{"id":25989,"date":"2020-06-30T10:55:47","date_gmt":"2020-06-30T08:55:47","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=25989"},"modified":"2020-07-02T09:13:59","modified_gmt":"2020-07-02T07:13:59","slug":"powodz-w-warszawie-bezpieczny","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/06\/30\/powodz-w-warszawie-bezpieczny\/","title":{"rendered":"121 premier p\u0142ytowych lipca"},"content":{"rendered":"<p>W ocala\u0142ych po powodzi resztkach Warszawy (oznaczy\u0142em si\u0119 jako bezpieczny, i \u015bledz\u0105c TVP Info oraz prawicowych publicyst\u00f3w czekam niecierpliwie na rz\u0105dowy zrzut suchej odzie\u017cy na moje sz\u00f3ste pi\u0119tro) czuj\u0119 si\u0119 ju\u017c jak za chwil\u0119 na rynku wydawniczym po pandemii. Ju\u017c w tym momencie sporo tego wszystkiego wychodzi &#8211; przynajmniej jak na wakacje. Nie boj\u0119 si\u0119 nadprodukcji s\u0142abej muzyki. Ta i tak trwa w najlepsze, nic tego nie zatrzyma. Boj\u0119 si\u0119 tych najbardziej utalentowanych artyst\u00f3w, kt\u00f3rzy mieli ostatnio troch\u0119 wi\u0119cej czasu, \u017ceby popracowa\u0107 i zarzuc\u0105 nas rzeczami, na kt\u00f3re nale\u017ca\u0142oby po\u015bwi\u0119ci\u0107 ca\u0142e tygodnie. Do ich przes\u0142uchania b\u0119dzie jak nic potrzebna kolejna kwarantanna. Bo taki na przyk\u0142ad <strong>Nicolas Jaar<\/strong> wydaje ju\u017c trzeci\u0105 p\u0142yt\u0119 w tym roku (wliczaj\u0105c Against All Logic), a to wszystko s\u0105 rzeczy uko\u0144czone, z tego co mi wiadomo, jeszcze przed lockdownem. Ju\u017c teraz pr\u00f3buj\u0119 sobie wyobrazi\u0107, ile nowych nagra\u0144 ten zdolny Amerykanin o chilijskich korzeniach m\u00f3g\u0142 wyprodukowa\u0107 w czasie izolacji. A tymczasem zach\u0119cam do lektury listy.&nbsp; &nbsp; &nbsp;&nbsp;<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"100%\" height=\"300\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/826617481&amp;color=%23ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;show_teaser=true&amp;visual=true\"><\/iframe><div style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"><a href=\"https:\/\/soundcloud.com\/user-655130117\" title=\"user-655130117\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">user-655130117<\/a> \u00b7 <a href=\"https:\/\/soundcloud.com\/user-655130117\/nicolas-jaar-telas-part-1-radio-alhara\" title=\"Nicol\u00e1s Jaar - Telahora (Telas - Part 1) &amp; All One @ Radio Alhara\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\" rel=\"noopener noreferrer\">Nicol\u00e1s Jaar &#8211; Telahora (Telas &#8211; Part 1) &amp; All One @ Radio Alhara<\/a><\/div>\n\n\n<p><strong>PREMIERY P\u0141YTOWE LIPCA 2020<\/strong><\/p>\n<p><strong>1.07 <\/strong><br \/><strong>Anteloper<\/strong> Tour Beats Vol. 1, International Anthem <br \/><strong>Canine Callgirls<\/strong> Exit Strategies <br \/><strong>Czajka &amp; Puchacz<\/strong> Bivali\u0161\u010da <br \/><strong>Doctor Kanuska Group<\/strong> Mutende Mizimu. Vimbuza from Mzimba North, 1000Hz CD, DL<br \/><strong>Jesu<\/strong> Never, Avalanche EP<\/p>\n<p><strong>2.07 <\/strong><br \/><strong>Soccer Mommy<\/strong> Soccer Mommy &amp; Friends Singles Series, Loma Vista<\/p>\n<p><strong>3.07 <\/strong><br \/><strong>Acute Mind<\/strong> Under the Empty Sky <br \/><strong>Alvin Lucier<\/strong> Works for the Ever Present Orchestra, Black Truffle <br \/><strong>Bdrmm<\/strong> Bedroom, Sonic Cathedral <br \/><strong>Black Mynah<\/strong> II, Music Is The Weapon <br \/><strong>Boris<\/strong> No <br \/><strong>Bruno Bavota<\/strong> Apartment Loops vol. 1, Temporary Residence Ltd. <br \/><strong>Cuddle<\/strong> Magic Bath, Northern Spy <br \/><strong>Deerhoof<\/strong> To Be Surrounded By Beautiful, Curious, Breathing, Laughing Flesh Is Enough, Joyful Noise <br \/><strong>Denai Moore<\/strong> Modern Dread, Because Music <br \/><strong>Dream Wife<\/strong> So When You Gonna&#8230;, Lucky Number <br \/><strong>Emra Grid<\/strong> A System A Platform A Voiid, Opal Tapes <br \/><strong>Francisco L\u00f3pez<\/strong> &#8222;1985&#8221;, Opal Tapes <br \/><strong>Gnod &amp; Jo\u00e3o Pais Filipe<\/strong> Faca de fogo, Lovers &amp; Lollypops <br \/><strong>Hanna Banaszak<\/strong> Stoj\u0119 na tobie Ziemio, Agora <br \/><strong>Ian Wellman<\/strong> The House That Ate Itself, Room40 <br \/><strong>Icepick<\/strong> Hellraiser, Astral Spirits <br \/><strong>Keleketla!<\/strong> Keleketla!, Ahead Of Our Time <br \/><strong>Konstanty Kostka<\/strong> Fl\u0105dra, Latarnia <br \/><strong>Lacrima<\/strong> St. Petersburg, Opal Tapes <br \/><strong>Lapalux<\/strong> Esrevoinma, Brainfeeder <br \/><strong>Maltash<\/strong> Clown For A Cold Audience, Opal Tapes <br \/><strong>Marina Rosenfeld<\/strong> theforestthegardenthesea, Room40 <br \/><strong>Marina Rosenfeld<\/strong> Joy of Fear, Room40 <br \/><strong>Massimo Magee, Joshua Weitzel &amp; Tim Green<\/strong> Live at Salon Villa Plagwitz, 577 Records <br \/><strong>MC Yallah &amp; Eomac<\/strong> Mama Waliwamanyii, Phantom Limb <br \/><strong>Minamo<\/strong> Superscience, 901 Records <br \/><strong>Modkopf<\/strong> The Day He Lost It, Opal Tapes <br \/><strong>Mulatu Astatke &amp; Black Jesus Experience<\/strong> To Know Without Knowing, Agogo <br \/><strong>Nikitch &amp; Kuna Maze<\/strong> Debut, Tru Thoughts <br \/><strong>\u00f8jeRum<\/strong> Selected Percussive Works 1998 &#8211; 2001 Vol. I, Opal Tapes <br \/><strong>Paul Weller<\/strong> On Sunset, Polydor <br \/><strong>Phill Niblock<\/strong> G2\u200b,\u200b44\u200b+\u200b\/\u200bx2, Room40 <br \/><strong>Qasim Naqvi<\/strong> Beta, Erased Tapes <br \/><strong>Suzanne Vallie<\/strong> Life Lives Where Rules Die Night, Bloom <br \/><strong>Thiago Nassif<\/strong> Mente, Gearbox <br \/><strong>Willie Nelson<\/strong> First Rose of Spring, Legacy<\/p>\n<p><strong>5.07 <\/strong><br \/><strong>DJN4<\/strong> Tales of Z. Emotional Response<\/p>\n<p><strong>9.07 <\/strong><br \/><strong>Rufus Wainwright<\/strong> Unfollow the Rules, BMG<\/p>\n<p><strong>10.07 <\/strong><br \/><strong>Buzzard Buzzard Buzzard<\/strong> The Non-Stop, Communion <br \/><strong>DMA&#8217;s<\/strong> The Glow, I Oh You <br \/><strong>El Ten Eleven<\/strong> Tautology II, Joyful Noise <br \/><strong>Glass Animals<\/strong> Dreamland, Polydor <br \/><strong>John Bence<\/strong> Kill, Thrill Jockey <br \/><strong>Julianna Barwick<\/strong> Healing Is a Miracle, Ninja Tune <br \/><strong>Kasia Osterczy Trio<\/strong> Travel Elegy, Audio Cave CD, DL<br \/><strong>Kassel Jaeger<\/strong> Swamps \/ Things, Shelter Press <br \/><strong>Love Fame Tragedy<\/strong> Wherever I Go, I Want To Leave Good, Soldier Songs <br \/><strong>Margo Price<\/strong> There&#8217;s How Rumors Get Started, Loma Vista <br \/><strong>Mark Skinner<\/strong> None of Us Is Getting Out of This Life