{"id":24883,"date":"2020-03-27T10:23:19","date_gmt":"2020-03-27T09:23:19","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=24883"},"modified":"2020-03-28T12:27:18","modified_gmt":"2020-03-28T11:27:18","slug":"oddech-szczura-czyli-premiery-tygodnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/03\/27\/oddech-szczura-czyli-premiery-tygodnia\/","title":{"rendered":"Oddech szczura, czyli premiery tygodnia"},"content":{"rendered":"<p>Nie wiem, czy to wyj\u0105tkowo\u015b\u0107 tych czas\u00f3w to sprawi\u0142a, ale dzisiejsze nowo\u015bci przynosz\u0105 mn\u00f3stwo dat. Peja z Magier\u0105 odwa\u017cnie wybiegaj\u0105 w tytule wsp\u00f3lnego wydawnictwa do roku 2050. Dead Brunch zdaje relacj\u0119 z przedwczoraj (<em>March 25, 2020<\/em>). Dean Blunt wyda\u0142 nagrania z lat 2012-2019. R9, czyli Radek Tereszczuk, swoj\u0105 archiwaln\u0105 p\u0142yt\u0119 towarzysz\u0105c\u0105 nowej ksi\u0105\u017cce o polskiej scenie techno (mo\u017cna jeszcze <a href=\"https:\/\/wspieram.to\/techno\">wp\u0142aci\u0107 datek<\/a>) zatytu\u0142owa\u0142 Warszawa2000. Raper Otsochodzi w tytule nowego wydawnictwa wraca z kolei do roku 2011. Solowy materia\u0142 publikuje te\u017c producent 1988, maj\u0105cy dat\u0119 w pseudonimie.&nbsp; Co ciekawe, tak samo zatytu\u0142owa\u0142 sw\u00f3j nowy materia\u0142 nagrywaj\u0105cy dla Stones Throw Knxwledge. Wychodzi na to, \u017ce r\u00f3wie\u015bnik.&nbsp;<\/p>\n\n\n<!--more-->\n\n\n<p><strong>Lutto Lento<\/strong> zaczyna od daty. I od \u017cycze\u0144 z okazji pocz\u0105tku Roku Metalowego Szczura. I jeszcze od ostrze\u017ce\u0144 (w towarzysz\u0105cym p\u0142ycie eseju autorstwa Filipa Lecha w formie PDF, z wypowiedziami artysty), \u017ce to album o nadchodz\u0105cym kryzysie finansowym, <em>\u017cyciu z pieni\u0119dzmi i bez nich<\/em>. Tworz\u0105cy od lat jako Lutto Lento Lubomir Grzelak stworzy\u0142 w ten do\u015b\u0107 spontaniczny najwyra\u017aniej spos\u00f3b pierwsz\u0105 polsk\u0105 wypowied\u017a muzyczn\u0105 na temat tych dziwnych czas\u00f3w. Ze stosownie przedziwn\u0105, eklektyczn\u0105 mieszank\u0105 styl\u00f3w, kt\u00f3ra prowadzi nas przez do\u015b\u0107 kontrastowe perspektywy &#8211; od wzruszenia po grotesk\u0119. Nie jest to kolejne klubowe wydawnictwo Lento. Rozpada si\u0119 na r\u00f3\u017cne estetyki jak \u015bwiat na enklawy narodowe. Prowadzi nas od popowej pl\u0105drofonii po nagrania terenowe tureckich kogut\u00f3w z Antalyi. Ca\u0142y minialbum rejestrowany by\u0142 gdzie\u015b mi\u0119dzy Turcj\u0105, Wielk\u0105 Brytani\u0105 a Polsk\u0105, w tych niedawnych, ale ju\u017c odleg\u0142ych czasach, kiedy mo\u017cna by\u0142o sobie swobodnie podr\u00f3\u017cowa\u0107.&nbsp;<\/p>\n<p>Grzelak zamienia te\u017c stopniowo ten materia\u0142 w spotkanie ze znajomymi muzykami, oddaj\u0105c trzy utwory zaprzyja\u017anionym producentom&nbsp; (CVX, Ciamkam, Heith &#8211; ten gest tylko pog\u0142\u0119bia eklektyczny charakter ca\u0142o\u015bci), wykorzystuj\u0105c partie perkusji Jana Piaseckiego, ob\u00f3j Wita Apostolakisa, saksofon Natana Kryszka i jeszcze g\u0142osy (Simon Ould, Ro Hudson). Pi\u0119kny <em>My\u015bliciel<\/em> na ok\u0142adce to dzie\u0142o Tomasza i Alicji Kowalskich. W angielskim pubie przy piwie autor p\u0142yty spotyka znajomego z Hong Kongu graj\u0105cego w &#8222;Plague Inc.