
{"id":24164,"date":"2020-01-07T08:06:53","date_gmt":"2020-01-07T07:06:53","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=24164"},"modified":"2020-01-07T08:32:23","modified_gmt":"2020-01-07T07:32:23","slug":"27-plyt-roku-reszta-swiata","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/01\/07\/27-plyt-roku-reszta-swiata\/","title":{"rendered":"27 p\u0142yt roku 2019 &#8211; reszta \u015bwiata"},"content":{"rendered":"<p>Wielobarwna i multikulturowa jest ta lista moich ulubionych wydawnictw roku 2019. Bywa\u0142o na niej wi\u0119cej p\u0142yt spoza \u015bwiata zachodniego, ale nie by\u0142o chyba tak, \u017ceby te albumy przynosi\u0142y niemal wy\u0142\u0105cznie muzyk\u0119 nowoczesn\u0105, awangardow\u0105, o brzmieniu, kt\u00f3re mo\u017ce zawstydzi\u0107 brytyjskich czy ameryka\u0144skich producent\u00f3w. Stawka r\u00f3\u017cnorodna, kolejno\u015b\u0107 alfabetyczna, ale wyb\u00f3r nieprzypadkowy i pewnie nie zaskoczy tych wszystkich, kt\u00f3rzy Polifoni\u0119 \u015bledzili przez ca\u0142y rok. Czarny humor, pe\u0142na realizmu wizja brytyjskiej prowincji i artystyczna samodzielno\u015b\u0107 Richarda Dawsona ponownie g\u00f3r\u0105.&nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2kCDZ3gCr5hXFgbFsPMcxP\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>(SANDY) ALEX G <em>House of Sugar<\/em><\/strong>, Domino <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/09\/20\/ja-alexa-czyj-byl-ten-tydzien-alexa-alexa\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2892425791\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/kidambibertucci.bandcamp.com\/album\/phase-eclipse\">Phase Eclipse by Amirtha Kidambi &amp; Lea Bertucci<\/a><\/iframe>\n\n\n<p><strong>AMIRTHA KIDAMBI &amp; LEA BERTUCCI <em>Phase Eclipse<\/em><\/strong>, Astral Spirits &gt;&gt;nie by\u0142o recenzji tej p\u0142yty na Polifonii, cho\u0107 by\u0142a inna, niewiele gorsza p\u0142yta Amirthy Kidambi &#8211; <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/04\/05\/odkodowana-dziewczyna\/\">z zespo\u0142em Elder Ones<\/a>.<\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1866552877\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/angelolsen.bandcamp.com\/album\/all-mirrors\">All Mirrors by Angel Olsen<\/a><\/iframe>\n\n\n<p><strong>ANGEL OLSEN <em>All Mirrors<\/em><\/strong>, Jagjaguwar <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/03\/rekordowe-wyniki-zenskiej-wokalistyki\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1994165613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/bmblackmidi.bandcamp.com\/album\/schlagenheim\">Schlagenheim by black midi<\/a><\/iframe>\n\n\n<p><strong>BLACK MIDI <em>Schlagenheim<\/em><\/strong>, Rough Trade <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/06\/24\/podtopieni-w-czarnej-nucie\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3550990286\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/duster.bandcamp.com\/album\/duster\">Duster by duster<\/a><\/iframe>\n\n\n<p><span style=\"font-weight: 400;\"><strong>DUSTER <em>Duster<\/em><\/strong>, Muddguts <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/12\/30\/10-ostatnich-plyt-roku\/\">&gt;&gt;wi\u0119cej<\/a><\/span><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2w8Wshbp9RCPJdPU1iOpaY\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>FKA TWIGS <em>Magdalene<\/em><\/strong>, Young Turks <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/11\/08\/nie-placz-fka\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2422513439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/floatingpoints.bandcamp.com\/album\/crush\">Crush by Floating Points<\/a><\/iframe>\n\n\n<p><strong>FLOATING POINTS <em>Crush<\/em><\/strong>, Ninja Tune <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/23\/syntetyki-erotyki\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=928649885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/fontainesdc.bandcamp.com\/album\/dogrel\">Dogrel by Fontaines D.C.