{"id":20451,"date":"2018-12-31T08:50:42","date_gmt":"2018-12-31T07:50:42","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=20451"},"modified":"2018-12-31T10:18:15","modified_gmt":"2018-12-31T09:18:15","slug":"premiery-stycznia-2019","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2018\/12\/31\/premiery-stycznia-2019\/","title":{"rendered":"Premiery stycznia 2019"},"content":{"rendered":"<p>Doszli\u015bmy do takiego momentu, gdy nie b\u0119dzie przesadnym ryzykiem zak\u0142ada\u0107, \u017ce rok 2019 si\u0119 odb\u0119dzie. Warto wi\u0119c zainwestowa\u0107 troch\u0119 czasu w strategiczne planowanie. To taki rozgrzewkowy miesi\u0105c, wi\u0119c powinno by\u0107 \u0142atwo. Z moich prywatnych statystyk wynika, \u017ce tylko w grudniu bywa z premierami gorzej. W styczniu &#8211; przynajmniej do po\u0142owy miesi\u0105ca &#8211; premiery wydaj\u0105 najtwardsi. Ci, kt\u00f3rzy sami nie wyjechali na narty, ewentualnie ci, kt\u00f3rzy wierz\u0105, \u017ce ich publiczno\u015b\u0107 nie wyjecha\u0142a na narty. A wreszcie ci, kt\u00f3rych nie by\u0142o sta\u0107 na przebicie si\u0119 w t\u0142oczniach przed \u015bwi\u0119tami. I Doda. B\u0119dzie wi\u0119c nie tylko czym si\u0119 pozachwyca\u0107, ale te\u017c o czym, hm, podyskutowa\u0107 w kulturalnym tonie.\u00a0W styczniu 2018 r. ukaza\u0142a si\u0119 (jak mi przypominaj\u0105 te same statystyki) zar\u00f3wno jedna z najlepszych, jak i jedna z najgorszych polskich p\u0142yt mijaj\u0105cego roku.\u00a0<!--more--> <\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=338149228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/kaitlynaureliasmith.bandcamp.com\/album\/tides-music-for-meditation-and-yoga\">Tides: Music for Meditation and Yoga by Kaitlyn Aurelia Smith<\/a><\/iframe><\/p>\n<p><strong>PREMIERY P\u0141YTOWE STYCZNIA 2019<br \/>\n<\/strong><em><a href=\"https:\/\/polifonia.blog.polityka.pl\/premiery-plytowe-2019\/01-2019\/\">tutaj<\/a> stale uzupe\u0142niana lista<\/em><\/p>\n<p><strong>1.01 <\/strong><br \/>\n<strong>Meeting By Chance<\/strong> Silver Untrue, LP<br \/>\n<strong>Nagrobki <\/strong>Pa\u0144skie Wersety, thisisnotarecord reed. LP ltd<\/p>\n<p><strong>3.01 <\/strong><br \/>\n<strong>Furtek<\/strong> -tytu\u0142 nieznany-,\u00a0 Trzy Sz\u00f3stki DL, CD p\u00f3\u017aniej<br \/>\n<strong>Machinefabriek &amp; Michel Banabila<\/strong> Entropia, Eilean<\/p>\n<p><strong>4.01 <\/strong><br \/>\n<strong>Fortyone<\/strong> A Video Game Adventure, Istotne Nagrania<br \/>\n<strong>Marc Mac<\/strong> All Power to the People, Omniverse<br \/>\n<strong>Roger Limb &amp; The BBC Radiophonic Workshop<\/strong> The Box of Delights, Silva Screen<\/p>\n<p><strong>5.01 <\/strong><br \/>\n<strong>Trainor Meghan<\/strong> Treat Myself, Sony<\/p>\n<p><strong>6.01 <\/strong><br \/>\n<strong>Le\u015bniewski\/Nowacki<\/strong> \u015al\u0119\u017ca, wyd. w\u0142asne EP, stream, DL (Bandcamp)<\/p>\n<p><strong>10.01 <\/strong><br \/>\n<strong>\u0e04\u0e13\u0e30 \u0e40\u0e1a\u0e35\u0e22\u0e23\u0e4c\u0e1a\u0e39\u0e14\/Khana Bierbood<\/strong> \u0e04\u0e19\u0e41\u0e1b\u0e25\u0e01\u0e2b\u0e19\u0e49\u0e32\u0e08\u0e32\u0e01\u0e14\u0e34\u0e19\u0e41\u0e14\u0e19\u0e1a\u0e39\u0e23\u0e1e\u0e32\u200b\/\u200bStrangers from the far east\u200b, Guruguru