Alive, Island <br \/><strong>Noa Levy &amp; Shimpei Ogawa<\/strong> You, Me &amp; Cole, Jazz Fuel <br \/><strong>NZCA Lines<\/strong> Pure, Luxury Memphis <br \/><strong>Oneness Of Juju<\/strong> African Rhythms 1970\u200b-\u200b1982, Strut arch. 3LP, CD<br \/><strong>PVRIS<\/strong> Use Me, Warner <br \/><strong>Redman, Mehldau, McBride, Blade<\/strong> RoundAgain, Nonesuch <br \/><strong>Sam Prekop<\/strong> Comma, Thrill Jockey <br \/><strong>Sharhabil Ahmed<\/strong> Habibi Funk 013: The King Of Sudanese Jazz, Habibi Funk <br \/><strong>Silver Scrolls<\/strong> Music for Walks, Three Lobed <br \/><strong>Steve Cardenas<\/strong> Blue Has a Range, Sunnyside <br \/><strong>Surprise Chef<\/strong> All News Is Good News, Mr Bongo reed. (wyd. australijskie od 2019)<br \/><strong>The Beths<\/strong> Jump Rope Gazers, Carpark <br \/><strong>Voz di Sanicolau<\/strong> Fundo De Mar\u00ea Palinha (Limited Dance Edition), Analog Africa<\/p>\n<p><strong>15.07 <\/strong><br \/><strong>Silvia Tarozzi<\/strong> Mi specchio e rifletto, Unseen Worlds<\/p>\n<p><strong>17.07 <\/strong><br \/><strong>Bennelux<\/strong> Old to the New, Astigmatic <br \/><strong>Bing &amp; Ruth<\/strong> Specie,s 4AD <br \/><strong>Bush<\/strong> The Kingdom, Zuma Rock <br \/><strong>Crack Cloud<\/strong> Pain Olympics, Meat Machine <br \/><strong>Dehd<\/strong> Flower of Devotion, Fire Talk <br \/><strong>Filmmaker<\/strong> Let&#8217;s Stage Earth, Opal Tapes <br \/><strong>Genevieve Artadi<\/strong> Dizzy Strange Summer, Brainfeeder <br \/><strong>Glenn Zaleski<\/strong> The Question, Sunnyside <br \/><strong>Hugo Race and The True Spirit<\/strong> Embryo \/ Virus Of The Mind, Don&#8217;t Sit On My Vinyl 7&#8243; ltd<br \/><strong>Iggy Not Pop x Tap3s<\/strong> Powiedz mi co\u015b wi\u0119cej <br \/><strong>Iowa Super Soccer <\/strong>My Way \/ Postcard, Don&#8217;t Sit On My Vinyl 7&#8243; ltd<strong><br \/>Lianne La Havas<\/strong> Lianne La Havas, Warner <br \/><strong>Manfredo Fest<\/strong> Brazilian Dorian Dream, Far Out\u00a0\u00a0<br \/><strong>Miko\u0142aj Trzaska<\/strong> Nie PromisedLand, Don&#8217;t Sit On My Vinyl 8&#8243; ltd<br \/><strong>Nicolas Jaar<\/strong> Telas, Other People <br \/><strong>The Pretenders<\/strong> Hate for Sale, BMG <br \/><strong>VA<\/strong> TCHIC TCHIC &#8211; French Bossa Nova &#8211; 1963\u200b\/\u200b1974, Born Bad <br \/><strong>Zara McFarlane<\/strong> Songs of an Unknown Tongue, Brownswood<\/p>\n<p><strong>21.07 <\/strong><br \/><strong>No Joy<\/strong> Motherhood, Joyful Noise<\/p>\n<p><strong>23.07<\/strong><br \/><strong>Space Travel Is Boring (Le\u015bniewski\/Smolicki)<\/strong> Minimum Wage, wyd. w\u0142asne EP<\/p>\n<p><strong>24.07 <\/strong><br \/><strong>Courtney Marie Andrews<\/strong> Old Flowers, Fat Possum <br \/><strong>Diamanda Galas<\/strong> De\u200b-\u200bformation: Piano, Variations <br \/><strong>East Man Prole<\/strong> Art Threat, Planet Mu <br \/><strong>Howling<\/strong> Colure, Counter\/NoPaper <br \/><strong>Jessy Lanza<\/strong> All the Time, Hyperdub <br \/><strong>John Foxx and The Maths<\/strong>\u00a0Howl <br \/><strong>Jon Hassell<\/strong> Seeing Through Sound (Pentimento Volume Two), Ndeya <br \/><strong>Jorma Tapio &amp; Kaski<\/strong> Aliseen, 577 Records <br \/><strong>Kamaal Williams<\/strong> Wu Hen, Black Focus <br \/><strong>Lingo Seini et son groupe<\/strong> Musique Hauka, Sahel Sounds <br \/><strong>Philip Corner<\/strong> Chord\/Gong! (with Carles Santons), Unseen Worlds <br \/><strong>PJ Harvey<\/strong> Dry &#8211; Demos, Island arch.