA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>6.10 <\/strong><br \/>\n<strong>G\u00f3rczy\u0144ski, Palmer, Wiracki<\/strong> The Clod and the Pebble, Multikulti<br \/>\n<strong>Mirt<\/strong> Decaying Land<\/p>\n<p><strong>8.10 <\/strong><br \/>\n<strong>Bernard Parmiegiani<\/strong> M\u00e9moire Magn\u00e9tique, vol\u200b.\u200b1 (1966\u200b-\u200b1990), Transversales LP<br \/>\n<strong>Fran\u00e7ois Bayle<\/strong> Electrucs!, Transversales LP<br \/>\n<strong>Full Blast<\/strong> Live in Rio, Trost<br \/>\n<strong>Hubert Zemler<\/strong> groove 8, Outlines<\/p>\n<p><strong>9.10 <\/strong><br \/>\n<strong>J. Kami\u0144ski<\/strong> Pieczone bataty EP, Polena<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/iRZ93_CZUvc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>10.10 <\/strong><br \/>\n<strong>Arkadiusz Entropia <\/strong>Cz\u0119sto boj\u0119 si\u0119, \u017ce umr\u0119 zgorzknia\u0142y, pe\u0142en t\u0119sknoty za momentami, kiedy mog\u0142em co\u015b zmieni\u0107 w swoim \u017cyciu, Audile Snow DL, microSD<br \/>\n<strong>Auride <\/strong>Encountered Strikes, Audile Snow DL, microSD<br \/>\n<strong>Emika<\/strong> Falling In Love With Sadness, Emika<br \/>\n<strong>Joe McPhee i Miko\u0142aj Trzaska<\/strong> More Intimate Conversation, Kilogram<br \/>\n<strong>Kinga Mi\u015bkiewicz<\/strong> To mi nie, Soul CD<br \/>\n<strong>Odd Beholder<\/strong> All Reality Is Virtual, Sinnbus<br \/>\n<strong>Owls Are Not<\/strong> Radio Tree, 1000Hz + Atypeek CD<br \/>\n<strong>Paszka <\/strong>Producent mebli z drewna i materacy, Audile Snow DL, microSD<br \/>\n<strong>Piotr Figiel &amp; UMBA<\/strong> Pulsar EP, Induxtriall DL, stream<br \/>\n<strong>Tonga Boys<\/strong> Vindodo, 1000Hz<br \/>\n<strong>Wojciech B\u0142a\u017cejczyk<\/strong> Trash Music, Requiem<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/_yhchpgY5kw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>12.10 <\/strong><br \/>\n<strong>Alex Chilton &amp; Peter Holsapple<\/strong> Peter Holsapple vs Alex Chilton: The Death of Rock, Omnivore arch.<br \/>\n<strong>Anna St Louis<\/strong> If Only There Was a River, Woodsist<br \/>\n<strong>Arc Iris<\/strong> Icon of Ego, Ba Da Bing<br \/>\n<strong>Auntie Flo<\/strong> Radio Highlife, Brownswood<br \/>\n<strong>Bixiga 70<\/strong> Quebra-Cabeca, Glitterbeat<br \/>\n<strong>Black Eyed Peas<\/strong> Masters of the Sun, Universal<br \/>\n<strong>Bobbie Gentry<\/strong> The Girl From Chicksaw Country, Universal 8CD box, arch.<br \/>\n<strong>Cocteau Twins<\/strong> Treasure Hiding: The Fontana Years, Universal box arch.<br \/>\n<strong>Colter Wall<\/strong> Songs of the Plains, Thirty Tigers<br \/>\n<strong>Connan Mockasin<\/strong> Jassbusters, Mexican Summer<br \/>\n<strong>David Bowie<\/strong> Loving the Alien: 1983-1988, Parlophone box arch.