
{"id":27594,"date":"2020-12-04T12:04:15","date_gmt":"2020-12-04T11:04:15","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27594"},"modified":"2020-12-04T19:01:19","modified_gmt":"2020-12-04T18:01:19","slug":"liczba-premier-prawie-jak-wicepremier","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2020\/12\/04\/liczba-premier-prawie-jak-wicepremier\/","title":{"rendered":"Wysoka liczba premier"},"content":{"rendered":"<p>To jest ten moment, kiedy j\u0119zyk zas\u0142ania muzyk\u0119. Mnie przynajmniej trwaj\u0105cy w ostatnich tygodniach wy\u015bcig o <em>sasina<\/em> i <em>julk\u0119<\/em> utrudnia\u0142 nieco prac\u0119 nad blogiem. Liczbowo wygra\u0142 <em>sasin <\/em>(cho\u0107 nie oddano na niego nawet 1 sasina g\u0142os\u00f3w), ale wiele to nie zmienia. Kapitu\u0142a plebiscytu na M\u0142odzie\u017cowe S\u0142owo Roku, w kt\u00f3rej od kilku lat zasiadam, <a href=\"https:\/\/sjp.pwn.pl\/mlodziezowe-slowo-roku\/Rozstrzygniecie-plebiscytu;202299.html\">og\u0142osi\u0142a werdykt<\/a>, nie wybieraj\u0105c tym razem zwyci\u0119zcy. Mo\u017cna by\u0142o si\u0119 oczywi\u015bcie opowiedzie\u0107 po stronie <em>wypierdala\u0107<\/em> czy wspomnianego <em>sasina<\/em>, mo\u017cna by\u0142o po stronie <em>julki<\/em>. \u017bycie jest generalnie prostsze, je\u015bli opowiesz si\u0119, albo nawet zaanga\u017cujesz po jednej ze stron, bo ataki przychodz\u0105 wtedy tylko z jednej strony. A ludzie lubi\u0105 sobie upraszcza\u0107 \u017cycie i chroni\u0107 si\u0119 przed negatywnym oddzia\u0142ywaniem zewn\u0119trznego \u015bwiata (vide r\u00f3wnie\u017c zg\u0142aszany do tegorocznego plebiscytu <em>foliarz<\/em>). I ja to nawet rozumiem, a pogl\u0105dy mam. Tylko \u017ce akurat plebiscyty na s\u0142owo roku nie s\u0105 narz\u0119dziem linczu czy aren\u0105 wykluczania, wydaje mi si\u0119 wi\u0119c, \u017ce nie mo\u017cna by\u0142o post\u0105pi\u0107 inaczej. Przyjdzie nam pewnie &#8211; jako czteroosobowej grupie juror\u00f3w (pozdrowienia!) &#8211; zebra\u0107 baty od jednych i drugich. Przygotuj\u0119 sobie wiadro popcornu i b\u0119d\u0119 ocenia\u0142 te ataki i komentarze w kategoriach za styl &#8211; w prywatnym plebiscycie &#8211; i ewentualnie reagowa\u0142 M\u0142odzie\u017cowym S\u0142owem Roku 2017. Mam te\u017c du\u017co do s\u0142uchania, ale refleksjami z tych ods\u0142uch\u00f3w podziel\u0119 si\u0119 nieco p\u00f3\u017aniej. Poni\u017cej pi\u0105tkowa lista premier, bardzo d\u0142uga, ostatnia tak d\u0142uga w tym roku, cho\u0107 te\u017c nijak si\u0119 ma do \u015bwiata du\u017cych warto\u015bci zwi\u0105zanego z nazwiskiem na S.\u00a0 \u00a0\u00a0<\/p>\n\n\n<!--more-->\n\n\n\n\n<p><strong>PREMIERY P\u0141YTOWE TYGODNIA<\/strong><\/p>\n<p>28.11 <strong>Kevin Drumm<\/strong> Old Masters <br \/>29.11 <strong>Drah<\/strong> Brud, Pasa\u017cer\/Mordor <br \/>30.11 <strong>DMNSZ<\/strong> Nocturnal Animals, Antenna Non Grata CD, DL<br \/>30.11 <strong>Dynasonic<\/strong> Dynasonic #2 Bootleg, Czarny Kot\/Dym <br \/>30.11 <strong>Perko<\/strong> Galerie, Posh Isolation <br \/>30.11 <strong>Romance<\/strong> Remember This, Ecstatic <br \/>1.12 <strong>Balam Acab<\/strong> Christmas Euphoria <br \/>1.12 <strong>H\u00e6ra &amp; Distope<\/strong> Light Pollution, BAS <br \/>1.12 <strong>J.R. Bohannon, Ben Greenberg &amp; Ryley Walker<\/strong> For Michael Ripps <br \/>1.12 <strong>Mike Cooper<\/strong> Playing with Water <br \/>1.12 <strong>Rafa\u0142 Mazur &amp; Satoko Fujii, Guillermo Gregorio, Natsuki Tamura, Artur Majewski, Ramon Lopez<\/strong> The Great Tone Has No Sound, Fundacja S\u0142uchaj <br \/>1.12 <strong>Rempis \/ Parker \/ Flaten \/ Cunningham<\/strong> Stringers &amp; Struts, Catalytic-Sound <br \/>1.12 <strong>Space Quartet<\/strong> Under the Sun <br \/>2.12 <strong>Ichiko Aoba<\/strong> \u30a2\u30c0\u30f3\u306e\u98a8 <br \/>2.12 <strong>Serph<\/strong> Skylapse, Noble <br \/>3.12 <strong>Bill Orcutt<\/strong> Reasons I Am Great <br \/>3.12 <strong>Giovanni Gramegna\/AR.MA.