{"id":27568,"date":"2020-12-01T08:35:13","date_gmt":"2020-12-01T07:35:13","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27568"},"modified":"2020-12-05T21:13:51","modified_gmt":"2020-12-05T20:13:51","slug":"104-premiery-plytowe-grudnia","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/12\/01\/104-premiery-plytowe-grudnia\/","title":{"rendered":"104 premiery p\u0142ytowe grudnia"},"content":{"rendered":"<p><em>Najbardziej cieszy mnie fakt, \u017ce nie mam jeszcze dosy\u0107 muzyki.<\/em> Nie, to nie moje s\u0142owa, cho\u0107 pewnie mog\u0142yby by\u0107 moje. To powiedzia\u0142 Paul McCartney, kiedy sytuacja zmusi\u0142a go do siedzenia w domu, a siedzenie w domu &#8211; do nagrania kolejnej p\u0142yty. To historia ca\u0142ego tego roku w pigu\u0142ce. Du\u017co wi\u0119cej tych premier si\u0119 ju\u017c nie zmie\u015bci, ale na pewno sporo jeszcze dojdzie do poni\u017cszej listy. 4 grudnia kolejny pi\u0105tek wolny od op\u0142at na rzecz Bandcampa, wi\u0119c przyb\u0119dzie troch\u0119 nowo\u015bci ze \u015bwiata ma\u0142ych i niezale\u017cnych. Poza tym troch\u0119 g\u0142upio m\u00f3wi\u0107, ale wygl\u0105da na to, \u017ce 2020 potrwa troch\u0119 d\u0142u\u017cej ni\u017c zwyk\u0142y rok i t\u0105 sam\u0105 atmosfer\u0105, a mo\u017ce i tym samym powietrzem b\u0119dziemy oddycha\u0107 w pierwszych miesi\u0105cach nowego roku. Na pocieszenie zostaje fakt, \u017ce nie mamy do\u015b\u0107 muzyki &#8211; o ile nie macie oczywi\u015bcie. I poni\u017cszy pakiet. W tym nowe The Avalanches.<\/p>\n\n\n<!--more-->\n\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jtLxd__8oIA\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n\n\n<p><strong>PREMIERY P\u0141YTOWE GRUDNIA 2020<\/strong><\/p>\n<p><strong>1.12 <\/strong><br \/><strong>H\u00e6ra &amp; Distope<\/strong> Light Pollution, BAS <br \/><strong>J.R. Bohannon, Ben Greenberg &amp; Ryley Walker<\/strong> For Michael Ripps <br \/><strong>Rempis \/ Parker \/ Flaten \/ Cunningham<\/strong> Stringers &amp; Struts, Catalytic-Sound<br \/><strong>Rafa\u0142 Mazur &amp; Satoko Fujii, Guillermo Gregorio, Natsuki Tamura, Artur Majewski, Ramon Lopez<\/strong> The Great Tone has No Sound, Fundacja S\u0142uchaj<\/p>\n<p><strong>2.12 <\/strong><br \/><strong>Ichiko Aoba<\/strong> \u30a2\u30c0\u30f3\u306e\u98a8 <br \/><strong>Serph<\/strong> Skylapse, Noble<\/p>\n<p><strong>3.12 <\/strong><br \/><strong>Nils Frahm<\/strong> Tripping with Nils Frahm, Erased Tapes<\/p>\n<p><strong>4.12 <\/strong><br \/><strong>35mm<\/strong> Heartache Is Such a Dirty Business, Ropeadope <br \/><strong>Anthroprophh<\/strong> German Oak, Cardinal Fuzz <br \/><strong>Arctic Monkeys<\/strong> Live at the Royal Albert Hall, Domino <br \/><strong>Bob Dylan<\/strong> 50th Anniversary Collection 1970, Columbia arch.