<\/a><\/iframe>\n\n\n<p><strong>FONTAINES D.C. <em>Dogrel<\/em><\/strong>, Partisan <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/04\/15\/4-plyty-ktorych-warto-posluchac-w-tym-tygodniu-2\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1932392411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/intlanthem.bandcamp.com\/album\/fly-or-die-ii-bird-dogs-of-paradise\">FLY or DIE II: bird dogs of paradise by jaimie branch<\/a><\/iframe>\n\n\n<p><strong>JAIMIE BRANCH <em>Fly or Die II: Bird Dogs of Paradise<\/em><\/strong>, International Anthem <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/15\/jazz-jest-kobieta-w-2019\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597900138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/jennyhval.bandcamp.com\/album\/the-practice-of-love\">The Practice of Love by Jenny Hval<\/a><\/iframe>\n\n\n<p><strong>JENNY HVAL <em>The Practice of Love<\/em><\/strong>, Sacred Bones <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/09\/18\/chwale-hval\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=413408912\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/jessicapratt.bandcamp.com\/album\/quiet-signs\">Quiet Signs by Jessica Pratt<\/a><\/iframe>\n\n\n<p><strong>JESSICA PRATT <em>Quiet Signs<\/em><\/strong>, Mexican Summer\/City Slang <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/02\/11\/grammy-7-plyt-tygodnia\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5XpEKORZ4y6OrCZSKsi46A\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>LANA DEL REY <em>Norman Fucking Rockwell!<\/em><\/strong>, Interscope <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/09\/04\/czterogwiazdowa-lana\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2248763603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/linguaignota.bandcamp.com\/album\/caligula\">CALIGULA by LINGUA IGNOTA<\/a><\/iframe>\n\n\n<p><strong>LINGUA IGNOTA <em>Caligula<\/em><\/strong>, Profound Lore <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/08\/08\/dilerka-smierci\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4Wwm4xg2748zhYuzDRFTgY\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>LITTLE SIMZ <em>GREY Area<\/em><\/strong>, Age 101 <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/03\/04\/4-plyty-ktorych-warto-posluchac-w-tym-tygodniu\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3681884855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/kalimalone.bandcamp.com\/album\/the-sacrificial-code\">The Sacrificial Code by Kali Malone<\/a><\/iframe>\n\n\n<p><strong>KALI MALONE <em>The Sacrificial Code<\/em><\/strong>, iDeal <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/09\/09\/10-fantastycznych-plyt-ktore-nieslusznie-pominalem-podczas-wakacji-vol-2\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3882932945\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/matana-roberts.bandcamp.com\/album\/coin-coin-chapter-four-memphis\">Coin Coin Chapter Four: Memphis by Matana Roberts<\/a><\/iframe>\n\n\n<p><strong>MATANA ROBERTS <em>Coin Coin Chapter Four: Memphis<\/em><\/strong>, Constellation <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/11\/20\/to-ta-muzyka-totalna\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4202692857\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/mauricelouca.bandcamp.com\/album\/elephantine\">Elephantine by Maurice Louca<\/a><\/iframe>\n\n\n<p><strong>MAURICE LOUCA <em>Elephantine<\/em><\/strong>, Northern Spy <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/02\/01\/juz-wczesniej-taka-muzyka-byla-zjawiskiem-ale-tu-przeszla-sama-siebie\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6UOvMBrdfOWGqSvtQohiso\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>NICK CAVE &amp; THE BAD SEEDS <em>Ghosteen<\/em><\/strong>, Ghosteen Ltd. <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/07\/23377\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3799776126\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/oiseaux-tempete.bandcamp.com\/album\/from-somewhere-invisible\">From Somewhere Invisible by OISEAUX-TEMP\u00caTE<\/a><\/iframe>\n\n\n<p><strong>OISEAUX-TEMP\u00caTE <em>From Somewhere Invisible<\/em><\/strong>, Sub Rosa <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/21\/kiedy-muzyka-rozrywkowa-jest-naprawde-powazna\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1193704121\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/bocian.bandcamp.com\/album\/advent\">ADVENT by Phil Minton David Maranha Gerard Lebik<\/a><\/iframe>\n\n\n<p><strong>PHIL MINTON, DAVID MARANHA, GERARD LEBIK <em>Advent<\/em><\/strong>, Bocian <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/12\/30\/10-ostatnich-plyt-roku\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1695843378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/richardmichaeldawson.bandcamp.com\/album\/2020\">2020 