<br \/>\n<strong>Django Django<\/strong> Winter&#8217;s Beach EP, Because 12&#8243;<br \/>\n<strong>Eli Keszler<\/strong> Stadium, Shelter Press<br \/>\n<strong>Elvis Costello &amp; The Imposters<\/strong> Look Now, Concord<br \/>\n<strong>Ensemble d&#8217;Oscillateurs<\/strong> 4 Compositions, L-ne<br \/>\n<strong>Filipe Felizardo &amp; The Things<\/strong> Previous Volume VI &#8211; The Suns Rises in your Tummy &amp; other Christmas Illuminations, Three:four<br \/>\n<strong>Goatman<\/strong> Rhythms, Rocket<br \/>\n<strong>Jaakko Eino Kalevi<\/strong> Out of Touch, Domino<br \/>\n<strong>Jerry Paper<\/strong> Like a Baby, Stones Throw<br \/>\n<strong>John Grant<\/strong> Love Is Magic Bella Union<br \/>\n<strong>John Hiatt<\/strong> The Eclipse Sessions, New West<br \/>\n<strong>Kurt Vile<\/strong> Bottle It In, Matador<br \/>\n<strong>Manuel Troller<\/strong> Vanishing Points, Three:four<br \/>\n<strong>Mark Isham<\/strong> Black Mirror &#8211; Arkangel Original Score, Fire\/Lakeshore<br \/>\n<strong>Matthew Dear<\/strong> Bunny, Ghostly International<br \/>\n<strong>Nagrobki<\/strong> Portret trumienny, T.A.P. LP<br \/>\n<strong>Nosowska<\/strong> Basta, Kayax CD, DL<br \/>\n<strong>Pablopavo i Ludziki<\/strong> Marginal, Karrot<br \/>\n<strong>Paul Kelly<\/strong> Nature, Cooking Vinyl<br \/>\n<strong>Philip Corner<\/strong> Extreemizms Early &amp; Late, Unseen Worlds<br \/>\n<strong>The Bottle Rockets<\/strong> Bit Logic, Bloodshot<br \/>\n<strong>The Groundhogs<\/strong> Blues Obituary, Fire arch.<br \/>\n<strong>Troupe \u00c9cole Tudu<\/strong> Oyiwane, Sahel Sounds<br \/>\n<strong>Tubis Trio<\/strong> Flachback, Audio Cave CD, LP, stream<br \/>\n<strong>Tyshawn Sorey<\/strong> Pillars, Firehouse 12<br \/>\n<strong>UUUU<\/strong> UUUU, UUUU EP<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dIngXupNdVM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>13.10 <\/strong><br \/>\n<strong>Current 93<\/strong> The Light Is Leaving Us All The Spheres Twenty Two CD, LP<br \/>\n<strong>Szabolcs Eszt\u00e9nyi\/Hubert Zemler<\/strong> Kreatura B\u00f3\u0142t LP<\/p>\n<p><strong>15.10 <\/strong><br \/>\n<strong>Cave<\/strong> Threace, Drag City<br \/>\n<strong>LSA<\/strong> Stories, LSA DL, stream<br \/>\n<strong>Mazutti<\/strong> Kszta\u0142t jazzu, kt\u00f3ry ma doj\u015b\u0107, Mazut<br \/>\n<strong>Psychocukier<\/strong> Antypody umys\u0142u, Nowe Nagrania<\/p>\n<p><strong>18.10 <\/strong><br \/>\n<strong>Go\u0142\u0119bie<\/strong> &#8222;Jest mi tak dobrze, \u017ce lepiej poczu\u0142bym si\u0119 tylko martwy&#8221;, Trzy Sz\u00f3stki LP<br \/>\n<strong>Neneh Cherry<\/strong> Broken Politics, Smaltown Supersound<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BhXIDWQL7uM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>19.10 <\/strong><br \/>\n<strong>Blancmange<\/strong> Wanderlust, Blanc Check<br \/>\n<strong>Dawid Podsiad\u0142o<\/strong> Ma\u0142omiasteczkowy, Sony<br \/>\n<strong>Dead Rider<\/strong> Dead Rider Trio featuring Mr. Paul Williams, Drag City<br \/>\n<strong>Don The Tiger<\/strong> Matanzas, Crammed Discs<br \/>\n<strong>EP-4<\/strong> Lingua Franca\u200b-\u200b1, WRWTFWW arch.