<br \/><strong>Brady Cohan<\/strong> Studies Vol. 1, Phantom Limb <br \/><strong>Calexico<\/strong> Seasonal Shift, City Slang <br \/><strong>Chris Abrahams &amp; Mike Cooper<\/strong> Praxis, Room40 <br \/><strong>Cyclone Trio<\/strong> Electric, 577 Records <br \/><strong>Daniel O&#8217;Sullivan &amp; Richard Youngs<\/strong> Twelve of Hearts, O Genesis <br \/><strong>Deafheaven<\/strong> 10 Years Gone, Sargent House <br \/><strong>Dezron Douglas &amp; Brandee Younger<\/strong> Force Majeure, International Anthem<br \/><strong>Dokt\u00f3r Ha\u0142aba\u0142a<\/strong> 7 zb\u00f3j\u00f3w, MTJ <br \/><strong>Elif Yalvac<\/strong> Mountains Become Stepping Stones, NNA Tapes <br \/><strong>Fanfara Awantura<\/strong> Prawdziwie Polskie Techno, NoPaper <br \/><strong>Half Japanese<\/strong> Crazy Hearts, Fire <br \/><strong>Hawkwind<\/strong> 50 Live, Cherry Red <br \/><strong>High Contrast<\/strong> Notes from the Underground, 3Beat <br \/><strong>Janka<\/strong> Hanka Dub Remixed, U Know Me EP<br \/><strong>Joan Of Arc<\/strong> Tim Melina Theo Bobby, Joyful Noise <br \/><strong>Kelly Moran \/ Prurient Chain<\/strong> Reaction at Dusk, Hospital <br \/><strong>Laura Groves<\/strong> A Private Road, Bella Union EP<br \/><strong>Laura Marling<\/strong> Live from Union Chapel, Partisan EP<br \/><strong>Lindstr\u00f8m<\/strong> Little Drummer Boy, Smalltown Supersound EP<br \/><strong>Loopdrive<\/strong> Forged Sketches, Guides <br \/><strong>Lunar Horns<\/strong> Bola, Nona <br \/><strong>Macie Stewart &amp; Lia Kohl<\/strong> Recipe for a Boiled Egg, Astral Spirits <br \/><strong>Nicholas Lens &amp; Nick Cave<\/strong> Litanies, Deutsche Grammophon <br \/><strong>Nick Millevoi<\/strong> Streets of Philadelphia <br \/><strong>Phantom Horse<\/strong> Mehr Null, Umor Rex <br \/><strong>Rico Nasty<\/strong> Nightmare Vacation, Sugar Trap <br \/><strong>Savages<\/strong> Jazzpercesek <br \/><strong>Semprey<\/strong> Balanga, Ta\u0144ce DL<br \/><strong>Shawn Mendes<\/strong> Wonder, Island <br \/><strong>Sigur R\u00f3s, Hilmar \u00d6rn Hilmarsson, Steind\u00f3r Andersen &amp; Mar\u00eda Huld<\/strong> <strong>Markan Sigf\u00fasd\u00f3ttir<\/strong> Odin&#8217;s Raven Magic, Krunk <br \/><strong>Son Lux<\/strong> Tomorrows II, City Slang <br \/><strong>Steve Lacy<\/strong> The Lo-fis <br \/><strong>SUSS<\/strong> Promise, Northern Spy <br \/><strong>The Dave Brubeck Quartet<\/strong> Time OutTakes (Previously Unreleased Takes From the Original 1959 Sessions) <br \/><strong>The Decemberists<\/strong> Live Home Library vol. 1: August 11, 2009 <br \/><strong>The White Stripes<\/strong> Greatest Hits, Third Man arch.<br \/><strong>Tori Amos<\/strong> Christmastide, Decca EP<br \/><strong>Tutti Harp<\/strong> Unfinished Patches vol.1, Shimmering Moods <br \/><strong>VA<\/strong> M\u0119skie Granie 2020, Mystic <br \/><strong>WZRDRYAV<\/strong> West Coast Systems, Line<\/p>\n<p><strong>7.12 <\/strong><br \/><strong>Gadi Sassoon<\/strong> Multiverse, A Strange Isolated Place <br \/><strong>The Ibrahim Khalil Shihab Quintet<\/strong> Spring, Matsuli<\/p>\n<p><strong>8.12<\/strong> <br \/><strong>Phurpa<\/strong> LTA\u200b-\u200bZOR, Zoharum <br \/><strong>Piotrowicz\/Smelczy\u0144ska\/Barski\/G\u0119ca Canti Spazializzati x Radio \u017byjnia<\/strong> #4 &#8211; Piotrowicz\/Smelczy\u0144ska\/Barski\/G\u0119ca, Sound Art Forum\/Canti Illuminati DL<br \/><strong>Tatvamasi<\/strong> The Third Ear Music, Audio Cave CD, DL<\/p>\n<p><strong>11.12 <\/strong><br \/><strong>75 Dollar Bill Little Big Band<\/strong> Live at Tubby&#8217;s <br \/><strong>Aksak Maboul<\/strong> Un Ca\u00efd (EP), Crammed Discs <br \/><strong>Belle &amp; Sebastian<\/strong> What to Look for in Summer, Matador <br \/><strong>Binker and Moses<\/strong> Escape the Flames, Gearbox <br \/><strong>Bombay Bicycle Club<\/strong> I Had The Blues But I Shook Them Loose \u2013 Live At Brixton, Mmm&#8230; <br \/><strong>Boris &amp; Merzbow<\/strong> 2R0I2P0, Relapse <br \/><strong>Dave Matthews Band<\/strong> Live Trax Vol. 54: 11.9.96 &#8211; Cow Palace &#8211; Daly City, CA, Bama Rags <br \/><strong>Doug Carn, Ali Shaheed Muhammad, Adrian Younge<\/strong> Doug Carn JID005, Jazz Is Dead <br \/><strong>Ensemble Gamut!<\/strong> Ut, Eclipse <br \/><strong>Eraldo Bernocchi &amp; Hoshiko Yamane<\/strong> Mujo, Denovali <br \/><strong>Foster The People<\/strong> In the Darkest of Nights, Let the Birds Sing, EP<br \/><strong>Hallelujah Chicken Run Band<\/strong> Take One, Analog Africa <br \/><strong>In Place<\/strong> Half Life, FPE <br \/><strong>James Blake<\/strong> Covers, EP<br \/><strong>Jeff Zeigler &amp; Dash Lewis<\/strong> Eraserhood, Atlantic Rhythms <br \/><strong>Kacy &amp; Clayton &amp; Marlon Williams<\/strong> Plastic Bouquet, New West <br \/><strong>Landshapes<\/strong> Contact, Bella Union <br \/><strong>Lanterns On The Lake<\/strong> The Realist, Bella Union EP<br \/><strong>M. Ward<\/strong> Think of Spring, Anti-\/Epitaph <br \/><strong>Mansur<\/strong> Karma, Denovali <br \/><strong>Nil\u00fcfer Yanya<\/strong> Feeling Lucky?, ATO EP<br \/><strong>O.S.T.R. &amp; Hades<\/strong> HAO2, Asfalt <br \/><strong>Oh Sees<\/strong> Panther Rotate, Castle Face <br \/><strong>Pierre Barouh<\/strong> Le Pollen, WRWTFWW <br \/><strong>Salami Rose Joe<\/strong> Lewis Chapters of Zdenka, Brainfeeder <br \/><strong>SK.EIN<\/strong> Crossfades, Coastline Northern Cuts LP, CD, DL<br \/><strong>The Avalanches<\/strong> We Will Always Love You, Modular <br \/><strong>The Kilimanjaro Darkjazz Ensemble<\/strong> Here Be Dragons, Denovali <br \/><strong>The Mount Fuji Doomjazz Corporation<\/strong> Anthropomorphic, Denovali <br \/><strong>Tia Maria Produ\u00e7\u00f5es<\/strong> Lei da tia Maria, Principe <br \/><strong>UMO Helsinki Jazz Orchestra<\/strong> Music of Haarla, Heinil\u00e4, Kasurinen &amp; R\u00f6nk\u00e4, Eclipse <br \/><strong>VA<\/strong> Cyberpunk 2077: Radio Vol 1<\/p>\n<p><strong>14.12 <\/strong><br \/><strong>Akhlys<\/strong> Melino\u00eb, Debemur <br \/><strong>Iggy Not Pop x Tap3s<\/strong> Powiedz mi co\u015b wi\u0119cej, vinylove.me LP<\/p>\n<p><strong>15.12 <\/strong><br \/><strong>Sun Ra Arkestra<\/strong> Sun Ra Quartet &#8211; featuring John Gilmore : The Sky Is A Sea Of Darkness When There Is No Sun To Light The Way, Art Yard arch.