{"id":25646,"date":"2020-06-08T08:20:39","date_gmt":"2020-06-08T06:20:39","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=25646"},"modified":"2020-06-08T10:29:46","modified_gmt":"2020-06-08T08:29:46","slug":"the-beach-boys-of-death","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/06\/08\/the-beach-boys-of-death\/","title":{"rendered":"The Beach Boys of Death"},"content":{"rendered":"<p>Nie b\u0119dzie o tym, \u017ce korzystaj\u0105c z wyp\u0142aszczenia wypracowanego przez ministra Szumowskiego natychmiast pojechali\u015bmy si\u0119 wyp\u0142aszczy\u0107 na pla\u017cy. Chocia\u017c cieplejszy i wyra\u017anie ju\u017c odmro\u017cony weekend zbieg\u0142 si\u0119 z najgorszym wynikiem w naszych trzymiesi\u0119cznych pr\u00f3bach wyp\u0142aszczania. B\u0119dzie za to o jednym z moich ulubionych artyst\u00f3w, kt\u00f3ry po 30 latach wyda\u0142 kolejny album, a firma Spotify mu ten album przez ca\u0142y weekend prezentowa\u0142a w postaci zmasakrowanej, mo\u017ce nawet wci\u0105\u017c to robi\u0105. Ale od pocz\u0105tku.\u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uWvSNvA5j6o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Ta p\u0142yta to <em>All Things Being Equal<\/em> <strong>Sonic Booma<\/strong>, czyli Petera Kembera, niegdy\u015b wsp\u00f3\u0142za\u0142o\u017cyciela grupy Spacemen 3, tej, kt\u00f3ra w trudnych latach 80. honoru psychodelii, narkotycznych inspiracji, LSD itd. broni\u0142a najpi\u0119kniej. Grali gara\u017cow\u0105 wersj\u0119 rock and rolla, odpowiednio zwolnionego i przes\u0142oni\u0119tego \u015bcian\u0105 przesterowanych gitar. Je\u015bli nie chcecie zna\u0107 ich muzyki, to <a href=\"https:\/\/www.discogs.com\/release\/542071-Taking-Drugs-To-Make-Music-To-Take-Drugs-To\/images\">musicie chocia\u017c pami\u0119ta\u0107 tytu\u0142y p\u0142yt<\/a>.\u00a0 Z dw\u00f3jki najwa\u017cniejszych muzyk\u00f3w tamtej formacji Jason Pierce poszed\u0142 w gospel i R&amp;B, nie trac\u0105c jednak kontaktu z psychodeli\u0105, i dzia\u0142a stale pod szyldem Spiritualized. A Kember wyda\u0142 jedn\u0105 niez\u0142\u0105 p\u0142yt\u0119 jako Sonic Boom w roku 1990, potem nagrywa\u0142 pod szyldem Spectrum, ale g\u0142\u00f3wnie znika\u0142 i si\u0119 pojawia\u0142 &#8211; z regu\u0142y na kr\u00f3tko, raczej jako go\u015b\u0107, a najcz\u0119\u015bciej producent. A to za\u015bpiewa\u0142 w utworze Cavern of Anti-Matter (Tim Gane ze Stereolab jest jego kumplem) , a to wyprodukowa\u0142 MGMT i Beach House. Jako\u015b chyba jednak wi\u0105za\u0142 koniec z ko\u0144cem, bo uda\u0142o mu si\u0119 wyl\u0105dowa\u0107 w spokojnej okolicy &#8211; mieszka w lesie w Sintrze pod Lizbon\u0105, otoczony stert\u0105 syntezator\u00f3w. Bo te\u017c jego zainteresowanie przez ostatnich 30 lat przenios\u0142o si\u0119 z okolic muzyki gitarowej na generowan\u0105 elektronicznie. Mamy tu modne ostatnio maszyny Buchla Music Easel oraz EMS Synthi AKS, ale tak\u017ce wsp\u00f3\u0142czesny instrument <a href=\"https:\/\/youtu.be\/rjtPNxN1Xjg\">Kilpatrick Phenol Modular<\/a>. Pojawia si\u0119 g\u0142os Panda Beara, z kt\u00f3rym r\u00f3wnie\u017c Sonic Boom pracowa\u0142 wcze\u015bniej jako producent. Ca\u0142o\u015b\u0107 brzmi tak jak muzyka Kembera sprzed lat, cho\u0107 zmiany s\u0105 &#8211; brak mi tylko momentami tego dobicia do bandy, kt\u00f3re pojawia\u0142o si\u0119 w nagraniach Spacemen 3. Ku memu zaskoczeniu, zapewni\u0142 mi je serwis Spotify.\u00a0<\/p>\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GFsppY8r1_4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p>Utwor\u00f3w Spacemen 3 nie ma na Spotify &#8211; i dobrze. Bo gdyby tam wszystko by\u0142o, to nie by\u0142o si\u0119 sensu rusza\u0107 gdzie indziej. Ale oczywi\u015bcie wydany przez Carpark nowy album Kembera ju\u017c do tego serwisu trafi\u0142, tylko w specyficznej wersji &#8211; cz\u0119\u015b\u0107 nagra\u0144 ma ponaddwukrotnie d\u0142u\u017cszy czas odtwarzania, co robi z nich jaki\u015b industrialny death metal czy mo\u017ce bardziej doom metal (Sonic Doom?), a z wokali Panda Beara &#8211; growling. O dziwo, w pewnym sensie posz\u0142o to za my\u015bl\u0105 autorsk\u0105, kt\u00f3ra zak\u0142ada &#8211; akurat w najmocniej dotkni\u0119tym procederem utworze <em>Spinning Coins and Wishing on Clovers<\/em> &#8211; opowie\u015b\u0107 o \u015bmierci, o wszystkich scenach z \u017cycia, kt\u00f3re przep\u0142ywaj\u0105 przez umys\u0142 umieraj\u0105cego cz\u0142owieka. To by\u0142o wyobra\u017cenie \u015bmierci, kt\u00f3re <a href=\"http:\/\/magazine.vinylmeplease.com\/magazine\/sonic-boom-interview\/\">mia\u0142 jako nastoletni ch\u0142opak<\/a>. Zarazem jednak <em>All Things&#8230;<\/em> to p\u0142yta o \u017cyciu &#8211; tym, kt\u00f3re go otacza w Portugalii, o \u017cyciu ro\u015blin, \u0142a\u0144cuchach DNA, r\u00f3wnowadze \u017cycia w przyrodzie, ci\u0105gle blisko opowie\u015bci z kr\u0119gu wytworzonego przez kultur\u0119 LSD w latach 60. Ka\u017cdy gest &#8211; po\u0142\u0105czenie konwencji The Beach Boys i Mortona Subotnicka z wokalami Panda Beara &#8211; wydaje si\u0119 nie\u017ale przemy\u015blany. Nie ma miejsca na ryzyko.