{"id":21042,"date":"2019-02-28T16:13:56","date_gmt":"2019-02-28T15:13:56","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=21042"},"modified":"2019-03-02T13:06:47","modified_gmt":"2019-03-02T12:06:47","slug":"186-premier-plytowych-marca","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2019\/02\/28\/186-premier-plytowych-marca\/","title":{"rendered":"186 premier p\u0142ytowych marca"},"content":{"rendered":"<p>Alameda 5, Beth Gibbons \u015bpiewaj\u0105ca G\u00f3reckiego, The Cinematic Orchestra, Fisz Emade, Gang Of Four, Kate Bush, Lali Puna, Lambchop, Piotr Kurek, Pond, PRO8L3M, Sun Kil Moon, Swans&#8230; Samo przepisywanie tej listy to ju\u017c zadanie na znacz\u0105c\u0105 cz\u0119\u015b\u0107 nowego miesi\u0105ca. A co dopiero przes\u0142uchiwanie wydawnictw. Rzutem na ta\u015bm\u0119 oddaj\u0119 do u\u017cytku pierwszy przewodnik po premierach miesi\u0105ca. Kolejne b\u0119d\u0105 si\u0119 pojawia\u0107 ju\u017c na stale uzupe\u0142nianej li\u015bcie <a href=\"https:\/\/polifonia.blog.polityka.pl\/premiery-plytowe-2019\/03-2019\/\">tutaj<\/a>. A ju\u017c jutro wysypi\u0105 si\u0119 pierwsze marcowe wydawnictwa. Te z niezale\u017cnych wytw\u00f3rni b\u0119dzie mo\u017cna kupi\u0107 na <a href=\"https:\/\/www.facebook.com\/events\/2022041357910733\/\">Targach Ma\u0142ych Wydawc\u00f3w w Pog\u0142osie<\/a>, a dzie\u0144 p\u00f3\u017aniej na <a href=\"https:\/\/www.facebook.com\/events\/494959794366090\/\">Targach Ma\u0142ych Wydawc\u00f3w w Katowicach<\/a> &#8211; obie imprezy ju\u017c w ten weekend! <!--more--><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/ZPbIHCYUrZo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>PREMIERY P\u0141YTOWE MARCA 2019<\/strong><\/p>\n<p><strong>1.03 <\/strong><br \/>\n<strong>Ahmed Ag Kaedy<\/strong> Akaline Kidal, Sahel Sounds<br \/>\n<strong>Angel-Ho<\/strong> Death Becomes Her, Hyperdub<br \/>\n<strong>Bayonne<\/strong> Drastic Measures, City Slang<br \/>\n<strong>BeMyDelay<\/strong> Bloom Into Night, Boring Machines<br \/>\n<strong>Bryan Adams<\/strong> Shine a Light, Badams<br \/>\n<strong>Carl Stone<\/strong> Baroo, Unseen Worlds<br \/>\n<strong>Celestino<\/strong> Lived In, Room40<br \/>\n<strong>Columbus Duo<\/strong> Schein, DeadSailorMuzic<br \/>\n<strong>David Torn, Tim Berne &amp; Ches Smith<\/strong> Sun of Goldfinger, ECM<br \/>\n<strong>Durand Jones &amp; The Indications<\/strong> American Love Call, Dead Oceans<br \/>\n<strong>Everest Magma<\/strong> Minus Plus Escapism, Boring Machines<br \/>\n<strong>Fabio Orsi<\/strong> Il Vento Disperder\u00e0 la Schiuma, Boring Machines<br \/>\n<strong>FEWS <\/strong>Into Red, PIAS<br \/>\n<strong>Gang Of Four<\/strong> Happy Now, Pledge<br \/>\n<strong>Gary Clark Jr<\/strong> This Land, Warner<br \/>\n<strong>Hand Habits<\/strong> Placeholder, Saddle Creek<br \/>\n<strong>Hozier<\/strong> Wasteland, Baby!, Island<br \/>\n<strong>Jaeho Hwang<\/strong> Non\u200b-\u200bself \ube44\uc790\uc544, Chinabot<br \/>\n<strong>Lali