Brain<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4171518778\/size=large\/bgcol=ffffff\/linkcol=0687f5\/license_id=263\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/tallies.bandcamp.com\/album\/tallies\">Tallies by Tallies<\/a><\/iframe><\/p>\n<p><strong>11.01 <\/strong><br \/>\n<strong>ASH<\/strong> 1977, Warner<br \/>\n<strong>Kaia Kater<\/strong> Grenades, Smithsonian Folkways<br \/>\n<strong>Kaitlyn Aurelia Smith<\/strong> Tides: Music for Meditation and Yoga, Western Vinyl<br \/>\n<strong>S. Araw Trio XIII<\/strong> Activated Clown, NNA Tapes<br \/>\n<strong>Soilwork<\/strong> Verkligheten, Mystic<br \/>\n<strong>\u015awietliki<\/strong> Cacy Cacy Fleischmaschine, Universal reed.<br \/>\n<strong>Tallies<\/strong> Tallies, Fear Of Missing Out<br \/>\n<strong>The Delines<\/strong> The Imperial, Decor\/El Cortez<\/p>\n<p><strong>12.01 <\/strong><br \/>\n<strong>\u0442\u043f\u0441\u0431<\/strong> Sekundenschlaf, Blackest Ever Black<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4046925101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/emotional-response.bandcamp.com\/album\/selected-media-2016-2018\">Selected Media 2016 &#8211; 2018 by Bartosz Kruczy\u0144ski<\/a><\/iframe><\/p>\n<p><strong>14.01 <\/strong><br \/>\n<strong>Bartosz Kruczy\u0144ski<\/strong> Selected Media 2016 &#8211; 2018, Emotional Response<\/p>\n<p><strong>16.01 <\/strong><br \/>\n<strong>Sourakata Koit\u00e9<\/strong> el Hollande, Awesome Tapes From Africa<\/p>\n<p><strong>17.01 <\/strong><br \/>\n<strong>Hasting&#8217;s Street Opera<\/strong> Slippery When Wet, Guerssen<br \/>\n<strong>The Momes<\/strong> Spiralling, Guerssen<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1550838743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/hamasynth.bandcamp.com\/album\/houmeissa\">Houmeissa by Hama<\/a><\/iframe><\/p>\n<p><strong>18.01 <\/strong><br \/>\n<strong>Bardo Pond<\/strong> Bardo Pond (2019 reissue)<br \/>\n<strong>Black Rain<\/strong> Computer Soul, Blackest Ever Black<br \/>\n<strong>Christoph De Babalon<\/strong> Hectic Shakes, Alter EP<br \/>\n<strong>Ciastko<\/strong> Ciastko, Don&#8217;t Sit On MY Vinyl! LP + CD<br \/>\n<strong>Deerhunter<\/strong> Why Hasn&#8217;t Everything Already Disappeared?, 4AD<br \/>\n<strong>DJ Flugvel og Geimskip<\/strong> Our Atlantis, Geertruida<br \/>\n<strong>Dynasonic<\/strong> #1, Don&#8217;t Sit On MY Vinyl! EP 10&#8243;<br \/>\n<strong>Hama<\/strong> Houmeissa, Sahelsounds<br \/>\n<strong>Hati &amp; Zdzis\u0142aw Piernik<\/strong> Meru\/Yeowe, Don&#8217;t Sit On MY Vinyl! 7&#8243;<br \/>\n<strong>Hedvig Mollestad Trio<\/strong> Smells Funny, Rune Grammofon<br \/>\n<strong>Jeanne Added<\/strong> Radiate, Naive<br \/>\n<strong>Joe McPhee, John Butcher <\/strong>At the Hill of James Magee, Trost<br \/>\n<strong>John Raymond<\/strong> Real Feels Live Vol. 2, Sunnyside<br \/>\n<strong>Julian Lynch<\/strong> Rat&#8217;s Spit Ya, Reach Media\/Underwater Peoples<br \/>\n<strong>Juliana Hatfield<\/strong> Weird, American Laundromat<br \/>\n<strong>Laurie Spiegel<\/strong> Unseen Worlds, Unseen Worlds 2LP, CD, DL arch.