{"id":23506,"date":"2019-10-25T13:36:20","date_gmt":"2019-10-25T11:36:20","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=23506"},"modified":"2019-10-25T13:38:47","modified_gmt":"2019-10-25T11:38:47","slug":"w-piatki-leze","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2019\/10\/25\/w-piatki-leze\/","title":{"rendered":"W pi\u0105tki le\u017c\u0119"},"content":{"rendered":"<p>I kwicz\u0119 &#8211; chcia\u0142oby si\u0119 doda\u0107. Ale tym razem b\u0119dzie ju\u017c <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/18\/poddaje-sie\/\">bez wierszyka<\/a>. Cho\u0107 z tym bie\u017c\u0105cym pi\u0105tkiem jest zarazem dziwnie. Je\u015bli mierzy\u0107 go ilo\u015bciowo &#8211; przynosi prawdopodobnie najwi\u0119cej premier spo\u015br\u00f3d wszystkich tygodni roku. Je\u015bli mierzy\u0107 na wag\u0119, to jest wyra\u017anie l\u017cej, odk\u0105d przesun\u0119li daty swoich premier (oboje na listopad) FKA Twigs i Michael Kiwanuka (<em>Jesus Is King<\/em> Kanyego Westa pojawia si\u0119 w zapowiedziach, ale to troch\u0119 jak z samym tematem: wierz\u0105cych coraz mniej). Liczy\u0142em si\u0119 raczej z pisaniem o tej pierwszej, jest zreszt\u0105 o czym pisa\u0107 i rozmawia\u0107, wi\u0119c wobec przesuni\u0119cia daty zaproponuj\u0119 tylko d\u0142ug\u0105 list\u0119 premier tygodnia, kt\u00f3r\u0105 jeszcze pewnie uzupe\u0142ni\u0119 w ci\u0105gu najbli\u017cszych godzin. No, prawie &#8211; kr\u00f3ciutko o gwiazdorskiej inicjatywie <strong>Desert Sessions<\/strong>. <!--more--><\/p>\n<p>Przygotowany by\u0142em na pisanie o FKA Twigs, a z tej perspektywy trudno si\u0119 rozwodzi\u0107 nad przedsi\u0119wzi\u0119ciem, kt\u00f3re ma charakter towarzyski i zak\u0142ada pewn\u0105 muzyczn\u0105 drugorz\u0119dno\u015b\u0107. Wyobra\u017cam to sobie tak, \u017ce r\u00f3\u017cnorodne towarzystwo &#8211; Billy Gibbons z ZZ Top, Jake Shears z Scissor Sisters, Les Claypool z Primusa, Matt Sweeney czy Stella Mozgawa z Warpaint, no i sam Josh Homme (QOTSA), czyli lider projektu &#8211; zje\u017cd\u017ca teren\u00f3wkami na kalifornijskie ranczo zamienione w studio nagraniowe, troch\u0119 tak jak cz\u0142onkowie rodu Roy\u00f3w w <em>Sukcesji<\/em> na rodzinn\u0105 terapi\u0119 do posiad\u0142o\u015bci Connora. Zwyczaj ma d\u0142ug\u0105, si\u0119gaj\u0105c\u0105 lat 90. tradycj\u0119, ale te\u017c mi\u0119dzy tymi a poprzednimi sesjami na pustyni by\u0142a du\u017ca przerwa. Kt\u00f3rej &#8211; dodajmy &#8211; chyba nikt nie zauwa\u017cy\u0142, a je\u015bli zauwa\u017cy\u0142, to szczeg\u00f3lnie nie prze\u017cy\u0142, bo rzecz jest raczej bonusem na rynku i chyba ma\u0142o kto kibicuje jej na tyle, by m\u00f3wi\u0107 o sobie, \u017ce jest fanem. Ale przycisk &#8222;arrivederci despair&#8221; na ok\u0142adce bardzo mnie zainteresowa\u0142. To przes\u0142anie jest mi bliskie, szczeg\u00f3lnie w ka\u017cdy pi\u0105tek. <\/p>\n<p>Wydane dzi\u015b cz\u0119\u015bci 11. i 12. nagrywane by\u0142y w grudniu 2018 r. i zdecydowanie najbardziej przypad\u0142 mi z tego programu do gustu utw\u00f3r instrumentalny &#8211; <em>Far East For the Trees<\/em> (drugi ulubiony to <em>If You Run<\/em> z wokalami Libby Grace), ale ca\u0142o\u015bci s\u0142ucha si\u0119 bez b\u00f3lu. Wydaje si\u0119 do\u015b\u0107 niewymuszona, cho\u0107 nie nazwa\u0142bym tego &#8222;wychodzeniem ze strefy komfortu&#8221;, jak o tym