Puna<\/strong> Being Water, Morr Music EP<br \/>\n<strong>Little Simz<\/strong> Grey Area, Age 101<br \/>\n<strong>Marker<\/strong> New Industries, Catalytic Sound (Ken Vandermark)<br \/>\n<strong>Octo Octa<\/strong> For Lovers, Technicolour EP<br \/>\n<strong>Patricia<\/strong> Heavy Merging, Opal Tapes<br \/>\n<strong>Piotr Po\u0142oz<\/strong> Hardy, Father and Son Records &amp; Tapes<br \/>\n<strong>Pond<\/strong> Tasmania, Marathon<br \/>\n<strong>Porya Hatami | Aaron Martin | Roberto Attanasio<\/strong> Sallaw, Dronarivm<br \/>\n<strong>PRO8L3M<\/strong> Widmo, Agora<br \/>\n<strong>Queensryche<\/strong> The Verdict, Sony<br \/>\n<strong>Rema-Rema<\/strong> Fond Reflections, 4AD<br \/>\n<strong>Robert Forster<\/strong> Inferno, Tapete<br \/>\n<strong>Royal Trux<\/strong> White Stuff, Fat Possum<br \/>\n<strong>Scott Gilmore<\/strong> Two Roomed Motel, Crammed<br \/>\n<strong>Sebastian Plano<\/strong> Verve, Mercury KX<br \/>\n<strong>Self Esteem<\/strong> Compliments Please Universal<br \/>\n<strong>Snapped Ankles<\/strong> Stunning Luxury, The Leaf Label<br \/>\n<strong>Solange <\/strong>When I Get Home, Columbia<br \/>\n<strong>Stereotyp<\/strong> Look Things, Seagrave MC, DL<br \/>\n<strong>Sun Kil Moon<\/strong> I Also Want to Die in New Orleans, Caldo Verde<br \/>\n<strong>Sundara Karma<\/strong> Ulfilas\u2019 Alphabet, RCA<br \/>\n<strong>Teen<\/strong> Good Fruit, Carpark<br \/>\n<strong>Test Dept<\/strong> Disturbance, One Little Indian<br \/>\n<strong>The Cactus Blossoms<\/strong> Easy Way, Walkie Talkie<br \/>\n<strong>The Japanese House<\/strong> Good At Falling, Dirty Hit<br \/>\n<strong>The Stroppies<\/strong> Whoosh!, Tough Love<br \/>\n<strong>Thighpaulsandra<\/strong> Practical Electonics with\u200b.\u200b.\u200b., Editions Mego<br \/>\n<strong>V\u00f6k<\/strong> In the Dark, Nettwerk\/NoPaper<br \/>\n<strong>Weezer<\/strong> Weezer (Black Album), Atlantic<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Ap2gStsDZZo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>2.03 <\/strong><br \/>\n<strong>Peter Zummo<\/strong> Frame Loop<\/p>\n<p><strong>3.03 <\/strong><br \/>\n<strong>Centralia<\/strong> Ghost Report, Positive Regression MC, DL<\/p>\n<p><strong>4.03 <\/strong><br \/>\n<strong>Bohdan Mazurek\/Jacek Sienkiewicz<\/strong> Drogi, B\u00f4\u0142t\/Recognition<br \/>\n<strong>Different State<\/strong> Enormous Components of Motor Unit vol.1, Zoharum<br \/>\n<strong>Fabio Orsi<\/strong> Uncharted Waters, Zoharum<br \/>\n<strong>Rigor Mortiss<\/strong> Wbrewny, Zoharum<\/p>\n<p><strong>5.03 <\/strong><br \/>\n<strong>TV Victor<\/strong> Back to the Moon, Lullabies for Insomniacs<\/p>\n<p><strong>7.03 <\/strong><br \/>\n<strong>Ba\u0142tyk<\/strong> Self-help Pt. 1, Opus Elefantum Collective CD, DL<br \/>\n<strong>Townes Van Zandt<\/strong> Sky Blue, Fat Possum<\/p>\n<p><strong>8.03 <\/strong><br \/>\n<strong>Arosa Ensemble<\/strong> Granit, Eclipse<br \/>\n<strong>Blick Bassy<\/strong> 1958, No