<br \/>\n<strong>Liz Brasher<\/strong> Painted Image, Fat Possum<br \/>\n<strong>Lost Under Heaven<\/strong> Love Hates What You Become, Mute<br \/>\n<strong>Machinefabriek<\/strong> With Voices, Western Vinyl<br \/>\n<strong>Maggie Rodgers<\/strong> Heard It in a Past Life, Polydor<br \/>\n<strong>Mark Lockheart<\/strong> Days on Earth, Edition<br \/>\n<strong>Night Beats<\/strong> Myth of a Man, Heavenly<br \/>\n<strong>Novika<\/strong> Bez cukru, Warner<br \/>\n<strong>Papa Roach<\/strong> Who Do You, Trust Mystic<br \/>\n<strong>Pedro The Lion<\/strong> Phoenix, Polyvinyl<br \/>\n<strong>ROME<\/strong> Le ceneri di Heliodoro, Trisol<br \/>\n<strong>Sharon Van Etten<\/strong> Remind Me Tomorrow, Secretly Canadian<br \/>\n<strong>Steve Gunn<\/strong> The Unseen in Between, Matador<br \/>\n<strong>Steve Mason<\/strong> About the Light, Double Six<br \/>\n<strong>The Steel Woods<\/strong> Old News, Thirty Tigers<br \/>\n<strong>The Twilight Sad<\/strong> It Won&#8217;t Be Like This All the Time, Mystic<br \/>\n<strong>Toro Y Moi<\/strong> Outer Peace, Carpark<br \/>\n<strong>Yunghblud<\/strong> 21 Century Liability, Universal<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268731096\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/toroymoi.bandcamp.com\/album\/outer-peace\">Outer Peace by Toro y Moi<\/a><\/iframe><\/p>\n<p><strong>19.01<br \/>\nBuke &amp; Gase<\/strong> Scholars, Brassland<br \/>\n<strong>Sir Richard Bishop &amp; W. David Oliphant \/ Karkhana with Nadah el Shazly<\/strong> Carte Blanche, Unrock<\/p>\n<p><strong>20.01 <\/strong><br \/>\n<strong>The Philip Glass Sextet<\/strong> Music in Twelve Parts: Concert \u00e0 Paris\u200b,\u200b 1975, Transversales arch.<\/p>\n<p><strong>21.01 <\/strong><br \/>\n<strong>Bartosz Kruczy\u0144ski &amp; Poly Chain<\/strong> Pulses Into The Light<br \/>\n<strong>Electric Uranus \/ X-Navi:Et<\/strong> Voices of the Cosmos III, Beast of Prey\/Eter DL, CD<\/p>\n<p><strong>22.01<br \/>\nHalf Japanese<\/strong> Invincible, Fire<\/p>\n<p><strong>24.01 <\/strong><br \/>\n<strong>Black To Comm<\/strong> Seven Horses for Seven Kings, Thrill Jockey<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3690510085\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/blacktocomm.bandcamp.com\/album\/seven-horses-for-seven-kings\">Seven Horses For Seven Kings by BLACK TO COMM<\/a><\/iframe><\/p>\n<p><strong>25.01 <\/strong><br \/>\n<strong>Anthony Braxton<\/strong> GTM (Syntax), New Braxton House<br \/>\n<strong>Bring Me The Horizon<\/strong> Amo, Sony<br \/>\n<strong>Brodka<\/strong> MTV Unplugged, Mystic (DL ju\u017c jest)<br \/>\n<strong>Ciastko<\/strong> Ciastko, Gusstaff CD<br \/>\n<strong>Croatian Armor<\/strong> Isa, Posh Isolation<br \/>\n<strong>Dawn <\/strong>New Breed, Local Action, Our Dawn<br \/>\n<strong>Doda<\/strong> Dorota, Agora<br \/>\n<strong>Dominique Guiot<\/strong> L&#8217;Univers De La Mer, WRWTFWW arch.<br \/>\n<strong>Don Zilla<\/strong> From the Cave to the World, Hakuna Kulala<br \/>\n<strong>Eric Dolphy<\/strong> Musical Prophet: The Expanded New York Studio Sessions (1962-1963), Resonance<br \/>\n<strong>Gemini 4 (Hugo Race &amp; Michelangelo Russo)<\/strong> Gemini 4, Gusstaff CD<br \/>\n<strong>Jeff Ballard<\/strong> Fairgrounds, Edition<br \/>\n<strong>Jimi Tenor<\/strong> Vocalize My Luv \/ Ki&#8217;igba, Philophon 7&#8243;<br \/>\n<strong>Juan Wauters<\/strong> La Onda de Juan Pablo, Captured Tracks<br \/>\n<strong>Julia Kent<\/strong> Temporal, The Leaf Label<br \/>\n<strong>Kid Koala<\/strong> Music to Draw To: Io, Arts &amp; Crafts<br \/>\n<strong>Massive Attack<\/strong> Mezzanine (Deluxe Edition), Universal reed.