pisz\u0105 sami zainteresowani. Zestawia\u0142bym rzecz w\u0142a\u015bnie z pozycj\u0105 Connora Roya &#8211; je\u015bli ma si\u0119 z jakich\u015b powod\u00f3w du\u017ce mo\u017cliwo\u015bci wp\u0142ywania na \u015bwiat, to warto mo\u017ce \u015bwiadomie zepchn\u0105\u0107 si\u0119 na margines i zaj\u0105\u0107 jak\u0105\u015b dzia\u0142alno\u015bci\u0105 charytatywn\u0105, \u017ceby nie wyrz\u0105dzi\u0107 wi\u0119cej szkody ni\u017c po\u017cytku. Pod tym wzgl\u0119dem ten album nawet si\u0119 nie\u017ale nadaje na pi\u0105tek, cho\u0107 wobec ca\u0142ej oferty jest to pozycja raczej ucieczkowa. <\/p>\n<p><strong>THE DESERT SESSIONS <em>Desert Sessions Volumes 11 &#038; 12<\/em><\/strong>, Matador 2019, <strong>6\/10<\/strong><\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7xSi5UDcfXAzR7NWSpFJiL\" width=\"500\" height=\"380\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe><\/p>\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>19.10\t<strong>Patrick Cowley<\/strong>\tMechanical Fantasy Box\tDark Entries\tarch.<br \/>\n20.10\t<strong>Alfons Slik<\/strong>\tNie przejmuj si\u0119\tLove &#038; Beauty Music\tCD<br \/>\n21.10\t<strong>David Byrne<\/strong>\tAmerican Utopia on Broadway \tNonesuch<br \/>\n21.10\t<strong>Entr&#8217;acte<\/strong>\tSoigne ta droite\tCatalytic Sound<br \/>\n21.10\t<strong>Kenseth Thibideau<\/strong>\tSuns Of Riley\tTemporary Residence Ltd.<br \/>\n21.10\t<strong>Seahawks &#038; Woo<\/strong>\tCelestial Railroads\tEmotional Response<br \/>\n21.10\t<strong>Steve Mackay<\/strong>\tBunktilt &#038; Steve Mackay Dig The Stooges\tOuch!<br \/>\n21.10\t<strong>VA<\/strong>\tInteractions: A Guide to Swiss Underground Experimental Music\tBuh<br \/>\n21.10\t<strong>Vive La Void<\/strong>\tIs This A Room &#8211; Original Score<br \/>\n22.10\t<strong>Kamp! <\/strong>\tKamp! Live\tBrennnessel<br \/>\n22.10\t<strong>Mohammad Reza Mortazavi<\/strong>\tRitme Jaavdanegi,\tLatency<br \/>\n22.10\t<strong>Weyes Blood<\/strong>\tRough Trade Session,\tSub Pop\tEP<br \/>\n23.10\t<strong>Agnieszka Wilczy\u0144ska, Andrzej Jagodzi\u0144ski<\/strong>\tWilcze jagody,\tStrefa 101<br \/>\n23.10\t<strong>Deathprod\t<\/strong>Occulting Disc,\tSmalltown Supersound\t2LP, DL<br \/>\n23.10\t<strong>Guenter Schlienz<\/strong>\tKnow Your New Age,\tZoharum<br \/>\n23.10\t<strong>Guenter Schlienz<\/strong>\tLissajous,\tCosmic Winnetou<br \/>\n23.10\t<strong>Kakofonium\t<\/strong>Lochy Watykanu,\tEnjoy Life<br \/>\n23.10\t<strong>Micromelancoli\u00e9<\/strong>\tMX\u00c9 &#8211; Track ID?,\tTrackid\tDL, kaseta w\u0142asna<br \/>\n23.10\t<strong>Nicholas C Leone<\/strong>\tBeach Rats,\tMondo Tees<br \/>\n23.10\t<strong>Philip Jeck<\/strong>\tVinyl Coda I-II<br \/>\n23.10\t<strong>Philip Jeck<\/strong>\tVinyl Coda III-IV<br \/>\n23.10\t<strong>Sol Oosel<\/strong>\tEn all\u00e9geance \u00e0 l&#8217;inconnaissable \u2014 Une \u00e9tude en chor\u00e9graphie pour le flux d&#8217;\u00e9nergie,\tUmor Rex<br \/>\n24.10\t<strong>Bobby Bradford \/ Frode Gjerstad \/ Kent Carter \/ John Stevens<\/strong>\tBlue Cat,\tNo Business<br \/>\n24.10\t<strong>BONES &#8211; Ziv Taubenfeld \/ Shay Hazan \/ Nir Sabag<\/strong>\tReptiles,\tNo Business<br \/>\n24.10\t<strong>Loessland\t<\/strong>Four,\tJMY<br \/>\n24.10\t<strong>Vatican Shadow\t<\/strong>Kuwaiti Airforce,\tHospital\treed.