\u00a0 \u00a0\u00a0<\/p>\n\n\n<blockquote class=\"instagram-media\" data-instgrm-captioned=\"\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/p\/CBJVWGyg65Q\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"12\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/p\/CBJVWGyg65Q\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener noreferrer\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\"> Wy\u015bwietl ten post na Instagramie.<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div><\/a> <p style=\" margin:8px 0 0 0; padding:0 4px;\"> <a href=\"https:\/\/www.instagram.com\/p\/CBJVWGyg65Q\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;\" target=\"_blank\" rel=\"noopener noreferrer\">Oto jak serwis Spotify z najnowszej p\u0142yty Sonic Booma pr\u00f3buje zrobi\u0107 death metal. &#x1f631; #sonicboom #streamingporn<\/a><\/p> <p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\">Post udost\u0119pniony przez <a href=\"https:\/\/www.instagram.com\/bartekchacinski\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\" rel=\"noopener noreferrer\"> Bartek Chacinski<\/a> (@bartekchacinski) <time style=\" font-family:Arial,sans-serif; font-size:14px; line-height:17px;\" datetime=\"2020-06-07T19:37:07+00:00\">Cze 7, 2020 o 12:37 PDT<\/time><\/p><\/div><\/blockquote> <script async=\"\" src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n<p>I w\u0142a\u015bnie tego ryzyka troch\u0119 mi na tej p\u0142ycie brakuje. Rzecz rozwija si\u0119 powoli &#8211; od krautrockowego niemal <em>Just Imagine<\/em>, poprzez bliskie muzyce Animal Collective <em>Just a Little Piece of Me<\/em> &#8211; i dopiero wspomniane <em>Spinning&#8230;<\/em> chwyta za gard\u0142o czym\u015b zaskakuj\u0105cym. Tu s\u0142ycha\u0107, \u017ce na syntezatory Kember patrzy podobnie jak kiedy\u015b na gitary. A z czasem \u0142atwo si\u0119 zorientowa\u0107, \u017ce w tych brzmieniach modular\u00f3w interesuje go z\u0142o\u017cono\u015b\u0107 id\u0105ca w stron\u0119 barw lekko przesterowanych, zaszumionych. \u015awietnie robi si\u0119 w ko\u0144cowej cz\u0119\u015bci p\u0142yty, a najlepiej &#8211; w <em>I Feel a Change Coming On<\/em>, optymistycznym hymnie, kt\u00f3ry m\u00f3g\u0142by by\u0107 utworem reaktywowanego Spacemen 3. Ale pr\u0119dzej ju\u017c zaczn\u0105 wam wasze nagrania zamienia\u0107 na Spotify w death metal, pr\u0119dzej ju\u017c ludzie w \u015brodku pandemii wylegn\u0105 na pla\u017ce ni\u017c zejdzie si\u0119 na nowo ta formacja.&nbsp; &nbsp; &nbsp; &nbsp;<\/p>\n<p><strong>SONIC BOOM <em>All Things Being Equal<\/em><\/strong>, Carpark 2020, <strong>7\/10<\/strong>&nbsp;<\/p>\n\n\n<iframe style=\"border: 0; width: 500px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3926216605\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"http:\/\/sonicboomspacemen3.bandcamp.com\/album\/all-things-being-equal-3\">All Things Being Equal by Sonic Boom<\/a><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Nie b\u0119dzie o tym, \u017ce korzystaj\u0105c z wyp\u0142aszczenia wypracowanego przez ministra Szumowskiego natychmiast pojechali\u015bmy si\u0119 wyp\u0142aszczy\u0107 na pla\u017cy. Chocia\u017c cieplejszy i wyra\u017anie ju\u017c odmro\u017cony weekend zbieg\u0142 si\u0119 z najgorszym wynikiem w naszych trzymiesi\u0119cznych pr\u00f3bach wyp\u0142aszczania. B\u0119dzie za to o jednym z moich ulubionych artyst\u00f3w, kt\u00f3ry po 30 latach wyda\u0142 kolejny album, a firma Spotify mu [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25647,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,3,3681,312,120,3309,3666,4197],"tags":[4327],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25646"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=25646"}],"version-history":[{"count":6,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25646\/revisions"}],"predecessor-version":[{"id":25654,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25646\/revisions\/25654"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/25647"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=25646"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=25646"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=25646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}