<\/strong> Giovanni Gramegna &#8222;Noise study&#8221;\u200b\/\u200bAR\u200b.\u200bMA. &#8222;Insect hunter&#8221;, Pla\u017ca Zachodnia <br \/>3.12 <strong>Jan LF Strach<\/strong> Efemeroid 1: P\u0142ywanie w Mimoceanie\u00a0<br \/>3.12 <strong>Nils Frahm<\/strong> Tripping with Nils Frahm, Erased Tapes <br \/>3.12 <strong>Spivak<\/strong> \u039c\u03b5\u03c4\u03ac \u03a4\u03bf \u03a1\u03ad\u03b9\u03b2, Ecstatic <br \/><strong>35mm<\/strong> Heartache Is Such a Dirty Business, Ropeadope <br \/><strong>Al\u00ebna Korol\u00ebva<\/strong> Shadows of Mtatsminda, Szara Reneta MC, DL<br \/><strong>Anthroprophh<\/strong> German Oak, Cardinal Fuzz <br \/><strong>Aonghus McEvoy<\/strong> Responses, Fort Evil Fruit <br \/><strong>Arctic Monkeys<\/strong> Live at the Royal Albert Hall, Domino <br \/><strong>Bob Dylan<\/strong> 50th Anniversary Collection 1970, Columbia arch.<br \/><strong>Brady Cohan<\/strong> Studies Vol. 1, Phantom Limb <br \/><strong>Calexico<\/strong> Seasonal Shift, City Slang <br \/><strong>Ch\u0142opcy Kontra Basia<\/strong> Mr\u00f3wka zombie, Mystic<br \/><strong>Chris Abrahams &amp; Mike Cooper<\/strong> Praxis, Room40 <br \/><strong>Cyclone Trio<\/strong> Electric, 577 Records <br \/><strong>Daniel O&#8217;Sullivan &amp; Richard Youngs<\/strong> Twelve of Hearts, O Genesis <br \/><strong>Deafheaven<\/strong> 10 Years Gone, Sargent House <br \/><strong>Dexter Story<\/strong> Seasons, Soundway <br \/><strong>Dezron Douglas &amp; Brandee Younger<\/strong> Force Majeure, International Anthem <br \/><strong>Elif Yalvac<\/strong> Mountains Become Stepping Stones, NNA Tapes <br \/><strong>Fanfara Awantura<\/strong> Prawdziwie Polskie Techno, NoPaper <br \/><strong>Free The ID<\/strong> No Rest Among Angels, Northern Electronics <br \/><strong>Half Japanese<\/strong> Crazy Hearts, Fire <br \/><strong>Hawkwind<\/strong> 50 Live, Cherry Red <br \/><strong>High Contrast<\/strong> Notes from the Underground, 3Beat <br \/><strong>Janka<\/strong> Hanka Dub Remixed, U Know Me EP<br \/><strong>Joan Of Arc<\/strong> Tim Melina Theo Bobby, Joyful Noise <br \/><strong>Kelly Moran \/ Prurient<\/strong> Chain Reaction at Dusk, Hospital <br \/><strong>Laura Cannell &amp; Kate Ellis<\/strong> Winter Rituals EP, Brawl <br \/><strong>Laura Groves<\/strong> A Private Road, Bella Union EP<br \/><strong>Laura Marling<\/strong> Live from Union Chapel, Partisan EP<br \/><strong>Lawrence English and Stephen Vitiello<\/strong> Acute Inbetweens, Room40 <br \/><strong>Lindstr\u00f8m<\/strong> Little Drummer Boy, Smalltown Supersound EP<br \/><strong>Lingua Ignota<\/strong> The Caligula Demos <br \/><strong>Loopdrive<\/strong> Forged Sketches, Guides <br \/><strong>Lunar Horns<\/strong> Bola, Nona<br \/><strong>Lustmord + Nicolas Horvath<\/strong> The Fall \/ Dennis Johnson&#8217;s November Deconstructed Sub Rosa <br \/><strong>\u0141ukasz Suchy<\/strong> Rzesz\u00f3w-Wroc\u0142aw, Szara Reneta MC, DL<br \/><strong>Macie Stewart &amp; Lia Kohl<\/strong> Recipe for a Boiled Egg, Astral Spirits <br \/><strong>Matthew Bourne<\/strong> Moogmemory Plus Remixes <br \/><strong>Monster Hurricane Wihajster<\/strong> U nas dobrze, cho\u0107 troch\u0119 strzyka w