{"id":22437,"date":"2019-07-05T09:04:21","date_gmt":"2019-07-05T07:04:21","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=22437"},"modified":"2020-01-21T09:59:39","modified_gmt":"2020-01-21T08:59:39","slug":"czyszczenie-kubkow-sluchowych-premiery-tygodnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2019\/07\/05\/czyszczenie-kubkow-sluchowych-premiery-tygodnia\/","title":{"rendered":"Czyszczenie kubk\u00f3w s\u0142uchowych [premiery tygodnia]"},"content":{"rendered":"<p>W cz\u0142owieka zaprawionego w poruszaniu si\u0119 w warunkach nadmiaru pocz\u0105tek lipca uderza jak grom z jasnego nieba. Du\u017co singli (Kanye West, Rosalia, Belle &amp; Sebastian, Slow Patrol, Ed Sheeran itd.), cz\u0119sto zwi\u0105zanych z koncertow\u0105 aktywno\u015bci\u0105 autor\u00f3w, ale du\u017cych p\u0142yt ma\u0142o. Na razie naliczy\u0142em nieco powy\u017cej 30 premier, co rozleniwia i powoduje, \u017ce chwilowo poza sam\u0105 list\u0105 tylko kr\u00f3tkie polecenie polskiej kompilacji, na kt\u00f3rej &#8211; jak to si\u0119 m\u00f3wi &#8211; ka\u017cdy co\u015b znajdzie. I kt\u00f3rej &#8211; jak to si\u0119 m\u00f3wi &#8211; ka\u017cdy pos\u0142ucha\u0107 powinien. Cho\u0107 to d\u0142ugi zestaw i &#8211; jak to si\u0119 jeszcze w takich sytuacjach automatycznie dodaje &#8211; nier\u00f3wny. Chodzi o kolejn\u0105 &#8211; po czterech ju\u017c latach dzia\u0142alno\u015bci &#8211; kompilacj\u0119 Father And Son Records And Tapes. Lepiej si\u0119 tego s\u0142ucha ni\u017c punktuje, ale od razu zwr\u00f3c\u0119 Wasz\u0105 uwag\u0119 na ukryty pod dalekim numerem 15 utw\u00f3r, kt\u00f3rym Steez83 odchodzi daleko od stylistyki duetu PRO8L3M, a do tego na bardzo udane nagrania Micromelancoli\u00e9, Naphty, Joanny John i Patryka Cannona (ten z kolei na samym ko\u0144cu, ale w pierwszorz\u0119dnej formie). A przy utworach, kt\u00f3re tu przygotowali Tamten, Milhause i Goerserr mo\u017cna mi\u0142o poleniuchowa\u0107 i odpocz\u0105\u0107 &#8211; mo\u017ce nie od s\u0142uchania jakiego takiego, ale przeczy\u015bci\u0107 kubki s\u0142uchowe, jak to lubi\u0119 m\u00f3wi\u0107, na pewno. Cho\u0107 najlepiej do tej roli nadaje si\u0119 ko\u0144c\u00f3wka tego d\u0142ugiego albumu (Yoshii Swxdn &amp; Moltamole oraz wspomniany ju\u017c Cannon). Bez oceny, bo czy naprawd\u0119 mia\u0142bym teraz wyci\u0105ga\u0107 \u015bredni\u0105 z 24 tak r\u00f3\u017cnorodnych nagra\u0144?\u00a0<!--more--><\/p>\n<p><strong>R\u00d3\u017bNI WYKONAWCY<em> FASRAT Compilation #3<\/em><\/strong>, Father And Son Records And Tapes 2019<\/p>\n<p><iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=743883104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/fasrat.bandcamp.com\/album\/fasrat-compilation-3\">FASRAT Compilation #3 by Father And Son Records And Tapes<\/a><\/iframe><\/p>\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>30.06 <strong>Micha\u0142 Miego\u0144 &amp; Adam Witkowski<\/strong> Dwuja, Thisisnotarecord LP, DL<br \/>\n1.07 <strong>H\u00e9l\u00e8ne Breschand<\/strong>\u00a0H\u00e9l\u00e8ne Breschand plays Eliane Radigue and Kasper T. Toeplitz, Bocian CD<br \/>\n1.07\u00a0<strong>ParampampaTrio<\/strong> EP #25, G\u0142owa Konia Nagrania DL, CD-R<br \/>\n1.07\u00a0<strong>Trigger plus Jerome Noetinger<\/strong> Camera Oscura, Bocian<br \/>\n1.07\u00a0<strong>VA<\/strong> FASRAT Compilation #3, Father and Son Records &amp; Tapes<br \/>\n2.07\u00a0<strong>Ko Shin Moon<\/strong> 78 Fragments, Akuphone<br \/>\n2.07\u00a0<strong>\u00d8 (Mika Vainio)<\/strong> Arc 1, S\u00e4hk\u00f6 arch.