Format<br \/>\n<strong>Black Bombaim, Jonathan Saldanha, Lu\u00eds Fernandes &amp; Pedro Augusto<\/strong> [untitled], Cardinal Fuzz\/Lovers &amp; Lollypops<br \/>\n<strong>Caetano Veloso<\/strong> Cateano Veloso, Third Man reed. 1968<br \/>\n<strong>Daniel Blumberg &amp; Hebronix<\/strong> Liv, Mute<br \/>\n<strong>Daria Zawia\u0142ow<\/strong> Helsinki, Sony<br \/>\n<strong>Dido<\/strong> Still On My Mind, BMG<br \/>\n<strong>Duke<\/strong> Uingizaji Hewa, Nyege Nyege<br \/>\n<strong>EB The Younger<\/strong> To Each His Own, Bella Union<br \/>\n<strong>Fisz Emade Tworzywo<\/strong> Radar, Grand Imperial \/ Dwa Ognie<br \/>\n<strong>Flight Of The Conchords<\/strong> Live in London, Sub Pop<br \/>\n<strong>Foals<\/strong> Everything Not Saved Will Be Lost Part 1, Warner<br \/>\n<strong>Halina Fr\u0105ckowiak &amp; SBB<\/strong> Geira, Polskie Nagrania\/GAD<br \/>\n<strong>Howe Gelb<\/strong> Gathered, Fire<br \/>\n<strong>JAB<\/strong> Erg Herbe, Shelter Press<br \/>\n<strong>Joe Martin<\/strong> \u00c9toil\u00e9e, Sunnyside<br \/>\n<strong>Kate Bush<\/strong> The Other Sides, Fish People arch.<br \/>\n<strong>Kouta Katsutaro<\/strong> Kouta Katsutaro, Death Is Not The End<br \/>\n<strong>Meat Puppets<\/strong> Dusty Notes, Megaforce<br \/>\n<strong>Mia Dyberg \/ Elo Masing \/ Ernesto Rodrigues \/ Guilherme Rodrigues \/ Tomo Jacobson<\/strong> Egin, Gotta Let It Out<br \/>\n<strong>Normal Brain<\/strong> Lady Maid, WRWTFWW arch.<br \/>\n<strong>Patty Griffin<\/strong> Patty Griffin, PGM\/Thirty Tigers<br \/>\n<strong>Paul Weller<\/strong> Other Aspects, Live At The Royal Festival Hall, Warner<br \/>\n<strong>Sam Ashley &amp; Werner Durand<\/strong> I&#8217;d Rather Be Lucky Than Good, Unseen Worlds<br \/>\n<strong>Sarah Tandy<\/strong> Infection in the Sentence, Jazz Re:freshed<br \/>\n<strong>Sasami<\/strong> Sasami, Domino<br \/>\n<strong>Sigrid<\/strong> Sucker, Punch Island<br \/>\n<strong>Stella Donnelly<\/strong> Beware of the Dog, Secretly Canadian<br \/>\n<strong>The Coathangers<\/strong> The Devil You Know, Suicide Squeeze<br \/>\n<strong>Tredici Bacci<\/strong> La Fine Del Futuro, NNA Tapes<br \/>\n<strong>VA<\/strong> Spiritual Jazz 9: Blue Notes, Part 1, Jazzman<br \/>\n<strong>William Basinski<\/strong> On Time Out of Time<br \/>\n<strong>Yann Novak<\/strong> Scalar Fields, Room40<\/p>\n<p><strong>12.03 <\/strong><br \/>\n<strong>Gerard Lebik\/David Maranha\/Phil Minton<\/strong> Advent, Bocian LP<br \/>\n<strong>Sosky<\/strong> Delicious Depression, Polena DL<\/p>\n<p><strong>14.03 <\/strong><br \/>\n<strong>Silberman Quartet<\/strong> Asanisimasa, Audio Cave CD, DL (LP wkr\u00f3tce)<br \/>\n<strong>The Caretaker<\/strong> Everywhere at the End of Time &#8211; Stage 6, HAFTW<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HEEfur6u0Uk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>15.03 <\/strong><br \/>\n<strong>Aidan Baker | N<\/strong> Doppellive, Midira<br \/>\n<strong>Alameda 5<\/strong> Eurodrome, Instant