<br \/>\n<strong>Evorevo<\/strong> Dwubiegunowa, Manufaktura Legenda CD, LP (Magiera\/Boxx\/Kurowicki)<br \/>\n<strong>Farao<\/strong> Pure-O, Western Vinyl<br \/>\n<strong>Greta Van Fleet<\/strong> Anthem of the Peaceful Army, Universal<br \/>\n<strong>How To Dress Well<\/strong> The Anteroom, Domino<br \/>\n<strong>Insecure Men<\/strong> Karaoke for One vol. 1, Fat Possum<br \/>\n<strong>Job Karma<\/strong> Fundament\/Carbon, Gusstaff\/Don&#8217;t Sit On My Vinyl! 7&#8243; ltd 66<br \/>\n<strong>John Carpenter, Cody Carpenter and Daniel Davies<\/strong> Halloween OST, Sacred Bones<br \/>\n<strong>Julien Dyne<\/strong> Teal, Soundway<br \/>\n<strong>Keith Jarrett<\/strong> La Fenice, ECM CD<br \/>\n<strong>MAPA<\/strong> Fudo, Gusstaff LP 180g + DL<br \/>\n<strong>MAPA<\/strong> Fudo, Gusstaff\/Don&#8217;t Sit On My Vinyl! LP 180g + DL + EP ltd 66<br \/>\n<strong>Orze\u0142 &amp; Reszka<\/strong> Orze\u0142 &amp; Reszkam Thin Man CD<br \/>\n<strong>Sarmacja<\/strong> Tutejsi, Astigmatic<br \/>\n<strong>Susie Ibarra<\/strong> Perception, Thrill Jockey<br \/>\n<strong>The Residents<\/strong> Intruders, Cherry Red<br \/>\n<strong>Upper Wilds<\/strong> Mars, Thrill Jockey<br \/>\n<strong>Will Oldham<\/strong> Songs of Love and Horror, Drag City<br \/>\n<strong>Wojciech Kucharczyk<\/strong> &#8222;URAN URAN&#8221; original theatre picture soundtrack, Mik.Musik CD, DL<br \/>\n<strong>Yoko Ono<\/strong> Warzone, Chimera Music<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ub1rYpOIbGw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>20.10 <\/strong><br \/>\n<strong>Lazy Jack And The Spinning Jenny<\/strong> Tender Romance, Antena Krzyku LP, CD, DL<br \/>\n<strong>Suavas Lewy <\/strong>1905. Niech si\u0119 niesie ten siostrzany \u015bpiew, Krytyka Polityczna\/Nasze Nagrania<br \/>\n<strong>Vocal Varshe &amp; Jacaszek<\/strong> Bramy nieba, Requiem<\/p>\n<p><strong>21.10 <\/strong><br \/>\n<strong>Nagrobki<\/strong> Granit, wyd. w\u0142asne reed. LP<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/k5uwPaCvbhA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>26.10 <\/strong><br \/>\n<strong>Agnieszka Chyli\u0144ska<\/strong> Pink Punk, Warner<br \/>\n<strong>Barry Adamson<\/strong> Memento Mori (Anthology 1978 &#8211; 2018), Mute komp.<br \/>\n<strong>Daughters<\/strong> You Won&#8217;t Get What You Want, Ipecac<br \/>\n<strong>Dean Wareham &amp; Cheval Sombre<\/strong> Dean Wareham vs Cheval Sombre, Double Feature<br \/>\n<strong>Gaye Su Akyol<\/strong> Istikrarli hayal hakikattir, Glitterbeat<br \/>\n<strong>Homeboy Sandman &amp; Edan<\/strong> Humble Pi, Stones Throw<br \/>\n<strong>Igor Strawi\u0144ski<\/strong> The Soldier\u2019s Tale \u2013 Narrated By <strong>Roger Waters<\/strong>, Sony Classical<br \/>\n<strong>Jerzy Milian \/ Orkiestra Rozrywkowa PRiTV w Katowicach<\/strong> Bez przesady, GAD CD<br \/>\n<strong>Julia Holter<\/strong> Aviary, Domino<br \/>\n<strong>Kamil