&#8221;.<\/p>\n<p>Wygl\u0105da to jak zbieranie ostatnich do\u015bwiadcze\u0144 osobistych kontakt\u00f3w z lud\u017ami przed nieuchronnym zamkni\u0119ciem wszystkiego i oddaleniem si\u0119 na spo\u0142eczny dystans. Cho\u0107 konkluzje samego autora s\u0105 po cz\u0119\u015bci optymistyczne. <em>Epidemia przyniesie nam mn\u00f3stwo nowej muzyki<\/em> &#8211; twierdzi Lutto Lento. &#8211; <em>Mo\u017ce to i dobrze, bo ludzie b\u0119d\u0105 mieli wi\u0119cej czasu, \u017ceby siedzie\u0107 i s\u0142ucha\u0107<\/em>. Niewiele mo\u017ce napisa\u0142em o samej muzyce, ale pos\u0142ucha\u0107 sobie (i poczyta\u0107) mo\u017cecie sami. A kupi\u0107 sobie to mo\u017cna w formacie cyfrowym, tak\u017ce na 64-gigowym dysku USB.&nbsp;<\/p>\n<p><strong>LUTTO LENTO <em>Fortuna<\/em><\/strong>, Dunno 2020, <strong>7\/10<\/strong><\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3010165826\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/dunnorecordings.bandcamp.com\/album\/fortuna\">FORTUNA by Lutto Lento<\/a><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>21.03 <strong>Br\u00f6tzmann\/Leigh<\/strong> Crowmoon, Trost <br \/>21.03 <strong>Genesis P-Orridge and the Angels of Light<\/strong> Supermale, Sub Rosa SP<br \/>23.03 <strong>Bartosz Kajdasz<\/strong> Gind Land, Father And Son Records And Tapes <br \/>23.03 <strong>Flaner Klespoza<\/strong> Przyg\u00f3d i tajemnic ci\u0105g dalszy, Nagrania Somnambuliczne <br \/>23.03 <strong>\u0141ukasz Suchy<\/strong> Miejskie ptaki, Suche Fakty <br \/>23.03 <strong>Merrin Karras<\/strong> Northwest Passage, ASIP <br \/>23.03 <strong>R9<\/strong> Warszawa2000, Mik.Musik arch. <br \/>23.03 <strong>Titanic Sea Moon<\/strong> Mother of All Valentines <br \/>23.03 <strong>VA<\/strong> Music for Dance and Theatre &#8211; vol. 1, Music From Memory <br \/>23.03 <strong>Vandermark \/ Drake \/ Trovalusci \/ Ceccarelli<\/strong> Open Border, Catalytic Sound <br \/>24.03 <strong>Bill Laswell, DJ Spooky, Jah Wobble, Laibach, Kong, Silk Saw War<\/strong> Smash Hits (as Seen on TV), Sub Rosa <br \/>24.03 <strong>Die Angel<\/strong> Utopien 1, Karlrecords <br \/>24.03 <strong>Speaker Music<\/strong> Processing Intimacy, Planet Mu <br \/>24.03 <strong>Sufjan Stevens, Lowell Brams<\/strong> Aporia, Asthmatic Kitty <br \/>24.03 <strong>VA<\/strong> Storrady 2, TegoSlucham.pl <br \/>25.03<strong> Blanck Mass<\/strong> Live Stream # 1 &#8211; Mind Killer <br \/>25.03 <strong>Dean Blunt<\/strong> Roaches 2012-2019, World Music <br \/>25.03 <strong>Eric Barbosa, Kiko Dinucci &amp; Paal Nilssen-Love<\/strong>\u00a0Ipim <br \/>25.03 <strong>Lugozi<\/strong> Slow, Galeria Szara<br \/>25.03 <strong>Lutto Lento<\/strong> Fortune, Dunno DL, memory stick ltd<br \/>25.03 <strong>Mike Cooper<\/strong> 40 Nights and 40 Days, EP<br \/>25.03 <strong>Screeching Weasel<\/strong> Some Freaks of Atavism, Punk Rock <br \/>25.03 <strong>YAWS &amp; Rebel Yell<\/strong> Left Hand Path, Falk <br \/>26.03 <strong>Adam Witkowski<\/strong> We Have One Heart OST, thisisnotarecord CD<br \/>26.03 <strong>Dead Branch<\/strong> March 25, 2020, JMY <br \/>26.03 <strong>Empara Mi<\/strong> Suitcase