{"id":24308,"date":"2020-01-24T08:33:23","date_gmt":"2020-01-24T07:33:23","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=24308"},"modified":"2020-01-27T18:32:05","modified_gmt":"2020-01-27T17:32:05","slug":"w-tym-tygodniu-zapomnialem-o","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/01\/24\/w-tym-tygodniu-zapomnialem-o\/","title":{"rendered":"W tym tygodniu zapomnia\u0142em o&#8230;"},"content":{"rendered":"\n<p>Przygotowa\u0107 si\u0119 nie by\u0142o \u0142atwo ze wzgl\u0119du na nat\u0142ok innych zaj\u0119\u0107 pod koniec tygodnia. Trzeba to by\u0142o zrobi\u0107 wcze\u015bniej. Dlatego nie zapomnia\u0142em o <strong>Julii Marcell<\/strong>, kt\u00f3rej p\u0142yty mog\u0142em pos\u0142ucha\u0107 z sensownym wyprzedzeniem. Mia\u0142o to znaczenie, bo cho\u0107 nie jest to p\u0142yta prze\u0142omowa, wydaje si\u0119 najambitniejsz\u0105 spo\u015br\u00f3d tych, kt\u00f3re do tej pory Marcell nagra\u0142a. Powa\u017cna, koncepcyjna i sp\u00f3jna p\u0142yta drogi &#8211; nie tylko bior\u0105c pod uwag\u0119 klip do pierwszego singla. P\u0142yta o czasie, a zarazem album, na kt\u00f3rym momentami us\u0142ysza\u0142em w autorce Beat\u0119 Kozidrak z alternatywnej czasoprzestrzeni. Je\u015bli chcecie przeczyta\u0107 jeszcze kilka zda\u0144 na ten temat, wyj\u0105tkowo odsy\u0142am do <a href=\"https:\/\/www.polityka.pl\/tygodnikpolityka\/kultura\/muzyka\/1938978,1,recenzja-plyty-julia-marcell-skull-echo.read\">zamkni\u0119tej i kr\u00f3tkiej noty w POLITYCE<\/a>. A tu zostawiam drugi klip (kt\u00f3ry jest rodzajem pilota, jak si\u0119 zdaje, filmowych plan\u00f3w JM) i POT\u0118\u017bN\u0104 ju\u017c list\u0119 premier tygodnia. Sami wiecie, co z tym robi\u0107 &#8211; oczywi\u015bcie zwr\u00f3ci\u0107 uwag\u0119, \u017ce czego\u015b brakuje, bo co pi\u0105tek czego\u015b brakuje.    <\/p>\n\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NBjs7nS5wHA\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>\u00a0<\/p>\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>18.01 <strong>Gaijin Blues<\/strong> Japanese Video Game Music, Crack dj mix<br \/>19.01 <strong>Mike Cooper \/ Mazen Kerbaj<\/strong> Glass Love <br \/>19.01 <strong>VA<\/strong> Parakustiks #2, Karlrecords <br \/>19.01 <strong>Youbet<\/strong> Compare &amp; Despair, Ba Da BIng <br \/>20.01 <strong>Apocalyptica<\/strong> Cell-0 <br \/>20.01 <strong>Calineczka<\/strong> kysztymska, Szara Reneta microSD, DL<br \/>20.01 <strong>David Bowie<\/strong> Is It Any Wonder?, Parlophone EP<br \/>20.01 <strong>Kevin Drumm<\/strong> AH <br \/>20.01 <strong>Lite Fails<\/strong> The End of the World has Already Happened, Flaming Pines <br \/>20.01 <strong>Vilgo\u0107<\/strong> Granice, Szara Reneta CD, DL<br \/>21.01 <strong>Bartu\u015b 419<\/strong> Bo\u017ce, b\u0142ogos\u0142aw morderc\u00f3w, Enjoy Life <br \/>21.01 <strong>Jachna\/Zio\u0142ek\/Buhl<\/strong> Animated Music, Pawlacz Perski MC, DL<br \/>21.01 <strong>Jorge Coelho<\/strong> Lay Claim to the World as a Sphere Of Your own