<br \/>\n3.07<strong>\u00a0Konstanty Kostka<\/strong> Fl\u0105dra, Latarnia MC, DL<br \/>\n4.07 <strong>Hieroglyphic Being<\/strong> A Synthetic Love Life Vol 2, Mathematics EP<br \/>\n<strong>3teeth <\/strong>Metawar, Century Media<br \/>\n<strong>BABii<\/strong> HiiDE, Mondo Tees<br \/>\n<strong>Big Stick<\/strong> LP, Drag Racing Underground<br \/>\n<strong>Felicia Atkinson<\/strong> The Flower and the Vessel, Shelter Press<br \/>\n<strong>Grup Ses &amp; Elektro Hafiz<\/strong> Varyete, Zel Zele<br \/>\n<strong>H\u00dcMA UTKU (formerly R.A.N.)<\/strong> Gnosis, Karlrecords<br \/>\n<strong>Jesca Hoop<\/strong> Stonechild, Memphis Industries<br \/>\n<strong>Jon Bryant<\/strong> Cult Classic, Warner<br \/>\n<strong>KOKOKO!<\/strong> Fongola, Transgressive<br \/>\n<strong>Mark Mulcahy<\/strong> The Gus, The Mezzotint Label<br \/>\n<strong>Oren Ambarchi<\/strong> Simian Angel, Editions Mego<br \/>\n<strong>Pat Dam Smyth<\/strong> The Last King, Quiet Arch<br \/>\n<strong>Shirokuma<\/strong> Clothes I Wear for the Space I&#8217;m In, Dog Knights<br \/>\n<strong>Taffy<\/strong> Deep Dark Creep Love Club, AC30<br \/>\n<strong>The Haxan Cloak<\/strong> Midsommar OST, Milan<br \/>\n<strong>The Quiet Temple<\/strong> The Quiet Temple, Wichita<br \/>\n<strong>The Soft Cavalry <\/strong>The Soft Cavalry, Bella Union<br \/>\n<strong>Trash Kit<\/strong> Horizon, Upset The Rhythm<br \/>\n<strong>VA<\/strong> Esa Presents Amandla: Music To The People, Soundway<br \/>\n<strong>VA<\/strong> Surfing on the shores of Java and Casablanca, Radio Martiko<br \/>\n<strong>Whit Dickey \/ Tao Quartets<\/strong> Peace Planet -&amp;- Box of Light, AUM Fidelity<br \/>\n<strong>William Parker \/ In Order To Survive<\/strong> Live\u200b\/\u200bShapeshifter, AUM Fidelity<br \/>\n<strong>Yutaka Hirose<\/strong> Nova +4, WRWTFWW reed.<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 5 lipca, z wyj\u0105tkiem przypadk\u00f3w oznaczonych inn\u0105 dat\u0105.\u00a0<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>W cz\u0142owieka zaprawionego w poruszaniu si\u0119 w warunkach nadmiaru pocz\u0105tek lipca uderza jak grom z jasnego nieba. Du\u017co singli (Kanye West, Rosalia, Belle &amp; Sebastian, Slow Patrol, Ed Sheeran itd.), cz\u0119sto zwi\u0105zanych z koncertow\u0105 aktywno\u015bci\u0105 autor\u00f3w, ale du\u017cych p\u0142yt ma\u0142o. Na razie naliczy\u0142em nieco powy\u017cej 30 premier, co rozleniwia i powoduje, \u017ce chwilowo poza sam\u0105 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":22439,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,312,3309,3666,1139],"tags":[2251,4029],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22437"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=22437"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22437\/revisions"}],"predecessor-version":[{"id":24290,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22437\/revisions\/24290"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/22439"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=22437"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=22437"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=22437"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}