{"id":20129,"date":"2018-12-02T09:20:34","date_gmt":"2018-12-02T08:20:34","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=20129"},"modified":"2018-12-02T22:09:03","modified_gmt":"2018-12-02T21:09:03","slug":"64-premiery-plytowe-grudnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2018\/12\/02\/64-premiery-plytowe-grudnia\/","title":{"rendered":"64 premiery p\u0142ytowe grudnia"},"content":{"rendered":"<p>Kto, co i jak wydaje w grudniu. Nie ma tego du\u017co, wi\u0119c chcia\u0142bym wykorzysta\u0107 okazj\u0119 i zwr\u00f3ci\u0107 uwag\u0119 na ca\u0142oroczn\u0105 prac\u0119 ma\u0142ych polskich labeli takich jak <strong>Czaszka, Lado ABC, Pointless Geometry, U Know Me, Trzy Sz\u00f3stki, Audio Cave, Mik.Musik, Zoharum, Minicromusic, Saamleng<\/strong> czy <strong>Music Is The Weapon<\/strong>. W grudniu, gdy wi\u0119ksi wydawcy zignoruj\u0105 was jako ma\u0142o atrakcyjn\u0105 i mocno wydojon\u0105 parti\u0119, kt\u00f3ra i tak wy\u0142o\u017cy\u0142a ju\u017c resztki oszcz\u0119dno\u015bci na wydane jesieni\u0105 hity, ci mniejsi dalej dostarczaj\u0105 muzyk\u0119, kt\u00f3ra pewnie nie ma ju\u017c takiego szerokiego pola ra\u017cenia, ale wszystkim mocno uzale\u017cnionym od nowych p\u0142yt pozwoli przetrwa\u0107 ten postny okres. Zwr\u00f3\u0107cie uwag\u0119 na wymienione poni\u017cej propozycje polskich artyst\u00f3w (jest jeszcze jedna po\u015bwi\u0119cona im ksi\u0105\u017cka), nawet je\u015bli na co dzie\u0144 tego nie robicie. Tyle w ramach wst\u0119pu. Poni\u017cej lista. Podajcie dalej, uzupe\u0142niajcie itd. <!--more--><\/p>\n<p><strong>PREMIERY P\u0141YTOWE GRUDNIA 2018<br \/>\n<\/strong>(stale uzupe\u0142niana lista <a href=\"https:\/\/polifonia.blog.polityka.pl\/premiery-plytowe-2018\/12-2018\/\">tutaj<\/a>)<\/p>\n<p><strong>1.12 <\/strong><br \/>\n<strong>Lip Talk<\/strong> D A Y S, Northern Spy<br \/>\n<strong>Maciej Geming<\/strong> O muzyce si\u0119 NIE gada, Free Music Stop &#8211; ksi\u0105\u017cka<br \/>\n<strong>Zwidy<\/strong> Szum, Trzy Sz\u00f3stki CD, DL<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1496936972\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/trzyszostki.bandcamp.com\/album\/szum\">Szum by Zwidy<\/a><\/iframe><\/p>\n<p><strong>3.12 <\/strong><br \/>\n<strong>Ma\u0142e Instrumenty<\/strong> Tango<\/p>\n<p><strong>4.12 <\/strong><br \/>\n<strong>Abby Lee<\/strong> Tee Imaginary Friends I, Czaszka MC, DL<br \/>\n<strong>CIA<\/strong> Debutante Waves, Czaszka MC, DL<\/p>\n<p><strong>5.12 <\/strong><br \/>\n<strong>Jodi<\/strong> Pop Espontaneo, Guerssen<\/p>\n<p><strong>6.12 <\/strong><br \/>\n<strong>Kiev Office<\/strong> Alarm dla Gdyni. X lat, Music Is The Weapon CD, DL<br \/>\n<strong>Malediwy (Marek Pospieszalski\/Qba Janicki)<\/strong> Afroaleatoryzm, Lado ABC<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-63v6xZvPm0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>7.12 <\/strong><br \/>\n<strong>AFI<\/strong> The Missing Man EP<br \/>\n<strong>Amor <\/strong>Sinking Into a Miracle, Night School<br \/>\n<strong>Bawrut <\/strong>Jomo EP, Pets<br \/>\n<strong>Capital Punishment<\/strong> This Is Capital Punishment, Captured Tracks EP<br \/>\n<strong>Chris Carter <\/strong>Miscellany, Mute arch.