{"id":27409,"date":"2020-11-13T09:52:05","date_gmt":"2020-11-13T08:52:05","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27409"},"modified":"2020-11-13T11:18:53","modified_gmt":"2020-11-13T10:18:53","slug":"piorun-up","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/11\/13\/piorun-up\/","title":{"rendered":"Piorun up"},"content":{"rendered":"<p>Muzyka <strong>AC\/DC<\/strong> jest tak prosta i schematyczna, \u017ce a\u017c fascynuj\u0105ca. Je\u015bli czasem spekuluje si\u0119, kiedy sko\u0144cz\u0105 si\u0119 mo\u017cliwo\u015bci w zakresie pisania nowych melodii i permutacje akord\u00f3w, to prawdopodobnie grupa Angusa Younga b\u0119dzie t\u0105, kt\u00f3rej si\u0119 sko\u0144cz\u0105 jako pierwszej. Niewykluczone nawet, \u017ce ju\u017c dawno si\u0119 sko\u0144czy\u0142y, tylko (i to jest to fascynuj\u0105ce w\u0142a\u015bnie) przed o\u015bmieszeniem broni\u0105 przetrzebiony ju\u017c sk\u0142ad tego zespo\u0142u &#8211; kt\u00f3ry mia\u0142 si\u0119 rozpa\u015b\u0107, ale wr\u00f3ci\u0142 &#8211; akcenty rytmiczne. Bo cho\u0107 prosta pod ka\u017cdym innym wzgl\u0119dem, oparta na ciosanych podzia\u0142ach i do\u015b\u0107 siermi\u0119\u017cnej grze sekcji, muzyka australijskiej grupy opiera si\u0119 na bardzo precyzyjnym akcentowaniu riff\u00f3w. Jak gdyby gr\u0119 <em>Guitar Hero<\/em> praktykowali, zanim to by\u0142o dost\u0119pne. Zagrasz nie w tempo, to ca\u0142a konstrukcja runie, przegrywasz. Zagrasz niepotrzebny ozdobnik &#8211; przegrywasz tym bardziej. I ten ociosany do ko\u015bci, pe\u0142en energii rock and roll &#8211; w w\u0142a\u015bciwie mieszanka hard rocka, boogie i bluesa &#8211; \u017cyje. I nagrywa po 6 latach przerwy w ca\u0142kiem przyzwoitym stylu. Angus sk\u0142ada ho\u0142d zmar\u0142emu bratu Malcolmowi. Brian Johnson zn\u00f3w \u015bpiewa &#8211; nazwijmy to tak z braku lepszego i wci\u0105\u017c neutralnego okre\u015blenia &#8211; cho\u0107 lekarze stwierdzili u niego spor\u0105 utrat\u0119 s\u0142uchu i na moment zast\u0105pi\u0142 go Axl Rose. A perkusista Phil Rudd wr\u00f3ci\u0142 do muzyki po problemach z zarzutami dotycz\u0105cymi posiadania narkotyk\u00f3w i gr\u00f3\u017ab karalnych. Z opisu brzmi to wszystko troch\u0119 jak rockandrollowa telenowela. A muzycznie brzmi&#8230; dok\u0142adnie tam samo.\u00a0<br \/><span style=\"color: #ff0000;\"><strong>[premiery p\u0142ytowe tygodnia na dole wpisu]<\/strong><\/span><\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/54LEywabkl4\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n\n\n<p>Wydana dzi\u015b p\u0142yta <em>Power Up<\/em> przyniesie sporo argument\u00f3w zar\u00f3wno zwolennikom, jak i przeciwnikom AC\/DC. Tym pierwszym &#8211; bo p\u0142yta brzmi swobodniej i przynosi gar\u015b\u0107 ciekawszych gitarowych riff\u00f3w w cz\u0119\u015bci drugiej, poczynaj\u0105c od utrzymanego w dziarskim tempie <em>Demon Fire, <\/em>a ko\u0144cz\u0105c na bardzo powt\u00f3rkowych, ale trzymaj\u0105cych charakter dawnych klasyk\u00f3w utworach <em>Systems Down<\/em> i <em>Code Red<\/em>. Tym drugim &#8211; bo mog\u0105 si\u0119 zaci\u0105\u0107 