{"id":27853,"date":"2021-01-05T09:26:24","date_gmt":"2021-01-05T08:26:24","guid":{"rendered":"http:\/\/polifonia.blog.polityka.pl\/?p=27853"},"modified":"2021-01-05T09:26:26","modified_gmt":"2021-01-05T08:26:26","slug":"44-plyty-roku-2020-swiat","status":"publish","type":"post","link":"https:\/\/blog.polityka.pl\/polifonia\/2021\/01\/05\/44-plyty-roku-2020-swiat\/","title":{"rendered":"44 p\u0142yty roku 2020 – \u015bwiat"},"content":{"rendered":"

\"\"<\/p>\n\n\n\n\n\n

AGAINST ALL LOGIC 2017-2019<\/em><\/strong>, Other People wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0 \u00a0
AKSAK MABOUL Figures<\/em><\/strong>, Crammed Discs wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
BEATRICE DILLON Workaround<\/em><\/strong>, PAN wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
BOB DYLAN Rough and Rowdy Ways<\/em><\/strong>, Columbia wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
CLARICE JENSEN The Experience of Repetition as Death<\/em><\/strong>, FatCat\/130107 wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
CLIPPING. Visions of Bodies Being Burned<\/em><\/strong>, Sub Pop wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
FIONA APPLE Fetch the Bolt Cutters<\/em><\/strong>, Epic wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
FONTAINES D.C. A Hero\u2019s Death<\/em><\/strong>, Partisan wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
GIL SCOTT-HERON \/ MAKAYA McCRAVEN We\u2019re New Again. A Reimagining by Makaya McCraven<\/em><\/strong>, XL wi\u0119cej<\/a>\u00a0 \u266b<\/a>
GORILLAZ Song Machine, Season One<\/em><\/strong>, Parlophone wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
\u9752\u8449\u5e02\u5b50 [ICHIKO AOBA] \u30a2\u30c0\u30f3\u306e\u98a8 [Windswept Adan]<\/em><\/strong>, Hermine\u00a0 \u266b<\/a>\u00a0
IRREVERSIBLE ENTANGLEMENTS Who Sent You?<\/em><\/strong>, International Anthem wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
JEFF PARKER Suite for Max Brown<\/em><\/strong>, International Anthem wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
JESSIE WARE What\u2019s Your Pleasure<\/em><\/strong>, Virgin EMI wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
JESSY LANZA All the Time<\/em>, <\/strong>Hyperdub wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
JIM O\u2019ROURKE Shutting Down Here<\/em><\/strong>, Portraits GRM wi\u0119cej<\/a>\u00a0 \u266b<\/a>
KATE NV Room for the Moon<\/em>, <\/strong>RVNG Intl wi\u0119cej<\/a> \u266b<\/a>
LAURA CANNELL The Earth with Her Crown<\/em>s<\/strong>, Brawl wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
LAURA MARLING Song for Our Daughter<\/em><\/strong>, Partisan\/Chrysalis wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
LYRA PRAMUK Fountain<\/em><\/strong>, Bedroom Community wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
<\/strong>MARY HALVORSON\u2019S CODE GIRL Artlessly Falling<\/em><\/strong>, Firehouse 12 wi\u0119cej <\/a>\u266b<\/a>\u00a0\u00a0
MATTHEW TAVARES & LELAND WHITTY Visions<\/em><\/strong>, Mr Bongo wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
MOOR MOTHER Circuit City<\/em><\/strong>, Don Giovanni wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
MOOR MOTHER & BILLY WOODS Brass<\/em><\/strong>, Backwoodz Studioz wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
MOSES SUMNEY gr\u00e6<\/em><\/strong>, Jagjaguwar wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0 \u00a0
NICOLAS JAAR Telas<\/em><\/strong>, Other People wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
NIHILOXICA Kaloli<\/em><\/strong>, Crammed Discs wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
OKKYUNG LEE Yeo-Neun<\/em><\/strong>, Shelter Press wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
PETER EVANS Being & Becoming<\/em><\/strong>, More Is More wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
PHOEBE BRIDGERS Punisher<\/em><\/strong>, Dead Oceans wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
RHODRI DAVIES Telyn Rawn<\/em><\/strong>, Amgen wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
ROB MAZUREK \/ EXPLODING STAR ORCHESTRA Dimensional Stardust<\/em><\/strong>, International Anthem wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
RUN THE JEWELS RTJ4<\/em><\/strong>, RBC wi\u0119cej<\/a>\u00a0 \u266b<\/a>
SARAH DAVACHI Cantus, Descant<\/em><\/strong>, Late Music wi\u0119cej<\/a>\u00a0 \u266b<\/a>
SAULT Untitled (Rise)<\/em><\/strong>, Forever Living Originals wi\u0119cej<\/a> \u266b<\/a>
SHABAKA AND THE ANCESTORS We Are Sent Here By History<\/em><\/strong>, Impulse! wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
THE AVALANCHES We Will Always Love You<\/em><\/strong>, Modular wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
THE NECKS Three<\/em><\/strong>, Fish of Milk\/Northern Spy wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
THE SOFT PINK TRUTH Shall We Go On Sinning So That Grace May Increase?<\/em><\/strong>, Thrill Jockey wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
TONY ALLEN & HUGH MASEKELA Rejoice<\/em><\/strong>, World Circuit wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
TUNES OF NEGATION Like the Stars Frever and Ever<\/em><\/strong>, Cosmo Rhythmatic wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
WILMA ARCHER A Western Circular<\/em><\/strong>, Weird World wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0
YVES TUMOR Heaven to a Tortured Mind<\/em><\/strong>, Warp wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0\u00a0
ZEITKRATZER & MARIAM WALLENTIN „Shape of Jazz To Com<\/em>e”<\/strong>, Zeitkratzer\/Bocian wi\u0119cej<\/a>\u00a0 \u266b<\/a>\u00a0<\/p>\n