Full of Sins, Spinning Circles <br \/>26.03 <strong>Gary Husband &amp; Markus Reuter<\/strong> Music of our Times, MoonJune <br \/>26.03 <strong>Nine Inch Nails<\/strong> Ghosts V: Together <br \/>26.03 <strong>Nine Inch Nails<\/strong> Ghosts VI: Locusts <br \/>26.03 <strong>Otsochodzi<\/strong> 2011, Asfalt <br \/><strong>1988<\/strong> Ring The Alarm, Latarnia EP<br \/><strong>5 Seconds Of Summer <\/strong>Calm<strong><br \/>Alva Noto<\/strong> Unieqav Remixes, Noton EP<br \/><strong>AtomTM &amp; Jacek Sienkiewicz<\/strong> Stal, More Music Agency\/Recognition\/NN DL<br \/><strong>Automb<\/strong> Chaosophy, Witching Hour <br \/><strong>Basia Bulat<\/strong> Are You In Love?, Secret City<br \/><strong>Bela Fleck<\/strong> Throw Down Your Heart: The Complete Africa Sessions, Craft <br \/><strong>Bon Iver<\/strong> Blood Bank (10th Anniversary Edition), Jagjaguwar reed.<br \/><strong>Bonson<\/strong> Kr\u00f3lu z\u0142oty, Def Jam <br \/><strong>Brian Fallon<\/strong> Local Honey, Lesser Known<br \/><strong>CA2+<\/strong> Overtone Widow, Northern Electronics <br \/><strong>Cable Ties<\/strong> Far Enough, Merge <br \/><strong>Chicago Underground Quartet<\/strong> Good Days, Astral Spirits <br \/><strong>Dana Gavanski<\/strong> Yesterday Is Gone, Ba Da Bing <br \/><strong>Daniel Avery &amp; Alessandro Cortini<\/strong> Illusion of Time, Phantasy <br \/><strong>David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon, Anne Klingensmith<\/strong> She&#8217;s More Wild\u200b.\u200b.\u200b., Black Truffle <br \/><strong>Dirty Projectors<\/strong> Windows Open, Domino EP<br \/><strong>Dua Lipa<\/strong> Future Nostalgia, Warner<br \/><strong>Eleh<\/strong> Harmonic Twins <br \/><strong>Ennio Morricone<\/strong> Uccidete il vitello grasso e arrostitelo, Transversales arch.<br \/><strong>Euros Childs<\/strong> Gingerbread House Explosion, National Elf <br \/><strong>Gerald Cleaver<\/strong> Signs, 577 Records <br \/><strong>Giulio Aldinucci<\/strong> Shards Of Distant Times, Karlrecords <br \/><strong>Hailu Mergia<\/strong> Yene Mircha, Awesome Tapes From Africa MC, DL, CD<br \/><strong>Half Waif<\/strong> The Caretaker, Anti<br \/><strong>Jacaszek<\/strong> Music For Film, Gusstaff <br \/><strong>Jessie Reyez<\/strong> Before Love Came To Kill Us, Polydor <br \/><strong>Kandace Springs<\/strong> The Women Who Raised Me, Blue Note <br \/><strong>Karen Dalton<\/strong> Recording Is the Trip &#8211; The Karen Dalton Archives, Megaphone arch. box<br \/><strong>Knxwledge.<\/strong> 1988, Stones Throw <br \/><strong>Las Kellies<\/strong> Suck This Tangerine, Fire <br \/><strong>Little Dragon<\/strong> New Me, Same Us, Ninja Tune <br \/><strong>Luciana Souza<\/strong> Storytellers, Sunnyside <br \/><strong>Magda Ruta<\/strong> Nie wiem, czy b\u0119d\u0119, Fonobo <br \/><strong>Magic Sword<\/strong> Endless, Joyful Noise <br \/><strong>Marek Bili\u0144ski<\/strong> Dziecko s\u0142o\u0144ca reed.