<br \/>\n<strong>Alcest\t<\/strong>Spiritual Instinct,\tNuclear Blast<br \/>\n<strong>Amon Tobin<\/strong>\tLong Stories,\tNomark<br \/>\n<strong>Ania Rusowicz<\/strong>\tPrzebudzenie,\tAgora<br \/>\n<strong>Anita Lipnicka\t<\/strong>Od nowa,\tWarner<br \/>\n<strong>Anna Meredith<\/strong>\tFIBS,\tMoshi Moshi<br \/>\n<strong>Ariel Pink<\/strong>\tOdditties Sodomies Vol. 2,\tMexican Summer\tcomp.<br \/>\n<strong>Bantou Mentale\t<\/strong>Bantou Mentale,\tGlitterbeat<br \/>\n<strong>Baranovski\t<\/strong>Zbi\u00f3r,\tWarner<br \/>\n<strong>Black Marble\t<\/strong>Bigger Than Life,\tSacred Bones<br \/>\n<strong>Brooke Candy<\/strong>\tSexorcism,\tNuxxe<br \/>\n<strong>Cigarettes After Sex<\/strong>\tCry,\tPartisan<br \/>\n<strong>Desert Sessions\t<\/strong>Desert Sessions vols. 11 &#038; 12,\tMatador<br \/>\n<strong>DJ NABUCHODONOZOR\t<\/strong>mUZA dO kICHANIA,\tGlamour<br \/>\n<strong>E.S.T.<\/strong>\tLive in Gothenburg,\tACT<br \/>\n<strong>Fader\t<\/strong>In Shadow,\tBlanc Check<br \/>\n<strong>Fink\t<\/strong>Bloom Innocent,\tNinja Tune<br \/>\n<strong>First Tone<\/strong>\tReactions,\tSpectrum Spools<br \/>\n<strong>Fischerle\t<\/strong>Gmatwacz,\tCzaszka (rec.)\tMC, DL<br \/>\n<strong>Fran\u00e7ois Tusques<\/strong>\tAlors Nosferatu Combina Un Plan Ing\u00e9nieux,\tFinders Keepers\tarch.<br \/>\n<strong>Hawkwind<\/strong>\tAll Aboard the Skylark,\tCherry Red<br \/>\n<strong>Hemlock Ernst &#038; Kenny Segal<\/strong>\tBack at the House,\tRuby Yacht<br \/>\n<strong>Hieroglyphic Being<\/strong>\tSynth Expressionism \u200b\/ \u200bRhythmic Cubism,\tOn The Corner<br \/>\n<strong>Jerzy Milian\t<\/strong>Stigma (Jerzy Milian Tapes 08),\tGAD\tarch. CD<br \/>\n<strong>Joaquin Gutierrez<\/strong> Hadid\tS\u00fbr,\tL-ne<br \/>\n<strong>Juana Molina\t<\/strong>Forfun,\tCrammed\tEP<br \/>\n<strong>Ka Baird<\/strong>\tRespires,\tRVNG Intl<br \/>\n<strong>Kanye West<\/strong>\tJesus Is King,\tDef Jam\t(kolejna pr\u00f3ba zapowiedzi)<br \/>\n<strong>Kasia Kowalska<\/strong> MTV Unplugged, Agora<br \/>\n<strong>King Princess<\/strong>\tCheap Queen,\tZelig<br \/>\n<strong>Kreidler<\/strong>\tFlood,\tBureau B<br \/>\n<strong>Lankum\t<\/strong>The Livelong Day,\tRough Trade<br \/>\n<strong>Lee Scratch Perry<\/strong>\tLife of the Plants,\tStones Throw<br \/>\n<strong>Levitation Orchestra<\/strong>\tInexpressible Infinity,\tAstigmatic<br \/>\n<strong>Maciej Obara Quartet<\/strong>\tThree Crowns,\tECM<br \/>\n<strong>Magic Sword<\/strong>\tAwakening,\tJoyful Noise<br \/>\n<strong>Maria W Horn<\/strong>\tEpistasis,\tHallow Ground<br \/>\n<strong>Masahiko Satoh \/ Sabu Toyozumi\t<\/strong>The Aiki,\tNo Business<br \/>\n<strong>Meemo Comma<\/strong>\tSleepmoss,\tPlanet Mu<br \/>\n<strong>Mikal Cronin<\/strong>\tSeeker,\tMerge<br \/>\n<strong>Mot\u00f6rhead\t<\/strong>1979\t\tbox<br \/>\n<strong>MOURN<\/strong>\tMixtape,\tCaptured Tracks<br \/>\n<strong>Natalia Przybysz<\/strong>\tJak malowa\u0107 ogie\u0144,\tKayax<br \/>\n<strong>Negativland\t<\/strong>True False,\tSeeland<br \/>\n<strong>Neil Yong &#038; The Crazy Horse<\/strong>\tColorado,\tReprise<br \/>\n<strong>Nemerov\t<\/strong>Six Recital Pieces,\tCzaszka (rec.)\tMC, DL<br \/>\n<strong>Nguyen Le<\/strong>\tOverseas,\tACT<br \/>\n<strong>No\u017ce\t<\/strong>Gniew,\tMTJ<br \/>\n<strong>Palace Lido<\/strong>\t030 030 23032,\tCzaszka (rec.)