Classic<br \/>\n<strong>Algorhythm<\/strong> Termomix ,Alpaka<br \/>\n<strong>Amanda Palmer<\/strong> There Will Be No Intermission, Cooking Vinyl<br \/>\n<strong>Chupame El Dedo<\/strong> No te Metas con Satan, Discrepant (Eblis Alvarez)<br \/>\n<strong>Coma<\/strong> Sen o 7 szklankach, Mystic<br \/>\n<strong>Daniel Thorne<\/strong> Lines of Sight, Erased Tapes<br \/>\n<strong>Deafkids<\/strong> Metaprogramac\u0327a\u0303o, Neurot<br \/>\n<strong>Dexter Story<\/strong> Bahir, Soundway<br \/>\n<strong>Dis Fig<\/strong> Purge, PTP<br \/>\n<strong>Finn Andrews<\/strong> One Piece At A Time, Nettwerk<br \/>\n<strong>FOQL<\/strong> Dumpster diving know-how, CGI LP<br \/>\n<strong>Hans Castrup<\/strong> Heterogeneous Cell Information, Karlrecords<br \/>\n<strong>Karen O &amp; Danger Mouse<\/strong> Lux prima, BMG<br \/>\n<strong>Keren Ann<\/strong> Bleue<br \/>\n<strong>Kucz\/Bili\u0144ska<\/strong> Kucz\/Bili\u0144ska, MTJ<br \/>\n<strong>Lakker<\/strong> \u00c9poca, R&amp;S<br \/>\n<strong>Lauren Jenkins<\/strong> No Saint<br \/>\n<strong>Mako Sica<\/strong> Manifest Being, Feeding Tube<br \/>\n<strong>Matador<\/strong> Groove Denied<br \/>\n<strong>Matmos<\/strong> Plastic Anniversary, Thrill Jockey<br \/>\n<strong>Non Violent Communication<\/strong> Obserwacje, Audio Cave CD, DL<br \/>\n<strong>Oozing<\/strong> <strong>Wound<\/strong> High Anxiety, Thrill Jockey<br \/>\n<strong>Peder Mannerfelt<\/strong> Life Without Friction, Seilscheibenpfeiler EP<br \/>\n<strong>RGG<\/strong> Memento (Polish Jazz vol. 81), Polskie Nagrania CD<br \/>\n<strong>Rian Treanor<\/strong> ATAXIA, Planet Mu<br \/>\n<strong>The Brian Jonestown Massacre<\/strong> The Brian Jonestown Massacre, A recordings<br \/>\n<strong>The Cinematic Orchestra<\/strong> To Believe, Ninja Tune CD, 2LP<br \/>\n<strong>The Comet Is Coming<\/strong> Trust in the Lifeforce of the Deep Mystery, Impulse!<br \/>\n<strong>Tom Russell<\/strong> October In The Railroad Earth, Proper<br \/>\n<strong>Vienio<\/strong> Twarzova, Agora<br \/>\n<strong>Vijay Iyer &amp; Craig Taborn<\/strong> The Transitory Poems, ECM<\/p>\n<p><strong>17.03 <\/strong><br \/>\n<strong>Dominik Bukowski Quartet<\/strong> Transatlantyk, Soliton<\/p>\n<p><strong>18.03 <\/strong><br \/>\n<strong>Aidan Baker &amp; Karen Willems<\/strong> Awel, Midira<br \/>\n<strong>Jacek Sienkiewicz<\/strong> BTWN, Recognition<br \/>\n<strong>Swans<\/strong> What Is This?, Young God<\/p>\n<p><strong>19.03 <\/strong><br \/>\n<strong>Steve Earle &amp; The Dukes<\/strong> Guy, New West<\/p>\n<p><strong>20.03 <\/strong><br \/>\n<strong>Chocolate<\/strong> Peru&#8217;s Master Percussionist (Perspective on Afro\u200b-\u200bPeruvian Music. The Collection), Buh arch.