<br \/>\n<strong>Circle Bros<\/strong> Molen, three:four<br \/>\n<strong>Coldplay<\/strong> Live in Buenos Aires, Parlophone live<br \/>\n<strong>Czarny Latawiec<\/strong> In A Wild Sanctuary of Imaginary Landscapes, Mik Musik DL, CD-r ltd.<br \/>\n<strong>Daniel Knox<\/strong> Chasescene, HP Johnson Presents<br \/>\n<strong>Disclosure<\/strong> Moonlight, Island EP<br \/>\n<strong>Grzegorz Bojanek &amp; Stefan Fast<\/strong> Reimagined EP, self released<br \/>\n<strong>Gucci Mane<\/strong> Evil Genius<br \/>\n<strong>HXXS<\/strong> MKDrone, Captured Tracks<br \/>\n<strong>Ice Cube<\/strong> Everythangs, Corrupt<br \/>\n<strong>Lee Ranaldo<\/strong> Electric Trim: Live at Rough Trade East, Mute<br \/>\n<strong>LP<\/strong> Heart To Mouth, Vagrant<br \/>\n<strong>Lubomyr Melnyk<\/strong> Fallen Trees, Erased Tapes<br \/>\n<strong>Mayhem<\/strong> Grand Declaration of War, Season of Mist reed.<br \/>\n<strong>Me, Claudius<\/strong> Good Diz, Bad Bird, Bezirk<br \/>\n<strong>Rara Planet<\/strong> Death Re\/Architecture, Zoharum<br \/>\n<strong>Reverend Charlie Jackson<\/strong> God&#8217;s Got It (2018 edition), AUM Fidelity arch.<br \/>\n<strong>Richard Swift<\/strong> The Hex, Secretly Canadian (DL ju\u017c jest)<br \/>\n<strong>Rosali<\/strong> Trouble Anyway, Melodic<br \/>\n<strong>Silent Servant<\/strong> Shadows od Death and Desire, Hospital<br \/>\n<strong>Steve Spacek<\/strong> Natural Sci-Fi, Eglo<br \/>\n<strong>The Bevis Frond<\/strong> We\u2019re Your Friends, Man, Fire<br \/>\n<strong>The Sight Below<\/strong> Glider 10: Reworks, Ghostly<br \/>\n<strong>The Sight Below<\/strong> Glider 10, Ghostly reed.<br \/>\n<strong>Ulver<\/strong> Sic transit gloaria mundi, House of Mythology<br \/>\n<strong>Van Morrison<\/strong> The Prophet Speaks, Caroline<br \/>\n<strong>XXL<\/strong> Puff O&#8217;Gigio, Bad Paintings<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=508253621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/pointless-geometry.bandcamp.com\/album\/fausto-mercier-ballroom-of-recur\">FAUSTO MERCIER &#8211; BALLROOM OF RECUR by POINTLESS GEOMETRY<\/a><\/iframe><\/p>\n<p><strong>9.12 <\/strong><br \/>\n<strong>ME REX<\/strong> Wooly, Rhino<br \/>\n<strong>Willard Grant Conspiracy<\/strong> Untethered, Loose<\/p>\n<p><strong>10.12 <\/strong><br \/>\n<strong>Anthony Linell<\/strong> Sculpting Energy, Northern Electronics<br \/>\n<strong>F\u0347a\u0339u\u033cs\u031at\u034co\u0332 M\u0324e\u031dr\u0357\u030d\u034ac\u0365i\u034ee\u0335r\u0336<\/strong> Ballroom of Recur, Pointless Geometry<br \/>\n<strong>Harriet Tubman<\/strong> The Terror End of Beauty, Sunnyside<br \/>\n<strong>Isorinne<\/strong> Stumhetens toner, Northern Electronics<\/p>\n<p><strong>12.12 <\/strong><br \/>\n<strong>Jerzy Rogiewicz<\/strong> Kol\u0119dy, Lado ABC seria &#8222;supported by&#8221;<br \/>\n<strong>Mech<\/strong> Pearlgraphs, Minicromusic MC, DL<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-FlOlTGg0xI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>14.12<br \/>\nAzealia Banks<\/strong> Icy Colors Change, Chaos and Glory EP<br \/>\n<strong>Bruce Springsteen<\/strong> Bruce Springsteen On Broadway<br \/>\n<strong>Doors