<br \/>\n<strong>Michael Wolff<\/strong> Swirl, Sunnyside<br \/>\n<strong>Nick Walters &amp; The Paradox Ensemble<\/strong> Awakening, 22a<br \/>\n<strong>Nils Frahm<\/strong> Encores 2, nilsfrahm.com EP<br \/>\n<strong>Patrycja Markowska, Grzegorz Markowski<\/strong> Droga, Agora<br \/>\n<strong>Pavo Pavo<\/strong> Mystery Hour, Bella Union<br \/>\n<strong>Que Vola<\/strong> Que Vola. No Format<br \/>\n<strong>Rat Boy<\/strong> Internationally Unknown, Hellcat<br \/>\n<strong>Sarah Louise<\/strong> Nighttime Birds and Morning Skies, Thrill Jockey<br \/>\n<strong>Sir Shina Peters &amp; His International Stars<\/strong> Sewele, Strut<br \/>\n<strong>Skunk Anansie<\/strong> 25Live@25, Mystic<br \/>\n<strong>Sofy Major<\/strong> Total Dump, Antena Krzyku LP<br \/>\n<strong>Steve Hackett<\/strong> At The Edge Of Light, InsideOut<br \/>\n<strong>The Dandy Warhols<\/strong> Why You So Crazy, Dine Alone<br \/>\n<strong>Tim Presley&#8217;s<\/strong> White Fence I Have to Feed Larry&#8217;s Hawk, Drag City<br \/>\n<strong>Toy<\/strong> Happy in the Hollow, Tough Love<br \/>\n<strong>William Tyler<\/strong> Goes West, Merge<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=395322134\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/croatianamor-poshisolation.bandcamp.com\/album\/isa\">Isa by Croatian Amor<\/a><\/iframe><\/p>\n<p><strong>28.01 <\/strong><br \/>\n<strong>Misia Furtak<\/strong> Co przyjdzie?, Agora<\/p>\n<p><strong>29.01 <\/strong><br \/>\n<strong>Wojtek Kurek<\/strong> Ovule, Pawlacz Perski MC, DL<\/p>\n<p><strong>30.01 <\/strong><br \/>\n<strong>Agressiva 69<\/strong> Deus Ex Machina, Requiem LP, CD<br \/>\n<strong>Tryp<\/strong> Trypolis, Requiem CD<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=55503393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless><a href=\"http:\/\/williamtyler.bandcamp.com\/album\/goes-west\">Goes West by William Tyler<\/a><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Doszli\u015bmy do takiego momentu, gdy nie b\u0119dzie przesadnym ryzykiem zak\u0142ada\u0107, \u017ce rok 2019 si\u0119 odb\u0119dzie. Warto wi\u0119c zainwestowa\u0107 troch\u0119 czasu w strategiczne planowanie. To taki rozgrzewkowy miesi\u0105c, wi\u0119c powinno by\u0107 \u0142atwo. Z moich prywatnych statystyk wynika, \u017ce tylko w grudniu bywa z premierami gorzej. W styczniu &#8211; przynajmniej do po\u0142owy miesi\u0105ca &#8211; premiery wydaj\u0105 najtwardsi. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20453,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,3822,312,3823,4,2695,557],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20451"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=20451"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20451\/revisions"}],"predecessor-version":[{"id":20458,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/20451\/revisions\/20458"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/20453"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=20451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=20451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=20451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}