wi\u0119cej = tekst na Polifonii lub w\u00a0Polityce
\u266b = ods\u0142uch<\/em><\/p>\n

Kolejno\u015b\u0107 jak zwykle alfabetyczna. Konkurencja jak zwykle (ostatnio) do\u015b\u0107 r\u00f3wna. Sens tego wyboru to (jak zwykle) wyb\u00f3r tej grupy p\u0142yt, kt\u00f3re najtrudniej by\u0142o mi wyeliminowa\u0107 ze \u015bcis\u0142ej rocznej czo\u0142\u00f3wki. Mimo to zostawi\u0142em poza ni\u0105 bardzo wiele warto\u015bciowych p\u0142yt. Odsy\u0142am po nie jednak do pozosta\u0142ych wpis\u00f3w. Kto zagl\u0105da\u0142 tu przez ca\u0142y rok, zapewne nie b\u0119dzie bardzo zdziwiony. Kto przez ca\u0142y rok zagl\u0105da\u0142, ten wie, \u017ce by\u0142y i inne ciekawe wydawnictwa.\u00a0<\/em><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":27857,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4499],"tags":[3339,362,4219,4497,383,4111,1788,4454,4474,1217,3957,423,2828,4519,4520,3103,3481,1112,4367,671,3631,4353,86,4273,4382,4361,3419,4272,2644,3014,483,3166,4304,1737,3857,4411,350,1900,4475,4431,2543,2494,1543,4301,3039,4139,4289,2649,511,4521],"_links":{"self":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27853"}],"collection":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/comments?post=27853"}],"version-history":[{"count":7,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27853\/revisions"}],"predecessor-version":[{"id":27862,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/posts\/27853\/revisions\/27862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media\/27857"}],"wp:attachment":[{"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/media?parent=27853"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/categories?post=27853"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.polityka.pl\/polifonia\/wp-json\/wp\/v2\/tags?post=27853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}