Not Shut (Philip South, Krzysztof Szma\u0144da, Andrzej \u015awi\u0119s, Krzysztof Dys, Wac\u0142aw Zimpel, Ksawery W\u00f3jci\u0144ski)<\/strong> Luty, Audio Cave CD, stream<br \/>\n<strong>Envee<\/strong> Time &amp; Light, U Know Me 2LP, DL<br \/>\n<strong>Neil Young<\/strong> Songs for Judy Reprise arch. 1976 (LP, streaming ju\u017c jest)<br \/>\n<strong>Orchestre Abass<\/strong> De Bassari Togo (Limited Edition), Analog Africa<br \/>\n<strong>Scandinavian Star<\/strong> Solas, Posh Isolation<br \/>\n<strong>Sho Madjozi<\/strong> Limpopo Champions League, Flourish and Multiply<br \/>\n<strong>Sia + Scott Walker<\/strong> Vox Lux Original Motion Picture, Soundtrack Columbia<br \/>\n<strong>The Decemberists<\/strong> Traveling On EP<br \/>\n<strong>VA<\/strong> Canti Spazializzati #4, Canti Illuminati DL<br \/>\n<strong>Within Temptation<\/strong> Resist<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-y4ti900jog\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>15.12 <\/strong><br \/>\n<strong>Ceephax Acid Crew<\/strong> Acid Cask I: Pandemonium, WeMe EP<br \/>\n<strong>Marcin Barski<\/strong> Wanda&#8217;s Dream, Reading Group<\/p>\n<p><strong>16.12<\/strong><br \/>\n<strong>Jacek Szczepanek\/Kolektyw Terenowy<\/strong> Manieczki Soundscapes, saamleng CD<\/p>\n<p><strong>23.12 <\/strong><br \/>\n<strong>MONO<\/strong> Nowhere Now Here, MONO<\/p>\n<p><strong>25.12 <\/strong><br \/>\n<strong>Sloth<\/strong> Getting Ready For Christmas (It&#8217;s About Malt Liquor), Opal Tapes MC, DL<\/p>\n<p><strong>29.12 <\/strong><br \/>\n<strong>Boris with Michio Hurihara<\/strong> \u4e0d\u900f\u660e\u5ea6 Pedal<\/p>\n<p><iframe loading=\"lazy\" style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=599510384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" width=\"300\" height=\"150\" seamless=\"\"><a href=\"http:\/\/opaltapes.com\/album\/getting-ready-for-christmas-its-about-malt-liquor\">Getting Ready For Christmas (It&#8217;s About Malt Liquor) by Sloth<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Kto, co i jak wydaje w grudniu. Nie ma tego du\u017co, wi\u0119c chcia\u0142bym wykorzysta\u0107 okazj\u0119 i zwr\u00f3ci\u0107 uwag\u0119 na ca\u0142oroczn\u0105 prac\u0119 ma\u0142ych polskich labeli takich jak Czaszka, Lado ABC, Pointless Geometry, U Know Me, Trzy Sz\u00f3stki, Audio Cave, Mik.Musik, Zoharum, Minicromusic, Saamleng czy Music Is The Weapon. W grudniu, gdy wi\u0119ksi wydawcy zignoruj\u0105 was jako [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20132,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,1139,1249,1059,2695],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20129"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=20129"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20129\/revisions"}],"predecessor-version":[{"id":20160,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20129\/revisions\/20160"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/20132"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=20129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=20129"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=20129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}