<\/p>\n<p><strong>21.03 <\/strong><br \/>\n<strong>Adisa Zvekovic<\/strong> Sleepwalkers<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Dpgkx-OswJ8\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>22.03 <\/strong><br \/>\n<strong>Alicja Majewska<\/strong> \u017by\u0107 si\u0119 chce, Sony<br \/>\n<strong>Andrew Bird<\/strong> My Finest Work Yet, Loma Vista<br \/>\n<strong>Anne Briggs<\/strong> Anne Briggs, Topic reed. 1971<br \/>\n<strong>Apparat<\/strong> LP5, Mute<br \/>\n<strong>Bill MacKay<\/strong> Fountain Fire, Drag City<br \/>\n<strong>Christian Scott aTunde Adjuah<\/strong> Ancestral Recall<br \/>\n<strong>Cykada<\/strong> Cykada, Astigmatic<br \/>\n<strong>Ex Hex<\/strong> It&#8217;s Real, Merge<br \/>\n<strong>Grzegorz Bojanek <\/strong>Pure, N_Coded EP<br \/>\n<strong>Housewives<\/strong> Twilight Splendour, Blank<br \/>\n<strong>Ibibio Sound Machine<\/strong> Doko Mien, Merge<br \/>\n<strong>Jenny Lewis<\/strong> Red Bull &amp; Hennessy, Warner<br \/>\n<strong>John Zorn<\/strong> The Hermetic Organ Vol. 6: For Edgar Allan Poe, Tzadik<br \/>\n<strong>Lafawndah<\/strong> Ancestor Boy, K7<br \/>\n<strong>Lambchop<\/strong> This (is what I wanted to tell you), Merge<br \/>\n<strong>Laurel Halo<\/strong> DJ Kicks, K7<br \/>\n<strong>Ma\u0142y Szu<\/strong> Per\u0142y z piekie\u0142, Don&#8217;t Sit On My Vinyl! 7&#8243; EP ltd<br \/>\n<strong>Mary Lattimore &amp; Mac McCaughan<\/strong> New Rain Duets, Three Lobed<br \/>\n<strong>Nagrobki<\/strong> Teatr Polski, Don&#8217;t Sit On My Vinyl! 8&#8243; EP ltd<br \/>\n<strong>Nilufer Yanya<\/strong> Miss Universe, ATO<br \/>\n<strong>Pr\u00f3chno<\/strong> Pr\u00f3chno, Gusstaff\/Don&#8217;t Sit On My Vinyl CD, LP<br \/>\n<strong>Shlohmo<\/strong> The End, FoF<br \/>\n<strong>Steven Wilson<\/strong> Home Invasion: In Concert at the Royal Albert Hall, Caroline<br \/>\n<strong>Strand Of Oaks<\/strong> Eraserland, Dead Oceans<br \/>\n<strong>Terry Allen and the Panhandle Mystery Band<\/strong> Pedal Steal + Four Corners, Paradise of Bachelors<br \/>\n<strong>The Future Eve feat. Robert Wyatt<\/strong> KiTsuNe\/Brian the Fox<br \/>\n<strong>These New Puritans<\/strong> Inside The Rose, Infectious<br \/>\n<strong>Tobias Meinhart<\/strong> Berlin People, Sunnyside<br \/>\n<strong>William Hooker<\/strong> Cycle of Restoration, FPE<br \/>\n<strong>Zeal &amp; Ardor<\/strong> Live in London, Napalm<\/p>\n<p><strong>25.03 <\/strong><br \/>\n<strong>Dren<\/strong> Time &amp; Form, Zoharum<br \/>\n<strong>Vidna Obmana<\/strong> Sountrack For The Aquarium, Zoharum<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/J9NtzRDBLJw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><strong>28.03<br \/>\nVA<\/strong> Kooky Nuts Pop Vol.3, Istotne Nagrania<\/p>\n<p><strong>29.03 <\/strong><br \/>\n<strong>Adam Ba\u0142dych Quartet<\/strong> Sacrum profanum, ACT<br \/>\n<strong>Adam Jarzmik Quintet feat Mike Moreno<\/strong> On The Way Home, Audio Cave CD, DL (LP wkr\u00f3tce)<br \/>\n<strong>Agata Karczewska<\/strong> I&#8217;m Not Good At Having Fun, OFFBeat (dystr. Asfalt) DL, CD<br \/>\n<strong>Alex Rex<\/strong> Otterburn, Tin Angel<br \/>\n<strong>Bastarda<\/strong> Ars moriendi, Lado ABC<br \/>\n<strong>Billie Eilish<\/strong> When We All