by Richard Dawson<\/a><\/iframe>\n\n\n<p><strong>RICHARD DAWSON <em>2020<\/em><\/strong>, Weird World <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/11\/minstrel-w-galerii-handlowej-10-10\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1681414695\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/sarathykorwar.bandcamp.com\/album\/more-arriving\">More Arriving by Sarathy Korwar<\/a><\/iframe>\n\n\n<p><strong>SARATHY KORWAR <em>More Arriving<\/em><\/strong>, The Leaf Label <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/08\/07\/indie-w-hip-hopie-i-nie-tylko\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=809712626\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/sote-sound.bandcamp.com\/album\/parallel-persia-diag054\">Parallel Persia [DIAG054] by Sote<\/a><\/iframe>\n\n\n<p><strong>SOTE <em>Parallel Persia<\/em><\/strong>, Diagonal <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/04\/29\/6-plyt-ktorych-trzeba-posluchac-w-tym-tygodniu-4\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2mvz0NPBCPTbSEgRViuDLK\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>THE COMET IS COMING <em>Trust in the Lifeforce of the Deep Mystery \/ The Afterlife<\/em><\/strong>, Impulse! <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/03\/18\/5-plyt-ktorych-w-tym-tygodniu-trzeba-posluchac\/\">&gt;&gt;wi\u0119cej<\/a> Dwa osobne albumy wydane w jednym roku &#8211; a by\u0142o <a href=\"https:\/\/thecometiscoming.bandcamp.com\/album\/the-complete-studio-recordings-2015ce-2017ce\">jeszcze to<\/a>!<\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1867210732\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/samshackleton.bandcamp.com\/album\/tunes-of-negation-reach-the-endless-sea\">Tunes Of Negation &#8211; &quot;Reach The Endless Sea&quot; by Shackleton<\/a><\/iframe>\n\n\n<p><strong>TUNES OF NEGATION <em>Reach The Endless Sea<\/em><\/strong>, Cosmo Rhythmatic <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/10\/21\/kiedy-muzyka-rozrywkowa-jest-naprawde-powazna\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5zi7WsKlIiUXv09tbGLKsE\" width=\"500\" height=\"130\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>TYLER, THE CREATOR <em>Igor<\/em><\/strong>, Columbia <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/05\/20\/jedna-plyta-ktorej-trzeba-posluchac-w-tym-tygodniu\/\">&gt;&gt;wi\u0119cej<\/a><\/p>\n<p><\/p>\n\n\n<iframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878289508\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/weyesblood.bandcamp.com\/album\/titanic-rising\">Titanic Rising by Weyes Blood<\/a><\/iframe>\n\n\n<p><strong>WEYES BLOOD <em>Titanic Rising<\/em><\/strong>, Sub Pop <a href=\"https:\/\/polifonia.blog.polityka.pl\/2019\/04\/08\/rozmach-oddech-i-klasa\/\">&gt;&gt;wi\u0119cej<\/a>&nbsp;A by\u0142o <a href=\"https:\/\/weyesblood.bandcamp.com\/album\/rough-trade-session\">jeszcze to<\/a>&#8230;<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Wielobarwna i multikulturowa jest ta lista moich ulubionych wydawnictw roku 2019. Bywa\u0142o na niej wi\u0119cej p\u0142yt spoza \u015bwiata zachodniego, ale nie by\u0142o chyba tak, \u017ceby te albumy przynosi\u0142y niemal wy\u0142\u0105cznie muzyk\u0119 nowoczesn\u0105, awangardow\u0105, o brzmieniu, kt\u00f3re mo\u017ce zawstydzi\u0107 brytyjskich czy ameryka\u0144skich producent\u00f3w. Stawka r\u00f3\u017cnorodna, kolejno\u015b\u0107 alfabetyczna, ale wyb\u00f3r nieprzypadkowy i pewnie nie zaskoczy tych wszystkich, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23431,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4198,558,3823],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24164"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=24164"}],"version-history":[{"count":11,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24164\/revisions"}],"predecessor-version":[{"id":24176,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24164\/revisions\/24176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/23431"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=24164"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=24164"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=24164"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}