Piotrowicz Sextet<\/strong> Product Placement, Howard<br \/>\n<strong>Krzysztof Duda<\/strong> Live, GAD CD<br \/>\n<strong>Laura Gibson<\/strong> Goners, City Slang<br \/>\n<strong>Makaya McCraven<\/strong> Universal Beings, International Anthem<br \/>\n<strong>Mary Lou Lord<\/strong> Got No Shadow, Fire reed. 1998<br \/>\n<strong>Robyn<\/strong> Honey, Universal<br \/>\n<strong>Sidney Polak<\/strong>\u00a03<br \/>\n<strong>Sone Institute<\/strong> Where Moth and Rust Consume, Front &amp; Follow<br \/>\n<strong>Sone Institute<\/strong> Past and Spared, Front &amp; Follow<br \/>\n<strong>Surfbort<\/strong> Friendship Music, Fat Possum<br \/>\n<strong>The Ar-Kaics<\/strong> In This Time, Wick<br \/>\n<strong>The Fall<\/strong> Rough Trade Singles, Superior Viaduct LP<br \/>\n<strong>The Skull Eclipses<\/strong> Penumbras, Western Vinyl<br \/>\n<strong>Thom Yorke<\/strong> Suspiria OST, XL<br \/>\n<strong>Ty Segall<\/strong> Fudge Sandwich, In The Red 2LP<br \/>\n<strong>Unknown Mortal Orchestra<\/strong> IC-01 Hanoi, Unknown Mortal Orchestra<br \/>\n<strong>Zesp\u00f3\u0142 Jazzowy Zygmunta Wicharego<\/strong> Talizman, GAD CD<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/VifRr_P30uU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>29.10 <\/strong><br \/>\n<strong>Andrzej Baphomet<\/strong> Presets for my heart, thisisnotarecord MC, DL<br \/>\n<strong>Rafa\u0142 Gorzycki\/Jakub Zio\u0142ek\/Tomasz Pawlicki<\/strong> Ensemble Tuning, Audio Cave CD, stream<\/p>\n<p><strong>31.10 <\/strong><br \/>\n<strong>Wolno\u015b\u0107<\/strong> Outlines, thisisnotarecord CD<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BTZl9KMjbrU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tysi\u0105c pi\u0119\u0107set sto dziewi\u0119\u0107set, nie waham si\u0119 powiedzie\u0107. Coraz wi\u0119cej czasu poch\u0142aniaj\u0105 te wyliczanki, ale taki jest klimat o tej porze roku, kiedy Anna Maria Jopek s\u0105siaduje z Behemothem, Bovska z Nosowsk\u0105, Male\u0144czuk z G\u00f3rczy\u0144skim, a Podsiad\u0142o z Nagrobkami. I trzeba z tym handlowa\u0107 &#8211; albo tym handlowa\u0107. Nie wiem, co jest bardziej przera\u017caj\u0105c\u0105 wizj\u0105. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":19473,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,18,582,3,312,120,583,526,7,3219,4,557],"tags":[1123],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/19469"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=19469"}],"version-history":[{"count":17,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/19469\/revisions"}],"predecessor-version":[{"id":19497,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/19469\/revisions\/19497"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/19473"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=19469"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=19469"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=19469"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}