kolanach, Szara Reneta MC, DL<br \/><strong>Nicholas Lens &amp; Nick Cave<\/strong> Litanies, Deutsche Grammophon <br \/><strong>Nick Millevoi<\/strong> Streets of Philadelphia <br \/><strong>Phantom Horse<\/strong> Mehr Null, Umor Rex <br \/><strong>Red City Radio<\/strong> Paradise, Pure Noise <br \/><strong>Rico Nasty<\/strong> Nightmare Vacation, Sugar Trap<br \/><strong>Rivet<\/strong> On Feather and Wire, Editions Mego <br \/><strong>Robert Curgenven<\/strong> Ar Ais Ar\u00eds, Fort Evil Fruit <br \/><strong>Robbie Basho<\/strong> Selections from Song of the Avatars : The Lost Master Tapes, Tompkins Square <br \/><strong>Ryan Jewell, Rafael Toral<\/strong> Live in Lisbon <br \/><strong>Sarah Davachi<\/strong> Laurus, Late Music MC, DL<br \/><strong>Savages<\/strong> Jazzpercesek <br \/><strong>Semprey<\/strong> Balanga, Ta\u0144ce DL<br \/><strong>Shawn Mendes<\/strong> Wonder, Island <br \/><strong>Sigur R\u00f3s, Hilmar \u00d6rn Hilmarsson, Steind\u00f3r Andersen &amp; Mar\u00eda Huld Markan Sigf\u00fasd\u00f3ttir<\/strong> Odin&#8217;s Raven Magic, Krunk <br \/><strong>Son Lux<\/strong> Tomorrows II, City Slang <br \/><strong>Steve Lacy<\/strong> The Lo-fis <br \/><strong>SUSS<\/strong> Promise, Northern Spy <br \/><strong>The Dave Brubeck Quartet<\/strong> Time OutTakes (Previously Unreleased Takes From the Original 1959 Sessions) <br \/><strong>The Decemberists<\/strong> Live Home Library vol. 1: August 11, 2009 <br \/><strong>The White Stripes<\/strong> Greatest Hits, Third Man arch.<br \/><strong>These New Puritans<\/strong> Hidden [MMXX], Domino reed.<br \/><strong>Tony Buck<\/strong> 26.12.10, Room40 <br \/><strong>Tori Amos<\/strong> Christmastide, Decca EP<br \/><strong>Trondheim Voices<\/strong> Folklore, Hubro <br \/><strong>Tutti Harp<\/strong> Unfinished Patches vol.1, Shimmering Moods <br \/><strong>VA<\/strong> Catalog Compendium Vol. 5, RVNG Intl <br \/><strong>VA<\/strong> M\u0119skie Granie 2020, Mystic <br \/><strong>VA<\/strong> TRL 2020, Temporary Residence <br \/><strong>Varg\u00b2&#x2122; &amp; Exploited Body<\/strong> Etsin turvaa, Northern Electronics <br \/><strong>WZRDRYAV<\/strong> West Coast Systems, Line <br \/><strong>Yannick Dauby<\/strong> Penghu Experimental Sound Studio Vol\u200b.\u200b3, Discrepant<br \/><strong>Yo La Tengo<\/strong> The Sounds of the Sounds of Science DL<\/p>\n<p><em>Powy\u017csze tytu\u0142y ukaza\u0142y si\u0119 4 grudnia, a je\u015bli by\u0142o inaczej, to oznaczy\u0142em je inn\u0105 dat\u0105\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>To jest ten moment, kiedy j\u0119zyk zas\u0142ania muzyk\u0119. Mnie przynajmniej trwaj\u0105cy w ostatnich tygodniach wy\u015bcig o sasina i julk\u0119 utrudnia\u0142 nieco prac\u0119 nad blogiem. Liczbowo wygra\u0142 sasin (cho\u0107 nie oddano na niego nawet 1 sasina g\u0142os\u00f3w), ale wiele to nie zmienia. Kapitu\u0142a plebiscytu na M\u0142odzie\u017cowe S\u0142owo Roku, w kt\u00f3rej od kilku lat zasiadam, og\u0142osi\u0142a werdykt, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":27597,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[582],"tags":[],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27594"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27594"}],"version-history":[{"count":10,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27594\/revisions"}],"predecessor-version":[{"id":27605,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27594\/revisions\/27605"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27597"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}