\tMC, DL<br \/>\n<strong>Petbrick\t<\/strong>I,\tRocket<br \/>\n<strong>Piotr Machalica<\/strong> M\u00f3j ulubiony M\u0142ynarski, Sony<br \/>\n<strong>Pita \t<\/strong>Get On,\tEditions Mego<br \/>\n<strong>Provinz Posen\t<\/strong>Provinz Posen,\tWytw\u00f3rnia Krajowa\tCD, DL<br \/>\n<strong>Qba Janicki<\/strong>\tMatematyka Intuicyjna,\tBocian\tLP<br \/>\n<strong>Rex Orange County<\/strong>\tPony,\tSony<br \/>\n<strong>Sandy\t<\/strong>Traces,\tGeographic North<br \/>\n<strong>SBB\t<\/strong>Welcome,\tGAD\treed. CD<br \/>\n<strong>Sean O&#8217;Hagan<\/strong>\tRadum Calls, Radum Calls,\tDrag City<br \/>\n<strong>Simon Joyner<\/strong>\tPocket Moon,\tBB* Island<br \/>\n<strong>Sinkane\t<\/strong>Gettin\u2019 Weird (Alive at Spacebomb Studios),\tSpacebomb<br \/>\n<strong>Stereophonics\t<\/strong>Kind<br \/>\n<strong>Steve Hauschildt<\/strong>\tNonlin,\tGhostly<br \/>\n<strong>Sunn O)))<\/strong>\tPyroclasts,\tSouthern Lord<br \/>\n<strong>Swans\t<\/strong>Leaving Meaning,\tYoung God<br \/>\n<strong>Tasos Stamou<\/strong>\tD.A.D.,\tDiscrepant<br \/>\n<strong>Teebs\t<\/strong>Anicca,\tBrainfeeder<br \/>\n<strong>The Bad Plus\t<\/strong>Activate Infinity,\tEdition<br \/>\n<strong>The Sound Pack <\/strong>On Air, SJRecords<br \/>\n<strong>Tymon Tyma\u0144ski <\/strong>Paszkwile, Nei Gong<br \/>\n<strong>\u00daj B\u00e1la<\/strong>\tEnergol, Nona<br \/>\n<strong>Ulf Stolterfoht \/ Iris Droegerkamp \/ Thomas Weber &#038; Kammerlifmmer Kollektief<\/strong>\tEin Strumpf W\u00e4chst Durch Den Tisch,\tKarlrecords<br \/>\n<strong>Underworld\t<\/strong>Drift Songs,\tUnderworldlive<br \/>\n<strong>VA<\/strong>\tBody Beat: Soca\u200b-\u200bDub and Electronic Calypso (1979\u200b-\u200b98),\tSoundway<br \/>\n<strong>VA<\/strong>\tZe szpulowca bigbitowca,\tGAD\tarch. CD<br \/>\n<strong>Van Morrison<\/strong>\tThree Chords and the Truth,\tCaroline<br \/>\n<strong>YAC<\/strong>\tFull Moon Insomnia,\tDon&#8217;t Sit On My Vinyl\t12&#8243; 45rpm 66 ltd.<\/p>\n<p><em>Wyliczone wy\u017cej p\u0142yty ukaza\u0142y si\u0119 25 pa\u017adziernika. Wyj\u0105tki oznaczy\u0142em inn\u0105 dat\u0105.<\/em> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I kwicz\u0119 &#8211; chcia\u0142oby si\u0119 doda\u0107. Ale tym razem b\u0119dzie ju\u017c bez wierszyka. Cho\u0107 z tym bie\u017c\u0105cym pi\u0105tkiem jest zarazem dziwnie. Je\u015bli mierzy\u0107 go ilo\u015bciowo &#8211; przynosi prawdopodobnie najwi\u0119cej premier spo\u015br\u00f3d wszystkich tygodni roku. Je\u015bli mierzy\u0107 na wag\u0119, to jest wyra\u017anie l\u017cej, odk\u0105d przesun\u0119li daty swoich premier (oboje na listopad) FKA Twigs i Michael Kiwanuka [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23547,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,582,3,312,558,3823,1249,1059],"tags":[4145,4146],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/23506"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=23506"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/23506\/revisions"}],"predecessor-version":[{"id":23552,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/23506\/revisions\/23552"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/23547"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=23506"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=23506"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=23506"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}