Skromna b\u0119dzie ta dzisiejsza notka bez dodatkowych kilku zda\u0144 na temat jednej z pi\u0105tkowych premier, ale takie jest \u017cycie. Gdy czytacie te s\u0142owa, ja najprawdopodobniej nie mam chwilowo mo\u017cliwo\u015bci, \u017ceby je przeczyta\u0107 na nowo, ani \u017ceby doda\u0107 do nich jakiekolwiek uzupe\u0142nienie. I ostrzegam, \u017ce w ci\u0105gu najbli\u017cszych dni mo\u017ce nawet doj\u015b\u0107 do przej\u015bciowych przerw w dostawie nowej zawarto\u015bci na Polifoni\u0119. P\u0142yt mam akurat pod dostatkiem, ale czasu na pisanie nieco mniej. Odpoczynek, \u017ceby by\u0142 skuteczny, podobno \u017ale znosi prac\u0119. Tak mi w ka\u017cdym razie podpowiada zdrowy rozs\u0105dek. Na szcz\u0119\u015bcie list\u0119 pi\u0105tkowych premier zd\u0105\u017cy\u0142em sobie wcze\u015bniej przygotowa\u0107, \u017ceby wiedzie\u0107, co trac\u0119:<\/p>\n
PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n 6.07 Mazut <\/strong>Brotherhood And Unity, Positive Regression DL, MC Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 12 lipca – z wyj\u0105tkiem pojedynczych przypadk\u00f3w oznaczonych inn\u0105 dat\u0105.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Skromna b\u0119dzie ta dzisiejsza notka bez dodatkowych kilku zda\u0144 na temat jednej z pi\u0105tkowych premier, ale takie jest \u017cycie. Gdy czytacie te s\u0142owa, ja najprawdopodobniej nie mam chwilowo mo\u017cliwo\u015bci, \u017ceby je przeczyta\u0107 na nowo, ani \u017ceby doda\u0107 do nich jakiekolwiek uzupe\u0142nienie. I ostrzegam, \u017ce w ci\u0105gu najbli\u017cszych dni mo\u017ce nawet doj\u015b\u0107 do przej\u015bciowych przerw w […]<\/p>\n","protected":false},"author":1,"featured_media":22501,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,3319,3309,3666,558,4],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22496"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=22496"}],"version-history":[{"count":3,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22496\/revisions"}],"predecessor-version":[{"id":22502,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/22496\/revisions\/22502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/22501"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=22496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=22496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=22496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n7.07 Bartek Kujawski<\/strong> Sharp Lines, Audile Snow EP, DL
\n7.07 Ecovillage <\/strong>Hold My Hand, Eilean
\n7.07 Otto Solange<\/strong> \u0448\u043e\u043d, Eilean
\n7.07 VA<\/strong> Neither Vanquished Nor Disgraced: Three Fadista Women in Lisbon, 1929\u200b-\u200b30, Canary
\n8.07 Mirt <\/strong>Amphibian Choirs Compilation, Saamleng
\n9.07 Juravlove <\/strong>Moralny Boost, Polena
\n9.07 Lee Hazelwood<\/strong> 400 Miles From L\u200b.\u200bA. 1955\u200b-\u200b56, Light In the Attic
\n9.07 Mike Cooper<\/strong> Life And Death In Paradise
\n9.07 Purling Hiss<\/strong> Interstellar Blue, Drag City EP
\n10.10 Daym\u00e9 Arocena<\/strong> Trilog\u00eda, Brownswood EP
\nAfrica Express<\/strong> Egoli, K7 2CD
\nAngie Stone<\/strong> Full Circle, Cleopatra
\nAttarazat Addahabia & Faradjallah<\/strong> Habibi Funk 011: Al Hadaoui, Habibi Funk
\nBanks <\/strong>III, Harvest
\nBatushka <\/strong>Hospodi, Mystic
\nBlack To Comm<\/strong> Before After, Thrill Jockey
\nBloc Party <\/strong> Silent Alarm Live
\nBlood Orange<\/strong> Angel’s Pulse, Domino mixtape
\nBoca 45 <\/strong>Forty Five, B Block
\nDaniel Lanois<\/strong> The Music of Red Dead Redemption 2 OST, Lakeshore
\nDean Hurley<\/strong> Anthology Resource Vol. II: Philosophy of Beyond, Sacred Bones
\nDope Lemon<\/strong> Smooth Big Cat, Warner
\nEd Sheeran<\/strong> No. 6 Collaborations Project, Warner
\nFloating Points <\/strong>LesAlpx \/ Coorabell EP
\nFrightened Rabbit<\/strong> Tiny Changes, Atlantic
\nGauche <\/strong>A People’s History of Gauche, Merge
\nGluten <\/strong>Muzyka ostentacyjnie relaksacyjna, Nasiono DL, CD-R
\nGoldlink <\/strong>Diaspora, Black Butter
\nGrabek <\/strong>Humans EP
\nHermann Nitsch <\/strong>Albertina Quartett, Trost
\nJefre Cantu-Ledesma<\/strong> Tracing Back the Radiance, Mexican Summer EP
\nKaina <\/strong>Next To The Sun, Sooper
\nKhruangbin <\/strong>Hasta El Cielo, Night Time Stories
\nMannequin Pussy<\/strong> Patience, Epitaph
\nMerzbow <\/strong>Noise Mass, Room40
\nMetz <\/strong>Automat, Mystic
\nMickey Pearce <\/strong>Smelling of Incense, Accidental
\nNew Order<\/strong> \u2211(No,12k,Lg,17Mif) New Order + Liam Gillick: So It Goes..
\nPere Ubu<\/strong> The Long Goodbye, Cherry Red
\nPiero Milesi<\/strong> The Nuclear Observatory Of Mr. Nanof, WRWTFWW
\nPrurient <\/strong>Garden of the Mutilated Paratroopers, Profound Lore
\nPurple Mountains<\/strong> Purple Mountains, Drag City
\nSteel Banging<\/strong> Bez \u017cadnego powodu, Step
\nTelevision Personalities<\/strong> Some Kind of Happening – Singles 1978-1989, Fire arch.
\nTelevision Personalities<\/strong> Some Kind Of Trip \u2013 Singles 1990-1994, Fire arch.
\nTycho <\/strong>Weather, Ninja Tune
\nUmberto <\/strong>Helpless Spectator, Thrill Jockey
\nUzeda <\/strong>Quocumque jeceris stabit
\nVA<\/strong> There Where the Avalanche Stops, Touch komp.<\/p>\n