zaraz na pocz\u0105tku, odrzucaj\u0105c frustruj\u0105ce <em>Rejection<\/em>, przypominaj\u0105ce tyle\u017c AC\/DC, co hity Aerosmith. I zauwa\u017cy\u0107, \u017ce du\u017ca cz\u0119\u015b\u0107 repertuaru <em>Power Up<\/em> to piosenki, kt\u00f3re stylistycznie obijaj\u0105 si\u0119 &#8211; jak kula we flipperze pomi\u0119dzy bumperami &#8211; pomi\u0119dzy cechami formacji jeszcze starszych i r\u00f3wnie\u017c wci\u0105\u017c aktywnych: ZZ Top, The Rolling Stones i w\u0142a\u015bnie Aerosmith. Z poprawk\u0105 na <em>Through the Mists of Time<\/em>, kt\u00f3rego pocz\u0105tkowy riff kojarzy mi si\u0119 ju\u017c bardziej z Budk\u0105 Suflera.<\/p>\n<p>Pozostanie jeszcze du\u017ca cz\u0119\u015b\u0107 niezaanga\u017cowanych w sp\u00f3r, bo muzyka AC\/DC jednak, mam wra\u017cenie, godzi ludzi &#8211; szczeg\u00f3lnie tych ceni\u0105cych brzmienie gitary elektrycznej, pewn\u0105 elegancj\u0119 riffu i czysto\u015b\u0107 jego formu\u0142y. A nawet dla postronnego odbiorcy <em>Power Up<\/em> mo\u017ce si\u0119 okaza\u0107 najlepsz\u0105 p\u0142yt\u0105 AC\/DC od czasu <em>The Razors Edge<\/em>. Rzecz w tym, \u017ce nagra\u0107 tak\u0105 p\u0142yt\u0119 nie by\u0142o zadaniem szczeg\u00f3lnie trudnym. Pomijaj\u0105c oczywi\u015bcie problemy ludzkie. Bo je\u015bli nie pami\u0119tacie, co tam po drodze by\u0142o, to nie koniecznie dlatego, \u017ce jeste\u015bcie tacy starzy.\u00a0 \u00a0<\/p>\n<p><strong>AC\/DC <em>Power Up<\/em><\/strong>, Columbia 2020, <strong>6\/10<\/strong><\/p>\n\n\n<iframe loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3bTNxJYk2bwdWBMtrjBxb0\" width=\"500\" height=\"250\" frameborder=\"0\" allowtransparency=\"true\" allow=\"encrypted-media\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>7.11 <strong>G\u00fcnter Schlienz<\/strong> Orph\u00e9e aux Enfers <br \/>7.11 <strong>ThE DiAboLIcaL LibERTieS <\/strong>High Protection &amp; The Sportswear, Mystics On The Corner <br \/>7.11 <strong>Yacht Rock<\/strong> Disco Vol. 3, Father and Son Records and Tapes EP<br \/>8.11 <strong>Action Sports<\/strong> Action Sports 2, Gin &amp; Platonic <br \/>8.11 <strong>Czere\u015bnie<\/strong> Sport to zdrowie, Karoryfer Lecolds <br \/>8.11 <strong>El Hardwick<\/strong> 8, 33-33 <br \/>9.11 <strong>Bednarczyk, Biel, G\u0142uszek, Kujawski, Oliveros, S\u0142y\u017c, \u015aniady<\/strong> Canti Spazializzati x Radio \u017byjnia, Sound Art Forum \/ Canti Illuminati <br \/>9.11 <strong>Kevin Drumm<\/strong> 11, EP<br \/>9.11 <strong>Maciek Sienkiewicz<\/strong> The K\u00f6ln Concert, Father and Son Records and Tapes EP<br \/>11.11 <strong>Bounaly<\/strong> Music from Saharan WhatsApp 10, Sahel Sounds <br \/>11.11 <strong>Envy<\/strong> LAST WISH | Live at LIQUIDROOM Tokyo, Pelagic <br \/>11.11 <strong>Lionel Martin &amp; Disque Noir<\/strong> RAW, Ouch! <br \/>11.11 <strong>Patryk Cannon<\/strong> Living Inside <br \/>11.11 <strong>Richard Devine<\/strong> Systik, BL_K Noise <br \/>11.11 <strong>Stare Ta\u015bmy<\/strong> Kryzys czytelnictwa, Soros\/Fourth Dimension <br \/>11.11 <strong>Time Cow<\/strong> Time Cow&#8217;s Live