Agency, Lovers &amp; Lollypops EP<br \/>22.01 <strong>Kevin Drumm<\/strong> Slow Night <br \/>22.01 <strong>Laughing Ears<\/strong> Metamorphosis \u5f62\u53d8, Chinabot <br \/>23.01 <strong>Mirt<\/strong> Endangered Species I\u200b-\u200bV<br \/><strong>Aidan Baker &amp; Gareth Davis<\/strong> Invisible Cities II, Karlrecords <br \/><strong>Andy Shauf<\/strong> The Neon Skyline, Anti- <br \/><strong>Annihilator<\/strong> Ballistic, Sadistic, Silver Lining Music <br \/><strong>Anthony Naples, Tapes, VA<\/strong> All Welcome, Good Morning Tapes<br \/><strong>Black Lips<\/strong> Sing In the World That&#8217;s Falling Apart, Fire <br \/><strong>Bohren &amp; Der Club Of Gore<\/strong> Patchouli Blue, Ipecac<br \/><strong>Bonny Light Horseman<\/strong> Bonny Light Horseman, 37d03d <br \/><strong>Breaking Benjamin<\/strong> Aurora, Hollywood<br \/><strong>Charles Curtis<\/strong> Performances and recordings 1998-2018, Saltern 3CD, DL<br \/><strong>Citizen Bravo, Raymond MacDonald and Friends<\/strong> Return To Y&#8217;hup &#8211; The World of Ivor Cutler, Chemikal Underground <br \/><strong>COIN<\/strong> Dreamland <br \/><strong>Colin Stetson<\/strong> Color Out of Space OST, Milan<br \/><strong>Dwa S\u0142awy<\/strong> Pokolenie X2, X2<br \/><strong>Gareth JS Thomas<\/strong> The Incredible Years, Bezirk Tapes <br \/><strong>Gill Landry<\/strong> Skeleton at the Banquet, Loose <br \/><strong>Gramine<\/strong> Gramine, GAD CD<br \/><strong>J Hus<\/strong> Big Conspiracy, Black Butter<br \/><strong>J. M. Pag\u00e1n<\/strong> Kiu I Els Seus Amics, Finders Keepers <br \/><strong>Jeff Parker<\/strong> Suite for Max Brown, International Anthem <br \/><strong>J\u00e9r\u00f4me Noetinger &amp; Liz R\u00e1cz<\/strong> Revox, Paper, Scissors, The Tapeworm <br \/><strong>John Zorn<\/strong> Beyond Good and Evil: Simulacrum Live, Tzadik <br \/><strong>Julia Marcell<\/strong> Skull Echo, Mystic <br \/><strong>KhalilH2OP<\/strong> Seid, Posh Isolation <br \/><strong>Kirk Windstein<\/strong> Dream In Motion<br \/><strong>Last Dream Of The Morning &#8211; Butcher \/ Edwards \/ Sanders<\/strong> Crucial Anatomy Trost<br \/><strong>Les Amazones d&#8217;Afrique<\/strong> Amazones Power, Real World<br \/><strong>Louise Bock<\/strong> Sketch for Winter VII &#8211; Abyss: For Cello, Geographic North <br \/><strong>Major King<\/strong> Off the Scale <br \/><strong>Metrum<\/strong> Zielony dach, GAD LP<br \/><strong>Mike Cooper \/ Pat Thomas<\/strong> Glass Love Venetus<br \/><strong>Miuosh<\/strong> Powroty, Agora <br \/><strong>Mr Elevator<\/strong> Goodbye, Blue Sky, Castle Face <br \/><strong>Nicolas Godin<\/strong> Concrete and Glass, NCLS <br \/><strong>October Drift<\/strong> Forever Whatever, Physical Education <br \/><strong>Okay Kaya<\/strong> Watch This Liquid Pour Itself, Jagjaguwar <br \/><strong>Pet Shop Boys<\/strong> Hotspot, X2 <br \/><strong>Prophetas<\/strong> Reveal, Accept, Remember, Forget, Discrepant<br \/><strong>Recondite<\/strong> Dwell, Ghostly<br \/><strong>Robert