<br \/><strong>Matt Elliott<\/strong> Farewell To All We Know, Ici d&#8217;Ailleurs <br \/><strong>Matthews Southern Comfort<\/strong> The New Mine, MGM Music<br \/><strong>MBRS<\/strong> The Razor Wire: Answering Machine (1990 &#8211; 2000) &#8211; Behind the Wall of Incarceration, Natural Sciences<br \/><strong>Me And That Man<\/strong> New Man, New Songs, Same Shit, vol.1, Mystic<br \/><strong>Melt Yourself Down<\/strong> 100% Yes, Decca <br \/><strong>Michael Vallera<\/strong> Window In, Denovali <br \/><strong>MJ Cole<\/strong> MJ Cole Presents Madrugada, Decca <br \/><strong>Nap Eyes<\/strong> Snaphsot of a Beginner, Jagjaguwar <br \/><strong>Nicolas Jaar<\/strong> Cenizas, Other People <br \/><strong>Nomad<\/strong> Transmorgrification, Witching Hour <br \/><strong>Novika<\/strong> No Sugar RMX<br \/><strong>Oondood \/ 00nd00d<\/strong> I Have a Stone, Mik Musik DL<br \/><strong>Parkway Drive<\/strong> VIva the Underwood, Epitaph <br \/><strong>Pearl Jam<\/strong> Gigaton ,Monkeywrench <br \/><strong>Peja \/ Slums Attack &amp; Magiera<\/strong> 2050, RPS Enterteyment EP<br \/><strong>Pejza\u017c<\/strong> Blues <br \/><strong>Philipp Rumsch Ensemble<\/strong> \u03bc: Of Anxiety x Discernment, Denovali <br \/><strong>Razen<\/strong> Robot Brujo, Hands In The Dark <br \/><strong>Renato Cohen<\/strong> Lone Ranger, Pets <br \/><strong>Skepta, Chip &amp; Young Adz<\/strong> Insomnia<br \/><strong>Sorry<\/strong> 925, Domino <br \/><strong>Tamikrest<\/strong> Tamotait, Glitterbeat <br \/><strong>Teleplasmiste<\/strong> To Kiss Earth Goodbye, House of Mythology <br \/><strong>The Chats<\/strong> High Risk Behaviour, Bargain Bin <br \/><strong>The Necks<\/strong> Three, Fish Of Milk\/Northern Spy LP <br \/><strong>The Orb<\/strong> Abolition of the Royal Familia, Cooking Vinyl <br \/><strong>Waxahatchee<\/strong> Saint Cloud, Merge <br \/><strong>William Selman<\/strong> Naming Before Names ,Mysteries of the Deep <br \/><strong>Windy &amp; Carl<\/strong> Allegiance and Conviction, Kranky<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 27 marca &#8211; z wyj\u0105tkiem tytu\u0142\u00f3w oznaczonych inn\u0105 dat\u0105.<\/em><\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>Nie wiem, czy to wyj\u0105tkowo\u015b\u0107 tych czas\u00f3w to sprawi\u0142a, ale dzisiejsze nowo\u015bci przynosz\u0105 mn\u00f3stwo dat. Peja z Magier\u0105 odwa\u017cnie wybiegaj\u0105 w tytule wsp\u00f3lnego wydawnictwa do roku 2050. Dead Brunch zdaje relacj\u0119 z przedwczoraj (March 25, 2020). Dean Blunt wyda\u0142 nagrania z lat 2012-2019. R9, czyli Radek Tereszczuk, swoj\u0105 archiwaln\u0105 p\u0142yt\u0119 towarzysz\u0105c\u0105 nowej ksi\u0105\u017cce o polskiej [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":24889,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,582,3,312,120,3319,444,107,3309,3666,4197,1139,3604,2695,557,106],"tags":[4270],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24883"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=24883"}],"version-history":[{"count":12,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24883\/revisions"}],"predecessor-version":[{"id":24902,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/24883\/revisions\/24902"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/24889"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=24883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=24883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=24883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}