Prog Dancehall From Home, Boomkat Editions MC, DL<br \/>12.11 <strong>Buba Badjie Kuyateh<\/strong> Kora Talking, Multikulti <br \/>12.11 <strong>Joyfultalk<\/strong> New Biology, EP<br \/>12.11<strong> LOG (Ulla &amp; Perila)<\/strong> LOG ET3RNAL, Experiences <br \/>12.11 <strong>Rapoon<\/strong> Pell Mell (extended edition), Zoharum\u00a0<br \/>12.11 <strong>Roman Bromboszcz<\/strong> Pregmos Cosgnant, Pionierska DL, 3,5&#8243; FDD<br \/>12.11 <strong>Thor Harris &amp; Joyful Noise Players<\/strong> Is Adam OK?, Joyful Noise <br \/>12.11 <strong>Varsovia<\/strong> Dise\u00f1ar y destruir, Buh reed,<br \/>12.11 <strong>Vidna Obmana &amp; Serge Devadder<\/strong> The Shape of Solitude, Zoharum <br \/><strong>A Love Supreme Electric: Vinny Golia, John Hanrahan, Henry Kaiser, Wayne Peet, Mike Watt<\/strong> A Love Supreme Electric: A Love Supreme and Meditiations, Cuneiform <br \/><strong>A.k.Adrix<\/strong> C\u00f3digo de Barras, Principe <br \/><strong>AC\/DC<\/strong> Power Up, Columbia <br \/><strong>Ana Roxanne<\/strong> Because of a Flower, Kranky <br \/><strong>Augenwasser<\/strong> Sleepdancer, Les Disques Bongo Joe <br \/><strong>Benee<\/strong> Hey U X, Republic <br \/><strong>Box Anima<\/strong> Call His Name <br \/><strong>Brian Eno<\/strong> Film Music 1976-2020, arch.<br \/><strong>Brin<\/strong> Homescreen Glow, Leaving <br \/><strong>Causa Sui<\/strong> Szabodelico, El Paraiso <br \/><strong>Charles Mingus<\/strong> Charles Mingus @ Bremen 1964 &amp; 1975, Sunnyside <br \/><strong>Chris Stapleton<\/strong> Starting Over, Mercury Nashville <br \/><strong>Dark Buddha<\/strong> Rising Mathreyata, Svart <br \/><strong>Dirty Projectors<\/strong> 5EPs, Domino <br \/><strong>Domenique Dumont<\/strong> People on Sunday, The Leaf Label <br \/><strong>Elton John<\/strong> Elton: Jewel Box Universal boxEmily A. Sprague Hill, Flower, Fog, RVNG Intl <br \/><strong>Erik Griswold<\/strong> Wallpaper Music IV, Room40 <br \/><strong>Faten Kanaan<\/strong> A Mythology of Circles, Fire <br \/><strong>Future &amp; Lil Uzi<\/strong> Vert Pluto x Baby Pluto, mixtape<br \/><strong>Geneva Skeen<\/strong> Double Bind, Room40 <br \/><strong>Gillian Welch<\/strong> Boots No. 2: The Lost Songs, Vol. 3 <br \/><strong>Gonzales<\/strong> A Very Chilly Christmas, Gentle Threat <br \/><strong>Gwenifer Raymond<\/strong> Strange Lights Over Garth Mountain, Tompkins Square <br \/><strong>Jesu<\/strong> Terminus <br \/><strong>John Bence<\/strong> Love, Thrill Jockey <br \/><strong>Johnny Cash and the Royal Philharmonic Orchestra<\/strong> Johnny Cash and the Royal Philharmonic Orchestra <br \/><strong>Katatonia<\/strong> Dead Air, Peaceville <br \/><strong>Kruder &amp; Dorfmeister<\/strong> 1995, G-Stone <br \/><strong>Lambchop<\/strong> Trip, City Slang EP<br \/><strong>Laura Cannell, Stewart Lee, Kate Ellis, Polly Wright, Jennifer Lucy Allan<\/strong> These Feral Lands Vol. 1, Brawl <br \/><strong>Liraz<\/strong> Zan, Glitterbeat<br \/><strong>Lunatic Soul<\/strong> Through Shaded Woods, Snapper Music\/Kscope\/Mystic <br \/><strong>M. Geddes Gengras<\/strong> Time