Haigh<\/strong> Black Sarabande, Unseen Worlds <br \/><strong>Sarah Mary<\/strong> Chadwick Please Daddy, Sinderlyn <br \/><strong>Snekkestad \/ Guy \/ Fernandez<\/strong> The Swiftest Traveler, Trost <br \/><strong>Sonya Belousova &amp; Giona Ostinelli<\/strong> The Witcher OST, Milan<br \/><strong>Stefan W\u0119g\u0142owski<\/strong> To co ukryte, Muzeum \u015al\u0105skie <br \/><strong>Termination Dust<\/strong> Growing Down, Fat Possum <br \/><strong>Terry Allen and the Panhandle Mystery Band<\/strong> Just Like Moby Dick, Paradise Of Bachelors <br \/><strong>The Dead Mauriacs<\/strong> E\u0301le\u0301ments d\u2019une diplomatie fanto\u0302me, Discrepant <br \/><strong>The Haden Triplets<\/strong> The Family Songbook, Trimeter\/Thirty Tigers <br \/><strong>The Silent Group<\/strong> Accelerated Evolution Music, Discrepant <br \/><strong>The Sufis<\/strong> Double Exposure, Burger <br \/><strong>Thy Catafalque<\/strong> Naiv, Season Of Mist <br \/><strong>Ubek<\/strong> II, Discrepant <br \/><strong>VA<\/strong> Herbert 3.0, NCK<br \/><strong>Wire<\/strong> Mind Hive, Pinkflag <br \/><strong>Wojciech Konikiewicz<\/strong> Muzyka nowej przestrzeni, GAD CD<br \/><strong>Wolf Parade<\/strong> Thin Mind, Sub Pop <br \/><strong>Yorkston \/ Thorne \/ Khan<\/strong> Navarasa : Nine Emotions, Domino<\/p>\n<p><em>Poza p\u0142ytami oznaczonymi inn\u0105 dat\u0105 powy\u017csze albumy ukaza\u0142y si\u0119 24 stycznia. W kategorii nazw projekt\u00f3w Ubek g\u00f3r\u0105. A je\u015bli czytacie dopiski kursyw\u0105, to zwr\u00f3\u0107cie uwag\u0119 na zbi\u00f3r nagra\u0144 wiolonczelisty Charlesa Curtisa zanim przeczytacie o nim w &#8222;The Wire&#8221; i gdzie indziej.\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Przygotowa\u0107 si\u0119 nie by\u0142o \u0142atwo ze wzgl\u0119du na nat\u0142ok innych zaj\u0119\u0107 pod koniec tygodnia. Trzeba to by\u0142o zrobi\u0107 wcze\u015bniej. Dlatego nie zapomnia\u0142em o Julii Marcell, kt\u00f3rej p\u0142yty mog\u0142em pos\u0142ucha\u0107 z sensownym wyprzedzeniem. Mia\u0142o to znaczenie, bo cho\u0107 nie jest to p\u0142yta prze\u0142omowa, wydaje si\u0119 najambitniejsz\u0105 spo\u015br\u00f3d tych, kt\u00f3re do tej pory Marcell nagra\u0142a. Powa\u017cna, koncepcyjna [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":24314,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,582,3,312,3319,107,4197,4,1139,1249,106],"tags":[762],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24308"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=24308"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24308\/revisions"}],"predecessor-version":[{"id":24356,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24308\/revisions\/24356"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/24314"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=24308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=24308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=24308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}