<br \/><strong>Quicksails<\/strong> Blue Rise, Hausu Mountain <br \/><strong>Romano &#8211; \u0631\u0648\u0645\u0627\u0646\u0648<\/strong> Romano &#8211; \u0631\u0648\u0645\u0627\u0646\u0648, Batov <br \/><strong>Shirley Collins<\/strong> Heart&#8217;s Ease, Domino <br \/><strong>Snowgoose<\/strong> Meaning of You, Ba Da Bing <br \/><strong>Sparkle Division<\/strong> To Feel Embraced, Temporary Residence Ltd. <br \/><strong>Stirrup+6<\/strong> The Avondale Addition, Cuneiform <br \/><strong>Thumbscrew [Tomas Fujiwara \/ Mary Halvorson \/ Michael Formanek]<\/strong> The Anthony Braxton Project, Cuneiform <br \/><strong>Todd Anderson-Kunert<\/strong> Past Walls and Windows, Room40 <br \/><strong>Veslemes<\/strong> I Know Where You Live Vangelis!, Byrd Out<\/p>\n<p><strong>29.07 <\/strong><br \/><strong>Pisitakun<\/strong> Absolute C.O.U.P., Chinabot <br \/><strong>Toshinori Kondo &amp; Brom<\/strong> The Sea is Rough, Bocian 12&#8243; EP\u00a0<br \/><strong>Zeitkratzer &amp; Mariam Wallentin<\/strong> Shape of Jazz to Come, Bocian LP tbc<\/p>\n<p><strong>31.07 <\/strong><br \/><strong>Creeper<\/strong> Sex, Death &amp; The Infinite Void, Roadrunner <br \/><strong>Cytrus<\/strong> Raj utracony, GAD <br \/><strong>Eugene Ughetti<\/strong> Agglomeration Of Measurement, Room40 <br \/><strong>Fontaines D.C.<\/strong> A Hero&#8217;s, Death Partisan <br \/><strong>Humbros<\/strong> From 0 to 90, Phantom Limb <br \/><strong>Lauren Bousfield<\/strong> Palimpsest, Deathbomb Arc <br \/><strong>Max Richter<\/strong> Voices, Deutsche Grammophon <br \/><strong>Mike Polizze<\/strong> Long Lost Solace Find, Paradise Of Bachelors <br \/><strong>Protomartyr<\/strong> Ultimate Success Today, Domino <br \/><strong>Rival Consoles<\/strong> Articulation, Erased Tapes <br \/><strong>Shackleton &amp; Zimpel<\/strong> Primal Forms, Cosmo Rhythmatic <br \/><strong>The Psychedelic Furs<\/strong> Made of Rain, Cooking Vinyl <br \/><strong>VA<\/strong> W\u0119drujmy, GAD tbc<\/p>\n<p>\u00a0<\/p>","protected":false},"excerpt":{"rendered":"<p>W ocala\u0142ych po powodzi resztkach Warszawy (oznaczy\u0142em si\u0119 jako bezpieczny, i \u015bledz\u0105c TVP Info oraz prawicowych publicyst\u00f3w czekam niecierpliwie na rz\u0105dowy zrzut suchej odzie\u017cy na moje sz\u00f3ste pi\u0119tro) czuj\u0119 si\u0119 ju\u017c jak za chwil\u0119 na rynku wydawniczym po pandemii. Ju\u017c w tym momencie sporo tego wszystkiego wychodzi &#8211; przynajmniej jak na wakacje. Nie boj\u0119 si\u0119 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":25991,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,3822,4009,2695],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25989"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=25989"}],"version-history":[{"count":8,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25989\/revisions"}],"predecessor-version":[{"id":26021,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/25989\/revisions\/26021"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/25991"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=25989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=25989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=25989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}