Makes Nothing Happen, Hausu Mountain <br \/><strong>Mars Williams<\/strong> Mars Williams Presents An Ayler Xmas Vol. 4: Chicago vs. NYC, Astral Spirits <br \/><strong>Molchat Doma<\/strong> Monument, Sacred Bones <br \/><strong>Pal Secam<\/strong> Nascar, U Know Me <br \/><strong>Paloma Faith<\/strong> Infinite Things, RCA <br \/><strong>Peder Mannerfelt<\/strong> Ensnared Haven, EP<br \/><strong>Quakers<\/strong> II &#8211; The Next Wave, Stones Throw <br \/><strong>Ryan Benis<\/strong> Rollercoaster, EP<br \/><strong>Sabaturin<\/strong> Kenemglev, Holuzam <br \/><strong>Schnellertollermeier<\/strong> 5, Cuneiform <br \/><strong>Shaun Martin<\/strong> Three-O, Ropeadope <br \/><strong>Star Feminine<\/strong> <strong>Band<\/strong> Star Feminine Band, Born Bad <br \/><strong>Studnia<\/strong> Oddech, Lo\u017ca <br \/><strong>Sun Ra Arkestra<\/strong> Egypt 1971, Strut <br \/><strong>Tani Tabbal Trio<\/strong> Now Then, AUM Fidelity <br \/><strong>The Cribs<\/strong> Night Network, Sonic Blew <br \/><strong>The End (Sofia Jernberg, Mats Gustafsson, Kjetil M\u00f8ster, Anders Hana, B\u00f8rge Fjordheim)<\/strong> Allt \u00c4r Intet, RareNoise <br \/><strong>The Nels Cline Singers<\/strong> Share the Wealth, Blue Note <br \/><strong>The Wytches<\/strong> Three Mile Ditch <br \/><strong>Trees<\/strong> Trees, Earth reed. box<br \/><strong>U2<\/strong> Trilogy EP, Island <br \/><strong>VA<\/strong> Strum &amp; Thrum: The American Jangle Underground 1983\u200b-\u200b1987, Captured Tracks <br \/><strong>WhoMadeWho<\/strong> Sychronicity, Kompakt <br \/><strong>William Basinski<\/strong> Lamentations, Temporary Residence Ltd.<\/p>\n<p><em>Powy\u017csze p\u0142yty ukaza\u0142y si\u0119 13 listopada. Chyba \u017ce&#8230; nie.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>Muzyka AC\/DC jest tak prosta i schematyczna, \u017ce a\u017c fascynuj\u0105ca. Je\u015bli czasem spekuluje si\u0119, kiedy sko\u0144cz\u0105 si\u0119 mo\u017cliwo\u015bci w zakresie pisania nowych melodii i permutacje akord\u00f3w, to prawdopodobnie grupa Angusa Younga b\u0119dzie t\u0105, kt\u00f3rej si\u0119 sko\u0144cz\u0105 jako pierwszej. Niewykluczone nawet, \u017ce ju\u017c dawno si\u0119 sko\u0144czy\u0142y, tylko (i to jest to fascynuj\u0105ce w\u0142a\u015bnie) przed o\u015bmieszeniem broni\u0105 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27413,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[48,582,3,312,120,3319,3309,4197],"tags":[4462],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27409"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27409"}],"version-history":[{"count":9,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27409\/revisions"}],"predecessor-version":[{"id":27420,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27409\/revisions\/27420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27413"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27409"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27409"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27409"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}