<\/p>\n<p><strong>16.12 <\/strong><br \/><strong>Hans Zimmer<\/strong> Dune, WaterTower<\/p>\n<p><strong>18.12 <\/strong><br \/><strong>Caos Sonoro<\/strong> The Chaos in the Old World, Antenna Non Grata MC, DL<br \/><strong>David Allred<\/strong> Felt the Transition <br \/><strong>Frana<\/strong> Disastersss, Antena Krzyku <br \/><strong>Happy Pills<\/strong> LoFi, Don&#8217;t Sit On My Vinyl 2&#215;10&#8243; ltd.<br \/><strong>Nubiyan Twist<\/strong> Freedom Fables, Strut<br \/><strong>Paul McCartney<\/strong> McCartney III, Capitol <br \/><strong>Pye Corner Audio<\/strong> Black Mill Tapes (10th Anniversary Box), Lapsus reed. box<br \/><strong>Reviriego \/ Peyghambari \/ Trilla<\/strong> M\u00f6hit, Gusstaff\/Don&#8217;t Sit On My Vinyl<br \/><strong>Sabir Mateen, Christopher Dell, Christian Ramond, Klaus Kugel<\/strong> Creation, 577 Records <br \/><strong>Trent Reznor and Atticus Ross<\/strong> Soul, Walt Disney <br \/><strong>VA<\/strong> Cyberpunk 2077: Radio Vol 2 <br \/><strong>Vasco Trilla \/ Soheil Peyghambari \/ Alex Reviriego<\/strong> M\u00f6hit, Don&#8217;t Sit On My Vinyl 12&#8243; ltd.<\/p>\n<p><strong>19.12 <\/strong><br \/><strong>Ryszard Lubieniecki<\/strong> Kompozycje izorytmiczne, Nasze Nagrania CD<\/p>\n<p><strong>23.12 <\/strong><br \/><strong>Piksele<\/strong> Martwe, Czarprys\u0142<\/p>\n<p><strong>31.12 <\/strong><br \/><strong>VA<\/strong> EVP. Sounds in the Distance, Antenna Non Grata CD, CDL<\/p>\n\n\n<iframe loading=\"lazy\" width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Y17xKjMmM-U\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"><\/iframe>\n","protected":false},"excerpt":{"rendered":"<p>Najbardziej cieszy mnie fakt, \u017ce nie mam jeszcze dosy\u0107 muzyki. Nie, to nie moje s\u0142owa, cho\u0107 pewnie mog\u0142yby by\u0107 moje. To powiedzia\u0142 Paul McCartney, kiedy sytuacja zmusi\u0142a go do siedzenia w domu, a siedzenie w domu &#8211; do nagrania kolejnej p\u0142yty. To historia ca\u0142ego tego roku w pigu\u0142ce. Du\u017co wi\u0119cej tych premier si\u0119 ju\u017c nie [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27572,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582,3,1,4009,4,2695],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27568"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27568"}],"version-history":[{"count":10,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27568\/revisions"}],"predecessor-version":[{"id":27608,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27568\/revisions\/27608"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27572"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27568"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27568"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}