Fall Asleep, Where Do We Go?, Universal<br \/>\n<strong>Catz \u201an Dogz<\/strong> Friendship, NoPaper<br \/>\n<strong>Chris Cohen<\/strong> Chris Cohen, Captured Tracks<br \/>\n<strong>Dome<\/strong> 1, Editions Mego<br \/>\n<strong>Edwyn Collins<\/strong> Badbea, AED<br \/>\n<strong>Elder Ones<\/strong> From Untruth, Northern Spy<br \/>\n<strong>Fennesz<\/strong> Agora, Touch<br \/>\n<strong>Garcia Peoples<\/strong> Natural Facts, Label<br \/>\n<strong>Henryk Miko\u0142aj G\u00f3recki, wyk. Beth Gibbons, Orkiestra Symfoniczna Polskiego Radia pod dyr. Krzysztofa Pendereckiego<\/strong> Symphony No. 3 (Symphony of Sorrowful Songs), Domino CD\/DVD<br \/>\n<strong>Janus Rasmussen<\/strong> Vin, Ki Records<br \/>\n<strong>Lion Shepherd<\/strong> III, Universal<br \/>\n<strong>Marvin Gaye<\/strong> You&#8217;re the Man, Motown arch. 1972<br \/>\n<strong>Matthew Herbert Big Band<\/strong> The State Between Us, Accidental<br \/>\n<strong>Mdou Moctar<\/strong> Ilana: The Creator<br \/>\n<strong>Mekons<\/strong> Deserted, Glitterbeat<br \/>\n<strong>Piotr Kurek<\/strong> Polygome, Hands In The Dark<br \/>\n<strong>Son Volt<\/strong> Union, Transmit Sound\/Thirty Tigers<br \/>\n<strong>Ty Segall<\/strong> Deforming Lobes, Drag City<br \/>\n<strong>Unkle<\/strong> The Road: Part II\/Lost Highway, Songs For The Def<br \/>\n<strong>VA<\/strong> Nigeria 70: No Wahala: Highlife, Afro\u200b-\u200bFunk &amp; Juju 1973\u200b-\u200b1987, Strut<\/p>\n<p><strong>tba<br \/>\nZesp\u00f3\u0142 wokalny G\u0119ba \/ Baskak, Wolfram, Constantin Popp<\/strong>\tKarkowski &#8222;Encumbrance&#8221;, B\u00f4\u0142t Records\/Turning Sounds<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/dEX2RZVgPaU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Alameda 5, Beth Gibbons \u015bpiewaj\u0105ca G\u00f3reckiego, The Cinematic Orchestra, Fisz Emade, Gang Of Four, Kate Bush, Lali Puna, Lambchop, Piotr Kurek, Pond, PRO8L3M, Sun Kil Moon, Swans&#8230; Samo przepisywanie tej listy to ju\u017c zadanie na znacz\u0105c\u0105 cz\u0119\u015b\u0107 nowego miesi\u0105ca. A co dopiero przes\u0142uchiwanie wydawnictw. Rzutem na ta\u015bm\u0119 oddaj\u0119 do u\u017cytku pierwszy przewodnik po premierach miesi\u0105ca. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":21048,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,558,3823,4,557],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/21042"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=21042"}],"version-history":[{"count":20,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/21042\/revisions"}],"predecessor-version":[{"id":21079,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/21042\/revisions\/21079"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/21048"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=21042"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=21042"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=21042"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}